While I agree with your 5 points, I HAVE to say that the reason a lot of non-Japanese mangakas draw and write their stories from right to left is because of the traditional manga layout. Especially if their manga is published around the world and translated into Japanese, or whatever other language. Mangas that ARE Japanese, and translated into English, are not published from left to right in the Western style. All-in-all, the reason people create their page flow right to left is keeping to the manga tradition. We read the translated books from right to left anyway, so no harm, no foul.
i see where you're coming from but the only reason Japanese manga reads right to left is because its Japanese, and the creators and the audience are Japanese. the reading orientation in japan is right to left in the other western countries it's left to right so if your audience is NOT Japanese and you yourself are not, it doesn't make sense to do it, i don't think its "tradition".
> Mangas that ARE Japanese, and translated into English, are not published from left to right in the Western style. Well not anymore at least. There definitely was a period where published translated manga was flipped, because I remember the first time I read one scanlated and had to adjust to the original direction
I mean I usually draw from right to left and some people say it's wrong but a French guy made his own manga from right to left and got a award for international manga contest there is alot there are awards for people who try to do this
I don't think there's an issue with an English language comic being written from right to left if it's being drawn in a manga style and aesthetic. If you're doing that kind of work, your target audience is likely people who already consume manga, and even in the official English releases of those works they aren't being flipped to read left to right. I for one accidently read comics pages backwards a sometimes, because I'm so used to reading manga. Either direction is OK as far as I'm concerned, because at the end of the day it boils down to a formatting choice that doesn't actually have a major impact outside of aesthetic.
i get what you mean, but if your audience is not japanaese, theres no point. if you plan to go to japan and sell there, theres no point. besides professional companies wont take you seriously, as to them you'll just look like a fanboy/girl. but then again, its a free world do what you want.
@@ddmarkk true. I would go with whatever the industry standard is. If it's a personal webcomic type of work, do whatever you want. If it's actually being published by like dark horse, or something, it would probably need to be done left to right regardless.
@@ddmarkk hard disagree, globally manga is much more popular than comics at the moment, if your audience is primarily gonna be people who have already read manga why not format it that way
I think that it's more than a formatting choice, it's 100% to do with read flow. Manga goes from right to left for the same reason that manga word bubbles are longer vertically, it fits how Japanese is written and read (top->down, right->left). English is read left->right then top->down and words in English are often longer horizontally so they often have to be chopped up to fit in a manga word bubble. If you write a manga intending it to be primarily read in English, you're forcing people to adopt two competing read flows to understand your manga and you're composing your pages in a way that works against your intended language. There is no advantage except to please people who can only read in English who are deep in subculture of reading translated comics.
If manga readers in the U.S enjoy and have adjusted to reading right to left, why would someone want to publish there manga left to right even if they live in the U.S. The whole point is to appeal to manga readers.
2:22 too much facts, lately i've been re doing demon slayer's whole redlight district arc with different paneling, speech bubbles and angles to train and it helps so much. The composition and paneling of pages end up becoming better and better, even without references. Good video mark!
Some works that stood out to me: 12 ch manga" I had that same dream again" , 12 ch manga bibliomania, 80ish ch manwha The Boxer, Dandadan, and 126 ch manga hells paradise. Stories that tell the story they want to tell, compromises be damned.
I'm a perfectionist type of person so I haven't really started to make manga, but I have outlines of how I want the story to be. My manga is not set in Japan and will go all around the world and is mainly focused in an African inspired fantasy setting. I do think of my work as Shonen, but I won't be afraid to add my own spin when necessary
Nice. Same here. Mine's going to be either seinen or dark shounen. Haven't decided it yet and also my manga isnt nessesarily Japan oriented at all. Also yes I have been working on my story for 2 years without drawing a single panel cos I want the story to be great.
Some top tier content right here 🔥🔥 I definitely think of my manga as shonen/ seinen, but you you bring up a really good point that giving your work a label can subconsciously put it into a box and limit the possibilities of the story. At the same time, it’s definitely good to be aware of the genres your story leans into like shonen/ seinen, and the tropes that come with it so you can actively try to avoid or even flip/ subvert it.
thank you for the compliment and i also one thousand percent agree with you as well. being aware of it will allow you to do a lot of cool and jaw dropping subversions of expectations of your audience
I be honest bro. Thank you. I didn’t go with every lesson you told me. Like I still prefer right to left, I want to go to japan and learn from the manga courses they have there in some colleges and universities. Aswell knowing the importance of writing. Majority of the ideas you gave are fucking great. Like super great
ayy man thats fine, like i said, who am i to stop anyone from doing what brings them joy. And to be honest in a different life, if i came from different circumstances i for sure would've gone to japan to hustle manga so i can't fault anyone who can and wants to. goodluck to you my guy
I agree with 95% of what your saying, but with tip number 4 i feel it depends on the the artist. Some might be able to work better with the right to left format because that’s what they’re used to seeing themselves. They might even plan on translating and publishing in other countries as well.
i get what you mean. its just from me looking into and researching the manga and comic industry in japan and in the west, you're less likely to be taken seriously by big companies if you do it and you're not Japanese. that being said, its a free world, you can do whatever you want
@@ddmarkk if your not "japanese" that makes no sense that's like saying if your not American you can't write a superhero comic. Comics are comics if you write a good one people will read it
I was part of a team that tried to make a manga centralised around the idea of Esports, which at the time I thought was very cool considering that there was little to no manga covering the topic. But the head writer had tried to implement a love triangle, which felt very shoe-horned in. The love triangle was apparently supposed to represent the main character's inner turmoil of pursuing his dreams of becoming a full-time Esports player (Depicted by the enthusiastic and supportive female teammate) or choosing a more sensible but mundane and bland life (Which was depicted by your average "Never gonna be the one" Childhood friend). Although it was an okay concept, we felt that it wasn't needed to progress the plot and diverted the story away from the direction that we wanted to take it. We never ended up finishing the first volume, which is rather sad as I was very excited to see how it turned out.
