Artist Jessica Stockholder: Advice to the Young | Louisiana Channel
Вставка
- Опубліковано 29 кві 2024
- “If you have trouble drawing a straight line, you can enjoy the wiggly ones.” Canadian-American artist Jessica Stockholder gives her advice to aspiring artists.
“I would advise people to stay available to their processes. And to not be afraid to make crappy stuff,” Jessica Stockholder says and continues: “The problem that one has in one’s work, that’s the subject.” To her, there’s too much focus on getting things right.
In her own art, if something isn’t working, she’ll, for example, turn the piece upside down or cut it in half: “I don’t think I make mistakes in my art because I take advantage of them.” She explains further: “I think people are too concerned about not making mistakes. Being right. Getting the answer right. Passing the test. We’re not taught in schools to be invested in the process.”
Jessica Stockholder (b. 1959) is a Canadian-American artist who currently lives and works in Chicago, IL, USA. She is known for her site-specific installation works and sculptures, often described as “paintings in space.” She is educated at Yale University, the University of Victoria, the University of British Columbia and the Camden School of Art, London. She has exhibited widely in museums and galleries internationally. Her work is represented in permanent collections of museums, including the Whitney Museum of Modern Art, New York; The Art Institute of Chicago, Chicago; SF MoMA; MoCA LA; the Museum of Fine Arts, Boston; The British Museum, London; and the Stedelijk Museum, Amsterdam. Recent solo museum exhibitions include Stuff Matters and the Centraal Museum, Utrecht and Relational Aesthetics at the Contemporary Austin in 2019. Her work has also recently been shown at Leo Koenig Gallery, New York; Kavi Gupta Gallery, Chicago; Raffaella Cortese Gallery, Milan; Galeria Max Estrella, Madrid; and many more.
Jessica Stockholder was interviewed by Roxanne Bagheshirin Lærkesen at her studio in Chicago, IL, in February 2023.
Camera: Sean Hanley
Edited and produced by Roxanne Bagheshirin Lærkesen
Copyright: Louisiana Channel, Louisiana Museum of Modern Art, 2023
Louisiana Channel is supported by Den A.P. Møllerske Støttefond, Ny Carlsbergfondet, C.L. Davids Fond og Samling, and Fritz Hansen.
#art #artistinterviews #contemporaryart
Subscribe to our channel for more videos on art: / thelouisianachannel
FOLLOW US HERE:
Website: channel.louisiana.dk
Instagram: / louisianachannel
Facebook: / louisianachannel
I'll never tire of listening to these. It is interesting how often one hears mature artists raise the theme of starting in one point and ending up in another. It's trusting the process that matters.
because you are old ?
Words of wisdom, Lloyd. Words of wisdom.
wholeheartedly agree on every point here
I love this perspective!
I've known a woman who drew pencil sketches and loved her work. I would get a Christmas card every year from her with one of her latest drawings. She never changed and 20 years later they were still the same and still hard to look at.
Perfect words to hear before opening some new paint. Just what I needed tonight.
I love this. I don't think I'll be able to practice it more than like 1%, but then maybe someday I can practice it 2% and so on and so on. Right now I'm a victim of my own ocd of perfectionism. Not the easiest habit to just drop.
Art is a sport of judgement. That is that but we are not judgmental people.
No. art is free
advice from a boomer, the generation that did everything right ( without them we would not need their constant advice ?. . . )
Best definition of modern art... do whatever crap you want and don't pay attention to the critics because is about "the process" not the final result. Please...🙄That's why I have no patience for modern art because it is all about feelings and not about talent. And if you are triggered by my comments, deal with it. It's my opinion.
That’s why there’s different types of expressions, everyone can be whatever they want, how awesome is that :)))