Steve Vai's string noise is not random. He can replicate it. Same with Joe Satriani. That's what makes them stand out. Older players such as Hendrix and Page had actual random noise from loose playing, but they could never play the same solo twice.
Oh... My... Goodness... My Dear Jill, I have only just seen this performance now (Sep 23) and I am so absolutely touched by it. You did such a lovely job, thank you so much. It's always an honor and a pleasure to see another artist play one of my pieces, and that you performed it so lovely, with great intonation, wonderful use of harmonics and dynamics, and most of all, you played with your heart and soul which brings this melody so alive on the violin. What an absolute treat for me to see. It's always inspiring for me to hear my music played so beautifully. A big hug to you, and deep appreciation. Steve Vai
Made me cry... I've been a guitar player for almost 20 years and I never found this level of beauty on the cover of a classic song. Thank you for this rebirth of culture.
It's entirely possible that I've listened to the original song more times than almost anyone. Man, does she nail it. Every little nuance and phrase. She captures the feel of the song better than I've ever seen on any instrument.
This is a particularly difficult solo to transcribe for other instruments. Steve has a unique way of playing. Jill was able to capture each nuance again in an incredible way. And it also brought a different atmosphere ... Fantastic!
I expected her to do just fine on all the slides (not too different than some Paganini or Ernst style cadenzas) and given Steve has a very wide, violin like vibrato (though not Yngwie levels) that wasn't going to be much of an issue. The thing that blew me away was how seamlessly she managed the weird inversions and chord voicings and how the hell was she getting that much volume and power on the harmonics, damn!
@@mksland3884 Steve needs to perform it with Jill (violinist in this video) someday. I don't know how is his right hand healing now but Jill can totally back him on this. She learned this entire piece in 1 week (that is 1 week from never hearing it before to recording it). Plus she can really use some publicity, the only reason she had to market herself for the first time in her 30+ year playing career is because of pandemic, live-focused non-marketed musicians got hit hard.
Getting this difficult piece technically right is one thing. It's hard...but that's what skilled classical violinists DO, and Jill has mad chops. But also capturing the feel of the piece so well that the hair on the back of my neck was standing up...that's mastery. Huge shout-out to Ogawa and Fumiya, too: the rhythm section makes or breaks a downtempo song like this, and they killed it.
She got the bowing so right to match the attacks on the original piece....also the sus and legatos and little tone changes that make this song so rich, but also difficult
Would love to hear their cover of Ne Obliviscaris' "And Plague Flowers The Kaleidoscope". She obviously qualifies. Even though, the song has been added into the Sydney Conservatorium Music Studies curriculum...I still believe they can handle it.
Well Jill has been playing the violin for over 30 years since before she learned to speak and is gifted (she has a condition where her visual cortex part of the brain processes sound information so her perception of sound is unique, just like you see unique colors, she distinctly percepts every possible frequency pitch in her hearing range), and it only took her 1 week from hearing this tune for the first time to recording it for this cover record, she also said it was the hardest piece on the cover record for her, so all this put together basically means she cake-walked through these guitar virtuosos
JILL has a perfect pitch. No, not where many talented musicians have perfect pitch hearing relative to other notes. She has perfect pitch in that one note and she can tell you what note that is. She is a very unusual person. She started violin at age 3. She learned violin before knowing the notes. She played by hearing. She sees the world in sound. Yeah, a very unusual person.
I love the fact that she used an acoustic violin rather than an electric one. As a player of both violin and guitar i cannot even begin to fathom how difficult this must be. and all that too with a crooked bow!!!!
I play drums and guitar and watching these Quadratum vids has a been a treat, because of the way similar techniques on guitar and violin intersect. Far Beyond the Sun had lots of long scale runs going down the fingerboard, but mainly on just 2 strings so they're pretty linear and her bow stayed on a relatively even line. The Racer X stuff makes her go to string crossings, needing all 4 strings and changing her bowing angle a lot, more or less replicating the way Gilbert loves string skipping in his phrasing, and for Vai its silky long slides, vibrato just dripping with passion and harmonics that beggar belief. Jill is just a beast, though Fumiya and Hiro bring the thunder as well.