I want to make a manga similar to that it’s like a fight system with the world rules of an esports game similar to brawlhalla, I just need to create some plot and story then it’s down to the page
you have such amazing advice and im glad i found you.. this tips were great cause they motivated me so much im definitely one of those “but idk how to draw bodies yet” people and havent started creating because of that smhh also relating to the make your manga not about japan if youre not japanese.. i 100% agree because ive tried and it felt cringe and forced even though most of the main characters are japanese-american and im black… it still has a lot of diversity in the manga and the environment (something i can relate to more)
So i agree with most of your arguments, exept reading direction cuz it's kinda irrelevant. I personally chose japanese reading direction simple because i read a lot of manga and so that's what i'm used to.
I agree! This is very good advice that I think all new manga artists should take to heart. I feel especially on the point you made regarding story. I see many talented artists displaying their manga pages on social media but their story is terrible or lackluster. The pacing/panel layout/character development is not thought out. Or their narration gets way too involved with the details to the point that their base story is lost. New artists need to understand that story is just as - if not more important than the art itself...
Eh, I would half disagree about the 4th tip because it would feel to me that it really depends on the context on how you’re handling the setting that happens to start in a certain real world town in Japan without it actually being about Japan. There’s nothing inherently wrong with using a certain place to use as a real world setting they happens to be in Japan. My advice is to be sure to know your facts, do your research, learn that language or get a consultant and don’t follow what’s trending because me personally am not a fan of trends and trends do tend to die out fast. Unless the manga you’re making has a completely fictional setting that you’re likely going to have to make up unless you’re still planning to use real world settings as an influence to expand on the fictional setting. I understand some Japanese mangakas would love to see stories that’s not related to Japan but in my opinion you’re not always going to get to see other cultures based on the real world settings because again it really depends on what you’re looking for and what story it is but some stories will not always have real world cultures in them with a real world setting. However some fictional settings would probably use real world cultures as a influence. When DB Super uses words like “base form” something that has never been a thing before shows it’s clear what kind of audience they’re pandering to and that’s why I can’t get into Super. Not gonna lie I tried to make a story with a real world setting in Japan, Shibuya to be more specific as a starting point but only for a short while before shifting to the main plot in a completely fictional world in another universe for the remainder of the story. But of course I would not do much with the starting point without doing a lot of research and learning the language first. But I’ll do it because I want to make a story that I would want to read that interest me. So yes I half agree with the fourth point but half disagree and agree with most of everything. Anyway about the other point where it’s said not to focus too much on cool fights where you ignore the story. I can completely agree with that one and get behind it because that’s how I genuinely feel about Dragon Ball Super, it focuses way too much on fights, transformations and not trying to tell a compelling story, it comes off as cringe and very fan service-ish for the sake of fan service.
Man😊 I'm a Cameroonian and hearing you're Nigerian from one of monitor comic's videos gave some hope that there is a place fore the stories I make, thanks for what you do bro thanks alot
haha thank you! theres always room for us brodie! if no one wants to give it to us, we'll take it. we have voices that need to and should heard as well brother
I'm doing it right to left, but that's because I'm also writing it in Japanese. Yes. I'm translating it myself. No not with translate. I've been learning Japanese from my nan since I was 12. I'm not fluent though, so I need help with cultural nuances that I didn't get growing up as 1/2 in a different country. I could not begin to take on the nightmare of paneling left to right for English and right to left for Japanese. I do agree with the rest. The things people want to see are good stories. Different stories. Things that make life interesting. So never feel you need to do something because everyone else is doing it that way. If you really feel it vibes with the rest of what you're doing, do it. Chances are people will be happy for the change of pace.
I agree with basically everything you said. About a year ago, I was doing ALL of that stuff. Like, I literally recreated Naruto on accident, Lol. But now that my story is good, I have time to develop a more unique style. Good video!
A lot of mangas that won the international manga awards each year are written right to left. Just because your not Japanese doesn’t mean your not allowed to have it read right to left. Especially if you intend to publish it in Japan. Personally i’m planning to have my manga read right to left and have someone skilled at english and Japanese translations translate it for me. Plus the majority of people who read manga that are translated to english are used to the right to left formula. But great video btw, your points were really helpful.
This video is actually quite helpful and inspiring as someone who is starting out as a manga artist. When i pull out my Komi Can’t Communicate volumes to reference and learn how to half tone I find myself trying to copy the manga style too much like “oh every time there is a BG the character must have a thin white outline so it would stand out so that the char wouldn’t blend too much in the bg” and “oh the walls have these sketchy things i must add it in all the time” “the bgs must be super detailed so it looks natural” etc etc. I started forcing myself to try to make the backgrounds as realistic and natural as possible but often fail. After watching this video i decided to do my manga the way i like it and improve on it overtime. Thanks for this video!
