First video I ever watch on your channel. Just like compressors have their own style and characteristics, you have your own special way of explaining things, and I fuck with it! Definitely subscribed and looking forward to watching more of your content.
Very nice song! Reminded me of a poppier version of Marillion :) My mixbus is: Waves v-eq4 to waves ssl g compressor to psp vintagewarmer to waves l3-ll Short, simple and sweet :)
Thanks Pete! You explained all API2500 settings except LINK. I wonder why you compress L/R same way in mix bus - LINK 100%? I normally use dual-mono mode (IND) so I'll get some "movement" in the mix.
for the brainworx on the mixbuss, if you slap on the mono maker but the instruments are already eq'd or set to mono or stereo and high pass filtered, does the mono maker do anything?
I have been watching your video they're very informative and great! my question is a lot of engineer always talk about to gain matching plugins but I saw when you bypass your plugins the mix sound softer and with them the mix louder and I watch CLA and Steven Slate vid same thing (Mix louder with plugins) so how can you help me with that because I got a bit confused . Always try to make my mixes as loud as they are with or without plugins. also Should I use a limiter in the mix phase or after the mix done?
edouard Philippe Hey Edouard. Thx for the kind words. Not sure what you're specifically asking in regards to "try and make my mixes as loud as they are with or without plugins"? I never recommend trying to make anything in the mixing phase as loud as possible. I always leave that for mastering. When you add plugins to your mix buss the overall volume of the track is inherently going to get louder. Adding compression and sweetening and additive EQ will just naturally do that. You can try and level match as much as possible but if you have 4 or 6 plugins on your mixbuss chances are it's going to be louder than with nothing on there. So expand on your question and I'll try to answer it. Also, using a limited is not essential. I do not use it to push level. I only have a limiter on my mixbuss as a safety net to catch any overages or extra loud transients that slip past the compressor. Hope that helps! 🤙🏻😊
John Core Sure John. It's something I call the Pultec trick. It's where you boost and cut the same frequency at the same time which winds up tightening the low end and adding some lovely weight and punch to the kick and bass. I have a video I made on the topic called the Pultec Mixbuss Trick. Just search for Pultec on the channel and you should find it 👍🏻😉
Anthony Lee Glad you enjoyed it, Anthony. The song is called "On The Evening Train" by Jeremy Casella (Google him). Off the album Death In Reverse 👍🏻🤙🏻👌🏻😁
Anthony Lee Because 15 IPS and 30 IPS always sound different. The faster you run your tape speed, the more "hi-fi" it will sound and vice versa going slower. Sometimes 30 is fine... sometimes 15 is what I'm after. If it's a song a la The White Stripes or something like that I might use a 7.5 IPS tape speed. Inches per second dictates tonality (just like compressors do) and my choice here was 15 because I liked the way it sounded. All part of the beautiful subjectivity that is mixing 👍🏻👌🏻😛
What makes you switch between DAW's? Is it the type of music you are mixing, different genres you prefer certain DAW's? Or you just feel like change to keep thing's inspiring?
