One For The Vine by Genesis - keyboard cover and tutorial
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- Опубліковано 19 вер 2020
- An authentic transcription and performance of the keyboard parts played by Tony Banks on One For The Vine as performed by Genesis on the 1980 tour and released on Three Sides Live. Played with a Yamaha CP80, Behringer and Korg ARP Odysseys, Sequential Prophet-6, GSi VB3-II organ and Synth Magic Quadra for Kontakt.
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Copyright Disclaimer under section 107 of the Copyright Act of 1976, allowance is made for “fair use” for purposes such as criticism, comment, news reporting, teaching, scholarship, education and research. Fair use is a use permitted by copyright statute that might otherwise be infringing.”
As a former "Tony Banks" in a Genesis tribute band, I completely agree that this song was the most challenging to play live. Far more than Supper's Ready. There's just so much going on...
I've always felt this song in general had so much going on for what it is. 10 minutes is not short by any means but it sure packs a lot into that amount of time, doesn't feel as long as it is.
Very Beautiful.
Playing this on a CP-80 makes it sound like it‘s from Duke. Beautifully done.
As always - spot on
This song makes me cry
Absolutely amazing! You capture not only most every note but that certain feel as well. My favourite Genesis composition. Bravo from Canada.
How you reach from one synth on the left to the set of keys on the right.... with seamless accuracy is outstandingly impressive to watch
First time I hear a proper recreation of the Hammond T102 Chorused/phased organ.
Also Yamaha CP80 piano... that instrument is unique in the world... If you have one in 21st century you're a lucky performer.
The Yamaha CP-70 and CP-80 are magnificent sounding electric pianos! You can immediately recognize their unique sound, especially going through a BOSS Chorus! They are thick and buttery.
I couldn't even *give* my T202 away last year. In the end it went to a recycling company. I do know they tried to sell it, so I hope it went to a good home.
@@paul_ward_music I hope it wasnt a person that hates you. Also that the instrument was not destroyed
Outstanding! I can hear Chester and Phil killing it on the drums, and Phil not quite hitting that high falsetto note, being angry for a moment at 7:34. I suppose this is Grom the London Lyceum gig.
Wow! I could hear the complete song in my head just from hearing you play this! I'm impressed by two things: your excellent playing, of course, and the fact that you can read this and play it as you're reading it! And of course, we have to also acknowledge the musical genius of Tony Banks. Thanks for sharing!
I transcribe this stuff and rehearse it on my own and with my band, but STILL find I need to read it. The voicings are so unusual, I owe it to the audience to get every nuance correctly.
Yamaha CP+ phased hammond organ is the best combo ever 😍
I commented on your Cinema Show video yesterday and I need to continue commenting. I currently am sick in bed with Covid and because I just discovered your videos, I am now able to deal with the boredom and pain. Thank you so much for putting these up. I am a guitar player but if I played keys I’d be studying every one of them!! You are amazing Matt!!!
Thanks, John. It is an honor to know that any work I’ve done has helped anyone during these times. I wish you a healthy recovery, and please update us in regards to your recovery!
Hands down my favorite Genesis song. I wish I could play this. That was amazing.
This song is a joy to play with a band.
Amazing
Truly awesome! Love this song so much.
That chorused out piano is Tony to the T. Thank you so much for this!
Wow this is incredible! You nailed it! Love it!
Wow, man! I am so impressed!! Beautiful!!!! Thanks for sharing!
Nicely done.
nailed it man! one for the vine is an amazing song!
One of the most beautiful Genesis songs! It was one of Tony's best!
Fantastic !!!
Just beautiful
Fantastic! 🔥🔥🔥🔥🔥
This is really great
Amazing! Sei un fenomeno!! Complimenti!
It makes me wonder how Tony even decided what voices to use with his arsenal
Bravo 👏🏽
Yep, thats how its done.
Hello!! thanks for this beautiful work !!
I wonder if you could share the score? I just want to touch this arrangement.
Greetings from Argentina!! Long live GENESIS!
Do you know why tony banks plays the part at 5:36 with his hands flipped (You can see this in the Lyceum Video and the Japanese bootleg from 1977)? Is there any advantage to playing it like this?
I do a lot of his fingerings differently. Tony used to sit high on a stool with his wrists bent at the lower keyboards, I set mine up more so the lower keyboard (piano) allows me to play with a traditional classically trained technique. Whichever works for the individual player, I suppose.
Surprised not more used the chorused CP Yamaha besides Tony, Peter, Billy Joel all for leyna and michael macneil from simple minds alive and kicking what an incredible sound!
Billy Joel’s Glass Houses was my first “new” album as an 8 year old. I’ve wanted a Yamaha CP before I ever knew what one was!
You can hear it very well on New Years Day by U2.
@@GenesisFan01 yes indeed! Almost forgot about u2s use... Also the live October is great haunting cp80
"All for Leyna" faked a CP80 using a piano though. You can hear it in the left hand stuff in the verses.
@@AiMR interesting! good ear. Are you thinking a Chorused Steinway C7?
You could make some kind of a living transposing this for sheet music. There is no where that I know that one can obtain the authentic keyboard work for this song or many others. I would desperately love to learn the actual parts.
I have done keyboard, bass, and guitar transcriptions for all the material on Seconds Out and Three Sides Live for my band. I always suggest that subscribers petition Genesis’s publishers and Hal Leonard and I’d love to publish them officially.