This is some of the best advice for comics/manga making. I'm making a webtoon, so I read a lot of other amateur webtoons, and I've seen every single mistake you mentioned in the video. (I've made some too lol)
Actually, it is true. Especially the 4th mistake. One of the things that makes you like a cringe unprofessional artist is to make a manga story, you have to make a story related to Japan. Or follow the trends that are now in their country [coughcough*isekai*coughcough]. And that's silly. Manga art is another artstyle like anything else. Like the American Super heroes comics, the European graphic novels and such. Moreover, it is true that Japanese mangakas love to see story that are not related to Japan. They want to know, meet and read new cultures and countries and other people's mindsets outside of their homeland [Japan]. And there is no other good way than to show your culture of your country through comics or mangas or animes. Bros, don't make a story about Japan if you don't know the mindset of the Japanese people, or their culture or their language. Better yet, don't make a story about Japan, because, you're going to mess up. I know this because I made this mistake and everytime I remember my manga about Japan, I cringe myself. Like, "OMG what did I do that?!" Anyway, the point is: Make a story that you'd like to read. And if there is someone who likes your story, that's awesome! It means that you make something that everyone enjoy to read even if your art is not good enough.
Eh, I would half disagree about the 4th tip because it would feel to me that it really depends on the context on how you’re handling the setting that happens to start in a certain real world town in Japan without it actually being about Japan. There’s nothing inherently wrong with using a certain place to use as a real world setting they happens to be in Japan. My advice is to be sure to know your facts, do your research, learn that language or get a consultant and don’t follow what’s trending because me personally am not a fan of trends and trends do tend to die out fast. Unless the manga you’re making has a completely fictional setting that you’re likely going to have to make up unless you’re still planning to use real world settings as an influence to expand on the fictional setting. I understand some Japanese mangakas would love to see stories that’s not related to Japan but in my opinion you’re not always going to get to see other cultures based on the real world settings because again it really depends on what you’re looking for and what story it is but some stories will not always have real world cultures in them with a real world setting. However some fictional settings would probably use real world cultures as a influence. When DB Super uses words like “base form” something that has never been a thing before shows it’s clear what kind of audience they’re pandering to and that’s why I can’t get into Super. Not gonna lie I tried to make a story with a real world setting in Japan, Shibuya to be more specific as a starting point but only for a short while before shifting to the main plot in a completely fictional world in another universe for the remainder of the story. But of course I would not do much with the starting point without doing a lot of research and learning the language first. But I’ll do it because I want to make a story that I would want to read that interest me. So yes I half agree with the fourth point but half disagree. Anyway about the other point where it’s said not to focus too much on cool fights where you ignore the story. I can completely agree with that one and get behind it because that’s how I genuinely feel about Dragon Ball Super, it focuses way too much on fights, transformations and not trying to tell a compelling story, it comes off as cringe and very fan service for the sake of fan service.
i agree with all of them,but not with the right to left one not for a specific reason,i just love how it crates a difference betwenn manga and other comics,and i'm just too used to right to left (i read way too much manga)
I think the right to left format is frankly a matter of convention. Understandable why Japan does it but it can also be understood how a Middle Eastern country would do it too, because their language is read from right to left. That being said, artists can opt for whatever convention they deem fit, whether reading right to left or left to right, what matters is consistency.
AAAA i should have seen this a week ago when i started drawing my story. My original idea was to make a webtoon but i mostly read manga so its just in manga “format” now lmao. Aaaand i made it read right to left without thinking😫 i feel dumb now. Thank u for the tipsss🔥
As someone who spent the last 2.5 years planning and practicing before starting my own “manga”, I gotta say, ur advice is freaking SOUND! Follow these tips and always do this for yourself. Not to impress anyone except for the you of tomorrow. Also love the vibes u got man new subscriber!
Uhm, sorry there is a point that I don't understand well about the .3 As actually I don't live in Japan / USA, and that I decide to do a manga, 1- Should I think about my country setting only in my manga? 2- Would that point be applied to a fantasy setting as well?
No, theres no hard rules, what i meant by 3 is more about doing the proper research and not just do something cause your a fan. for example, having your story set in japan and then all the customs, cultures and mannerisms in your work is based off what you see in anime. does that make sense. you can do whatever, so long as you do your due diligence and do the proper research
Practicing art is fine, but doing comics means you gotta "train while doing." That's what I did with my first web series. It wasn't good. But now I'm redoing it after learning a fuckton about storytelling (I'm a published scifi, fantasy, Lovecraftian horror author). I'm pretty happy with the results so far!
I think Since most people expect to read manga in the sites it's better to make the manga be read from right to left bcz otherwise readers feel very uncomfortable again that's based on my own personal experience..
for posing and composition go copy a bunch of artists who do it the way you like, but instead of straight up copy, break it down and understand the thought process, then repeat this alot and also watch a couple yt tutorials.
I agree with everything but the left to right I plan on having to versions, but I am too used to reading that way, so I draw right to left. But I am glad I don't fall for these it could be argued the fighting but I grew up on power rangers zelda and dragonball I like fights its fun but I still try to give reason.
I agree with the one that is when you're being to derivative of a story, I'm not sure if I'm doing the mistake, let me explain. Originally I made a hypothetical story that was way too derivative of AOT, I just gave up on it and started writing one that started in a place called nakijin village which is part of japan but in my story it is modified. But I don't want to be too derivative off of one source and want to put genuineness and authenticity to it
I'm working in a story, is mainly an Adventure story. I satrted drawing some story-boards pages and I like my story, my world and my characters (I still working in it, but my base is set). MY problem are making the panels. I'm doing it left to right (it feels more comfartable too). But despite the direction the story is read... I have dificulties making the pages and the panels to refelct the scene I'm thinking of properly. Is kinda annoying :p Do you have a video to help make better panels? I go to a place where I learn Manga, (I've learn a lot) but I wanna hear other tips related to Panelling specially. Maybe you end up telling me the same as my teacher, but idk xd
for your paneling thing, I simply cant think of anything else but honestly to just read more manga/comics and really analyze the paneling within them. analyze how the panels are used, they way they flow and how much is contained within them. I believe once you understand how panels are used and completely taken advantages of by pros, you'll for sure start implementing what you observed in your own work.
