I don't get completely why you're using a post fader aux as a subgroup instead of an actual subgroup. Subgroups are usually always postfader, you just don't have a send volume. Putting an aux post fader at 0dB is literally a subgroup. Or is this behaviour for some reason different with this board...? Is it possible to route busses into busses? Say I wanna put the snare mics and kick mics through their own busses and bring them back in the drum bus. Cheers from Germany! ;)
You would use these if you want to do additional processing to the sum of the channels, like he did with that compressor or the EQ. Otherwise DCAs are just fine if you only need a common volume control.
DreamKeys76 nailed the reply correctly. I like to think of the DCA’s as a remote control. So typically I will set them to the fader of the mixbusses set up as groups. That way I can adjust during a show and when I return the DCA’s to +0.0dB I know they are back to where the group levels should be as a baseline.
I was researching parallel compression for drums literally last night! Thanks for the tutorial
You’re welcome! It is one of my favorite tricks with mixing!!!
Great example of the effect of parallel compression.
Hello Drew thanks for always sharing these things with us. Pls can you in details drop a video about mono bus for subwoofers?
Great video, thank you Drew!
I don't get completely why you're using a post fader aux as a subgroup instead of an actual subgroup. Subgroups are usually always postfader, you just don't have a send volume. Putting an aux post fader at 0dB is literally a subgroup. Or is this behaviour for some reason different with this board...? Is it possible to route busses into busses? Say I wanna put the snare mics and kick mics through their own busses and bring them back in the drum bus.
Cheers from Germany! ;)
That's what I came to ask. Its a really important feature.
I really wish someone shows how to send audio to p16’s when mixing with subgroups
Should I use these instead of DCAs? What are they for?
You would use these if you want to do additional processing to the sum of the channels, like he did with that compressor or the EQ. Otherwise DCAs are just fine if you only need a common volume control.
DreamKeys76 nailed the reply correctly. I like to think of the DCA’s as a remote control. So typically I will set them to the fader of the mixbusses set up as groups. That way I can adjust during a show and when I return the DCA’s to +0.0dB I know they are back to where the group levels should be as a baseline.
@@DrewBrashler ahhh okay!! So in a show, you’d keep the busses at unity and then be adjusting your DCAs (which are selected onto the busses)?
I've been trying to configure 9&10 for bus output and it's not reading signal of routing page but reading signal on the bus output
Did I miss the pre fader section of this video?
What about latency in paralleling the drums? Is the wing like the x32, where you can’t do that without running in phase issues?
Is it not possible to route the drums into bus 1 (as group) and to bus 9 (as post fader). Or is it then fixt only to the Subgroup???
It's weird to hear the Hi-Hats on left :D, POV from FOH is mostly mirrorded :D. This engineer must be a drummer and used to have Hi-Hat on left :D
can you go into depth about ear monitoring, say Jake wants more snare in his headset
Why is it called a bus?