Oh. MAN. The original is one of the most intense and beautiful instrumentals I've ever heard, from one of America's greatest guitar legends. Jill-san made it her own. I bet that the Maestro Vai himself would be impressed with this, if he isn't already. My admiration for her has jumped up several notches, for sure!
Jill is amazing and a gifted musician ('absolute pitch' and her sense of timing is impeccable). She has been playing violin since age 3 and for over 30 years, she can play absolutely anything from Paganini and Bach to this. I heard her play Jazz and Latin melodies and harmonies in another video and it was absolutely mesmerizing. This particular piece from Steve Vai she figured out in 1 week (that is from hearing it for the first time to recording it!) and also it was the hardest guitar piece for her from this cover album, she basically breezed through electric guitar virtuosos.
Well, dunno about you all, but I had to take a moment to compose myself. I was crying, from hearing such a.... beautiful masterpiece made even sweeter by the amazing work of Jill and the good folk at Unlucky Morpheus. Morpheus might be unlucky, but HOTDAMN we are REALLY lucky to be able to listen to amazing music such as this. Thank you!!!!!!!
If you did not know this is a Steve Vai song, you'd think this is part of the soundtrack of "Crouching Tiger, Hidden Dragon".and composed by Tan Dun instead of Steve Zai. It's the violin.
10 out of 10. With this rendition of a timeless classic, Quadratum has not only shown excellent musical taste and technical prowess. They have shown that they understand, respect and love the feeling behind this piece. My sincere admiration for them from Mexico!
That moment when you watch someone so proficient at their craft, and realize there will never be a time when you will be capable of even a fraction of it, yet you are totally okay with it 🥲
ive been aware of how powerful Jill and the gang at UM are; but this quadratum just blows my mind every single release. im in shock. i can feel this piece in my spine, every repeat i get shivers. amazing, unbelievable, awesome.
@@wbwillie Steve already played this with a violinist live but Jill does the entire thing herself and much better than Ann Marie Calhoun played her parts.
There are very few people who know their instrument so well that it seems that their instrument is an extension of themselves. Jill is one of those people. She thinks what she wants to play and it just happens. She makes it seem easy, but no doubt it took many years of determination and hard work to get to that point - besides the obvious - PURE GENIUS!
“To date, FTLOG is the ultimate musical statement of my subliminal love for all that is, and my desire to achieve purity of heart in one of these lifetimes soon. FTLOG is inspired by divinity, like all great things that the human race takes credit for.” - Steve Vai Imo, this FTLOG cover is one of the best tributes to the one and only, Mr. Steve Vai, from one virtuoso to another, who inspired countless musicians and will inspire future generations. Much love and respect. 💯🎸🔥❤️
...As Jill takes on one by one some of the greatest guitarists to ever live and not only own every piece, but add to the beauty that was already there. 🤘
FOR THE LOVE OF GOD (Pelo amor the Deus) ficou magistral com Steve Vai (principalmente na versão o vivo com a Holland Metropole Orchestra, 2005, com orquestração de Chris Opperman), e depois, ficou magistral, também, com os dedos flamejantes da (bela, exótica e virtuosas) violinista japonesa Jill. Quer saber porque eu a chamo de Jill "Dedos Flamejantes", então veja a performance do linque do primeiro comentário (e me diz se por acaso eu estou errado).
I've listened to this song so much, its one of the best peices of music I've ever heard. This cover was like listening to it for the first time. I had chills the whole time
I've commented on this song before, but I just can't help myself to comment again. For the Love of God, that was just so awesome! I've never heard any player of any instrument reach so deep into their soul and bring it out so well that the listener can be moved so deeply.
Just as i have always envisioned hearing Steve when he plays. What is amazing is the replica with less & shorter strings! Now that's impressive! In fact this performance is OUTFUCKINGSTANDING! ANd since she didn't say it..."We May be Human...But We're Still Animals!" 😝✌😎✌
Astounding rendition. Loud playing workshop is my fave album ever, and Jill is biggest reason why. So awesome to see how well violin can take the forefront in metal instrumentals. It was really awesome to see Jill’s unmistakable talent showcased in this album
Sometimes ... just sometimes we are truly fortunate to be around dynamic artists. Music which grounds you and ... for a few moments.... forget any personal struggles you are doing your best to conquer. How I love Unlucky Morpheus’s magnificent works. Simply gorgeous.
