Thank you!! For me 'The Rite of Spring' is one of those pieces that's just endless fun to look at from every possible angle. It even sounds great over the phone. Composers, arrangers and orchestrators will get a lot out of this video. Both you guys are rock-solid - a joy to watch
Always a great time being behind the horns! (Suffering from hearing loss in my right ear as a horn player) you and the other timpinast did an amazing job
Excuse me. Hello Victor. Congratulations. I'm a bassoon player and I've been studying The Rite of Spring by Stravinsky. Extremely difficult. (Score) Excellent performance. Timpani. My best regards from BRZ🇧🇷 See you. Thank you so much. Success!!
Thank you for uploading this, it's very interesting to watch and you also hear more of the detail in the brass than from the usual perspective and also how all the perc+timp parts complete each other at 13:03 in the sacrificial dance - great stuff!
Oh how I would have loved to play this in my days as a timpanist in school and university. Sadly the most advanced piece I ever got to play in was Dvorak's 9th. That Scherzo is loads of fun though, having to count against the beat the entire time. What I find especially interesting about this video is that one actually realizes that the timpani part of Sacre is so big that it takes up half of the entire playing time of the piece.
@@jameer8225 when I first found the video of the ballet and then subsequent performances of the chosen one my father and I would watch the dancers to see if they were continually hitting the timpani which does not stay regular as you know. We deduced that Pietragalla and Margarita Simonova killed
Obviously a mistake was made ... it was supposed to be a recording of the horn section (judging by the mic placement) and someone unknowingly knocked the camera and moved it to the tympani. LMAO!
great music (timeless) ♫♪#SEMPER FIDELIS #QUA PATET ORBIS #JE MAINTAN DRAI ! ♫♪ great ♫♪♫♪♫♪☺ BRAVISSIMO @/bisbis 🎶🎵🎼 great music! a well tuned ensemble that sounds like an organ ! Fabulous banding! Compliments! #SEMPER FI #QPO #JMD🎵🎼🎼🎶🎵🥁🎺👌👌🙏🙏🎺
Très intéressant ! Merci beaucoup. Entendre l'orchestre depuis le pupitre des timbales est vraiment très instructif. On aimerait avoir la même chose depuis chaque pupitre de l'orchestre.
Congrats, this is really great ! And having the sound from the very core of the orchestra makes such a difference, as if I was there playing one of the timp parts too... thanks :)
Great video! Took me back some 45 years when I played timp and percussion in college/Grad school. Kudos on your French rolls... very reminiscent of the great Vic Firth!
how you guys nailed the last note is beyond me (I never could understand that thing that orchestra (but not necessarily band (and certainly not drum majors) conductors do with tempo, where they are uh, fluid, and not super super clear with the actual beats.
Question. How does this work? I would think most orchestras can't afford to hire two timpanists as I suspect pieces requiring two are rare. If I am right how do you get a second one? Borrow from anther orchestra? I am truly curious.
At the end of the day, timpanists are just percussionists. That said, an orchestra's principal timpanist usually only ever plays the timpani. But if a piece requires a second (or third timpanist) another musician from the percussion section will sub in. Most orchestras have at least 4-5 percussionists, so it isn't a big deal.
5:26 is start of sacrificial dance for anyone out there looking. I have an audition piece and this would’ve helped hahaha 14:10 is page turn to 186 for timpani part
This is epic. Can someone timestamp where Danse Sacral starts? Need to see someone playing the Orchestral Extract (G8 Trinity). Looks like 14:19. From the book Ochester (sic) Probespiel Test Pieces for Orchestral Auditions. Edit - subscribed!
And I thought I was the only one who noticed it. Then again I have no two recorcings of this (and I have way too many) where there is a musical consensus on how they should be played. Every conductor seems to have a different idea. My personal favourite solution is that in the Seji Ozawa recording.
@@victorpradillostimpani1917 I love conductor suggestions, but unfortunately I tend to forget about them during the concerts, especially the unfortunate ones like this.
This orchestra is so not together. Strings off tempo French horns cracking notes woodwinds are so off pitch it’s not even funny, and intonation is treacherous! Timpani players are killing it. Thank god!
For all the haters.....learn some French horn and pull off le sacre yourself. Good luck! I think this is a wonderful video. Calm cool and collected from behind 😎
@@princepsangelusmors horns sound very different from in front of the orchestra. When you get sound directly from their bells it doesn’t resonate the same way
Look Victor , I am an experienced player, believe me that if you play too close to the edge than the skin won’t resonate well and the sound will be pale as it is on this recording . but of course you can play as you want , these are just kind suggestions
Omg those horns...