PROFESSA KAOS Well, I kind of like to work in both Studio One and Pro Tools. It just all depends on what mood I'm in. Some sessions I have are old and were mixed or at least prepped in Pro Tools so I just open them up and use them accordingly. No particular reason really. I actually prefer mixing in Studio One and recording in Pro Tools. I also prefer being creative and writing in Studio One. I also have a few clients who only work in Pro Tools so I can't really ditch PT. Plus from a teaching point of view, there's statistically more Pro Tools users out there than Studio One users so I just sort of pop back and forth to try and keep everyone happy. But then again I'm sure it might drive some people crazy haha. I dunno man. Heck I even hop on Logic once in awhile. Just keeps me inspired to work in whatever I'm feeling. Like putting on a different outfit or something 😜🤗
DS POET Yeah maybe. I'm by no means a mastering expert. That's kind of something I like to leave to mastering engineers. Check out my pal Ian Shepherd if you haven't already (Production Advice). He's the man and knows infinitely more than I do about mastering. Now I DO master some stuff from time to time, and I can show you what I typically do. But I've got a bunch of vids to finish before that. Just stay tuned to the channel and website and I'll do one sooner or later 🤙🏻👍🏻👌🏻😊
ahaaaa now you're talking boy!!!brauerizing !!! ....you should make that video sooner...ceep up as you do,couse you have to understand,I'm following you becouse i like the way you work ,think and improve with the plugins that you use,so dont change anything in a way like"today we are working with waves plugins only",just ceep the good vibe and enjoy your work in your own way with all the news that you can bring us and surprise us with,couse every song is another battlefield,we will not get bored, that's all ...brauerizing....I'm waiting man
Mio Haha! Thanks Mio! I'm glad you like the videos and I will certainly be making a few videos soon on Michael Brauer and his Brauerize-ing techniques 👍🏻😁
Nicks Corsair S1 Tips Hey Nick! Many thanks! Short answer, YES. I apologize I haven’t had any new content up in months. My dads been battling cancer & life’s been a bit on hold. Good news is I’ll be back very soon with brand new content and I’ll absolutely be making an updated video on my current 2Buss setup. Thanks for the support. Means a lot 🙏❤️😁 - Pete
Hi Pete, I need your advise. I'm searching for a plugin to bring shine on my mixes, for that smooth creamy high end we hear on expensive records. I already have the UAD Pultec, etc... but I don't like to boost the high end on my 2buss. Is the Drawmer ou the Clariphonic that kind of plugin to buy? Sometimes I do compressing only the highs with a multi band to bring that expensive sound, but doesn't work all the times. Sorry for my bad English, regards, from France, Julien
Julien M Hey Julien. No worries your English is fine. Better than my French, haha! In regards to your question I do like the Clariphonic and I do like the Drawmer. But why don't you demo each and compare them and then see which you prefer? For what it's worth I almost never use the Drawmer at 100% wet... I always use it with the mix knob set anywhere from 10-50%. The other thing you might want to consider is increasing your overall EQ skill level. Maybe you don't need a plugin but rather some education. I always prefer investing in education over plugins. You should go to my other website (LearningToMix.com) and sign up for the 14 Day Free Trial. The amount of teaching we do over there immense and we share everything we know. I think a few months at Learning To Mix would really elevate your EQ skills and you may not even need a plugin at all. In addition, you'll learn a ton from all of the other stuff we teach in as well as get a brand new set of multitracks each month that you download and keep. Nothing to lose by giving it a try! 👍🏻😊
Thanks for your time Pete. I can't test them cause I don't have an Ilok, I use only 100% UAD plugins with an Apollo+Macbook configuration, and UA don't have that kind of plugins on their catalog. So I'm thinking about entering in the Ilok world I spend the last 20 years learning audio, (I'm 38 :) ), and I'm pretty happy with my eq balance most of the times, but I can't always obtain the result I want with EQ only. On vocals (for examples)I do compressing only the high in parallel for that expensive sweet highs, but I can't apply that technique on my 2buss. Sometimes I would like to do this directly on the 2buss, but I only have a MB compressor that's not working all the times. It seems the drawmer and the Kush are that kind of effect I need. It's why I asked you. Maybe I should try treating my 2buss in parallel, but I don't want to mess in that direction :). Keep doing your great video.Thx.
Hi Mate: U doing a great job! Congratulations! How u record your DAW screen and yourself at the same time with the Daw audio for the playback audio and for your voice?