Jill is some kind of goddess of music, she is quite entrancing, incredible, otherworldly. And I know it's nothing to do with it, but I imagine she is an absolute firecracker in the bedroom as well!
Is Jill the best violinist I have ever heard? No idea. I have no basis to compare and judge. But Jill, with the rest of Unlucky Morpheus, brings the most unique and beautiful violin pieces not written for violin I have ever been able to hear, and that make her my favorite violinist anyway.
![Lp. Сердце Вселенной #60 РОЖДЕНИЕ ЛОЛОЛОШКИ [Финал] • Майнкрафт](http://i.ytimg.com/vi/YoR0pAV9FVQ/mqdefault.jpg)
She even replicates the random string noises between phrases. There is an obsessive level perfectionism and the skill to pull it off.
Absolutely, Passion and Skill (not warfare :p) , it's like the same person played it 🙏
Steve Vai's string noise is not random. He can replicate it. Same with Joe Satriani. That's what makes them stand out. Older players such as Hendrix and Page had actual random noise from loose playing, but they could never play the same solo twice.
Oh... My... Goodness... My Dear Jill, I have only just seen this performance now (Sep 23) and I am so absolutely touched by it. You did such a lovely job, thank you so much. It's always an honor and a pleasure to see another artist play one of my pieces, and that you performed it so lovely, with great intonation, wonderful use of harmonics and dynamics, and most of all, you played with your heart and soul which brings this melody so alive on the violin. What an absolute treat for me to see. It's always inspiring for me to hear my music played so beautifully. A big hug to you, and deep appreciation. Steve Vai
Wow, it’s not every day a Rock God comments on a cover of his work. Love ya Steve!
from London 🤘💜
Her use of harmonics and capturing of his little inflections was perfect
Love this ... amazing performance
i really hope jumped down the rabbit hole of Unlucky Morpheus!! This band really is something special. A once in a generation band for me
Steve ploughed a land she built a heaven
Made me cry... I've been a guitar player for almost 20 years and I never found this level of beauty on the cover of a classic song.
Thank you for this rebirth of culture.
there Dream Theater covers are imo better than DTs version
Exactly what happened to me when I saw/heard the Malmsteen cover - totally floored me and I don't usually react like that to anything.
😂😂😂😂😂😂😂😂😂😂
ああ、また泣いている。涙が溢れる。うぅわぁああんと泣く顔の筋肉が、引きつりそうだ。
21年前この曲をカセットテープにコピーして500回以上聞いて涙してきた。ヴァイのギター演奏だからだと思っていた。
メロディーの良さだとは思いもしなかった。バイオリンとこんなに相性が良いとは。
ギターでいうピッキングハーモニクスやアーミングベンドダウンを見事に見事に、見事に表現してくれました。いや爆発している。
入れ込んで聴いてきたこのメロディー。見事に見事にバイオリンに昇華してくれた。
嬉しい。嬉しすぎて、またやっぱり泣いてます。ほんとありがとうございます。ありがとうございます。ありがとうございます。ありがとうございます。ありがとうございます。
エンディングカデンツァなんてもう泣き過ぎて脳みその血管切れそう。
フレーズ終わりギターのアーミングに近いニュアンスをヴァイオリンで表現されているのが凄い。。そして、ゆったりヴィブラートの効いた、ヴァイオリンで奏でるメロディーがやはり美しい
Steve Vai himself should comment on this. He NEEDS to see this.
3/11の今日、このメロディを聞いて涙ぐんでしまったのは私だけではないと思う。
胸の痛みと悲しみと希望と夢を思い出させてくれたメンバー全員に感謝したい。
ありがとう。
外国語のコメントたくさんあるの嬉しい
日本のメディアはこう言う本格的な音楽を取り上げてほしい
日本の音楽はわかりやすいのがウケるから、行く末が心配
It's entirely possible that I've listened to the original song more times than almost anyone. Man, does she nail it. Every little nuance and phrase. She captures the feel of the song better than I've ever seen on any instrument.
