DZOFILM Vespid Prime Series | Review & Test Footage
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- Опубліковано 11 лип 2024
- 💭 Comment - Let us know what you think of the DZO Vespid Cine Primes below!
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Production Kit
Canon C200 (Piece to camera)
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Blackmagic Ursa Mini Pro 12K (Studio B-Roll)
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Canon 24-70mm f/2.8 II
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CueScript EMC15 Teleprompter
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Sachtler Video 18 S2
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Sennheiser MKE600
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Zeiss Otus EF Set - 28, 55, 85
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Zeiss Milvus 100mm
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Aputure 120D
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Aputure Light Dome II
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00:00 - Intro
00:42 - Tech Specs
03:04 - Creative
03:42 - Tests
03:53 - Bokeh
04:18 - Flare
05:29 - Distortion
05:45 - Breathing
05:57 - Coverage
06:37 - Resolving Power / CA
07:13 - Outro
#DZO #Vespid #CinePrimes - Фільми й анімація
Would love to see comparisons between the DZO Vespids, Meike FF primes, and Irix Cine Primes.
Add in the SLR Magic Microprimes as well😉
Vepids have the most character out of the bunch. They got CA, but it's a the vain of what you'd see from Anamorphic lenses. They're a good mix of old and modern lenses.
The irixes are the fastest, but have annoyingly stiff focus Rings which will piss you off on set.
Slr magics have some decent character too, and they have a very unique lens flare to them.
Price wise it's the Meike, but they don't have the character of the others and have a lot of CA, but it's the kind that come off more distracting than anything.
To sum it up. If you want clinical, go irix. Want creative, go vespid or slr. Want cheap, go Meike.
I wonder how this set compared with similarly meike t/2.1 cine or samyang cine version 2
Really like to see comparison between slrmagic APO microprime! Similar size , weight , price.
Thanks for the test!!
I really hope someone can make that comparison too!
Same! There is not enough out there on slrmagic
Thanks for the review. Looks like a fairly decent set with the only real downside being the CA. Certainly an option to consider for many applications.
I've been waiting to hear some more opinions on the set, love your review! One thing that I find interesting is the CA looks more pleasant than lets say a gen 1 Rokinon Cine Prime. I think this in combination with the dzo zooms will be a super versatile for corporate, with primes for interviews and zooms for the frantic acquisition of b-roll
Yeah I agree, that CA is actually pretty bearable compared to a lot of other lenses.
@@mattdawgpro Meike seems to have controlled it much better by choosing to go bigger/heavier glass elements. Their set is rounding out pretty soon.
@@TheLostKuma I'll be interested to see those, I prefer less clinical lenses with some character, so hopefully the Meike stuff doesn't feel too much like an SLR lens.
@@mattdawgpro Yeah I'm with you. I love the way pictors render. and i like these vespids. i agree its not as bad as alot of lenses but was expecting a bit better since they've been advertising vespids as apochromatic. So far liking what i see form meike but not sure its worth teh extra weight/size... (though its cheaper too).
Damn if it wasn't for such bad CA, wouldve been a great set!
Yup on charts every lens look worst than they are. In the intro video shot with these lenses I haven't noticed any massive amount of CA.
You can see it closer to corners, esp if objects in focus. Probably not a biggie if you shoot in 1080. Bu at 4k and up - this aint it chief. Price is great tho. And muuuch better than rokinons or probably xeens. I think its good as a first set of primes
@@viktorkamenicky1106 yep,I also watched the intro video at 4K and a video that 50mm T2.1 compared with meike, haven't noticed amount of CA.
Hi there CVP - great review - I have ordered the DZO Zooms from you along with a Komodo and a few bits from Tilta - quick Q - what would be the crop factor if we were to use them on the Komodo - thanks
thanks for all ur content its gold! could have a look at the nitecore primes
Thanks for watching! Jake
Thanks for the test ! Not an APO design as many has claimed, nice lenses though.
Damn great review! Man its an absolute joy watching how you guys review things . everything is so organized and looks amazing. I also agree about the CA, they would be almost perfect if it wasn't for the CA.
I would love to see the in a real life setting rather than on focus charts. I often don’t see much to any CA once Camera or subjects move.
I am looking forward to get a set of Vespid Primes, and now I am a bit confused of which mount should I chose that's more future prove and more versatile in-terms of working with other cameras.
Would be interesting to see how they compare with the Meike full frames?
(Appreciate there is only the 50mm out at the moment)
Yeah hard to compare with just one focal length. The Meike definitely resolves better and has less CA. Jake
I actually really like the look, I have my stills glass if I want something "perfect". Don't mind the distortion and glad that they have limited breathing. Also love that they have 77mm filter threads and are not incredibly heavy. For a note on the video, wish you had shot these on a full frame sensor outside and not on the Komodo. Looking to get the 25mm and 75mm down the line.
Thank you very much for your review!!! Please tell me how these lenses compare to Leica R? I am interested in contrast, sharpness and color reproduction. I really love my Leica R set. Will I get more picture quality when I buy a Vespid set?