Nice vlogs! Would love to see a vlog on how you mix to two tracks. Your process for bouncing all those tracks and plug-ins. Also, if you could show/explain your recording devices. What monstrous CPU and gear to handle those gazillion plug ins you use. Mixing is completely subjective. One mans rumble is another mans wonderful overtones! Rawk!
sizzlemann Haha. Thanks Sizzle. I could certainly do a vid on the studio. Been kinda overdue for a studio tour/gear rundown. Only thing I'm foggy on is what you mean by "mix to two tracks"? A 2mix is just a stereo track I.e. MixBuss... Let me know! 🤙🏻😁
Hey! Mixing down to your final master. The stereo pair of tracks you send to your customer or off for mastering. Taking that mixbuss and turn it into a CD, MP4 or whatever you guys call it these days.
Exactly! I still use an older method (Finalizer to DAT). But I do know there is an easier, faster way with all the new technology. I'm just not sure what to try. Any advise would be helpful. Thanks!
sizzlemann Check out what I wrote in response to DS POET on here. Since you want to know too maybe I'll expedite the vid and shoot a super quick vid showing my mastering chain for when I do master 3rd party stuff. But tbh I sort of try and get my mixes as close as I can to the finished article so that's it's a matter of getting the right volume and dynamic range to compete. Stay tuned 🤙🏻😉
Hey Pete love the videos. So I see in the submix it is somewhat clipping by 2.4 db, but being that it is the submix it is really not clipping because of the floating point. When it outputs to the mix bus master fader are you using that pro L to brickwall it so it doesnt clip going out?
Raphael Robinson Thx Raphael. Glad you dig the vids 🤘🏻 Yeah so the Submix was clipping when I was bypassing the Oxford Limiter I have on it. The Oxford Limiter (which normally stays on) handles that and then I have the Pro-L on the MixBuss as a double safety net OR in the event I choose to not send something through all the Submix processing (like drum samples which 99% of the time are already heavily EQ'd and compressed). I try and run the most transparent limiters possible and I really love the Sonnox and the FabFilter (the Pro-L2 which I recently picked up is even better than the Pro-L 😍). Hope that helps 🤙🏻✌🏻
Nice thanks man thanks for replying great info here. I didn't even know the L2 was out. I have the first version , but I recently switch to invisible limiter G2. It is very transparent in the modern mode. I am going to have to try the demo of L2 and run a shootout. Love the mix bus chain I am basically running the same one after watching your videos. Thanks again man.
WheelieMix I like to compress first because it makes the quieter parts of the mix louder and enhances certain frequencies. I find I can achieve the sounds I want by compressing before I EQ. There’s no right or wrong answer. It’s just whatever works for you. 😊
Haaa gotcha, well that makes sense indeed. Indeed no right or wrong way, but sometimes knowing the perspectives of someone else can be eyes opening. Hence my question :). Have fun mixing !
Miguel Montano Hey Miguel! I run an iMac with a 4ghz processor, 32 gb of ram and a 1TB flash drive. Works great and is plenty fast for what I do. Hope that helps! 👍🏻😄
Marlow Durden For me that's a subjective thing. The age old debate of EQ before compression or compression before EQ. I think it just depends on your tastes and what you think sounds good. The only rule of audio I know is "if it sound good it is good". I don't like to push my additive EQ into the compressor (specifically on the 2bus) hence why I choose to order my chain this way.
GolBeatsPro Amaral Fortes No worries at all. That's the beauty of the art of mixing. We all have different approaches and philosophies and to what we think sounds good to each of us ✌🏻
Kevin Acres I agree. Not cheap. BUT, in comparison to the hardware it’s way cheaper so evens out. The good news is there’s so many companies that make great plugins these days that there’s something out there for everyone. Don’t ever let a lack of gear prevent you from making as much music as possible ✌🏼😉 Thx for watching - Pete
The API2500 ready made a huge difference. Love that on this song.
Thanks, Pete. Just be aware that the cross-talk on the tape machine tends to collapse the stereo image. Thumbs up!!
CarlosGunX Cheers, thanks Carlos! Yeah, for me the crosstalk is a sometimes on sometimes off kinda thing. All depends on the song 😉
First video I ever watch on your channel. Just like compressors have their own style and characteristics, you have your own special way of explaining things, and I fuck with it!
