Marcin is the golden standard for this rossiniana....and for most of what it plays. His facilty with the instrument allow him to reach such a degree of expressivity and perfection at the same time, that, to me, no other version i've heard can match this. Sorry there is another version: ...the one he plays in the studio you can see in another video;-)
This interpretation of the Rossiniana n.1 makes me crazy. So quintessentially beethovenian and even chopenesque in some passages of the first part, so marvelously joyfull and dazzling in the Finale. Marcin is a great artist. We need his music.
Standing ovations from me,dear Marcin Dylla! Das hier ist Gitarrenmusik vom allerfeinsten,mitreißend vom ersten bis zum letzten Takt. Sein Spiel ist so einfühlsam und energiegeladen,weiche und zarte Töne sind genauso perfekt gespielt wie rasant virtuose Passagen,mit scheinbarer Leichtigkeit und Hingabe. Ich bin völlig begeistert von diesem wunderschönen Stück und dieser Interpretation.
An extremely tricky work brilliantly performed by a man who somehow in a former life seemed to have known Giuliani in person! - As to the technique ... I don't know if anyone noticed his right hand position throughout the performance ... incredible! I wonder if this is a kind of natural gift or the result of highly consequent training all over the decades ...
Una obra como esta, con tantas variaciones, necesita ser tocada con fluidez y precisión para que sea el deleite del oyente. Marcin Dylla tiene todas esas cualidades en su interpretación. Excelente. Congratulaciones.
And Bach is still the greatest !!!?? This is as complex and challenging as any Bach piece..Yet the world knows Bach before they know Giuliani....I mean the general public...They heard of Johann but not Mario when asked !! This piece and execution sure is proof of that ! I love Giuliani...Out of a few I play there's one prelude in C, way less expansive than this ! But boy is it SO Giuliani like this !! Around 11:40-12:30 it's almost, if not, the Tedesco Tarantella !! And talk about cadenzas (who talks about cadenzas !?); that's the last 2-ish minutes of this magnificent work !! Go get 'em Marcin baby !! BRAVO ! BRAVISSIMO ! M, Los Angeles
A man who CAN play this piece on a standard size guitar surely IS a master! This interpretation easily makes forget the Bream-version and even comes close to Angel Romero's ultimate recording on the album "The Divine Giuliani". - Thanks for posting!
Please understand I am not knocking the recording quality, but this would have sounded even better live I am thinking...would have loved to be there! ...I might go see him now....this is superb! gives a new meaning to "Nailed It!"
Even though Marcin chose a faster tempo in parts than necessary, it was a flawless performance! I wonder if he heard Julian Breams performance which I think is better in tempo and coloration. Bream altered his piece from the original by cutting out parts and inserting others from another work which I do not know the name.
I feel bad for all the other guitarists on youtube performing this piece. This is one of the cases were there's a version of that thing that is so clearly superior in all aspects to the others that you're left wondering: what were they supposed to do in the first place? This? Really? ..but the thing they were doing doesn't sound at all like this lol
I think that every time I watch this video. What we just saw was an impossible feat of wizardry, and they pay a lip-service applause like it's their 8 year old nephew's piano recital.
I agree but we have to admit that not everybody has the tools to easily/fully understand and appreciate something like this..I mean, this is not Ziggy Startdust.. =)
Otello "Assisa a piè d'un salice" L'italiana In Algeri 'Languir per una bella' , 'Al capricci della sorte' and 'Pensa alla patria' Armida "Cara, per te quest'anima"
Giuliani offers great sounding and maybe the unsurpassed master of variations - with quite forgiving left hand worlkoad - quite few barre, compare to Barrios, a master of "torture" for left hand.
valsopuseight It is true Marcin owns a Philip Woodfield, but I am absolutely sure this is a Boguslaw Teryks. Look at the headstock and the ornament of the fretboard close to the 20th fret.
Duma mnie rozpiera na obczyźnie. Brawo! Muj kuzyn, też zresztą Marcin (Majerczyk) pięknie gra, ale zdradził gitarę klasyczną na rzecz muzyki popularnej, a szkoda.
Despite the praise. This is not how to play this music. It actually sounds quite horrid and tasteless...especially in lieu of the style and technique of the period and the actual type of guitars used in the 19th century.
💖💖💖 Absolute Perle!!! Jeder Ton ein Genuss!!!
He knows how to speak with that guitar
trueeeeeee
Bravo, maestro!
cette vidéo mérite d'être vue des millions de fois... très très belle prestation !!
Giuliani is a real monster in compositions ...this theme from E minor is overwhelmingly beautiful....
Arguably, Giuliani could have been the greatest guitarist of all time.
