Hey Sourabh!! How are you!? I'm passing by to say that I work with the production of backing tracks, if you are interested in producing any backing tracks for a song that you like, you can contact me through the Soundbetter platform. If you are interested send me an email: felipesanchesoficial@gmail.com
Guys I hope u all get this message. I really love all of your all’s backing tracks. Great work. I write a ton of music myself wouldn’t mind even one day getting to put one of my songs on here Lastly, as I was playing to this song it felt like there it was about to peak and then never really did. I think maybe with this one and a few others that it would be nice to stay in the chorus riff the 2nd and 3rd times at least 4-8 extra bars more then the first time going thru the chorus. Not at all trying to Tell u how to write. I think u have incredible talent. But when I am soloing I am Just getting to the best part toward the middle and end to where as soon as I am about to peak it goes back into verse riffs. I would just let those main riffs play out a little linger it gives us more time to tell a story with fewer words
There's a mistake in the chord progression listed. The second chorus line does not go back to D before going to Em. It actually goes D C Em D/F# G C. Great track to practice triads to!!!
ok so im new here and feel like so confused..what is the difference between the DARK blue notes annd LIGHT blue notes in the diagram above? thanks so much
Little do people know that these kind of backing tracks are what is required for getting to that next level to practice across the fret board. Thank you very much sir. Subscribed.
This is really hard to learn to jam too I know arpeggios and pentatonics u just I mean I guess you go slow with the rhythym and play with it then when it goes fast then you play a solo?
@@eminem13001 Just play at 130 bpm. No need to speed up for solos if you are a new-intermediate player, but ensure that you remember your pentatonic patterns for the key across the fret board and then try to match the tune by ear and let ie rip. I might be rambling, but thats what i shoot for with these backing tracks. 🙂.
@@eminem13001 Just play at 130 bpm. No need to speed up for solos if you are a new-intermediate player, but ensure that you remember your pentatonic patterns for the key across the fret board and then try to match the tune by ear and let ie rip. I might be rambling, but thats what i shoot for with these backing tracks. 🙂.
Hey there! I'm passing by to say that I work with the production of backing tracks, if you are interested in producing any backing tracks for a song that you like, you can contact me through the Soundbetter platform. If you are interested send me an email: felipesanchesoficial@gmail.com
hi everyone..wish someone could help...my music teacher says that this is in key of C and not G..as someone learning this makes me more confused..can someone please help this noob out on what actual key this is in? thanks in advance!
Hath jodke bolke kawarda Hath jodke bolke kawarda Teeno lok safey basti mein Teeno lok safey basti mein Aap batey viraanein mein thi Aap batey viraanein mein thi Aji raam bhajo ji Raam bhajo ji,raam bhajo ji Raam bhajo ji Shiv ka vandan kia karo Aji shiv ka vandan kia karo ji Akad babam bam Babam bam Babam bam Bam lehri Akad babam bam Babam bam Babam bam Bam lehri Akad babam bam Babam bam Babam bam Bam lehri Akad babam bam Babam bam Babam bam Bam lehri Ek suno na mere bhole naath ji Ek suno na mere dina naath ji Din bhar teri mein bhang ragdoongi Din bhar teri mein bhang ragdoongi Bhang ragdoon, tera ragdoon dhatura Bhang ragdoon, tera ragdoon dhatura Aaj karoongi tera pura Hukum bajaoon tera pura Tujhe pilaoon tilaknadiya Tujhe pilaoon tilaknadi Aur joh bach jawe mein pi loongi Joh bach jawe mein pi loongi Amrit jaan samajh pi loongi Amrit jaan samajh pi loongi Sharan mein le lo bhole naath Mohe apni bana lo deena naath ji Ek suno ji parvati meri Ek suno gora rani Is jangal mein tu kya pawegi Kanjari ban ban mar jawegi Haathi chikade sher dhaade Haathi chikade sher dhaade Asam ramaoon dhuni ramaoon Tandav kar kar damroon bajaoon Gufaa beech mera hai dera ri Abhi samajh ja hey gora ri Abhi maan ja hey gora Mere bhoot ki mala gale padhi Mere kankar mala gale padhi Tumko dekh is dar jawegi Mere sang tu kya pawe Koi acha kunwar raja ka dhoondh Koi rooop kanwar raja ka dhoondh Raani banke baith mahal Tu raani banke baith mahal Ari samajh ja hey gora ri Ahan maan ja hey gora ri
Hey Stevey! I'm passing by to say that I work with the production of backing tracks, if you are interested in producing any backing tracks for a song that you like, you can contact me through the Soundbetter platform. If you are interested send me an email: felipesanchesoficial@gmail.com
This is an awesome backing track man, thank you for creating it :) I will point out though it's a C Lydian backing track, as the C chord is made the tonal centre. Even though it's part of the G Major scale it's still in the key of C. Thanks again :)
And the rest of us noobs getting lost here XD. I'm treating it like it's Key of G because that's what I need to practice this week, but good that you point that out.