Definitely subscribed and looking forward to watching more of your content.
Pete, thanks for sharing the link to Jeremy's page and his music - absolutely brilliant!
AntiDot70 My pleasure! 😊
Beautiful production Pete. ♥️. Thanks for your dedication to making these. Every time I watch , I feel like I’m at the best audio school. 😈
Stan D Thanks for the kind words, Stan! Means a lot! ✌️😄
thanks so much for this video mate! You got a new sub from me :)
Nick Hinton Music Many thanks, Nick! I appreciate it! 🙌
Excellent video. Love the explanation on why you select each one of the plugins for mixing.
Ricardo Ayala Thanks brother! 🤙🏻😊
No....thanks to you for this wonderful videos. BTW....I download the zip file and this time it opens.
Ricardo Ayala Glad to hear it! 🙌🏻
Great discussion man. Thanks for posting your ideas.
Shinobi-1 My pleasure! 😊 Thanks for watching! 🙏❤️ - Pete
Very nice song! Reminded me of a poppier version of Marillion :)
My mixbus is: Waves v-eq4 to waves ssl g compressor to psp vintagewarmer to waves l3-ll
Short, simple and sweet :)
I use both VCA and a tube one, great job Pete !
Really good advise... Made me think more next time before i just reach for an eq or compressor when starting. A mix n shit..
Thanks Pete! You explained all API2500 settings except LINK. I wonder why you compress L/R same way in mix bus - LINK 100%? I normally use dual-mono mode (IND) so I'll get some "movement" in the mix.
for the brainworx on the mixbuss, if you slap on the mono maker but the instruments are already eq'd or set to mono or stereo and high pass filtered, does the mono maker do anything?
Hi,
What is the Name of that Song and Artist!? Brilliant Videos!!
Tried the Kush subscription (heh), and between the Novatron, Clariphonic and Electra, I can't decide on a favorite fx plugin! :P
I have been watching your video they're very informative and great! my question is a lot of engineer always talk about to gain matching plugins but I saw when you bypass your plugins the mix sound softer and with them the mix louder and I watch CLA and Steven Slate vid same thing (Mix louder with plugins) so how can you help me with that because I got a bit confused . Always try to make my mixes as loud as they are with or without plugins. also Should I use a limiter in the mix phase or after the mix done?
edouard Philippe Hey Edouard. Thx for the kind words. Not sure what you're specifically asking in regards to "try and make my mixes as loud as they are with or without plugins"? I never recommend trying to make anything in the mixing phase as loud as possible. I always leave that for mastering. When you add plugins to your mix buss the overall volume of the track is inherently going to get louder. Adding compression and sweetening and additive EQ will just naturally do that. You can try and level match as much as possible but if you have 4 or 6 plugins on your mixbuss chances are it's going to be louder than with nothing on there. So expand on your question and I'll try to answer it. Also, using a limited is not essential. I do not use it to push level. I only have a limiter on my mixbuss as a safety net to catch any overages or extra loud transients that slip past the compressor. Hope that helps! 🤙🏻😊
thanks a lot. very helpful
love the song and video and love u too
Hey Pete. Great video. Can you touch upon that 20 hz bump that you’re doing?
John Core Sure John. It's something I call the Pultec trick. It's where you boost and cut the same frequency at the same time which winds up tightening the low end and adding some lovely weight and punch to the kick and bass. I have a video I made on the topic called the Pultec Mixbuss Trick. Just search for Pultec on the channel and you should find it 👍🏻😉
Mix Better Now So just boosting 20 hz on a regular EQ won’t do the trick I guess.
John Core No that'd prob make it sound worse in fact.
Mix Better Now Thanks Pete. I gotta go shovel the driveway.
John Core Aww dang! How much snow did you get whacked with? We got a mixture of rain and snow here. No shoveling for meeeeee 🤗
Great to see this - may experiment a bit with what I have on my mix bus too. By the way, were can I get hold of this great song?
