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Our FAVORITE Prime Lenses for Video Production - Zeiss Milvus Lens Set Review + Footage Canon C70
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- Опубліковано 13 сер 2024
- We LOVE using these Zeiss Milvus prime lenses in our commercial and documentary video production work. The image, build quality, functionality and features make these a great value in our opinion. Learn more about us loreagency.us/
Lenses Featured: Zeiss Milvus 18mm F2.8, 25mm F1.4, 35mm F2, 50mm F1.4, 85mm F1.4 and 100mm F2
Cinema Camera: Canon C70 with Canon 0.71x Mount Adapter (Speedbooster)
Location: Pike Place Market, Seattle, WA, USA
Table of Contents:
00:00 Intro
00:16 Why Primes?
00:33 Zeiss Milvus Line Summary
00:47 Smallrig Mini Matteboxes + Tiffen Black Pro Mist
01:08 Why I love these for video work
01:42 18mm Focal Length
02:25 25mm Focal Length
02:58 35mm Focal Length
03:27 50mm Focal Length
04:05 85mm Focal Length
04:34 100mm Focal Length
05:15 Final thoughts on why focal length matters
The Zeiss look is an industry standard. So many features, shorts and series have been shot on Zeiss. You mentioned zooms for documentary work, which zoom lenses do you like for this?
Yes, of course! Zeiss have been around for close to 200 years. It's interesting how well these still photography lenses perform for video. For documentary we currently use the Canon Trifecta of 16-35, 24-70 and 70-200. If we were to invest in new lenses however, we'd most likely get the Laowa Ranger zooms.
Great production quality!
Thank you 🙏
Thank you!
What do you think of those Zeiss Nano Primes?
They look amazing! Really excited to try them out. For now we will certainly stick with our Milvus for everyday work-you can get them quite affordably if you're willing to be patient and buy good used copies. The Nano Primes are beautiful lenses but will be a LOT pricier.
@@loreagency
Thank you for a swift response.
It would be very interesting to see the results of your tests. They do look like well-built lenses, with solid Zeiss quality.
In the UK the highest price for a single lens is 4000GBP. Note that some within the line-up are more expensive than others.
Regarding the Milvus Super Speeds, they seem to be big and unwieldily, well for my cameras anyway: Nikon Zf and Nikon Z9. I was interested in the 1.4/85mm, but it'll look like a monster on my Zf. I have opted to buy the classic 1.4/85mm Planar T* instead.
@@---us7qf Definitely well built, they feel like tanks for their size. Agree with the size and weight as well compared to the SS's, I can travel with all these easily in a small carry on Pelican case. The classics are fantastic lenses, a couple of the Milvus being just rehoused versions of those-very difficult to improve upon. Most of them do have new designs though.
Just a small side note: 35mm is NOT how human sees things; On full frame 55-58mm is; mainly because this focal length renders distance in a manner very close to how we preserve distance in real world.
Correct, it is 35mm when on a Super35 sensor...effectively 53mm.
It is actually 44~50mm in Full Frame equivalent, the distance.
Side by Side eye stacked horizontally