Same with her Malmsteen cover. Beyond belief how detailed it is, not just the notes, but in every little touch and nuance. Astounding.
Except Steve's guitar
Jillのバイオリンがあれば一生、聴く音楽には困らなさそうだ。
ありがとうあんきも、ありがとうJill。
本当に素晴らしい。私の心が震えているのがわかる。
This is a particularly difficult solo to transcribe for other instruments. Steve has a unique way of playing. Jill was able to capture each nuance again in an incredible way. And it also brought a different atmosphere ... Fantastic!
I expected her to do just fine on all the slides (not too different than some Paganini or Ernst style cadenzas) and given Steve has a very wide, violin like vibrato (though not Yngwie levels) that wasn't going to be much of an issue. The thing that blew me away was how seamlessly she managed the weird inversions and chord voicings and how the hell was she getting that much volume and power on the harmonics, damn!
@@matthewarms3786 Gotta LOVE those harmonics!
@@matthewarms3786 Post
She can do it without tremolo...
No, is nlt difficult, play paganini yn a y instrument, that es really difficult, this is only a famous piece
Steve Vai needs too see this folks. Somebody Instagram it too him.
Also, Ann Marie Calhoun needs to see this :)
He's had a violinist on this track already.
link to a video ft. Ann Marie for those interested ua-cam.com/video/ZXO07y99IYI/v-deo.html
@@mksland3884 Steve needs to perform it with Jill (violinist in this video) someday. I don't know how is his right hand healing now but Jill can totally back him on this. She learned this entire piece in 1 week (that is 1 week from never hearing it before to recording it). Plus she can really use some publicity, the only reason she had to market herself for the first time in her 30+ year playing career is because of pandemic, live-focused non-marketed musicians got hit hard.
They made cover for ygwie also..n others..
If you thought this song was perfect, don't miss Jill taking it to sublime levels of beauty.
VAI本人のエッセンスが、そのまま詰め込まれてるかのようなバイオリン、お見事過ぎる。
これぞまさにVAIOLIN笑！
当時スーパーギタリストのコピーをしまくっていた自分だが、Jill のカバー曲は全部世代でその完成度に感動極まりない！
man i love Jill not only is she beautiful but reminds me how beautiful the violin is
I love that Jill played this so incredibly that not a single person noticed that Jin-ya didn't even show up for this track. ; )
ちょっと聴くつもりが1曲聴いてしまいました。
Getting this difficult piece technically right is one thing. It's hard...but that's what skilled classical violinists DO, and Jill has mad chops. But also capturing the feel of the piece so well that the hair on the back of my neck was standing up...that's mastery. Huge shout-out to Ogawa and Fumiya, too: the rhythm section makes or breaks a downtempo song like this, and they killed it.
She got the bowing so right to match the attacks on the original piece....also the sus and legatos and little tone changes that make this song so rich, but also difficult
この日にこの曲がアップされた事が大きな意味を持ちますね😌
あんきもメンバーに感謝✨✨
今日この動画を見て勇気や希望を見出せる人が増える事を切に願います。
そして、ヴァイ先生の偉大さも改めて痛感致しました。
ホント沁みるなぁ・・・
ヴァイはギターでバイオリンのような音色を出してたんですねｗｗ
こんな凄いバンドを拝見できるとは！
UA-camのオススメ機能にただただ感謝です。
カデンツァ（というか独奏）で終わらせるところが気絶しそうなくらいに美しい・・・ため息しか出ない。
3.11の犠牲者に送るレクイエムとも聴こえますね。
やはりVai来たか....
〜For The Love Of God〜
3.11に合わせてくれてありがとう🥺✨
完成度が高すぎる。再現度がすごい。とにかくすごい。
ピッキングハーモニクスも再現されて完璧です。
the algorithm hasn't been too kind for you guys. This should be at least 1 million views already
いやこれ
すげーよ
６分があっちゅー間だったわ
この曲を7番目に置いてる所にも感動
リスペクトしてますなぁ
自分の好きな曲がヴァイオリンで聴けて嬉しいです😊VAI本人にも見てほしいくらいな世界感で素晴らしいとしか言えません！
People cant even play this song on guitar after 10 years. This girl shreds it on violing😍 skills😋
Would love to hear their cover of Ne Obliviscaris' "And Plague Flowers The Kaleidoscope". She obviously qualifies. Even though, the song has been added into the Sydney Conservatorium Music Studies curriculum...I still believe they can handle it.
