Behind the Scenes of "Sacrifice" with ARRI TRINITY

Follow TRINITY operator Junior Lucano behind the scenes of "The Sacrifice". DP Luo Pan explains how the TRINITY helped him in bringing his ideas to life.

[@diviekepps3369]

Really amazing, the cinematography had me immersed in the scenes

[@ancientform]

INCREDIBLE!

[@thokeJackass]

Very impressive shots and dedication!

[@blackboxphotography3682]

B R A V O O O O !!!!!!

[@golakbiharidigal772]

Mind blowing clarity

[@dimitriszografakis8619]

fantastic ....

[@blankphonk4889]

crazy amount of skills

[@RADYFofficial]

for sure lucanojr will be in this project

[@Ravindra868]

Though I am not a camera professional, but I am in love with Trinity. The passion of photography and video videography is increasing day by day.

[@giritharjeevasuba5206]

Wow Lovely❤️❤️❤️❤️❤️❤️❤️❤️❤️❤️❤️❤️❤️❤️❤️😍

[@Nelsontron1]

Lucano Jr., The God of Arri
Trinity.

[@flaviopresutti]

This BTS abre really beautiful. Thanks for Sharing

[@ozkansk2457]

👍👍

[@balacisco]

Look at the stress the operator undergoing, seems heavy

[@h.k.g.3545]

Nice music plees name ☕️❤️❤️☕️🍩

[@thokeJackass]

I am sure they had a good reason for it, but why would they shoot with shutter angle at 172,8 in the first shot, when shooting outdoors and with no lights that potentialle can flicker?

[@kolecava]

It allows you to shoot non-flicker-free HMI's, Flos and other sources that are powered at 50Hz and not get any strobing or flicker at 24FPS. Normally in Europe, you would run 25FPS at a 180 degree shutter to lock-out the flicker issues there. The 172.8 shutter angle gives you that same "shutter-speed," thus the same result when you are working on a production (such as American films that project at 24FPS) that requires a 24FPS running speed.

[@Samskihero]

No reason to switch to shooting 180 degrees when outdoors if you've had to shoot at 172.8 on previous scenes with artificial lights in a 50hz country. Switching would cause more things to track and for VFX to deal with.