Do you mean the Introduction theme, or the following theme with variations? That one is "Assisa al piè di un salice", composed by Rossini.
Great and incredible!
What an amazing player. He seems to be really communicating with the music as its happening!!!!
Marcin is the golden standard for this rossiniana....and for most of what it plays. His facilty with the instrument allow him to reach such a degree of expressivity and perfection at the same time, that, to me, no other version i've heard can match this. Sorry there is another version: ...the one he plays in the studio you can see in another video;-)
Very impressive. Thank you ever so much
Amazing performance.
This interpretation of the Rossiniana n.1 makes me crazy. So quintessentially beethovenian and even chopenesque in some passages of the first part, so marvelously joyfull and dazzling in the Finale. Marcin is a great artist. We need his music.
Alessio Salomoni Chopinesque
Standing ovations from me,dear Marcin Dylla!
Das hier ist Gitarrenmusik vom allerfeinsten,mitreißend vom ersten bis zum letzten Takt. Sein Spiel ist so einfühlsam und energiegeladen,weiche und zarte Töne sind genauso perfekt gespielt wie rasant virtuose Passagen,mit scheinbarer Leichtigkeit und Hingabe. Ich bin völlig begeistert von diesem wunderschönen Stück und dieser Interpretation.
I love this piece. great performance. I don't know how you do it with so much perfection. MAGNIFICENT !!!!!!!
Thank you Marcin. Just amazing as always !!
Gosh, how beautiful melody !!! Nothing more I can say...
One of my all time favorite pieces. Dylla does it justtice;)
I love to hear you Marcin 😌
An extremely tricky work brilliantly performed by a man who somehow in a former life seemed to have known Giuliani in person! - As to the technique ... I don't know if anyone noticed his right hand position throughout the performance ... incredible! I wonder if this is a kind of natural gift or the result of highly consequent training all over the decades ...
that is so beautiful, magic at work here!
What a classic! It is an impressive piece.
I enjoyed it.
I have a Savino recording, which I like so much as well.
Amazing, beautiful guitar playing. Touched my heart, realy beautiful.
Какая безупречная артикуляция, ритмика, драматургия соотношения темпов! Большой музыкант среди гитаристов! А лайки против - позиция дилетантов!
just beautiful
A BIG, GIANT, SUPER LEGEND...!
This is an astonishingly wonderful musical performance of a great composition! BRAVO, sir!
Very beautiful performance; thank you for posting it!
Outstanding guitar performance
It's live amazing.this art
Una obra como esta, con tantas variaciones, necesita ser tocada con fluidez y precisión para que sea el deleite del oyente. Marcin Dylla tiene todas esas cualidades en su interpretación. Excelente. Congratulaciones.
And Bach is still the greatest !!!?? This is as complex and challenging as any Bach piece..Yet the world knows Bach before they know Giuliani....I mean the general public...They heard of Johann but not Mario when asked !! This piece and execution sure is proof of that ! I love Giuliani...Out of a few I play there's one prelude in C, way less expansive than this ! But boy is it SO Giuliani like this !! Around 11:40-12:30 it's almost, if not, the Tedesco Tarantella !! And talk about cadenzas (who talks about cadenzas !?); that's the last 2-ish minutes of this magnificent work !!
Go get 'em Marcin baby !! BRAVO ! BRAVISSIMO !
M, Los Angeles
A man who CAN play this piece on a standard size guitar surely IS a master! This interpretation easily makes forget the Bream-version and even comes close to Angel Romero's ultimate recording on the album "The Divine Giuliani". - Thanks for posting!
+horrorskopf Yes, a superb Musician!
Bream is superior. Allways.
This is just a standard performance.
Sorry, we will just have to disagree on that.
magnifique!
extraordinary of course But Bream,s versión it is superb as well .
The greatest guitarist of all time.
Apparently someone has get really impressed! Keep studying my friend :)
@@amigosXcorrespondenc Natural talent is not enough. So if anybody has to keep studying, it is definitely you :)
Have you heard Guiliani play it?
Just superb!
Grande técnica, precisão e sonoridade! Sou fã!!!
11:24 amazing!!!
Oh no my friend!!!
0:00 - 14:50
Amazing!!!!
Excellent. music lives in there :-)
Don de Dios, magnifico !!!!
Great Job!
Beautifull
Guiliani:A God of the Guitar !
que buen guitarrista, impecable las interpretaciones. Grande Marcin!!
Amazing, no music, all from memory? Wow!