@@ddmarkk So basically I have to pay atention to the pages? I read Manga and Comics. But I inmerse myself more into the story and characters without thinking too much. So I have to actully _See_ what I'm reading?
1: Yeah, a manga can look good with amazing art. But yeah, you need to make a manga as well. The good news is I am making a manga but I'm also improving in between pages and you need to be careful. The shots need to look right, the sound effects need to fit (and not cover the whole screen), same with the word bubbles and you need to follow the action. 2: Yeah, this is something a lot of people need to learn. What works for another may not work for you but hey, dead ends are mistakes, and you learn from mistakes. Another is that manga isn't the only form of media you can take inspiration from. There are plenty of comic artists you can take inspiration from. 3: It isn't a bad thing to show love to another form of material but yeah, stick to a culture you know. Hell, just make an alien world instead. Like me. My manga's set in another galaxy but has no humans. And I was not happy with how Robin Hood depicted the Scots. WE'RE NOT F*CKING CANNIBALS AND WE HATE ENGLISH ROYALTY! WHY WOULD WE HELP THEM?! 4: Try to be your own but don't follow someone else entirely. I've seen a lot of animations and cartoons but I really don't like black line art. So I went with Promare's direction and made my style no longer have black lines (unless necessary). 5: And this is one problem you MUST avoid! You can have cool stuff, I agree. Action and visuals will lure someone in. But you MUST. HAVE. A. STORY! This is something I saw in Red vs Blue Zero (not a manga but will back me up). The animation wasn't bad and the fight scenes were awesome... but the characters, humour and story was BULLSHIT! It was so fucking awful! The Raid Redemption wouldn't nearly be as awesome as it is if we didn't root for its cast and it did that. Sure the Raid is famous for its amazing martial arts choreography but the characters aren't cardboard and we got a simple story. Arcane is an amazing series with its animation. But it doesn't have many fight scenes and when they happen, they're pretty fucking awesome. But what makes us like them? The story and characters are... interesting! In other words, make a manga while improving, don't limit yourself to just manga, don't literally try to copy Japan, be inspired and push yourself and WRITE A GOOD STORY!!! My manga would suck if I hadn't learned the barebones of epic storytelling (likeable characters who evolve, a story to get invested in, twists and turns to keep it interesting while serving a purpose, no plotholes, amazing bad guys and a satisfying ending).
Best advice I've heard yet. Everything you pointed out are facts! Your wisdom speaks volumes. 👏 👏 👏 And if anyone has anything bad to say about it, then they definitely need to get out of that bubble. The greatest Japanese artists broke those societal boundaries of stereotyped art, years ago. Which is why you can only count the number on both your hands. The differences are there, but new artists are still used to thinking that art is a set system, when it's not. Take his advice people. Break the chains of what the standard is and what the social norm thinks manga should be. Manga is just the Japanese word for comic. You're an artist/illustrator. So stop conforming to what the industry thinks it should be. Use it as a foundation but don't settle on it.
Revisiting this video, I gotta say the only thing I disagree with you is the reading direction convention. I get the context of why it is read from right to left but now that manga is published globally as its own category and format for everyone, who cares if the audience is Japanese or not and the format is read right to left? The rest are still solid, and the part about the setting of your plot and countries of origin of the authors was actually a good point considering not everyone is familiar with a certain culture. And even if you were fully familiarized with the foreign culture, showing these Japanese artists eager to see mangas made in a non-Asiatic setting really got me to think a lot. It's a helpful tip.
Hey, making a right to left English manga makes sense because if you get big, it will be translatable to Japanese. People who already read manga are accustomed to this format already so it's not a problem. However, Japanese manga readers are not accustomed to a left to right format with horizontal font. So they are not clowns.
i agree, what im saying is if you are not japanese, you LITERALLY have no reason, you just look like a fan boy or girl. The reason manga reads that way is cause thats the reading orientation there. but its just my opinion as well as alot of professionals so whatever ig.
Man, I know you don't want to do bad, but you can't say "Think out of the box and stay out of Shonens and blablabla" but then, literally calling people cringe for some of their choices. People will be inspired by what they read, and mangas are mostly japanese. Same for the right to left, it's manga tradition and it's very well like that. People need to tell the stories they want, if they want a Japanese character, so be it, if they don't, so be it too. Same for the culture of the characters, the powers, etc. You cannot tell people to not do something. Rather, you should tell them to do it well. I know you did say that they'd need to learn language, culture etc, but you really came out wrong here
For number three, my friend is also trying to make manga, and he uses Japanese names for his characters, like Akio, Aneko, and others. Is that also part of being fanboy-ish?
i agree on most but personally I don"t think there's anything wrong with basing your manga in japan as long as you do your research, many professional japanese mangaka base there manga in diffrent countries for example how vinland saga was based in iceland.
hey man, I am currently making a pilot to a show I wanna make big! Naruto and one piece level! ever since I was a child playing with toys I always put a big dramatic story haha, I have made the story, the plot twist, character development, a epic title, the dark world, timeline and more I have been creating the story for weeks, Im just confused on the right to left format, what do I do, I wanna make it big in Japan, but idk much.
bro im looking at the story I am building and wow this is awesome, this is going on the big tiers, like I have so much creativity, 😁, the action figures had me learn how to make a unique script! oh haha!! this is gonna be so spicy! like this is goat material fr, aot and demon slayer inspired
oh wow, 😭 bro this story got me crying, oh wow this is gonna be an emotional roller coaster. bro did how I make this masterpiece ? I wanna talk about it, but I dont want anyone to steal my story idea.