Well Jill has been playing the violin for over 30 years since before she learned to speak and is gifted (she has a condition where her visual cortex part of the brain processes sound information so her perception of sound is unique, just like you see unique colors, she distinctly percepts every possible frequency pitch in her hearing range), and it only took her 1 week from hearing this tune for the first time to recording it for this cover record, she also said it was the hardest piece on the cover record for her, so all this put together basically means she cake-walked through these guitar virtuosos
@@LogioTek super human's, very rare. Like Bruce Li. Good to know there are more like tho's out in the world we live in.
JILL has a perfect pitch. No, not where many talented musicians have perfect pitch hearing relative to other notes. She has perfect pitch in that one note and she can tell you what note that is. She is a very unusual person. She started violin at age 3. She learned violin before knowing the notes. She played by hearing. She sees the world in sound. Yeah, a very unusual person.
Now that's how you play VAIolin
Violin God level 9999999999.........
If Steve Vai played violin - this is exactly how he would have played this piece!
特殊な和音を除けばバイオリンに弾けないギターパートはほぼないはずだからどんどんこういう試みが増えてほしいな。
I love the fact that she used an acoustic violin rather than an electric one. As a player of both violin and guitar i cannot even begin to fathom how difficult this must be. and all that too with a crooked bow!!!!
I play drums and guitar and watching these Quadratum vids has a been a treat, because of the way similar techniques on guitar and violin intersect. Far Beyond the Sun had lots of long scale runs going down the fingerboard, but mainly on just 2 strings so they're pretty linear and her bow stayed on a relatively even line. The Racer X stuff makes her go to string crossings, needing all 4 strings and changing her bowing angle a lot, more or less replicating the way Gilbert loves string skipping in his phrasing, and for Vai its silky long slides, vibrato just dripping with passion and harmonics that beggar belief. Jill is just a beast, though Fumiya and Hiro bring the thunder as well.
Possibly the most fucking beautiful thing I've ever heard!!! Wow...
30 years listening to it , still got a tear
Oh. MAN. The original is one of the most intense and beautiful instrumentals I've ever heard, from one of America's greatest guitar legends. Jill-san made it her own. I bet that the Maestro Vai himself would be impressed with this, if he isn't already. My admiration for her has jumped up several notches, for sure!
Steve Vai isn't just going to be impressed when he hears this. He's going to cry.
Steve vai, compositore e architetto di questo Taj Mahal divino e terreno insieme condivide con te le chiavi di palazzo.
She is unusual, unique, almost from another planet. It's a joy watching and listening to this beautiful lady and her band.
OH..... MY..... GOODNESS..... that was INSANE.. I am blown away!!!! Best rock violinist I've ever heard
Me too!!!
Jill is amazing and a gifted musician ('absolute pitch' and her sense of timing is impeccable). She has been playing violin since age 3 and for over 30 years, she can play absolutely anything from Paganini and Bach to this. I heard her play Jazz and Latin melodies and harmonies in another video and it was absolutely mesmerizing. This particular piece from Steve Vai she figured out in 1 week (that is from hearing it for the first time to recording it!) and also it was the hardest guitar piece for her from this cover album, she basically breezed through electric guitar virtuosos.
この曲を初めて聴いた自分は10代の若造でしたが、自分と親子ほどの歳の差がある彼女たちがカバーしていることは言葉にしがたい喜びがありますね。
ウマく言えませんが何が言いたいかというと
Jillちゃんかわいい。
Well, dunno about you all, but I had to take a moment to compose myself. I was crying, from hearing such a.... beautiful masterpiece made even sweeter by the amazing work of Jill and the good folk at Unlucky Morpheus.