I believe you're correct...with the F#, it definately is lydian... a more normal G jamming track would be G(I), ami7(ii), D7 (V) , G (I)..still sounds nice though..
You are actually playing all 7 modes when jamming to this. Hard to understand but I’ve sussed it in the last few months. G major = A Dorian, B Phrygian, C Lydian, D mixo, E aeolian
thanks so much..im really confused by all the theory stuff..so what scale sounds good with this..im guessing G major pent,G minor pent..what else?..thanks in advance
@@brownpunk1794 it's a minor difference. But, when the C chord is played is when all of the tension is resolved. The G chord sounds like it's in motion...not settled. C sounds settled. This is in the key of G...meaning the notes are the notes of a G major scale. But, tonally it's a C lydian progression. C is the chord that gives everything else it's context.
You can use all the notes highlighted in the picture, but that doesn't necessarily mean that it will sound good. It depends on where your melody is "going". I suggest that you play around with all the highlighted notes and then find melody, theme or solo-lines that you think sound good for the different parts of the track. :)
For this track, you will definitely want to stay within the key of G, adhering to the notes shown on the screen. However, if you'd like to improve the quality of your soloing and make you phrases sound more intentional and melodic, you should try to end your phrases on one of the 3 notes found inside the chord that is playing at the time. For example, the C 'chord' contains the 3 notes C, E, and G (these notes are also 3 of the 7 notes found within the G major 'scale'), so if you noodle around a bit then end your phrase on either C, E, or G, while the C 'chord' is playing, the phrase will sound complete and very pleasing to the ear. If the C chord is playing and you end on a D, it won't sound "wrong", but it will simply not sound complete. Here are the three notes found in every chord on this track: C= C/E/G Em= E/B/G G= G/B/D D= D/F#/A D/F#= D/F#/A You will notice that every chord in this track consists of 3 notes contained within the G major scale, so you never have to leave the G major 'scale' to get the job done! Best of luck jamming, have fun!
Em pentatonic. All the positions. What key the song is in, court down 3 frets. G down 3 frets is E. Start the first position pentatonic in the open E. This is works for every key. Some songs sound good with other scales too. This jam track “likes” an F# or a C thrown in. Which are in the key of G but not in Em pentatonic.
I'm pretty noob too, but have learned a bit of music theory and it's kinda helped: every major has a corresponding minor (there's a better word for it though). For G, it's Em, and oh boy does Eminor sound good over this :) -- just found it out today so I hope it might help guide you to see how you can use different scales. Doesn't really relate to chord changes but oh well :P
hey man, i've sure you've done some googling, but both answers are correct. you play the scale and emphasize notes of the particular chord that is currently happening. at least, that's a rule of thumb.
who else is here to improve their music and fretboard knowledge 👌🏻
This was perfect for me today! I just played the best guitar of my life to this track. Thanks!!!
nice one..wat scales u use??
you got my mind
travelling back in time
feel my heart
beating to the rhythm of our love
something in the water
is making us cry
JayDaHaa beautiful
@@arlofleenor1838 🖤 :) I appreciate that, thank you 🌬
I'M A SPIRITUAL LYRICAL MIRACLE INDIVIDUAL
Beautiful! Really helped me come out of a slump today
Glad to hear it!
