MarcoFrisoniNJM: I was so glad to see in this video that you mentioned that painting is NOT a linear process. You have to go back and forth sometimes and, there is always some tone to recapture when it has been lost. It was an honest interpretation and I applaud that.
I'm glad you put the model with a full spin around in both a black and white background. I always get nervous i'm missing something when they're only shown on a black background.Looking forward to trying some extreme lighting for the first time in the coming weeks
This video finally unlocked in my minds' eye exactly how I need to paint my Kingdom Death models. I've fought with this vision for actual, literal years, hemming and hawwing and gnashing my teeth because I could never actually visualize what it is that I want, and that indecision has kept me from even so much as priming single a model for the range to date, but watching this video for the second time through gave me an honest to god 'Eureka' moment and it suddenly all came together. You mention that you can treat your environmental lights as just gigantic, distant OSL lights, but what you didn't mention and what's equally true is the inverse of that statement -- you can treat your OSL lights as just very near and very local environmental lights! The thing that has always bothered me about OSL, especially for lanterns and fires, is how incredibly yellow it always ends up coming out -- but it does not have to be that color. The sun is yellow, but we don't paint the sun's light as yellowing out every part of the miniature that it touches, even if we do paint it as a warm light. Having just spent some time and money shopping for lamps, the comparison to the Kelvin scale for black body light emission jumps to mind -- instead of painting the lantern light at the incandescent, yellow 2400K that people typically paint it at, I could go for a still warm but much more balanced 4000K to 4500K light and make it incredibly intense and bright like it needs to be but without completely washing out the color balance on the models, instead just providing a little bit of visual warmth to the color spread. And this would not be a natural light, either -- a real lantern would be around 2400K, so the traditional approach would be the correct one -- but these are magical lights in the canon so having them look magical and have this magical property makes this a win/win/win in my book. Kingdom Death also canonically has stars up in the sky (ceiling, actually) that provide some minor illumination -- so that then becomes just like in this video a cold, weak, static, zenithal light from above, to provide stark contrast to the slightly warm, incredibly vibrant, local and dynamic light from the lanterns of the model, and now instead of having a table dotted with yellow bubbles blasting out the other colors on the table, I've got a table full of miniatures with coherent top down zenithal lighting but also dynamic and even heroic warm light coming from OSL effects on their own models that actually HIGHLIGHT the model on the table and make it pop in its own unique, individual way. Time to clean the painting table off. Lets get to it. I haven't been this excited to paint in... maybe ever.
Waoouh ! This is absolutely amazing! This video for me, since I'm an old school painter, is a revolution. I don't know anything about technics used but it works quite weel
Leave a like to boost the diffusion of the video and set a reminder for the premiere!!! This is an exaggerated light setting created to be purposely over top to challenge my ability to render complicated scenes and a super fun project that I had the need to paint to properly set in my hands and brain my newfound understanding of cinematic lights and storytelling in miniatures!
Wow, that's extreme but totally convincing. Got to head over and watch the real time brushwork to follow the building of chromatic lights with the airbrush and then the accent and texture work with the actual brush. A ton to absorb in this one
Incredible as always, and I'm sure plenty of us appreciate you calling out time and precision as not as they seem in the videos. Nothing this elaborate is either easy or fast.
Nice video. Light is such an important topic. There are lots of videos showing how to replicate an osl effect in the same way as the tutorial, but not enough on how different lights and cast shadows will look from different angles starting with mastering basic shapes, then moving to faces and more advanced shapes and scenes. Disney Animator Aaron Blaise's How to Paint Light video series does an amazing job of this. I would love to see that entire series on painting light re-imagined in a miniature specific context. It could be the go to for teaching new painters how to shade and highlight models.
Such a piece of art! Congrats on the bigger & better resin printing gear. I'll go back to your airbrush video tutorials because I am still struggling with getting the initial volumes right.
Incredible and seemingly unreachable quality... Bravissimo! Do you often paint gaming models, for example - infinity, with such approach (inks onto the pre-shaded surface). Or this approach is more suitable for display models of larger scale?
For the wash and cure station, I get much better cure results by using water-curing. I just drop my models in the plastic pickle jar filled with water. The jar fits perfectly on the curing station disk. It lets light bounce around much better and it keeps the oxidation that ruins UV curing down to a minimum. Give it a shot sometime. I reuse my water for a long time before it needs changing.