Morpheus might be unlucky, but HOTDAMN we are REALLY lucky to be able to listen to amazing music such as this.
Thank you!!!!!!!
Vai ,Yngwie,・・・
偉大なアーチスト達って正しく先人からバトンを受け取っているんだ。
と、あらためて教えてくれる。
バイオリンだからこそ出せる音色と楽曲が見事に融合した美しいハーモニーに惚れました
簡単には言いたくないけど
完璧です。本当に素晴らしい👏👏
改めて原曲の良さも感じられて自然と涙が出ました!
アンキモ大好きだったのに、更に大好きになった。美しい。
If you did not know this is a Steve Vai song, you'd think this is part of the soundtrack of "Crouching Tiger, Hidden Dragon".and composed by Tan Dun instead of Steve Zai. It's the violin.
ヴァイのメロディーをジルのバイオリンで奏でると何故か中国風になる不思議 西洋人の曲をアジア人の西洋楽器でインスパイアする面白さ
Jill is one of the most talented musicians I’ve ever seen!
まさかのSteve Vaiさまとは・・・どんだけ、いいセンスしているのやらｗ
10 out of 10. With this rendition of a timeless classic, Quadratum has not only shown excellent musical taste and technical prowess. They have shown that they understand, respect and love the feeling behind this piece. My sincere admiration for them from Mexico!
That moment when you watch someone so proficient at their craft, and realize there will never be a time when you will be capable of even a fraction of it, yet you are totally okay with it 🥲
GOD WITH DARK AND BRIGHT FANTASY BE WITH YOU FOR ALL ETERNITY !! 28 !!
Sounds asian on violin. Like an erhu (Chinese violin). Love it. 🎻
I swear, someone could give Jill a banjo with 2 strings and a cello bow and she could make a 5 star song out of it.
with a short range on the violin she is able to cover all the notes created by steve vai. awesome
I literally cried listening to this
Shut up or you'll make me cry. I get too emotional with this stuff.
This album needs to be available in the UK! I've loved every song premiered from it so far...
ive been aware of how powerful Jill and the gang at UM are; but this quadratum just blows my mind every single release. im in shock. i can feel this piece in my spine, every repeat i get shivers. amazing, unbelievable, awesome.
Ｖ Ａ Ｉ オ リ ン
ほんとキレイな曲ですよね、いいもの聴かせていただきました感謝(*´ω｀*)
A duet arrangement with Steve Vai would be magical. 👍
I sent the link to Steve on instagram
@@wbwillie Steve already played this with a violinist live but Jill does the entire thing herself and much better than Ann Marie Calhoun played her parts.
@@LogioTek I know, I just thought he'd love the arrangement
凄いわ
聴き入ってしまった
JILLちゃん最高すぎ！
There are very few people who know their instrument so well that it seems that their instrument is an extension of themselves. Jill is one of those people. She thinks what she wants to play and it just happens. She makes it seem easy, but no doubt it took many years of determination and hard work to get to that point - besides the obvious - PURE GENIUS!
心地よく聞き惚れました。どちらがオリジナルなんだろうと思うほどの完成度で不思議な感覚でした。ありがとうございます。
“To date, FTLOG is the ultimate musical statement of my subliminal love for all that is, and my desire to achieve purity of heart in one of these lifetimes soon. FTLOG is inspired by divinity, like all great things that the human race takes credit for.” - Steve Vai
Imo, this FTLOG cover is one of the best tributes to the one and only, Mr. Steve Vai, from one virtuoso to another, who inspired countless musicians and will inspire future generations. Much love and respect. 💯🎸🔥❤️
Speechless. I didn't think this was possible but she proved me wrong.
...As Jill takes on one by one some of the greatest guitarists to ever live and not only own every piece, but add to the beauty that was already there. 🤘
スティーヴ-ヴァイの曲がバイオリンに合ってて違和感ない。
FOR THE LOVE OF GOD (Pelo amor the Deus) ficou magistral com Steve Vai (principalmente na versão o vivo com a Holland Metropole Orchestra, 2005, com orquestração de Chris Opperman), e depois, ficou magistral, também, com os dedos flamejantes da (bela, exótica e virtuosas) violinista japonesa Jill.