@@mattthomasoverdrive4514 Ah its such a huge shame and I know you can't post them here.
There are transcriptions on here that differ greatly from what Tony plays which is so disconcerting. So long as the music is copyrighted. I can't see these people ever relinquishing the publishing rights.
I Appreciate the reply.
I really would love to publish these, maybe when I get more views and subscribers they’ll consider my work.
Beware, I picked my guitar in a whim and played alongs as Daryl (Daryl not Ste, hehe). Really nice and nailed well🖖✌
pareillement hé hé
Daryll did great on this! yup
apart from the amazing playing, that CP sounds absolutely beautiful
You are a WIZARD!!!!!!!!!!!
This is my favorite comment 😀
@@mattthomasoverdrive4514 Outstanding!!! You are so welcome!!
Love that three sides live version on the cp70! It's more majestic than the grand piano on wind
Comparing those Tony compositions in their studio incarnations, you can hear he played piano from beginning to end. The live versions of Robbery, Vine, and Burning Rope are quite interesting in how he delegated the parts to his keyboards.
👏👏👏👏
Hi Matt...
I am watching your videos from the first one onwards.
Like you, I love the music of Genesis and thanks for showing the details that we want to see as musicians.
I heard One for the Vine for the first time on vinyl in 1978 and from there I fell in love with that album...
After Hackett's departure it was never played on Mellotron;
and that sweet melancholy was lost... what was it due to in your opinion?...
Thank you and a hug from Santiago de Chile...!
Once he got the Yamaha CP70 piano in 1978, in his live setup that piano was 180° from the Mellotron, so he just played that melody before the instrumental bridge on the piano. On the 1977 tour it was the ARP in the right hand and the Mellotron in the left at a 90° angle. On the studio version it was grand piano with ARP and Mellotron overdubs.
@@mattthomasoverdrive4514 Thanks for your answer!
Which live version do you like the most?...
When my band first started out doing the 1977 tour, we tried to do the studio version, and it was a nightmare of MIDI splits and layers. Now that we’re doing the 1980 tour, I’m really enjoying the Three Sides Live version.
@@mattthomasoverdrive4514 Thanks for your answer!
I like it with mellotron, live 1977...😁
A hug from Santiago de Chile...!
bravoooo
Here is the solo as in the studio version, with the flute patch on the Prosoloist. Sorry about the ambient noise, I had my laptop mic open... :-p ua-cam.com/video/N7-OSNl-e5c/v-deo.html
How many key changes happen in this song?
By the way great cover
what a wonderful job Matt! great performance! it's always a pleasure to see how fast was Tony (and you!) in the passages from keyboard to keyboard. Some passages are really difficult I think it need a lot of practicing. Not to mention that between them Tony had to manually switch the sounds. Do you replicate even those passages or some sound changes via midi automation?
With this song it’s swapping between the Lead and Poly Synth sections of the Quadra with volume pedals, manually changing presets on the Prophet, and using two organ manuals. Just like Tony did.
Beautiful. So many gorgeous sounds and feel. Trying to focus but couldn't help singing and air drumming along! Did Tony really use as much vibrato or detune on the piano as you? I don't love it here.
Tony had a Boss CE-1 on all the CP70 (and all his sounds by the early 80s). I’m using the vintage unit, also. There are not separate rate or depth controls, simply “intensity”. Mine is set a touch above 50%, which seems to match Three Sides Live and all the soundboard and radio recordings.
Edit: if you’re listening over phone/laptop speakers, that chorus is emphasized greatly. Full range speakers it sounds like it should.
@@mattthomasoverdrive4514 wow you're right I was listening on my phone speakers. Much better on good headphones.
Hi Matt! First of all thanks for your videos, they are awesome! I have a question, do you know the original keyboards used in the studio album Wind & Wuthering? I'm writing my thesis about the importance of keyboards in Progressive music. Thank you so much!
It looks like the equipment listed in the Wikipedia page for the album is accurate.
@@mattthomasoverdrive4514 yes I read it, but do you know in wich songs the ARP 2600 was used?
@@Wright90rm every song except Afterglow. Unquiet (1st part) *could* be Pro Soloist.
nailed it, once again! strange he chose not to play the left hand on 3:30 live
and 3:57 always makes me smile, thinking of "say... it's alriiight Joe"
I found out why. When we did the 1977 tour and decided to do the “studio” versions of all the non Seconds Out songs, that section is a nightmare to do both hands with if the stage mix is muddy. Best to let just the guitar do the Alberti bass.
What preset of the Arp Pro Soloist in this part was used on the 1977 shows??
First time in quiet section Phil moves to kit is Flute; then the instrumental section he doubles Hackett’s lead with Fuzz Guitar 1; then the long portamento lead is Steel Guitar (in harmony with Hackett); and finally the outro lead doubling Hackett is Fuzz Guitar 1 again.
@@mattthomasoverdrive4514 thank you!!
Matt, do you have a bit of delay or vibrato on the CP-70??
On all the 1980-82 videos, the Boss CE-1 is the final stage of all the instruments. That’s a BBD stereo chorus with a fixed rate (same as the original Roland JC-120 Amp’s) that Tony Banks used. It’s really noticeable on long piano chords like in this song and Say It’s Alright Joe. It becomes very pronounced on phone and computer speakers in the midrange.
apart from the amazing playing, that cp sounds absolutely beautiful