Holy smokes, wow! :- )
Beautiful job
Awesome!
wow thats incredible
Gran dominio del instrumento y ejecutante de excelsa sensibilidad
Wow that was sick
Great technique and well played all round. For sheer entertainment value I would recommend the Julian Bream version of this.
magnifico
magnific
Perfeito
Grande virtuoso!
magnifica interpretacion, que bien.
Please understand I am not knocking the recording quality, but this would have sounded even better live I am thinking...would have loved to be there! ...I might go see him now....this is superb!
gives a new meaning to "Nailed It!"
Yes, I agree. The consummate Musician!
favoloso!
너무 잘 친다..
10.00 and beyond defies belief...it just appears humanly impossible to play ... stupendous playing!
Even though Marcin chose a faster tempo in parts than necessary, it was a flawless performance! I wonder if he heard Julian Breams performance which I think is better in tempo and coloration. Bream altered his piece from the original by cutting out parts and inserting others from another work which I do not know the name.
Bream's is much better.
awsomme
Браво!!!
Woaaaaaa!!!!!
Perfect
nice!
no.1 virtuoso
I feel bad for all the other guitarists on youtube performing this piece. This is one of the cases were there's a version of that thing that is so clearly superior in all aspects to the others that you're left wondering: what were they supposed to do in the first place? This? Really? ..but the thing they were doing doesn't sound at all like this lol
My childhood....
9.03 9/20 the most mustical journey.
Fiendishly difficult, but he delivers it with consummate ease!!!!???
너무나 조아요
Juiceless.
i only stopped here cuz calloway sent me
😍😍😍
fuera de este universo
Bream had it right ,,, really right !!!!
Tuyệt vời.Cảm ơn akmal anshari
Guys, check out the interpretation from Alvaro Pierri. It is on a much higher level than Dylla's interpretation, with much more variation and emotion.
Who made this guitar? Thank you.
The audience seems kind of nonchalant, considering what they just heard. I would have been standing on my chair.
I think that every time I watch this video. What we just saw was an impossible feat of wizardry, and they pay a lip-service applause like it's their 8 year old nephew's piano recital.
Yup, you wouldn’t be American perchance?
I agree but we have to admit that not everybody has the tools to easily/fully understand and appreciate something like this..I mean, this is not Ziggy Startdust.. =)
Poles are relatively reserved. Doesn't necessarily imply lack of appreciation.
@@arielgabizon78 That makes sense.
Amazing interpretation!!! What guitar is it? Sounds amazing,
Any ideas yet?
Hello, you know that works by Rossini are involved in this work?
Otello "Assisa a piè d'un salice"
L'italiana In Algeri 'Languir per una bella' , 'Al capricci della sorte' and 'Pensa alla patria'
Armida "Cara, per te quest'anima"
Hansley wow I couldn't find this information anywhere else.Thanks
Giuliani offers great sounding and maybe the unsurpassed master of variations - with quite forgiving left hand worlkoad - quite few barre, compare to Barrios, a master of "torture" for left hand.
I hate classicism on guitar. but Dylla makes me want to play it
14:02-14:04 why is it different in Bream's version? That chord progression -which I think is really spot on - is missing..
There are some other differences too, like the section after the arpeggios around 7:15.
I think this is better than 2nd one
sick
6:42
He should make a video with Tenacious D and Dave Grohl!
whats his guitar?
+Rafael Pereira Bogusław Teryks
@@PrzemSusko Thanks! I wish the guitar maker were always identified. I don't think I've ever seen a blond neck before.
Great interpretation. Congratulations!!! Bravo. Who is the luthier of this guitar?
The luthier is Lionel Messi
Boguslaw Teryks.
Phillip Woodfield
valsopuseight It is true Marcin owns a Philip Woodfield, but I am absolutely sure this is a Boguslaw Teryks. Look at the headstock and the ornament of the fretboard close to the 20th fret.
I think you may be absolutely correct Mathijis. Thanks!
Troppo veloce!!!!
how can he do those harmonics?
+lado barnovi Harmonics artificial
저기 앉아있는 관객들은 저 연주가 얼마나 대단한 연주인지 모르는듯.
Duma mnie rozpiera na obczyźnie. Brawo! Muj kuzyn, też zresztą Marcin (Majerczyk) pięknie gra, ale zdradził gitarę klasyczną na rzecz muzyki popularnej, a szkoda.
棒
이 곡이 이렇게 지루하지 않은 곡이었다니.
Tabs bro ?
lol
Snacka om att frasera.
amazing playing not so amazing tune (I mean I'm not saying I could compose better but I have heard a hell of a lot better)
Despite the praise. This is not how to play this music. It actually sounds quite horrid and tasteless...especially in lieu of the style and technique of the period and the actual type of guitars used in the 19th century.