Marco, I am extremely happy to have joined your patreon, you are now officially my chief Patron, Patron Marco of Paintville!! I will build a mini temple in your honour and spill some blood for the blood god on it's hallowed alter! Seriously looking forward to watching you work in real time though, keep up the fantastic work!
Hey hey. Thank you for the video! Just idea came at once after start watching. Might be worth making video for explaining same environmental approach considering scale? I understand that it can be simplified to "bases represent environment", but... Say if we would like to get away from strong env light like some kind of osl (lava / fire) yet to get clear idea of environment (sunset / cold sunrise) in 28mm scale (or 32 or 54 etc) - how would you address this? Considering its your learning pass - would that be something you be interested in to explain? =) Cheers!
This is one way Marco can get us to buy and support creators. OOO I can print and paint the same model as Marco... throws credit card at screen, take my money. VRRRROOOOMMMM goes the printer.
Hello Marco. Another great painting session!. Could it be possible to achieve this type of outcome just with brushes and oils? I mean with no airbrush.
Hi! Thanks a million man! Oh yeah absolutely, the airbrush cuts the working time but I have several videos where I sketch with brush only (check the one about grisaille!) and all the contrast/ink layering is super easy to substitute with transparent oils and brush!
Thanks a million! Scale Instant tend to be a bit desaturated compared to inks or GW contrast, but in terms of process you can do the same with any kind of paint!
Marco I desperately need some advice on painting sculpted lightening/electric bolts on a figure. I have a great spiderman 3d printed figure, but the base has lightening bolts, which I knew was going to be a pain to look realistic. I'm going to follow your tutorial for the light effect, but the individual bolts are extremely hard to do. Do you have any advice. Thanks
This is wonderful. As with just about every osl tutorial though. "ok now grab your airbrush" 😔 Really looking for someone start to finish with a brush. Or maybe I need an airbrush.
Hi Marco, I just subscribed to the channel. Amazing! Could you tell me what medium do you use to keep control of the density during the brush work? Thank you e vai così!
Hey Marco - couple word here or in FB would be appreciated - how is new set? I have original and both "expansions", would be getting new set make me better painter ? =) =) =)
Although we're supposed to focus on the flame and front in general, I think the vials were the real MVP!
Amazing skill Congratulations
oioioi! will we see some 3D printed action figures action? oh wow! looking forward to see it! love your work bro!
Great stuff friend 👏 👍
unbelievable command over light, colour, volumes and material in 3 dimensions and many colours -- beautiful art work
No quesiton for you, just words from my face saying how amazing your skills are. I just sit and absorb your knowledge and ethusiasm
So excited for this
It almost pains me to see how amazingly beautiful these works of art are. Congrats Macro, this is incredible.
tale competenza mi lascia pietrificato, sono senza parole! Marco Frisoni un mito !
MarcoFrisoniNJM: I was so glad to see in this video that you mentioned that painting is NOT a linear process. You have to go back and forth sometimes and, there is always some tone to recapture when it has been lost. It was an honest interpretation and I applaud that.
Imaginary photons ! I like the idea.
Non ho il tempo di dipingere le mini, ma guardare le tue video sta un piacere per gli occhi !
It looks so easy when Marco does it :D
Superb.
Just Wow! Love this.
Words for the almighty algorithm!
And Praise for the Master - great video once again!!
That Kimera paint set makes me drool & makes me jealous....wish I could afford those right now, on the wish list 🤣🤣🤣
I'm glad you put the model with a full spin around in both a black and white background. I always get nervous i'm missing something when they're only shown on a black background.Looking forward to trying some extreme lighting for the first time in the coming weeks
"and here is the starting point of my brushwork"
Meanwhile the model is better than anything I've ever done! Lol
Gorgeous work. As you described your mindset while painting it reminded me of my own mindset while sculpting.
Marco ,your airbrush and brush strokes are pure passion and create life & inspiration for us !👍👍❤
You are a true master and inspiration! Thank you
Thanks for the video and introduction to another cool sculptor and miniature!
Besides the apparent value you share in terms of skills and tools, I really like your emphasis on storytelling!
Marco you are a wizard!!!
bel lavoro Marco
I'm doing my part for the algorithm.