Go for it! sounds great! as for the reading orientation; ask yourself one question, where would the physical books realistically be published? if the answer is not japan then go for left to right. but then again, do whatever you want.
I was worried I was making some mistakes but still moving ahead, after watching I realised I was on the right path from the beginning.... #overthinkerstruggles
With the dialogue and story element I feel like those are often awful in popular manga/anime as well so I don't really think that matters that much, even though I wish it did. Although these are good tips for someone who actually cares about making a GOOD manga, they're just not all necessary to have a successful one sadly.
Me and my friend want to make a one shot manga and submit to a competition next year , our goal is to get to Japan . I am the writer btw . Should we panel from right to left or not . I am confused 🤣
Well, my story does have a few of these "mistakes" (it's read from right to left, happens in Japan, MC is half-Jaoanese) but I hope that someday I would prove that these elements don't have to be flaws.
Hey DD mark, have u seen the 2020 Anime Sing Yesterday for Me, it's only 12 eps, no season 2, it's the whole story. It's the epitome of telling a good story. It was written 20 years ago, it was relevant then, it's relevant now, and it'll be relevant 20 years from now. Highest of recommendations. Stories don't necessarily need to be original or flashy, what matters is that they have passion behind them and it can resonate in some shape or form. SING YESTERDAY FOR ME anime hits like I want to eat your Pancreas or Erased, this anime in my opinion is better than the manga.
This video is almost spot on!!. And that point about fanboish attitude is verry true and doesnt get talked bout enough. Its funny how Japanese mangaka's include other culture into their stories. Even at times basing their whole manga on another culture whereas most of the outside of Japan, non japanese aspiring creators base their whole manga model almost entirely on a shounen, Japan sentric model. I get why they do and its understandable why they want it that way but yh. I thought I was the only one who thought this was a slight issue. Like its not an issue, issue. But it is restrictive of one's creativity. People need to understand that manga is just a "MEDIUM" through which you can tell any story of anywhere you like. I also think its cringe sometimes. But I dont want to discourage the artist. But as for read orientation, I dont think its that deep.
hey, i agree pretty much all you said, you very well made your point come across. As for the reading orientation, I'm not a god or anything so its fine when people disagree w me. I'm also fine w agreeing to disagree, but everything else you talked about tho, spot on!
i myself aspire to become a mangaka in japan even though i live in england but im learing the culture and japanese so i dont know if im safe about not being fanboyish or ....
I only disagree on reading directions, i am ok with making manga for specific demographic but it nessesary for me to maintain this way personally, you can always mirror it ,if publisher insist.
it’s so not fair to not let anyone who isn’t from a certain country or piece of land on this earth to restrict their writing and storytelling to one specific area; like tell that to someone born in the bahamas that wants to write a story based on snowboarding ?? if i have to figure out a few things to help fit a culture that’s not disrespectful, maybe if you don’t try to truly understand it can, but this entire video sounds like someone trying to write my story for me rather than tell me common mistakes
The main problem; a lot of authors aren't really authors, they don't know how to structure or write a story. They're fans of previous works, wherein they "borrow" said story and hope it catches on. The reality being, most of your favorite manga is ridiculously one dimensional, but the panels and artwork are beautiful. There's a reason only a few well written manga's get popular. From Death Note to Brotherhood and Akira, these poultry few stand out because they're well written, not just well drawn. This is the best advice I can give any Mangaka...learn to write, truly, become familiar with the motifs, tropes, devices, etc. And stick to creating a universe wherein you don't need deus ex machinas or massive plot holes saving your lazy writing. Actually read some of the best works known to man, no, not the most popular, there's always gonna be the DBZ's and One Piece's of the genres, look for well written work, analyze thoroughly.
Gotta admit, it's kinda weird seeing all the comments talking about how they "can't/prefer not to" read a manga from left-to-right simply cuz that's just not how it's traditionally done. As long as it remains consistent and keeps a natural eye-flow rhythm going, what difference does it seriously make, whether you're reading or creating??? XD
7:22 i dissagre on this one 100%. This will lead ppl to confusion if i start to write it the right way we read in states or europe. If manga readers are used to read in the traditional way, keep it this way.🤡
While I agree with your 5 points, I HAVE to say that the reason a lot of non-Japanese mangakas draw and write their stories from right to left is because of the traditional manga layout. Especially if their manga is published around the world and translated into Japanese, or whatever other language. Mangas that ARE Japanese, and translated into English, are not published from left to right in the Western style. All-in-all, the reason people create their page flow right to left is keeping to the manga tradition. We read the translated books from right to left anyway, so no harm, no foul.
i see where you're coming from but the only reason Japanese manga reads right to left is because its Japanese, and the creators and the audience are Japanese. the reading orientation in japan is right to left in the other western countries it's left to right so if your audience is NOT Japanese and you yourself are not, it doesn't make sense to do it, i don't think its "tradition".
> Mangas that ARE Japanese, and translated into English, are not published from left to right in the Western style.
Well not anymore at least. There definitely was a period where published translated manga was flipped, because I remember the first time I read one scanlated and had to adjust to the original direction
I mean I usually draw from right to left and some people say it's wrong but a French guy made his own manga from right to left and got a award for international manga contest there is alot there are awards for people who try to do this
akira
If you're calling your book a "manga," you're going to attract people who read manga, so why does it matter if your audience is Japanese or not?