Quer saber porque eu a chamo de Jill "Dedos Flamejantes", então veja a performance do linque do primeiro comentário (e me diz se por acaso eu estou errado).
Speechless 🔥🔥🔥🔥🔥🔥🔥🔥🔥🔥🔥🔥🔥🔥🔥🔥🔥🔥🔥🔥🔥🔥🔥🔥🔥🔥🔥🔥🔥🔥🔥
That was unreasonable. You didn't have to move me to tears like that. Disrespectful how good that is.
Good lord she tore that up beautifully.
Damn, that last violin solo... So eerie and cool at the same time.
I've listened to this song so much, its one of the best peices of music I've ever heard. This cover was like listening to it for the first time. I had chills the whole time
My jaw is wide open yet no words are coming out.
毎回ド凄いカバーをしているし、とても美しいです。
バイオリンが凄く素敵です。
Wew.. langsung sapskep nih band, gokil abis! merinding liat permainan violinnya. 4 thumbs up 👍👍👍👍
元のフレーズのせいもあるけどまるで二胡の演奏のように聞こえるわ もちろん素敵だという意味で。
I can only say Mother blessed her n those who play with her. They feel every note every heartbeat of She
言葉がない。
聞き入ってしまいました。
ありがとうございました。
standing ovation.
好きな曲ばかり。しかもJillさん凄い！
ただただ観入り聴き入ります
CDはやく届け！
I've commented on this song before, but I just can't help myself to comment again. For the Love of God, that was just so awesome! I've never heard any player of any instrument reach so deep into their soul and bring it out so well that the listener can be moved so deeply.
Just as i have always envisioned hearing Steve when he plays. What is amazing is the replica with less & shorter strings! Now that's impressive! In fact this performance is OUTFUCKINGSTANDING! ANd since she didn't say it..."We May be Human...But We're Still Animals!" 😝✌😎✌
Jillのバイオリンは何故泣けて来るのか、やっぱり日本人にこのクオリティを何十年も求めていたからなのかもしれない…
アンキモに出会えて良かった
Astounding rendition. Loud playing workshop is my fave album ever, and Jill is biggest reason why. So awesome to see how well violin can take the forefront in metal instrumentals.
It was really awesome to see Jill’s unmistakable talent showcased in this album
Sometimes ... just sometimes we are truly fortunate to be around dynamic artists. Music which grounds you and ... for a few moments.... forget any personal struggles you are doing your best to conquer. How I love Unlucky Morpheus’s magnificent works. Simply gorgeous.
wow that was beyond amazing. I knew this song would be emotional and she delivered. I hope Steve sees this I would love to see his reaction to it.
この曲目的でアルバム買いました。12年ぶりくらいの新品のCDです
インペリテリであまりにすごくて笑いましたw
Jill is some kind of goddess of music, she is quite entrancing, incredible, otherworldly. And I know it's nothing to do with it, but I imagine she is an absolute firecracker in the bedroom as well!
CD買いました。IN TO THE ARENAも華麗でした～
She's going to kill it again this time , so hyped up for this one 😀
If this were our prelude, now my attention is only on your fiddle. 💥
You keep turning me off,
Beautiful violinist.🌹❣
Her skill is beyond comparison!!!
Is Jill the best violinist I have ever heard? No idea. I have no basis to compare and judge. But Jill, with the rest of Unlucky Morpheus, brings the most unique and beautiful violin pieces not written for violin I have ever been able to hear, and that make her my favorite violinist anyway.
That girl has me in awe. I can't believe how well she does the characteristic details of the original. I think I'm falling in love!
how profound, how wonderful, jill gave it her touch and kept steve's beauty and virtuosity. greetings from Venezuela.
いつもながらに素晴らしい……いつもはギターとバイオリン、同じ弦楽器のジャンルだから親和性高いなぁとは思っていたけれど、STEVE VAIの楽曲は親和性に融和性も加えてまるでバイオリンの為の楽曲のように聞こえる。
個人的にはRAINBOWの曲やWHITE SNAKEの曲はまだかなぁ？と期待しています(^-^)
It was time Jill took the center stage. 🤩🤩