Sony 50mm F1.2 vs DZOFilm Vespid Prime 50mm T2.1
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- Опубліковано 12 жов 2022
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============================= - Фільми й анімація
f stops is about the size of the iris in relation to focal length. t stops is the light transmitted through the lens
lol just comes to show these videos are all bs lol its suppose to be informative and u over here correcting him lmao
@@visionaryentertainment1431 It's not correcting him though. This is just adding more context on how f-stops measure light transmission compared to t-stops. That doesn't change the fact that t-stops are more precise at measuring how much light is hitting the sensor.
@@georgestuart7314 it’s the internet, trying to respond to folx sometimes is a fools errand
Very good video!! Showing the differences between certain settings is super helpful!!
Glad it worked out !
Love the content bro! The videos are clean! Keep it up!
Thanks man ! Will do !
Love this video and really appreciate your take on the two different use cases. I've been considering a cine lens for a while, alongside renting the 50mm GM a couple of times. The 50mm f1.2 is so good that it's boring and feels like it's easy to be lazy with it. Keep thinking a cine lens will keep me engaged more when doing client work, but your insight makes me think I should actually reserve such things for personal projects.
Food for thought, thank you Kofi! New subscriber here.
It just helps when you’re small crew/ solo op , I LOVE Cine lenses , but like can I shoot a Gymshark campaign running around shooting manual on a 3-4 person crew ? Yes, but my back would be broken ahah , I just default to nice AF glass because it makes life smoother
@@KofiYeboah yep, I totally understand that feeling! I have done films with manual focus only, and it’s a real pain in the bum!
Just lining up to start my first doc and was thinking on going anamorphic for it. But your sensible take makes me now wanna stick to what I know for now!
@@KofiYeboah Really good point about a small crew. You really want someone to pull focus on a manual lens.
@@Adam.Hughes Best of luck on your upcoming project. I think you will find that you CAN do it all, but that in the future you’ll really really want a competent first AC. (And it really doesn’t hurt to diplomatically ask the producer. It’s in their interest, too.)
@@MarcosElMalo2 I tried to working with athleisure brands , and I get hired mostly cause I’ll shoot handheld and I’m not afraid to sprint and shuffle around getting shots , but trying to pull manual focus on a 75% sprint on an fx6 no easyrig , god bless ya 😂
Nice comparison! Can you achieve cine prime / leica R look with Sony glass if you add glimmerglass etc in front of the lens or is it still different?
I’ve tried it! Still looks different I’ll be honest
Good idea to check both of this lens together, thank you bro!
You’re welcome 🙌🏾
I’m rocking GMasters for most things. And I bust out my cine-modded Leica R set when I want to achieve “that look”
The Leica Rs are *chefs kiss* . I had a set while I had the Red Komodo for a while and they’re so nicr
Have you tried the dzofilm Cattas? As attracted as I am to the vespids, a zoom would be far more appropriate for my purpose (filming my kids who would never wait for me to move about and compose).
I haven’t yet! But I plan to !
Such a great video. Much appreciated!
Thank you 🙏🏾🙏🏾
And what do you think about the Samyang VDSLR? I want to buy it, but I don't know how good they are in real use, for example, smooth focus...
Honestly I’ve never even seen one up close so I wouldn’t know (yet)
I recently buy a 50mm dzo but the adapter that I use for my FX6 ( EF to E) crop the image a lot, could you tell me what adapter do you have? thanks man
I just used k&f one but get the dzo one !
Hey Kofi, it seems that you have a Sigma 24-70, I wonder if it is possible to shoot commercial stuff with and that forgo the Sony 50 1.2 GM (and go straight to DZO?)
You could ! I actually did one for the YMCA ( A Canadian gym chain in Canada), I post some work every few weeks, and that'll be next!
@@KofiYeboah thanks. While the GM seems to be a technical wonder, I just don’t feel much with it (and the GM2). And I guess most people don’t notice if I use the Sigma Art anyway!