Thank you for your great videos. Everything is very on point, organized and without fuzz. Great informations :)
I am currently looking into more serious filming (coming from professionall wedding and business photography) and i have to say i find it hard to choose a set of cine lenses. from modern canon/sony/sigma art primes one can expect great images, low CA and good flare resistence. if i dont need the depth of field i can basically shoot everything wide open with all my lenses and do not have to worry about image quality. i like that modern look for filming as well, if i want some character i can add filters later.
sadly, none of the affordable cine lenses seem optically on par with current photography glass. as much as i would like the cine housing, long focus throw etc i find it hard to shell out money for lesser optical quality. i guess i will stick to the photo lenses a bit longer.
It’s pretty expensive but the sigma cine primes use the same glass as in the art series
Best conclusion for the current market. I am currently a student at the film academy, thinking about doing some rental business, feeling that the low-quality glass with a cine-cover would make it just so expensive. For my FX series camera, the same price can come with great G master lenses, even with incredible image quality. Really hard to make the decisions.
Ive been interested in these lenses for owning for small projects that have no rental budget. And I heard you guys did the test on the FX9 (which I also own). What PL adapter did you use for the tests with the lenses?
We used the Vocas one. You can find it here - cvp.com/product/vocas_0900-0015
Are these sharper than rokinons because I want to know is it worth the upgrade at any point
@cvp Can you please tell me what PL adapter you're using for these lenses? I've rented them twice (as well as the Meike FF) in PL, and they would NOT seat into the Wooden Camera PL mount on our EVA1, nor would they work in a Metabones PL or an 8SINN PL adapter. Please advise? The Meike's would not seat either, for the record.Thanks in advance for any info
nice set
Would really like to know how these compare to SLR Magic APO microprime
Because of the CA and distortion, would you say these would have similar performance as rehoused vintage stills glass like Leica - R, Contax Zeiss, and Canon FD, or worse?
My question too.I was really looking forward to these as I wanted the vintage characteristics of my contax zeiss and Leica R without the CA...
Worse. Canon FDs and such are still used on Hollywood productions
I’d love to see a comparison of these versus the new Meike cine lens, the irix cine, and the slr magic apo primes
What is the title of this music? This joint is so smooth.
Considering to use them on S35 sensor means it could 'hide' some of the CA issues on the corners, am I right ?
Cropping always shows the best of a lens. Sometimes though, its the edges that give the character, ie. vignetting and softness, great for center framing.
Would like to se comparison DZO Vespid and Coke s7i
Would these work on a metabones speedbooster on a pocket 4k? I know the zooms do not but would interested in establishing whether these would.
Yes these would! Jake
@@CVPTV Thanks for a prompt response 👍
quali lenti per sony alpha 7S3 ?
cine
grazie
anyone knows when the release of these lenses are?
E' un set di ottiche molto interessante. Le Vespid prime sono apocromatiche ?
Yes they are supposed to be apochromatic but their performance doesn't look like they are. Jake
If there wasn't so much barrel distortion I'd say these would be great. Sort of rule them out for me, depends on price but it was fairly bad.
What is "cutting" when referring to the lens characteristics around 4:35 minute mark? Not familiar with this -- British term? I've been in the industry near 11 years (7 + in LA) and I'm baffled by what he means. Is it distortion or possibly the not so nice roundness of the bokeh?
Never heard of the term! Would love to know too
Based on both this video and Gerald Undone’s review of these lenses, I *think* "cutting" refers to the way the bokeh circles toward the edge of the frame get cut off along one side. So not just the somewhat jagged edges of the circle where you can kind of make out the shape of the iris blades, but the way that the farther from center frame you get, the more the circles resemble a gibbous moon (for lack of a more technical description). Can’t speak with authority, but such is my surmise.
Is the infinity hard stop anywhere near infinity?
Xeen CF or DZO Vespid Prime ?
Goooood Question
Theses lenses are Samyang lenses rehousing Or what? Pls I want Clarity.. 🙏🙏
I don't believe so no. Jake
if at F 5.6 still got green tint etc. that's garbage man that shouldn't happen at all!!
Do these have the same limitations as the DZO cine zooms with regard to speed boosters and adapters? Looking to adapt these to Sony E mount.
No, they don't
What do you mean that they are not so fast to other options on the market? I guess you mean the same price?
They are T2.1 where as other options like the Xeen's are T1.5. Jake
the xeen lineup are faster but they are comparable in quality? I have heard that they have heavy breathing problems
@@rishtofen I would say they are very comparable yes.
Great video and review! Indeed the CA is a bit of a problem there but at that price point you can't compare it!
Wow that CA! I thought these were supposed to be apochromatic design. Also the bokeh doesn’t look that attractive to me, was expecting something much smoother and less edgy looking given the 16 blades . Otherwise looks great and I like the rendering! I guess I can see why Meike chose to go a bit larger/heavier for the corner performance and CA control.
Meike FF primes seems to be way better controled, they are more attractive to me, even if there is currently only 1 lens out...
Still falling towards the irix line..
What's up with the sexy music though. 😂
Lmao 😂
artisey=soft
"Budget" ;)
They are 100% budget lenses.
Disappointed by the breathing on the 35mm, bummer.
Thumbnail looks like a lineup of Daleks.
i hate this studio lens testes, what people want to see is real world scenarios tests lol