Between 1:48-1:58 is the part that really gets me. The way you extend the sol pitch, unlike the original composition, is a truly wonderful change. This performance gives a different flavor of melodic contour in some places while always sounding thoughtful and appropriate. Stumbled upon your album and these videos completely by accident but oh I'm so glad I did. Thank you for sharing your incredible artistry.
Thank you, I'm glad you enjoyed it! I always try to add subtle accents and differences without deviating too far,,,, always staying respectful of the original Composers Artistic concept.
Thank You, that's interesting I was just practicing "Anitras Dance" Today just before you mentioned that, and it's part of the same work. So I might be doing "in the Hall of the Mountain King" sooner than I thought.
Love it, great work! Those are some strong base notes! - Alberto Benitez
Thank You. I know,, the organ just wouldn't have been the same without the low notes!
Between 1:48-1:58 is the part that really gets me. The way you extend the sol pitch, unlike the original composition, is a truly wonderful change. This performance gives a different flavor of melodic contour in some places while always sounding thoughtful and appropriate. Stumbled upon your album and these videos completely by accident but oh I'm so glad I did. Thank you for sharing your incredible artistry.
Thank you, I'm glad you enjoyed it! I always try to add subtle accents and differences without deviating too far,,,, always staying respectful of the original Composers Artistic concept.
Sounds great. Since you did Grieg, you have to play "In the Hall of the Mountain King" all on the pan flute. 😉
Thank You, that's interesting I was just practicing "Anitras Dance" Today just before you mentioned that, and it's part of the same work. So I might be doing "in the Hall of the Mountain King" sooner than I thought.