This one definately stands out from the backingtrack crowd. Great to listen and majestic to play with. Great job
By far the best backing track video I've seen! Love that you put the diagram and chords being played
This backingtrack is great. Well done man
Very nice. Playing modaly, is so much more emotive. It is a natural way to move from mastery of chord progressions, to riffs, and solos.
This is a great track! really good for practicing stretching between 3 and 7
Thanks Brother! This was great to jam to
Beautiful track... Thanks a lot
Hey Sourabh!! How are you!? I'm passing by to say that I work with the production of backing tracks, if you are interested in producing any backing tracks for a song that you like, you can contact me through the Soundbetter platform.
If you are interested send me an email:
felipesanchesoficial@gmail.com
Wish it was longer sweet jam
You can loop it on youtube if you are on a computer
Guys I hope u all get this message. I really love all of your all’s backing tracks. Great work.
I write a ton of music myself wouldn’t mind even one day getting to put one of my songs on here
Lastly, as I was playing to this song it felt like there it was about to peak and then never really did. I think maybe with this one and a few others that it would be nice to stay in the chorus riff the 2nd and 3rd times at least 4-8 extra bars more then the first time going thru the chorus.
Not at all trying to
Tell u how to write. I think u have incredible talent. But when I am soloing I am
Just getting to the best part toward the middle and end to where as soon as I am about to peak it goes back into verse riffs. I would just let those main riffs play out a little linger it gives us more time to tell a story with fewer words
to Elevated Jam tracks..do you have tabs for sale for this?
cheers
Really nice to play Fretless bass to 👍
Great back track to practice to thank you
There's a mistake in the chord progression listed. The second chorus line does not go back to D before going to Em. It actually goes D C Em D/F# G C. Great track to practice triads to!!!
Thanks. Helped a lot
Very nice G lonian musical track, l like the shuffling bass drum beat.
Very neat work. ☺☺
🤘🤘🤘soulful jam🤘🤘🤘
just the best cheeerss🎸🎼👍🤘
Thanks buddy!
@@ElevatedJamTracks 🤘🎸🎼
super backing track!i had great time!thanks a lot my friend!
Very cool 😎thanks 😊👍
Great music and thanks for the scale
Great for modern pedal steel!
Thanks!
ok so im new here and feel like so confused..what is the difference between the DARK blue notes annd LIGHT blue notes in the diagram above?
thanks so much
Little do people know that these kind of backing tracks are what is required for getting to that next level to practice across the fret board.
Thank you very much sir. Subscribed.
This is really hard to learn to jam too I know arpeggios and pentatonics u just I mean I guess you go slow with the rhythym and play with it then when it goes fast then you play a solo?
@@eminem13001 Just play at 130 bpm. No need to speed up for solos if you are a new-intermediate player, but ensure that you remember your pentatonic patterns for the key across the fret board and then try to match the tune by ear and let ie rip. I might be rambling, but thats what i shoot for with these backing tracks. 🙂.
@@eminem13001 Just play at 130 bpm. No need to speed up for solos if you are a new-intermediate player, but ensure that you remember your pentatonic patterns for the key across the fret board and then try to match the tune by ear and let ie rip. I might be rambling, but thats what i shoot for with these backing tracks. 🙂.
Abhirup Chowdhury Alright I did play kind of slowly on this track and the Ionian and that kinda did match the tune
Really nice track this one.
Hey there! I'm passing by to say that I work with the production of backing tracks, if you are interested in producing any backing tracks for a song that you like, you can contact me through the Soundbetter platform.