Anthony Lee Glad you enjoyed it, Anthony. The song is called "On The Evening Train" by Jeremy Casella (Google him). Off the album Death In Reverse 👍🏻🤙🏻👌🏻😁
Brilliant, thank you Pete. I also have a question - you use 15ips on the masterbus, which surprised me a bit - why this rather than 30ips?
Anthony Lee Because 15 IPS and 30 IPS always sound different. The faster you run your tape speed, the more "hi-fi" it will sound and vice versa going slower. Sometimes 30 is fine... sometimes 15 is what I'm after. If it's a song a la The White Stripes or something like that I might use a 7.5 IPS tape speed. Inches per second dictates tonality (just like compressors do) and my choice here was 15 because I liked the way it sounded. All part of the beautiful subjectivity that is mixing 👍🏻👌🏻😛
That's an excellent answer, very helpful, thank you
What makes you switch between DAW's? Is it the type of music you are mixing, different genres you prefer certain DAW's? Or you just feel like change to keep thing's inspiring?
PROFESSA KAOS Well, I kind of like to work in both Studio One and Pro Tools. It just all depends on what mood I'm in. Some sessions I have are old and were mixed or at least prepped in Pro Tools so I just open them up and use them accordingly. No particular reason really. I actually prefer mixing in Studio One and recording in Pro Tools. I also prefer being creative and writing in Studio One. I also have a few clients who only work in Pro Tools so I can't really ditch PT. Plus from a teaching point of view, there's statistically more Pro Tools users out there than Studio One users so I just sort of pop back and forth to try and keep everyone happy. But then again I'm sure it might drive some people crazy haha. I dunno man. Heck I even hop on Logic once in awhile. Just keeps me inspired to work in whatever I'm feeling. Like putting on a different outfit or something 😜🤗
Yeah I totally understand. I wish I owned every DAW LOL
PROFESSA KAOS 🤘🏻😜
Could you do a tutorial on how you would master this track?
DS POET Yeah maybe. I'm by no means a mastering expert. That's kind of something I like to leave to mastering engineers. Check out my pal Ian Shepherd if you haven't already (Production Advice). He's the man and knows infinitely more than I do about mastering. Now I DO master some stuff from time to time, and I can show you what I typically do. But I've got a bunch of vids to finish before that. Just stay tuned to the channel and website and I'll do one sooner or later 🤙🏻👍🏻👌🏻😊
Good chorus
Welshaccenttutorials Yeah, Jeremy is a huge talent! 😊
Do you use any plugins under $300...?
ahaaaa now you're talking boy!!!brauerizing !!! ....you should make that video sooner...ceep up as you do,couse you have to understand,I'm following you becouse i like the way you work ,think and improve with the plugins that you use,so dont change anything in a way like"today we are working with waves plugins only",just ceep the good vibe and enjoy your work in your own way with all the news that you can bring us and surprise us with,couse every song is another battlefield,we will not get bored, that's all ...brauerizing....I'm waiting man
Mio Haha! Thanks Mio! I'm glad you like the videos and I will certainly be making a few videos soon on Michael Brauer and his Brauerize-ing techniques 👍🏻😁
Mix Better Now - Now that’s what I want to see...some Brauerization! Nice vids, enjoy your channel, keep up the good work!
ROCKVOX Just a heads up I have a new vid up on how to Brauerize your lead vocals. Check it out if you haven't already! 😁✌🏻
Mio Just a heads up I have a new vid up on how to Brauerize your lead vocals. Check it out if you haven't already! 😁✌🏻
Thank you sir
Hi Pete, are you going to do a 2019 update of what's on your mix bus?