This video finally unlocked in my minds' eye exactly how I need to paint my Kingdom Death models. I've fought with this vision for actual, literal years, hemming and hawwing and gnashing my teeth because I could never actually visualize what it is that I want, and that indecision has kept me from even so much as priming single a model for the range to date, but watching this video for the second time through gave me an honest to god 'Eureka' moment and it suddenly all came together.
You mention that you can treat your environmental lights as just gigantic, distant OSL lights, but what you didn't mention and what's equally true is the inverse of that statement -- you can treat your OSL lights as just very near and very local environmental lights! The thing that has always bothered me about OSL, especially for lanterns and fires, is how incredibly yellow it always ends up coming out -- but it does not have to be that color. The sun is yellow, but we don't paint the sun's light as yellowing out every part of the miniature that it touches, even if we do paint it as a warm light. Having just spent some time and money shopping for lamps, the comparison to the Kelvin scale for black body light emission jumps to mind -- instead of painting the lantern light at the incandescent, yellow 2400K that people typically paint it at, I could go for a still warm but much more balanced 4000K to 4500K light and make it incredibly intense and bright like it needs to be but without completely washing out the color balance on the models, instead just providing a little bit of visual warmth to the color spread. And this would not be a natural light, either -- a real lantern would be around 2400K, so the traditional approach would be the correct one -- but these are magical lights in the canon so having them look magical and have this magical property makes this a win/win/win in my book.
Kingdom Death also canonically has stars up in the sky (ceiling, actually) that provide some minor illumination -- so that then becomes just like in this video a cold, weak, static, zenithal light from above, to provide stark contrast to the slightly warm, incredibly vibrant, local and dynamic light from the lanterns of the model, and now instead of having a table dotted with yellow bubbles blasting out the other colors on the table, I've got a table full of miniatures with coherent top down zenithal lighting but also dynamic and even heroic warm light coming from OSL effects on their own models that actually HIGHLIGHT the model on the table and make it pop in its own unique, individual way.
Time to clean the painting table off. Lets get to it. I haven't been this excited to paint in... maybe ever.
So cool to see the figure in color! fantastic job Marco! :)
Thanks for the in-depth video!
Amazing work!
Beautiful effects! I would also note that your airbrush/paintbrush/paint control is outstanding.
For the algorithm!
For Frodo!
For e Mario! Yip Yip Yuhuuuu
10001010110101010111010101! Think the algo is happy :)
Waoouh ! This is absolutely amazing! This video for me, since I'm an old school painter, is a revolution. I don't know anything about technics used but it works quite weel
Leave a like to boost the diffusion of the video and set a reminder for the premiere!!!
This is an exaggerated light setting created to be purposely over top to challenge my ability to render complicated scenes and a super fun project that I had the need to paint to properly set in my hands and brain my newfound understanding of cinematic lights and storytelling in miniatures!
Your enthusiasm is infectious & inspirational...and your results AMAZING!!! THANKS!!💖💖💖💖💖
Wow, that's extreme but totally convincing. Got to head over and watch the real time brushwork to follow the building of chromatic lights with the airbrush and then the accent and texture work with the actual brush. A ton to absorb in this one
Another great video from the greatest painter. Waiting new Kimora set
Please paint some Marvel Crisis Protocol! I'd love to see you paint Dormammu!
This!
Incredible as always, and I'm sure plenty of us appreciate you calling out time and precision as not as they seem in the videos. Nothing this elaborate is either easy or fast.
Nice video. Light is such an important topic.
There are lots of videos showing how to replicate an osl effect in the same way as the tutorial, but not enough on how different lights and cast shadows will look from different angles starting with mastering basic shapes, then moving to faces and more advanced shapes and scenes. Disney Animator Aaron Blaise's How to Paint Light video series does an amazing job of this. I would love to see that entire series on painting light re-imagined in a miniature specific context. It could be the go to for teaching new painters how to shade and highlight models.
Loved it!!
Beautiful piece of art! Also would just like to say where you start your brush work is already better than my finishing point
Such a piece of art! Congrats on the bigger & better resin printing gear. I'll go back to your airbrush video tutorials because I am still struggling with getting the initial volumes right.
“And here’ s the starting point for my brushwork…” @18:15
😂😂😂 I mean, that’s my golden demon pro master level! 😅
"And here is my starting point for the brush work"
Personally I'd call that done haha.
