Incredible! Just as I was ravished by the sound of this beautiful concerto come the ads. In the middle of a note. Who's going to watch this travesty? Give it a miss guys. There re other versions of this wonderful piece without the plethora of ads.
ツィマーマンの的確な奏法解釈と楽譜でラヴェルの音響効果としての意図が伝わってきました。ありがとうございます！ Through Zimmerman's precise interpretation and the score, we better understand Ravel's acoustic intention. Thank you!
I’m obsessed. Before finding this recording, I was never satisfied, felt like there was always something missing in the playing. When I first listened to this I felt like Zimerman hit all the right notes (ha). His command of color, timing, and tone is so perfectly Ravelian (his tone at the start, and the glissandos following, perfect). I can’t stop listening.
Did you listen to the Arturo Benedetti Michelangeli recording I think it is also with London Symphony Orchestra? I had a record of it and loved it very much, a great recording.
I wouldn't have expected Zimerman to have sufficient snark for the outer movements. The pensive adagio movement I knew he would ace, but in the end he doesn't have a bad moment anywhere in the concerto. Maestro Boulez is lockstep with him all the way. Sparkling!
Many great recordings of this great concerto. But this one remains my favorite. Not that the others are bad - some really, really great ones among them! Fray, Michelangeli, Aimard - but Zimerman + Boulez ... just perfect!
Très instructif, en plus d'être magnifique. Et quelle interprétation ! L'une de mes préférées avec celle de Martha Argerich dirigée par Emmanuel Krivine, qui n'a rien à voir d'ailleurs ;)
As a composer just from reading the score while listening, I thought it would be unplayable, never thought the bassoon could handle such speed. But I suppose it is an extremely difficult bassoon part :-)
![Maurice Ravel - Piano Concerto for the left hand [With Orchestral Score]](http://i.ytimg.com/vi/flNyZuI1NrY/mqdefault.jpg)
00:23 - I. Allegramente
09:02 - II. Adagio assai
18:25 - III. Presto
Incredible! Just as I was ravished by the sound of this beautiful concerto come the ads. In the middle of a note. Who's going to watch this travesty? Give it a miss guys. There re other versions of this wonderful piece without the plethora of ads.
This concerto shows very well why Ravel is one of the most import composers of the 20th century.
ツィマーマンの的確な奏法解釈と楽譜でラヴェルの音響効果としての意図が伝わってきました。ありがとうございます！
Through Zimmerman's precise interpretation and the score, we better understand Ravel's acoustic intention. Thank you!
I’m obsessed. Before finding this recording, I was never satisfied, felt like there was always something missing in the playing. When I first listened to this I felt like Zimerman hit all the right notes (ha). His command of color, timing, and tone is so perfectly Ravelian (his tone at the start, and the glissandos following, perfect). I can’t stop listening.
What a perfect description. My thoughts exactly
Did you listen to the Arturo Benedetti Michelangeli recording I think it is also with London Symphony Orchestra? I had a record of it and loved it very much, a great recording.
I just saw Jean-Yves Thibaudet play this with the Orchestre Suisse-Romande in Geneva. He was dressed head to toe in Westwood!
you sir did an awesome job. Boulez and Zimmerman, in score format... this is the best
I wouldn't have expected Zimerman to have sufficient snark for the outer movements. The pensive adagio movement I knew he would ace, but in the end he doesn't have a bad moment anywhere in the concerto. Maestro Boulez is lockstep with him all the way. Sparkling!
man that lyrical passage of the begginig of the 1st movement is terrific!
Oh man what a great recording
Indeed
Many great recordings of this great concerto. But this one remains my favorite. Not that the others are bad - some really, really great ones among them! Fray, Michelangeli, Aimard - but Zimerman + Boulez ... just perfect!
Zimmerman is incredible… I love his piano performance. P. Boulez did a great work in the orchestration as well.
great, at least one person who makes a score video! thank you, i enjoy looking at a score while listening. you made my day!
grandious!
Très instructif, en plus d'être magnifique. Et quelle interprétation ! L'une de mes préférées avec celle de Martha Argerich dirigée par Emmanuel Krivine, qui n'a rien à voir d'ailleurs ;)
Motivo 1 (Rítmico y folklórico) 0:23
Motivo 2 (Folklore español) 1:03
Motivo 3 (Corriente Americano) 1:23
Motivo 4 (Melodía contrastante y expresiva) 2:12
I think this is the 🐐 of music, especially mvt. 2!
12:03 is absolutely magical!
It is like it is when God responds to your thoughts or your tears.............
Good song
Best piano concerto ever
Totally agree. Absolute perfecion in every note!
What is Frusta?
Whip, sometimes referred to as Slapstick
Cool
17:13 ..................... ............................ .................................
Esto es como la ingravidez ha de sonar🤩🪂🛸🛰️😍
17:57 who is playing that??? Are those overtones from the Bassoon?
the bassoon part got me like o_o
Lol I’m scared to play it
@@nyancs7098 which, the semis in mvt 3 or the super high stuff in the first?
@@somebody9033 my alt high e fingering just doesn’t work lol and the semiquavers just look silly
As a composer just from reading the score while listening, I thought it would be unplayable, never thought the bassoon could handle such speed. But I suppose it is an extremely difficult bassoon part :-)
@@nilsfrederking62 I play the bassoon and we NEED interesting parts - a good bassonist can just play as complicated stuff as flutes and clarinets ;)
4:21 8:30 18:37
Did Ravel actually named the Concerto "G Major'"? Apart from the beginning, this is not very used... The 2nd mov. is a bit E major
It was either that or calling it the Both-Hands Concerto 🙃
its a pretty standard naming convention i think
7:25
My favorite point 😍❤
20:23 내가 가장 좋아하는 바순 솔로
Bruh what clarinet player hurt this man
4:11
8:25