Nicks Corsair S1 Tips Hey Nick! Many thanks! Short answer, YES. I apologize I haven’t had any new content up in months. My dads been battling cancer & life’s been a bit on hold. Good news is I’ll be back very soon with brand new content and I’ll absolutely be making an updated video on my current 2Buss setup. Thanks for the support. Means a lot 🙏❤️😁 - Pete
@@MixBetterNowTV Hi Pete, how's it going? I hope you're dad is doing well. Stay safe, take care
Hi Pete, I need your advise. I'm searching for a plugin to bring shine on my mixes, for that smooth creamy high end we hear on expensive records. I already have the UAD Pultec, etc... but I don't like to boost the high end on my 2buss. Is the Drawmer ou the Clariphonic that kind of plugin to buy?
Sometimes I do compressing only the highs with a multi band to bring that expensive sound, but doesn't work all the times.
Sorry for my bad English,
regards, from France,
Julien
Julien M Hey Julien. No worries your English is fine. Better than my French, haha! In regards to your question I do like the Clariphonic and I do like the Drawmer. But why don't you demo each and compare them and then see which you prefer? For what it's worth I almost never use the Drawmer at 100% wet... I always use it with the mix knob set anywhere from 10-50%.
The other thing you might want to consider is increasing your overall EQ skill level. Maybe you don't need a plugin but rather some education. I always prefer investing in education over plugins. You should go to my other website (LearningToMix.com) and sign up for the 14 Day Free Trial. The amount of teaching we do over there immense and we share everything we know. I think a few months at Learning To Mix would really elevate your EQ skills and you may not even need a plugin at all. In addition, you'll learn a ton from all of the other stuff we teach in as well as get a brand new set of multitracks each month that you download and keep. Nothing to lose by giving it a try! 👍🏻😊
Thanks for your time Pete.
I can't test them cause I don't have an Ilok, I use only 100% UAD plugins with an Apollo+Macbook configuration, and UA don't have that kind of plugins on their catalog. So I'm thinking about entering in the Ilok world
I spend the last 20 years learning audio, (I'm 38 :) ), and I'm pretty happy with my eq balance most of the times, but I can't always obtain the result I want with EQ only.
On vocals (for examples)I do compressing only the high in parallel for that expensive sweet highs, but I can't apply that technique on my 2buss. Sometimes I would like to do this directly on the 2buss, but I only have a MB compressor that's not working all the times.
It seems the drawmer and the Kush are that kind of effect I need. It's why I asked you.
Maybe I should try treating my 2buss in parallel, but I don't want to mess in that direction :).
Keep doing your great video.Thx.
Hi Mate:
U doing a great job! Congratulations!
How u record your DAW screen and yourself at the same time with the Daw audio for the playback audio and for your voice?
Marcos Franco Thanks bro! I use ScreenFlow 👍🏻🤙🏻😊
Mix Better Now tks mate!
I will try this app soon .
Keep doing cool videos.
Cheers
Marcos Franco 🙏🏻✌🏻😁
Nice vlogs! Would love to see a vlog on how you mix to two tracks. Your process for bouncing all those tracks and plug-ins. Also, if you could show/explain your recording devices. What monstrous CPU and gear to handle those gazillion plug ins you use. Mixing is completely subjective. One mans rumble is another mans wonderful overtones! Rawk!
sizzlemann Haha. Thanks Sizzle. I could certainly do a vid on the studio. Been kinda overdue for a studio tour/gear rundown. Only thing I'm foggy on is what you mean by "mix to two tracks"? A 2mix is just a stereo track I.e. MixBuss... Let me know! 🤙🏻😁
Hey! Mixing down to your final master. The stereo pair of tracks you send to your customer or off for mastering. Taking that mixbuss and turn it into a CD, MP4 or whatever you guys call it these days.
sizzlemann Ah gotcha. So you're talking about how I'd master a song....