They were saving the lips for concert afterwards ;)
@@victorpradillostimpani1917 thats the excuse I would use for sure!!!
10:55 never had i ever thought i would see the day where someone would play timpani with three mallets
When you gotta, you gotta.
When you find that you’re not playing the marimba
see John Bergamo's 4 pieces for Timpani
11:46 that bass clarinet sounds heavenly
You know I have come back to this just to listen to where in the ballet you are. Stravinsky was killing with this.
Didn't realize the two sets only play together in the second part.
Also clear that the horns have not the easiest task in this work.
I like the camera shook when the bass drum was hit
It made it even more epic
Thank you!! For me 'The Rite of Spring' is one of those pieces that's just endless fun to look at from every possible angle. It even sounds great over the phone. Composers, arrangers and orchestrators will get a lot out of this video. Both you guys are rock-solid - a joy to watch
And stupidly hard to count
Always a great time being behind the horns! (Suffering from hearing loss in my right ear as a horn player) you and the other timpinast did an amazing job
This is great. I just started learning Timpani today. It's harder than it looks!
Excuse me. Hello Victor. Congratulations. I'm a bassoon player and I've been studying The Rite of Spring by Stravinsky. Extremely difficult. (Score) Excellent performance. Timpani. My best regards from BRZ🇧🇷 See you. Thank you so much. Success!!
Once you get into it its not that hard
And very fun to play
Thank you for uploading this, it's very interesting to watch and you also hear more of the detail in the brass than from the usual perspective and also how all the perc+timp parts complete each other at 13:03 in the sacrificial dance - great stuff!
Joe Parrish Thanks for your comment! Very appreciated!
Oh how I would have loved to play this in my days as a timpanist in school and university. Sadly the most advanced piece I ever got to play in was Dvorak's 9th. That Scherzo is loads of fun though, having to count against the beat the entire time.
What I find especially interesting about this video is that one actually realizes that the timpani part of Sacre is so big that it takes up half of the entire playing time of the piece.
8:57 - when the dancers fall face down to the floor...
I love your channel!!!
Some rhythms in the timpani evoke the cardiac rhythm (heartbeat)
@@jameer8225 when I first found the video of the ballet and then subsequent performances of the chosen one my father and I would watch the dancers to see if they were continually hitting the timpani which does not stay regular as you know. We deduced that Pietragalla and Margarita Simonova killed
♥♥♥♥♥
@@jameer8225 if you have any content that you're looking for let me know I might have it and just have it uploaded it
Obviously a mistake was made ... it was supposed to be a recording of the horn section (judging by the mic placement) and someone unknowingly knocked the camera and moved it to the tympani. LMAO!
great music (timeless) ♫♪#SEMPER FIDELIS #QUA PATET ORBIS #JE MAINTAN DRAI ! ♫♪ great ♫♪♫♪♫♪☺ BRAVISSIMO @/bisbis 🎶🎵🎼 great music! a well tuned ensemble that sounds like an organ ! Fabulous banding! Compliments! #SEMPER FI #QPO #JMD🎵🎼🎼🎶🎵🥁🎺👌👌🙏🙏🎺
I really love 1:08 rhythm
Très intéressant ! Merci beaucoup. Entendre l'orchestre depuis le pupitre des timbales est vraiment très instructif. On aimerait avoir la même chose depuis chaque pupitre de l'orchestre.
13:03 🔥
Congrats, this is really great ! And having the sound from the very core of the orchestra makes such a difference, as if I was there playing one of the timp parts too... thanks :)
7:11 I love the 11 timpani hits!!!
i count it as "i-gor stra-vin-sky is a son of a b"
Timpani 2 looks like he’s having fun
Great video! Took me back some 45 years when I played timp and percussion in college/Grad school. Kudos on your French rolls... very reminiscent of the great Vic Firth!
Some of the comments are so rude! 🤨 but I loved hearing the timpani parts and I think you guys did a great job.
So interesting. Great playing
Esto esta increible!! Bravo a todos.. necesitamos mas videos asi en UA-cam
Great! We would like to see all the percussion in another video. :)
Tight section! Great playing!
Que legal!!!👏🏽👏🏽👏🏽👏🏽🥁🥁 amei.
Horns!