Crazy good work, fantastic
Fantastic timing, stuck in hospital and now got new Marco to watch!
Get well soon, pal.
Thanks
All the best mate!
Ep versions on continuous play
very cool Marco, spectacular work.
Haven't tried Khimera paints before, but that effect of a glaze/thin paint on the leather materials was amazing.
Outstanding video!
Outstanding! I learned a lot today.
Amazing!
Incredible and seemingly unreachable quality... Bravissimo! Do you often paint gaming models, for example - infinity, with such approach (inks onto the pre-shaded surface). Or this approach is more suitable for display models of larger scale?
For the wash and cure station, I get much better cure results by using water-curing. I just drop my models in the plastic pickle jar filled with water. The jar fits perfectly on the curing station disk. It lets light bounce around much better and it keeps the oxidation that ruins UV curing down to a minimum. Give it a shot sometime. I reuse my water for a long time before it needs changing.
Awesome...
Hey Marco, I’d like to see you do some Horizon Zero Dawn machines. Lots of technical stuff to cover for those too!
Marco, I am extremely happy to have joined your patreon, you are now officially my chief Patron, Patron Marco of Paintville!! I will build a mini temple in your honour and spill some blood for the blood god on it's hallowed alter! Seriously looking forward to watching you work in real time though, keep up the fantastic work!
Love it!
Where do you get these plinths from?
Hey hey. Thank you for the video! Just idea came at once after start watching. Might be worth making video for explaining same environmental approach considering scale? I understand that it can be simplified to "bases represent environment", but... Say if we would like to get away from strong env light like some kind of osl (lava / fire) yet to get clear idea of environment (sunset / cold sunrise) in 28mm scale (or 32 or 54 etc) - how would you address this? Considering its your learning pass - would that be something you be interested in to explain? =)
Cheers!
By the Emperor's name, I shall like this video.
Do you ever use Kimera's satin medium? Or always stick with the vallejo glaze medium
This is one way Marco can get us to buy and support creators. OOO I can print and paint the same model as Marco... throws credit card at screen, take my money. VRRRROOOOMMMM goes the printer.
Hello Marco. Another great painting session!. Could it be possible to achieve this type of outcome just with brushes and oils? I mean with no airbrush.
Hi! Thanks a million man! Oh yeah absolutely, the airbrush cuts the working time but I have several videos where I sketch with brush only (check the one about grisaille!) and all the contrast/ink layering is super easy to substitute with transparent oils and brush!
Great work!
If I use Scale Instant colors on the airbrush instead of the inks will I get similar effect?
Thanks a million! Scale Instant tend to be a bit desaturated compared to inks or GW contrast, but in terms of process you can do the same with any kind of paint!
Hi Marco, JakeDogg here! 😂🥰🐶
interesting . I like this type of light source. Question.. How do I get that Blue Blood Pale flesh color for delicate ladies and Vampires ?
I am so looking forward to that new kimera sett, its next week its releasing?
Marco I desperately need some advice on painting sculpted lightening/electric bolts on a figure. I have a great spiderman 3d printed figure, but the base has lightening bolts, which I knew was going to be a pain to look realistic. I'm going to follow your tutorial for the light effect, but the individual bolts are extremely hard to do.
Do you have any advice. Thanks
Damn Frisoni, amazing. I can't wait for your next video already. If you ever run out of ideas for content let me know.
This is wonderful. As with just about every osl tutorial though. "ok now grab your airbrush" 😔
Really looking for someone start to finish with a brush. Or maybe I need an airbrush.
Hi Marco, what is the airbrush needle size here for this application? Thank you! You're my favorite painter!
He normally shoots with a 0.2
@@jcillis thank you!
Hi Marco, I just subscribed to the channel. Amazing! Could you tell me what medium do you use to keep control of the density during the brush work? Thank you e vai così!
Ciao Marco conosci questo medio Jacquard Clear Extender Airbrush Medium?
Aquuaman!
18:30 Jealous!
Hey Marco - couple word here or in FB would be appreciated - how is new set? I have original and both "expansions", would be getting new set make me better painter ? =) =) =)
I watched it start to finish and at the end i still asked, "How did you do that?"
If you’re reading this comment you should definitely go like and comment to appease the almighty algorithm 😁👍🏼❤️
ahhh...no oil wash?
Hey bro do you like Berserk?
per l'algoritmo