Hooman Shirali - Oud and Qanun - Enta Omri - Umm Kulthum هومن شیرعلی - عود و قانون

Umm Kulthum was born into a family with a religious background as her father Ibrahim El-Sayyid El-Beltagi was an imam from the Egyptian countryside, her mother was Fatmah El-Maleegi, a housewife.[9] Her place of birth was the village of Tamay e-Zahayra, belonging to the city of Senbellawein, Dakahlia Governorate, in the Nile Delta.[9] Her birth date is unconfirmed, as birth registration was not enforced throughout Egypt at that time. Some sources claim that she was born either on 31 December 1898; 31 December 1904; or 4 May 1904. She learned how to sing by listening to her father teach her older brother, Khalid. From a young age, she showed exceptional singing talent. Through her father, she learned to recite the Qur'an, and she reportedly memorized the entire book.[9] When she was 12 years old, having noticed her strength in singing, her father asked her to join the family ensemble, upon which she joined as a supporting voice, at the beginning just repeating what the others sung.[10] On stage, she wore a boy's cloak and bedouin head covering in order to alleviate her father's anxiety about her reputation and public performance.[10] At the age of 16, she was noticed by Mohamed Abo Al-Ela, a modestly famous singer, who taught her the old classical Arabic repertoire. A few years later, she met the famous composer and oudist Zakariyya Ahmad, who invited her to Cairo. Although she made several visits to Cairo in the early 1920s, she waited until 1923 before permanently moving there. She was invited on several occasions to the home of Amin Beh Al Mahdy, who taught her to play the oud, a type of lute. She developed a close relationship with Rawheya Al-Mahdi, Amin's daughter, and became her closest friend. Umm Kulthum even attended Rawheya's daughter's wedding, although she ordinarily preferred not to appear in public (offstage).
During her early career years, she faced staunch competition from two prominent singers: Mounira El Mahdeya and Fathiyya Ahmad, who had similar voices. El Mahdeya's friend, who worked as an editor at Al-Masra, several times suggested that Umm Kulthum must have married one of the guests who frequently visited her household, to the extent that her father decided to return to the village they came from together with his family.[11] Her father would only change his mind upon the persuasive arguments of Amin Al Mahdi.[11] Following Umm Kulthum made a public statement regarding visits in her household, which she announced she would not receive.[12] in 1923 she struck a contract with Odeon records which by 1926 would pay her more than any other Egyptian musical artist per record.[13]

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