I don't think there's an issue with an English language comic being written from right to left if it's being drawn in a manga style and aesthetic. If you're doing that kind of work, your target audience is likely people who already consume manga, and even in the official English releases of those works they aren't being flipped to read left to right. I for one accidently read comics pages backwards a sometimes, because I'm so used to reading manga. Either direction is OK as far as I'm concerned, because at the end of the day it boils down to a formatting choice that doesn't actually have a major impact outside of aesthetic.
i get what you mean, but if your audience is not japanaese, theres no point. if you plan to go to japan and sell there, theres no point. besides professional companies wont take you seriously, as to them you'll just look like a fanboy/girl. but then again, its a free world do what you want.
@@ddmarkk true. I would go with whatever the industry standard is. If it's a personal webcomic type of work, do whatever you want. If it's actually being published by like dark horse, or something, it would probably need to be done left to right regardless.
@@ddmarkk well I want to sell to a Japanese audience so take that!
@@ddmarkk hard disagree, globally manga is much more popular than comics at the moment, if your audience is primarily gonna be people who have already read manga why not format it that way
I think that it's more than a formatting choice, it's 100% to do with read flow. Manga goes from right to left for the same reason that manga word bubbles are longer vertically, it fits how Japanese is written and read (top->down, right->left).
English is read left->right then top->down and words in English are often longer horizontally so they often have to be chopped up to fit in a manga word bubble. If you write a manga intending it to be primarily read in English, you're forcing people to adopt two competing read flows to understand your manga and you're composing your pages in a way that works against your intended language.
There is no advantage except to please people who can only read in English who are deep in subculture of reading translated comics.
If manga readers in the U.S enjoy and have adjusted to reading right to left, why would someone want to publish there manga left to right even if they live in the U.S. The whole point is to appeal to manga readers.
2:22 too much facts, lately i've been re doing demon slayer's whole redlight district arc with different paneling, speech bubbles and angles to train and it helps so much. The composition and paneling of pages end up becoming better and better, even without references. Good video mark!
THATS AWESOME THAT YOU'RE DOING THAT! And thank you so much yo!
Your art is soooo underrated and I'm feeling really motivated to start making manga and I just want to say thank you.
Wow, thank you! im so glad i can help motivate in any way!
@@ddmarkk Yeah, i'm saving up for an ipad air so I can do digital art so that I can fix mistakes better and it's just more convinient.
@@ddmarkk Also, do you know a good art program for ipad that is good for manga?
@@Jonah-nf6lv I use procreate but I don’t know if there’s anything better, it works for me though
Some works that stood out to me: 12 ch manga" I had that same dream again" , 12 ch manga bibliomania, 80ish ch manwha The Boxer, Dandadan, and 126 ch manga hells paradise. Stories that tell the story they want to tell, compromises be damned.
exactly!
I'm a perfectionist type of person so I haven't really started to make manga, but I have outlines of how I want the story to be. My manga is not set in Japan and will go all around the world and is mainly focused in an African inspired fantasy setting. I do think of my work as Shonen, but I won't be afraid to add my own spin when necessary
that sounds awesome my g, i will however say, dont let perfection be the enemy of the good :)
@@ddmarkk Factual facts
Nice. Same here. Mine's going to be either seinen or dark shounen. Haven't decided it yet and also my manga isnt nessesarily Japan oriented at all. Also yes I have been working on my story for 2 years without drawing a single panel cos I want the story to be great.
Some top tier content right here 🔥🔥 I definitely think of my manga as shonen/ seinen, but you you bring up a really good point that giving your work a label can subconsciously put it into a box and limit the possibilities of the story.
At the same time, it’s definitely good to be aware of the genres your story leans into like shonen/ seinen, and the tropes that come with it so you can actively try to avoid or even flip/ subvert it.
thank you for the compliment and i also one thousand percent agree with you as well. being aware of it will allow you to do a lot of cool and jaw dropping subversions of expectations of your audience
I be honest bro. Thank you. I didn’t go with every lesson you told me. Like I still prefer right to left, I want to go to japan and learn from the manga courses they have there in some colleges and universities. Aswell knowing the importance of writing. Majority of the ideas you gave are fucking great. Like super great
ayy man thats fine, like i said, who am i to stop anyone from doing what brings them joy. And to be honest in a different life, if i came from different circumstances i for sure would've gone to japan to hustle manga so i can't fault anyone who can and wants to. goodluck to you my guy
I agree with 95% of what your saying, but with tip number 4 i feel it depends on the the artist. Some might be able to work better with the right to left format because that’s what they’re used to seeing themselves. They might even plan on translating and publishing in other countries as well.
i get what you mean. its just from me looking into and researching the manga and comic industry in japan and in the west, you're less likely to be taken seriously by big companies if you do it and you're not Japanese. that being said, its a free world, you can do whatever you want
@@ddmarkk if your not "japanese" that makes no sense that's like saying if your not American you can't write a superhero comic. Comics are comics if you write a good one people will read it
@@ddmarkk bro technically u aren't even writing a manga. U just writin a comic. Stop calling it manga. Me and my manga homies think it's cringe
I was part of a team that tried to make a manga centralised around the idea of Esports, which at the time I thought was very cool considering that there was little to no manga covering the topic. But the head writer had tried to implement a love triangle, which felt very shoe-horned in.
The love triangle was apparently supposed to represent the main character's inner turmoil of pursuing his dreams of becoming a full-time Esports player (Depicted by the enthusiastic and supportive female teammate) or choosing a more sensible but mundane and bland life (Which was depicted by your average "Never gonna be the one" Childhood friend). Although it was an okay concept, we felt that it wasn't needed to progress the plot and diverted the story away from the direction that we wanted to take it.
