Opening of a day and feelings full of love for nature and creatures is vivid in this expressive rendition .It is more than skill and beyond any weakness of imagination .
Wonderful and outstanding, Ustad Rashid Khan captivates our attention from the very first musical note of the Raga Alhaiya Bilawal but this is applicable to all of his singing also. Within one or two alaaps he charges the atmosphere with the ragaas. His singing has beauty of brevity. In spite of brevity, after listening his chotaa khayals, we have a feeling of hearing of whole ragaa. Also there is tremendous variety of Ragas i.e. he has sung compositions (Bandishe) in many different ragaas with the same perfection, sweetness, originality of his own alaaps and taans with tremendous speed doing justice to each and every Bandish either in Badaa Kayal in Vilambit Laya or Chota Khayal in Madhya or Drut Laya. God bless him for more and more singing. Hearty thanks for making loading such type of sweet and eternal singing.
Not yet.. I would definitely listen to it .. I find the Sham Chaurasi style of Ustad Salamat Ali as good as Rampur Sahaswan style .. some other good renditions of Ustad Salamat Ali are in Durga, Tilang, Pahadi ..
beautifully sung. mercifully the cacophonium and violin are muted, the sarangi can be heard clearly up front. how old is this recording? i guess 1990s..
Cacophonium ??? 😀😀. I think you are being judgemental here !! Don't agree with you completely. It is not really so gross as you would want people to believe. True it cannot match the sarangi in so far as the sarangi can follow (copy?) the vocalist accurately and the harmonium cannot in that sense. However there is no need to pursue the vocalist. The harmonium accompaniment can be subtle even otherwise. Not many people will disagree with my view if the accompanist is Pandit Bijapure or JP Ghosh or Appaji Jalagaonkar or Purushattam Walawalkar and such. Even accurately following could be achieved by some such as Tulsidas Borkar. So branding the peti as cacophonium is funny alright but not completely justified. Admitted though that it cannot do the same things as the sarangi or even the esraj as an accompanying instrument. Tagore had made esraj the accompanying instrument for Rabindrasangeet and many rabindrasangeet artists shunned the harmonium in the yesteryears.
Wahh ustad ji!
Prabhu inki aatma ko moksha pradan kare🥺🙏🏻 jai shree ram 🙏🏻❤️
राशीद अली जी को जब भी सुनो हमेशा आत्मा प्रसन्न हो जाती है।
फ़िल्म से ज्यादा इनकी बंदिशें ज़्यादा सुंदर होती हैं।
Sahi bat hai
Ustadji jaise koi nahi!
Wonderful guruji
वा उस्ताद जी rest in peace 🙏🏻🙏🏻🙏🏻
Absolute bliss to hear Reverend Ustad Rashid ji, I wish someday I will get this bliss listening to ustad ji face to face and getting his blessings
I came here after listening Pt. Paluskarji's bilawal and then again returned to Panditji.
Opening of a day and feelings full of love for nature and creatures is vivid in this expressive rendition .It is more than skill and beyond any weakness of imagination .
I mostly try to copy your aalap on violin. It helped me very much in learning the ragas. Thanks.
BIMAL TIGGA sir try to copy pt. dv paluskar ji also.... he has sung authentic form of ragas...
Try Vyankatesh kumar ji also ❤️🎶
A wonderful rendition of this beautiful morning raag by Ustad Rashid Khan. Pleasure in listening to it. Prasun Chakraverty. U.K.
Divine 🙏🙏🙏
wah..wah. kya baat hai ustad .. grt performance..
God bless you Ustadji. I have enjoyed listening to it. Keya batt, wah, wah, wah...
God sings through ustad Rashid Khan.
Always enjoying uniformly in every raag
Brilliant! Sterling execution of a wonderful bandish.
Jai ho guru ji🙏🙏
What a treat. As pure as it gets.
T😄q👌
Wah kya baat hai
Wonderful and outstanding, Ustad Rashid Khan captivates our attention from the very first musical note of the Raga Alhaiya Bilawal but this is applicable to all of his singing also. Within one or two alaaps he charges the atmosphere with the ragaas. His singing has beauty of brevity. In spite of brevity, after listening his chotaa khayals, we have a feeling of hearing of whole ragaa.
Also there is tremendous variety of Ragas i.e. he has sung compositions (Bandishe) in many different ragaas with the same perfection, sweetness, originality of his own alaaps and taans with tremendous speed doing justice to each and every Bandish either in Badaa Kayal in Vilambit Laya or Chota Khayal in Madhya or Drut Laya. God bless him for more and more singing. Hearty thanks for making loading such type of sweet and eternal singing.
Excellent.
Right now, ustad Rashid khan is the most embellished vocalist, what a soul capturing recital!
ustadji , kya baat hai kya baat hai...beautiful
Most melodious rendition!
Pure ecstasy!
thank you,
and bless the sweet voice, and spirits of the ustadji.
Ustad Rashid Khan is always fantastic...
Wah ji wah sir ji
Man khush ho gea
Kya baat hai ..Super rendition of Alhya Bilaval
No words to praise
Pl do come to Jammu
And do call me
wow great music from Rashid khan
such bliss...
all time great ustad ji
kya baat hai ustadji
🙏😌✨ amazing!
wah wah! pleasureful delight!
Bhot khub
its great pleasure .
Sir🙌🙏
Thanks a lot
Excellent 👏👏👏👏👌👍👍👍
🙏🙏
Wah kya bath
love music
Ustaddji had completely different singing style which is not common in classical singers...
Mesmerizing
very good
Can someone share this bandish
Ecstatic
I am a student of ustadji and I am willing to be his assistant in future....SUPERB...
Good .. Similar rendition of Alhaiya Bilawal by Salamat Ali Khan saheb is also melodius ...
Have you heard the Ustad of Rashid Khan singing the same bandish? His name is/was Nissar Hussain Khansaheb. He was a ustad of ustads
Not yet.. I would definitely listen to it ..
I find the Sham Chaurasi style of Ustad Salamat Ali as good as Rampur Sahaswan style .. some other good renditions of Ustad Salamat Ali are in Durga, Tilang, Pahadi ..
🙏🙏🙏🙏💗💗💞
Can someone please give me lyrics
Joshua Katamala
Sumiran bhaj ram naam ke jo kachu howe tera bhala.....
Ek din wo ghar jaana hoga......soch samajh man dhyaan gyaan k
beautifully sung. mercifully the cacophonium and violin are muted, the sarangi can be heard clearly up front. how old is this recording? i guess 1990s..
Love your voice Ustaad Rashid Khan......I am always touched by your style of singing....very much soulful!
Cacophonium ??? 😀😀. I think you are being judgemental here !! Don't agree with you completely. It is not really so gross as you would want people to believe. True it cannot match the sarangi in so far as the sarangi can follow (copy?) the vocalist accurately and the harmonium cannot in that sense. However there is no need to pursue the vocalist. The harmonium accompaniment can be subtle even otherwise. Not many people will disagree with my view if the accompanist is Pandit Bijapure or JP Ghosh or Appaji Jalagaonkar or Purushattam Walawalkar and such. Even accurately following could be achieved by some such as Tulsidas Borkar. So branding the peti as cacophonium is funny alright but not completely justified. Admitted though that it cannot do the same things as the sarangi or even the esraj as an accompanying instrument. Tagore had made esraj the accompanying instrument for Rabindrasangeet and many rabindrasangeet artists shunned the harmonium in the yesteryears.
beautiful