Come Out To Show Them was a great idea. I took a summer course from Reich at University of New Mexico and he opened my eyes to new things in music. That was a great memory, back in 1968.
Nice knowing Steve likes Jazz and is down as a young black fan. Before learning about him I always felt the first piece I heard, music for 18 musicians, had to get a lot of its ideas from African music.
The music in the intro is from Sextet. And the music in the dance at 3.30 is from Piano Phase, the footage taken from a documentary by Eric Darmon and Franck Mallet.
On behalf of all conductors and performers everywhere, thanks so much for giving us this fantastic video. What a great overview. Thanks for your contribution to the world of music for now and for always!
I can't help but feel like, in his recent work, Reich has become a dull fixture who's become fully convinced by his own hype, the perfect capitalist realist for a corporate totalitarian civilization. He'll roll out the same redundant-sounding and stale documentary music ever few years and still run his face about how his music is 'opening windows between the streets and the concert hall', never minding the fact that nearly zero working class people buy his records or care for classical music.
I do not like the recent Steve Reich stuff. I got to know in the eighties all his great minimal pieces, like "18 musicians", "Piano phase" etc. and as a young man was very impressed by the complexity and yet vitality (at the same time) of his music. But I guess from "Different Trains" on Reich wanted to be very serious. That's when his music, to me, lost it's innocence. Now it is just - complex. Last piece I regarded as really great was "Electric Counterpoint".
I couldn't desagree more and really find some of the "newer" works absolutely fascinating. Stuff like the Triple Quartet, Double Sextet (two pierrot ensembles), 2 X 5 and the mallet quartet...
Come Out To Show Them was a great idea. I took a summer course from Reich at University of New Mexico and he opened my eyes to new things in music. That was a great memory, back in 1968.
The fact that something like "It's gonna rain" inspired the creation of phase music, blows my mind.
Nice knowing Steve likes Jazz and is down as a young black fan. Before learning about him I always felt the first piece I heard, music for 18 musicians, had to get a lot of its ideas from African music.
You're quite right. Steve Reich spent time in Ghana studying West African drumming.
0:23 Fantastic effect!
The music in the intro is from Sextet. And the music in the dance at 3.30 is from Piano Phase, the footage taken from a documentary by Eric Darmon and Franck Mallet.
Seems like a great guy - just like his music !
09:11/ Somebody actually bothered to misalign Reich name to make a matareferencial point about him phasing over himself.
I agree. That’s well done.
This is great!
The Score he is writing on: Mallet Quartett?
Would you happen to know the name of the song that begins at 8:45?
Jeremy Nolan sextet final movement
whats the dance at 3:30 from?
What's the piece during the end credits?
***** Thanks :)
3:20 those girls must be pretty dizzy
Whats the intro music?
Stravinsky's the Rite of Spring.
Like it ....-Beboppppppppppppppppp
In which program he's scoring ?
Sibelius
Is that John Williams drumming with him?
Lol, no of course not.
like it!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!Bebop
Almost 500 likes and 0 dislikes - just as it should be 😁
i forgot steve reich was still alive
The man is still alive today
Wollensaks rule!
Wow, the camera really added ten pounds to my face! Dammit!
On behalf of all conductors and performers everywhere, thanks so much for giving us this fantastic video. What a great overview. Thanks for your contribution to the world of music for now and for always!
@@jr4915 that’s not actually him
You're welcome John! (Of course it's me, Tejas, who else would I be?)
terbaeeeekkkk
I can't help but feel like, in his recent work, Reich has become a dull fixture who's become fully convinced by his own hype, the perfect capitalist realist for a corporate totalitarian civilization. He'll roll out the same redundant-sounding and stale documentary music ever few years and still run his face about how his music is 'opening windows between the streets and the concert hall', never minding the fact that nearly zero working class people buy his records or care for classical music.
the irony of reich hatred phasing in and out over the course of his career.
Does he enjoy it?
I do not like the recent Steve Reich stuff. I got to know in the eighties all his great minimal pieces, like "18 musicians", "Piano phase" etc. and as a young man was very impressed by the complexity and yet vitality (at the same time) of his music. But I guess from "Different Trains" on Reich wanted to be very serious. That's when his music, to me, lost it's innocence. Now it is just - complex. Last piece I regarded as really great was "Electric Counterpoint".
Well that's just like, your opinion, man.
I couldn't desagree more and really find some of the "newer" works absolutely fascinating. Stuff like the Triple Quartet, Double Sextet (two pierrot ensembles), 2 X 5 and the mallet quartet...
Okay, but can he compose something that's actually, you know, beautiful? Instead of boring, repetitive, Steve Reich kind of thing.