We never ended up finishing the first volume, which is rather sad as I was very excited to see how it turned out.
dang! you know sometimes its okay that things dont work out cause at the very least youll learn from your mistakes
I want to make a manga similar to that it’s like a fight system with the world rules of an esports game similar to brawlhalla, I just need to create some plot and story then it’s down to the page
These tips were great! Tbh I still worried my art isn't good enough and it does scare me but I'm going to go for it!
FOR SURE! GO FOR IT! dont fear failure! embrace it, because if you never fail, how do you expect to grow?
you have such amazing advice and im glad i found you.. this tips were great cause they motivated me so much im definitely one of those “but idk how to draw bodies yet” people and havent started creating because of that smhh
also relating to the make your manga not about japan if youre not japanese.. i 100% agree because ive tried and it felt cringe and forced
even though most of the main characters are japanese-american and im black… it still has a lot of diversity in the manga and the environment (something i can relate to more)
thank you so much! and yea i'm glad to hear you're taking the concrete steps to get started also the more diversity the better, so i'm glad!
So i agree with most of your arguments, exept reading direction cuz it's kinda irrelevant. I personally chose japanese reading direction simple because i read a lot of manga and so that's what i'm used to.
I agree! This is very good advice that I think all new manga artists should take to heart. I feel especially on the point you made regarding story. I see many talented artists displaying their manga pages on social media but their story is terrible or lackluster. The pacing/panel layout/character development is not thought out. Or their narration gets way too involved with the details to the point that their base story is lost. New artists need to understand that story is just as - if not more important than the art itself...
EXACTLY Jackie! well said!
Eh, I would half disagree about the 4th tip because it would feel to me that it really depends on the context on how you’re handling the setting that happens to start in a certain real world town in Japan without it actually being about Japan. There’s nothing inherently wrong with using a certain place to use as a real world setting they happens to be in Japan. My advice is to be sure to know your facts, do your research, learn that language or get a consultant and don’t follow what’s trending because me personally am not a fan of trends and trends do tend to die out fast. Unless the manga you’re making has a completely fictional setting that you’re likely going to have to make up unless you’re still planning to use real world settings as an influence to expand on the fictional setting.
I understand some Japanese mangakas would love to see stories that’s not related to Japan but in my opinion you’re not always going to get to see other cultures based on the real world settings because again it really depends on what you’re looking for and what story it is but some stories will not always have real world cultures in them with a real world setting. However some fictional settings would probably use real world cultures as a influence. When DB Super uses words like “base form” something that has never been a thing before shows it’s clear what kind of audience they’re pandering to and that’s why I can’t get into Super.
Not gonna lie I tried to make a story with a real world setting in Japan, Shibuya to be more specific as a starting point but only for a short while before shifting to the main plot in a completely fictional world in another universe for the remainder of the story. But of course I would not do much with the starting point without doing a lot of research and learning the language first. But I’ll do it because I want to make a story that I would want to read that interest me.
So yes I half agree with the fourth point but half disagree and agree with most of everything. Anyway about the other point where it’s said not to focus too much on cool fights where you ignore the story. I can completely agree with that one and get behind it because that’s how I genuinely feel about Dragon Ball Super, it focuses way too much on fights, transformations and not trying to tell a compelling story, it comes off as cringe and very fan service-ish for the sake of fan service.
Man😊 I'm a Cameroonian and hearing you're Nigerian from one of monitor comic's videos gave some hope that there is a place fore the stories I make, thanks for what you do bro thanks alot
haha thank you! theres always room for us brodie! if no one wants to give it to us, we'll take it. we have voices that need to and should heard as well brother
You're so dope. Underrated channel. Keep up the good work young man
Thanks so much, will do!
Thanks for more great advice! I would enjoy seeing you tackle the subjects of flow and composition.
Great suggestion! and will do!
You're just so kind 👏♥️ Ek is an absolute fan . Thanks to all your beautiful content
thank you so much and You are so welcome!! ♥️
I'm doing it right to left, but that's because I'm also writing it in Japanese. Yes. I'm translating it myself. No not with translate. I've been learning Japanese from my nan since I was 12. I'm not fluent though, so I need help with cultural nuances that I didn't get growing up as 1/2 in a different country. I could not begin to take on the nightmare of paneling left to right for English and right to left for Japanese. I do agree with the rest. The things people want to see are good stories. Different stories. Things that make life interesting. So never feel you need to do something because everyone else is doing it that way. If you really feel it vibes with the rest of what you're doing, do it. Chances are people will be happy for the change of pace.
I agree with basically everything you said. About a year ago, I was doing ALL of that stuff. Like, I literally recreated Naruto on accident, Lol. But now that my story is good, I have time to develop a more unique style. Good video!
A lot of mangas that won the international manga awards each year are written right to left. Just because your not Japanese doesn’t mean your not allowed to have it read right to left. Especially if you intend to publish it in Japan. Personally i’m planning to have my manga read right to left and have someone skilled at english and Japanese translations translate it for me. Plus the majority of people who read manga that are translated to english are used to the right to left formula. But great video btw, your points were really helpful.
This video is actually quite helpful and inspiring as someone who is starting out as a manga artist. When i pull out my Komi Can’t Communicate volumes to reference and learn how to half tone I find myself trying to copy the manga style too much like “oh every time there is a BG the character must have a thin white outline so it would stand out so that the char wouldn’t blend too much in the bg” and “oh the walls have these sketchy things i must add it in all the time” “the bgs must be super detailed so it looks natural” etc etc. I started forcing myself to try to make the backgrounds as realistic and natural as possible but often fail. After watching this video i decided to do my manga the way i like it and improve on it overtime. Thanks for this video!