Exactly! I still use an older method (Finalizer to DAT). But I do know there is an easier, faster way with all the new technology. I'm just not sure what to try. Any advise would be helpful. Thanks!
sizzlemann Check out what I wrote in response to DS POET on here. Since you want to know too maybe I'll expedite the vid and shoot a super quick vid showing my mastering chain for when I do master 3rd party stuff. But tbh I sort of try and get my mixes as close as I can to the finished article so that's it's a matter of getting the right volume and dynamic range to compete. Stay tuned 🤙🏻😉
Great video! Many thanks for sharing :-D
the song is beautiful
izo tlon You should go and check out Jeremy's record on iTunes. It's fantastic 😄
@@MixBetterNowTV I really like it too.
But what is the full name of the artist/band? I'd really like to check it out.
Hey Pete love the videos. So I see in the submix it is somewhat clipping by 2.4 db, but being that it is the submix it is really not clipping because of the floating point. When it outputs to the mix bus master fader are you using that pro L to brickwall it so it doesnt clip going out?
Raphael Robinson Thx Raphael. Glad you dig the vids 🤘🏻 Yeah so the Submix was clipping when I was bypassing the Oxford Limiter I have on it. The Oxford Limiter (which normally stays on) handles that and then I have the Pro-L on the MixBuss as a double safety net OR in the event I choose to not send something through all the Submix processing (like drum samples which 99% of the time are already heavily EQ'd and compressed). I try and run the most transparent limiters possible and I really love the Sonnox and the FabFilter (the Pro-L2 which I recently picked up is even better than the Pro-L 😍). Hope that helps 🤙🏻✌🏻
Nice thanks man thanks for replying great info here. I didn't even know the L2 was out. I have the first version , but I recently switch to invisible limiter G2. It is very transparent in the modern mode. I am going to have to try the demo of L2 and run a shootout. Love the mix bus chain I am basically running the same one after watching your videos. Thanks again man.
Just a question : Why not using your correcting EQ (bx) before the compressor ?
WheelieMix I like to compress first because it makes the quieter parts of the mix louder and enhances certain frequencies. I find I can achieve the sounds I want by compressing before I EQ. There’s no right or wrong answer. It’s just whatever works for you. 😊
Haaa gotcha, well that makes sense indeed. Indeed no right or wrong way, but sometimes knowing the perspectives of someone else can be eyes opening. Hence my question :).
Have fun mixing !
pete what is your computer spec I wanna purchase one but wanna make sure it handle large projects like yours if you will...
Miguel Montano Hey Miguel! I run an iMac with a 4ghz processor, 32 gb of ram and a 1TB flash drive. Works great and is plenty fast for what I do. Hope that helps! 👍🏻😄
Just a question I'm wondering , wouldn't you normally use the bus compressor last in the
chain ? To glue everything that has been compress and EQ'd. ?
Marlow Durden For me that's a subjective thing. The age old debate of EQ before compression or compression before EQ. I think it just depends on your tastes and what you think sounds good. The only rule of audio I know is "if it sound good it is good". I don't like to push my additive EQ into the compressor (specifically on the 2bus) hence why I choose to order my chain this way.
Thanks !!!
Marlow Durden 👍🏻😄
Are you still using the trident a range?
Anthony Coovert Yep! Just all depends on the song/mix 😊
great. thanks!
Nice song
kelvynification Cheers! Jeremy is the man!
to my ears, that's too much processing... i hear some tone differences, but it's so louder the processed version that we can´t have a clear vision!
GolBeatsPro Amaral Fortes No worries at all. That's the beauty of the art of mixing. We all have different approaches and philosophies and to what we think sounds good to each of us ✌🏻
Manley UAD $299.00 USD ouch!
Kevin Acres I agree. Not cheap. BUT, in comparison to the hardware it’s way cheaper so evens out. The good news is there’s so many companies that make great plugins these days that there’s something out there for everyone. Don’t ever let a lack of gear prevent you from making as much music as possible ✌🏼😉 Thx for watching - Pete
@@MixBetterNowTVNow thanks man. I'm doing a bing watch on your channel tonight. Trying things out on my DAW as you demo your ideas. Thanks a lot!
You can sing the Chorus "Crawling in my skin" from Linkin Park over this song LOL.