Been enjoying your stuff man! Now I need to figure out how to buy an fx6😂
Ahah put your order in
Step 2: pray haha
@@KofiYeboah emphasis on the prayer haha
A-Roll lighting in the new spot is absolutely MINT
Thanks ! I moved apartments haha
I either use my Meike full frame cine lenses or my vintage Super-Takumars...
That’s cool !
I think with all their lenses, if you want clean, sharp, and neutral, Sony glass is the way to go. Like you said, G-masters pay the bills.
Agreed!
"...not at a desk with a bunch of RGB lights behind me..."
Shots fired! :D
😅😅
I like this review/comparison but I think you missed a couple of important things. If you’re doing professional cinematography, you’re using a SET of primes, and those primes have to be matched by the manufacturer to have similar and consistent characteristics. So you can’t really compare a 50mm to a 50mm. You have to compare a matched set to a matched set. And a matched set of primes is bare minimum of three lens up to eight or nine. Maybe even more for special circumstances. Why is this important? Because unmatched lenses can cause extra work and extra headaches in post. They got enough problems. Also, you don’t want them to blame delays on fixing your problems.
If you’re not a pro or just getting started (and not wealthy in either case), you’re stuck with buying one or two lenses at a time. If you’re buying from a store with a physical location, you should do lens tests with chip charts to at least try to match lenses. (And this is why you should buy from brick and mortar venders if you can. They should have a prep area where you can set up your test.)
And if you are going to DP a feature film, be sure to tell the producer or UPM early on that 1) you don’t have a matched set, so they need to rent a set, 2) you have a set you matched yourself, so they might want to rent a matched set, or 3) you have a manufacturers matched set, so they don’t need to rent, but that’s why you’re charging them more for your package rental. 😄
If any of you viewers are not at or near this point, disregard for now. You’re probably making shorts and doing your own post, and you can deal with color issues yourself instead of making it someone else’s problem. Just keep doing what you’re doing. At some point in your career you can trade your piecemeal set of lenses in for a matched prime set (or just keep relying on rental sets-there’s no shame in that, just less income from your kit rental).
Sorry this was so long! I hope the comment is useful and not too out of scope for the audience here.
Thanks for that ! And appreciate the feedback! I will say knowing that , I try to read the room a bit in regards to audiences; at least mine. Most people here don’t have the means to buy a set of cinema lenses and go one at a time , but I’ve also frequently used both 50mm and wanted to answer the question of WHY someone would do that , I do love going to my local rental shops prep area to test out gear beforehand and encourage people do everything you said ! In the context of the video though , it kinda served as a general starting point ( without making this video 25 minutes that know one will watch haha)
@@KofiYeboah I guess my comment wasn’t valid criticism, but I hope it was useful for others! ☺️
@@MarcosElMalo2 no it’s great information man ! Especially when people make that jump ! I’m sure it helped people
@@MarcosElMalo2 It’s great critisism, more than anyone could’ve asked for! Keep spreading your knowledge!
Im on the vintage glass. I already have super sharp sigma art lens set so im in the “character” spectrum lately
Everyone at some point needs to have that variety ✊🏾
I’m waiting for cinema lens with auto focus
One day 🫠
The RGB lights behind 💀
My favourite combo 👀
got a set of vespids on the way, 16,25,40,50,75,90 macro. I messaged dzo and i'm doing some content so i got them cheaper hehehe
that’s an amazing kit 🔥🔥🫡
now with dji focus pro cine lenses are way more sexy
Right!
I’m team Sony 😉
Excellent choice 😏
Cinema lens looks like they are wayyyy old from dinosaurs
They ALWAYS talk about how looks and smells... NOTHING SPECIAL, NOTHING ELSE. . . WHAT THE NEW LENSES WITH AUTOFOCUS CAN DO.
Everyone says they love cinema lens because is manual and ALL OF THEM the have a device to control the autofocus.
$$$cinema lens +
$$$$control autofocus +
$$$$$ control zoom
For the same result or just tiny differences no one ca see it.
Because it's cinema lens and looks good amd they can charge more than regular lenses.
Ok