If you are interested send me an email:
felipesanchesoficial@gmail.com
hi everyone..wish someone could help...my music teacher says that this is in key of C and not G..as someone learning this makes me more confused..can someone please help this noob out on what actual key this is in?
thanks in advance!
Hath jodke bolke kawarda
Hath jodke bolke kawarda
Teeno lok safey basti mein
Teeno lok safey basti mein
Aap batey viraanein mein thi
Aap batey viraanein mein thi
Aji raam bhajo ji
Raam bhajo ji,raam bhajo ji
Raam bhajo ji
Shiv ka vandan kia karo
Aji shiv ka vandan kia karo ji
Akad babam bam
Babam bam
Babam bam
Bam lehri
Akad babam bam
Babam bam
Babam bam
Bam lehri
Akad babam bam
Babam bam
Babam bam
Bam lehri
Akad babam bam
Babam bam
Babam bam
Bam lehri
Ek suno na mere bhole naath ji
Ek suno na mere dina naath ji
Din bhar teri mein bhang ragdoongi
Din bhar teri mein bhang ragdoongi
Bhang ragdoon, tera ragdoon dhatura
Bhang ragdoon, tera ragdoon dhatura
Aaj karoongi tera pura
Hukum bajaoon tera pura
Tujhe pilaoon tilaknadiya
Tujhe pilaoon tilaknadi
Aur joh bach jawe mein pi loongi
Joh bach jawe mein pi loongi
Amrit jaan samajh pi loongi
Amrit jaan samajh pi loongi
Sharan mein le lo bhole naath
Mohe apni bana lo deena naath ji
Ek suno ji parvati meri
Ek suno gora rani
Is jangal mein tu kya pawegi
Kanjari ban ban mar jawegi
Haathi chikade sher dhaade
Haathi chikade sher dhaade
Asam ramaoon dhuni ramaoon
Tandav kar kar damroon bajaoon
Gufaa beech mera hai dera ri
Abhi samajh ja hey gora ri
Abhi maan ja hey gora
Mere bhoot ki mala gale padhi
Mere kankar mala gale padhi
Tumko dekh is dar jawegi
Mere sang tu kya pawe
Koi acha kunwar raja ka dhoondh
Koi rooop kanwar raja ka dhoondh
Raani banke baith mahal
Tu raani banke baith mahal
Ari samajh ja hey gora ri
Ahan maan ja hey gora ri
This is awesome, thank you.
Hey Stevey! I'm passing by to say that I work with the production of backing tracks, if you are interested in producing any backing tracks for a song that you like, you can contact me through the Soundbetter platform.
If you are interested send me an email:
felipesanchesoficial@gmail.com
thanks this has really helped my soloing ... I really appreciate it
This is an awesome backing track man, thank you for creating it :)
I will point out though it's a C Lydian backing track, as the C chord is made the tonal centre. Even though it's part of the G Major scale it's still in the key of C.
Thanks again :)
Hm it's a matter of interpretation I think, G feels like the root to me.
And the rest of us noobs getting lost here XD. I'm treating it like it's Key of G because that's what I need to practice this week, but good that you point that out.
I believe you're correct...with the F#, it definately is lydian... a more normal G jamming track would be G(I), ami7(ii), D7 (V) , G (I)..still sounds nice though..
Yeah his keys are almost always off…great jam though
❤❤❤❤
Wow, vey betiful track. Really inspired me. I am beginner i just learned the scale and well, i like it
insanly beautiful
Wow this is awesome
Awesome!
Awesome track, thanks :)
This is awesome!
in the scale diagram..what are the dark blue notes and light blue ones pls?
you're still an amateur
This is in C Lydian.
And the chorus section is in D mixolydian.
really loved it!
what makes u say that?..i'm a learner and would like to understand..cheers
Still in G ?
C is Lydian in G scale ?