12:09 back desk dude in white needs his H₂O
also the fan behind him is on xgames mode
Love the V for Victory hand gesture at the very end !!
1:51: oof they had it, they had it
Le massacre du printemps d'Igor Strabismsky.
You sounded so good! my god I just got in GYSO and you’re no longer here! 🤦🏻♀️
Timpani was based
But the horns were straight 🔥
ホルン直撃ワロタ
いつも前に座ってるから新鮮だわ
Hey, excellent video! Question for you. What kind of timpani is the second timpanist using? Just curious.
Hi! Thank you! It's a set of Adams Symphonic Student (no more budget :/ ) Thx for watching!
They look like Adams Revolution. I own some. Love them :)
aw you took out the GUNG GUHDUHGUH! I was looking forward to seeing how you sticked that....
how you guys nailed the last note is beyond me (I never could understand that thing that orchestra (but not necessarily band (and certainly not drum majors) conductors do with tempo, where they are uh, fluid, and not super super clear with the actual beats.
Question. How does this work? I would think most orchestras can't afford to hire two timpanists as I suspect pieces requiring two are rare. If I am right how do you get a second one? Borrow from anther orchestra? I am truly curious.
At the end of the day, timpanists are just percussionists. That said, an orchestra's principal timpanist usually only ever plays the timpani. But if a piece requires a second (or third timpanist) another musician from the percussion section will sub in. Most orchestras have at least 4-5 percussionists, so it isn't a big deal.
@@princepsangelusmors Thanks, I learned something.
If you had to choose any recording of the Rite based on its principal timpanist performance which one would you choose?
Anything recorded by Torsten Schoenfeld with Berliner Staatskapelle is my reference
@@victorpradillostimpani1917 He's underrated! Also his former colleague Ernst-Wilhelm 'Willi' Hilgers is amazing too!
Kurt Hans Goedicke, LSO, P Boulez ( cond ). Nobody gets the different tones available on the timps in this piece as he does, end of. Absolute master
5:26 is start of sacrificial dance for anyone out there looking. I have an audition piece and this would’ve helped hahaha
14:10 is page turn to 186 for timpani part
This is epic. Can someone timestamp where Danse Sacral starts? Need to see someone playing the Orchestral Extract (G8 Trinity). Looks like 14:19. From the book Ochester (sic) Probespiel Test Pieces for Orchestral Auditions. Edit - subscribed!
12:01
What mallets?
ToFu by Helmut Funke
7:11!
♥♥♥♥♥
7:10
And the triplet forenote is way too slow!!!
Conductor’s suggestion
:((
And I thought I was the only one who noticed it.
Then again I have no two recorcings of this (and I have way too many) where there is a musical consensus on how they should be played. Every conductor seems to have a different idea.
My personal favourite solution is that in the Seji Ozawa recording.
you gotta learn what preference is and get of your high horse
@@victorpradillostimpani1917 I love conductor suggestions, but unfortunately I tend to forget about them during the concerts, especially the unfortunate ones like this.
11:59
DJENT.
14:18 14:18 14:18
Pretty raggedy orchestra. And some weirdly slow tempi in places.
I think its just the phone sound quality. Personally i think they sound great
This orchestra is so not together. Strings off tempo French horns cracking notes woodwinds are so off pitch it’s not even funny, and intonation is treacherous! Timpani players are killing it. Thank god!
We did our best. Dress reh was right before the concert so most of musicians were saving energy for the concert. Thx for watching!
Also I don’t know how they’re sitting but to me it really sounds like sound Delay from being far away
For all the haters.....learn some French horn and pull off le sacre yourself. Good luck!
I think this is a wonderful video. Calm cool and collected from behind 😎
@@tauernhiker0001 I just played this last weekend and never, ever were the horns this bad, not even in the very first rehearsal.
@@princepsangelusmors horns sound very different from in front of the orchestra. When you get sound directly from their bells it doesn’t resonate the same way
Don’t play close to the edge of the skin please !
I got the job playing like that :/ I’m sorry you do not like it. Thx for watching, your review is appreciated
Ok , but the sound is just better ig play a bit farer from the edge bit more to the center ...
Every set of timps are different and the tecnique you use. According to my style of playing that’s the best spot for those timps
Look Victor , I am an experienced player, believe me that if you play too close to the edge than the skin won’t resonate well and the sound will be pale as it is on this recording . but of course you can play as you want , these are just kind suggestions
Roland Dénes most timps are supposed to be played just a couple inches from the edge which is where he is playing
12:01