As with my comments on the first sonata, here too we find an obscurantist and epigonenhaft assimilation of the second Vienna school. Prokofiev does it; Shostakovitch too. They want to belong to the West. But they produce their greatest music when they exploit their native idioms. Because then, there is no West and no East.
nothing to do with second Vienna school. your knowledge and (even aural) understanding of Bartok's music is really weak. nothing to do with Prokofiev and Shostakovitch, too.
Speaking with such authority while implying this sounds anything like The Second Viennese School is a great way to undermine any credibility you might have
@@prepcoin_nl4362Some authors note (even by refering to Leibowitz) that Bartók's themes tends to use entire chromatic material within a certain range (or just 12 tones) without repetitions.
![Edvard Grieg - Violin Sonata No. 2, Op. 13 [With score]](http://i.ytimg.com/vi/_Pfg92qNgqU/mqdefault.jpg)
![Edvard Grieg - Violin Sonata No. 2, Op. 13 [With score]](/img/tr.png)
Utterly wonderful performances by these two of a truly ingenious piece. Thank you for posting this!
(06/05/2024; 15:41 hs.) -- Soy de Ciudad de Córdoba (Argentina). Hermosa sonata; primera vez que la escucho. Agradezco a quien la subió a UA-cam.
12:06 that part is awesome
You beautiful human
Excellent on all fronts.
underrated gem
10:27 some funky jazz chords
Thank you!
You're welcome :)
olivier messiaen (of all people) played this with his first wife, Claire Delbos
Cool
If you're still taking requests, do you think you could do Poulenc's Gloria?
Bartok is creepy. Although he married and had children, I will always remember him as the Kafka of Budapest.
As with my comments on the first sonata, here too we find an obscurantist and epigonenhaft assimilation of the second Vienna school. Prokofiev does it; Shostakovitch too. They want to belong to the West. But they produce their greatest music when they exploit their native idioms. Because then, there is no West and no East.
nothing to do with second Vienna school. your knowledge and (even aural) understanding of Bartok's music is really weak. nothing to do with Prokofiev and Shostakovitch, too.
I too, can use big words and spit zero facts if i wanted to...
Total nonsense.
Speaking with such authority while implying this sounds anything like The Second Viennese School is a great way to undermine any credibility you might have
@@prepcoin_nl4362Some authors note (even by refering to Leibowitz) that Bartók's themes tends to use entire chromatic material within a certain range (or just 12 tones) without repetitions.
Too loud and no inflection. Listen to how Bartok and Szigeti perform it.