You are actually playing all 7 modes when jamming to this. Hard to understand but I’ve sussed it in the last few months. G major = A Dorian, B Phrygian, C Lydian, D mixo, E aeolian
This makes me miss my friends :( Very beautiful though!
Yo! I put the 5kth like
Should we play according the chords in the song or just anywhere on g major scale
This sounds just like My Heroine by Silverstein. Hahahahaha nice jam track btw
Eh.
thanks so much..im really confused by all the theory stuff..so what scale sounds good with this..im guessing G major pent,G minor pent..what else?..thanks in advance
G major, but if you wanted to play minor use E minor pentatonic.
Great!!!
🍧C🍦H🍙I❄️L🍦L🍧 🤘
Well, executed. But, tonally it’s in C.
im learning guitar and curious as to why?..i'm new to theory as well,,,just asking as i dont want to be confused further..cheers
how do u know?...wud love to know
@@brownpunk1794 it's a minor difference. But, when the C chord is played is when all of the tension is resolved. The G chord sounds like it's in motion...not settled. C sounds settled. This is in the key of G...meaning the notes are the notes of a G major scale. But, tonally it's a C lydian progression. C is the chord that gives everything else it's context.
Sir can I use this and sing it with my song ?
noob question , when the chord change should i change my scale or just stay in my G ?
You can use all the notes highlighted in the picture, but that doesn't necessarily mean that it will sound good. It depends on where your melody is "going". I suggest that you play around with all the highlighted notes and then find melody, theme or solo-lines that you think sound good for the different parts of the track. :)
@@MortenBN1988 okay thanks man
For this track, you will definitely want to stay within the key of G, adhering to the notes shown on the screen.
However, if you'd like to improve the quality of your soloing and make you phrases sound more intentional and melodic, you should try to end your phrases on one of the 3 notes found inside the chord that is playing at the time. For example, the C 'chord' contains the 3 notes C, E, and G (these notes are also 3 of the 7 notes found within the G major 'scale'), so if you noodle around a bit then end your phrase on either C, E, or G, while the C 'chord' is playing, the phrase will sound complete and very pleasing to the ear. If the C chord is playing and you end on a D, it won't sound "wrong", but it will simply not sound complete.
Here are the three notes found in every chord on this track:
C= C/E/G
Em= E/B/G
G= G/B/D
D= D/F#/A
D/F#= D/F#/A
You will notice that every chord in this track consists of 3 notes contained within the G major scale, so you never have to leave the G major 'scale' to get the job done!
Best of luck jamming, have fun!
Em pentatonic. All the positions. What key the song is in, court down 3 frets. G down 3 frets is E. Start the first position pentatonic in the open E. This is works for every key. Some songs sound good with other scales too. This jam track “likes” an F# or a C thrown in. Which are in the key of G but not in Em pentatonic.
I'm pretty noob too, but have learned a bit of music theory and it's kinda helped: every major has a corresponding minor (there's a better word for it though). For G, it's Em, and oh boy does Eminor sound good over this :) -- just found it out today so I hope it might help guide you to see how you can use different scales. Doesn't really relate to chord changes but oh well :P
GUITARRA!!!
IBANEZ
FENDER
ROLAND
🤘😎🤘
Sounds a little like Christopher Cross "Sailing"
So I play the chords or a scale? I have googling to do o boy
hey man, i've sure you've done some googling, but both answers are correct. you play the scale and emphasize notes of the particular chord that is currently happening. at least, that's a rule of thumb.
Can I download and use for a music video?
This sounds exactly like Faith And Wonder By UPPERROOM..
Exactly!
Nope.
Jim Carroll did you not hear it?
0:14
Muito top! Qual o BPM??
90 lamoes eat pie
Can i sample this?
wrong chords for the music
this one really sucked
Man I just threw down some lead bass over this, a la Wayman Tisdale/Julian Vaughn... damn that was fun👍🏻👍🏻!
Hey can u just help me a bit ? Can you tell why the notes switches ? Like g c em d like what exactly I am supposed to do that time?