Ok this hits me right on the face. Thank you
lmao, you're welcome ;)
Agree with every single word. no complaints, no issues, it's alright to me. thanks alot mark
Your jokes through out the video cracked me up, made it 100% more fun to watch than plain old advice vids. Great content man!
Glad you like them!
this my first video of yurs. Yur humour + way of saying valid points is so good bruh 10/10
Not gonna lie I came into this video skeptic but after hearing you out I agree. Thanks for the tips, you gave me inspiration
Love the content man. ...keep it up
Thanks, will do!
this was a cool process to watch, i really like your line work !!
thank you sooo muchhhhhhhh :)
This is some of the best advice for comics/manga making. I'm making a webtoon, so I read a lot of other amateur webtoons, and I've seen every single mistake you mentioned in the video. (I've made some too lol)
Actually, it is true. Especially the 4th mistake. One of the things that makes you like a cringe unprofessional artist is to make a manga story, you have to make a story related to Japan. Or follow the trends that are now in their country [coughcough*isekai*coughcough]. And that's silly.
Manga art is another artstyle like anything else. Like the American Super heroes comics, the European graphic novels and such.
Moreover, it is true that Japanese mangakas love to see story that are not related to Japan. They want to know, meet and read new cultures and countries and other people's mindsets outside of their homeland [Japan]. And there is no other good way than to show your culture of your country through comics or mangas or animes.
Bros, don't make a story about Japan if you don't know the mindset of the Japanese people, or their culture or their language. Better yet, don't make a story about Japan, because, you're going to mess up. I know this because I made this mistake and everytime I remember my manga about Japan, I cringe myself. Like, "OMG what did I do that?!"
Anyway, the point is: Make a story that you'd like to read. And if there is someone who likes your story, that's awesome! It means that you make something that everyone enjoy to read even if your art is not good enough.
Eh, I would half disagree about the 4th tip because it would feel to me that it really depends on the context on how you’re handling the setting that happens to start in a certain real world town in Japan without it actually being about Japan. There’s nothing inherently wrong with using a certain place to use as a real world setting they happens to be in Japan. My advice is to be sure to know your facts, do your research, learn that language or get a consultant and don’t follow what’s trending because me personally am not a fan of trends and trends do tend to die out fast. Unless the manga you’re making has a completely fictional setting that you’re likely going to have to make up unless you’re still planning to use real world settings as an influence to expand on the fictional setting.
I understand some Japanese mangakas would love to see stories that’s not related to Japan but in my opinion you’re not always going to get to see other cultures based on the real world settings because again it really depends on what you’re looking for and what story it is but some stories will not always have real world cultures in them with a real world setting. However some fictional settings would probably use real world cultures as a influence. When DB Super uses words like “base form” something that has never been a thing before shows it’s clear what kind of audience they’re pandering to and that’s why I can’t get into Super.
Not gonna lie I tried to make a story with a real world setting in Japan, Shibuya to be more specific as a starting point but only for a short while before shifting to the main plot in a completely fictional world in another universe for the remainder of the story. But of course I would not do much with the starting point without doing a lot of research and learning the language first. But I’ll do it because I want to make a story that I would want to read that interest me.
So yes I half agree with the fourth point but half disagree. Anyway about the other point where it’s said not to focus too much on cool fights where you ignore the story. I can completely agree with that one and get behind it because that’s how I genuinely feel about Dragon Ball Super, it focuses way too much on fights, transformations and not trying to tell a compelling story, it comes off as cringe and very fan service for the sake of fan service.
Phenomenal artwork, brother.
i agree with all of them,but not with the right to left one
not for a specific reason,i just love how it crates a difference betwenn manga and other comics,and i'm just too used to right to left (i read way too much manga)
I love this dude's vibe cuz bruhhh some videos be too long, boring and very little info be in them videos
I think the right to left format is frankly a matter of convention. Understandable why Japan does it but it can also be understood how a Middle Eastern country would do it too, because their language is read from right to left. That being said, artists can opt for whatever convention they deem fit, whether reading right to left or left to right, what matters is consistency.
Recently seen someone say always set your goals low so then instead of trying to go for a big goal do small ones to slowly progress
I already love you!!! 😑 You said everything I needed tonight!
AAAA i should have seen this a week ago when i started drawing my story. My original idea was to make a webtoon but i mostly read manga so its just in manga “format” now lmao. Aaaand i made it read right to left without thinking😫 i feel dumb now. Thank u for the tipsss🔥
haha no problem my g!
Do whatever you want, it’s your story.
Thanks dude I really appreciate your tips like the are so helpful I'm glad I found the video
no problem! Glad I could help!
As someone who spent the last 2.5 years planning and practicing before starting my own “manga”, I gotta say, ur advice is freaking SOUND! Follow these tips and always do this for yourself. Not to impress anyone except for the you of tomorrow. Also love the vibes u got man new subscriber!
Thank you for this video. It helped me a lot.
Glad it helped!
tysm i want to be manga artist these rlly helped!
no problem! im glad its helpful!
Man loving this channels more and more. Need this
thank youuuu!
Thank you, I really need this.
Uhm, sorry there is a point that I don't understand well about the .3
As actually I don't live in Japan / USA, and that I decide to do a manga,
1- Should I think about my country setting only in my manga?
2- Would that point be applied to a fantasy setting as well?
No, theres no hard rules, what i meant by 3 is more about doing the proper research and not just do something cause your a fan. for example, having your story set in japan and then all the customs, cultures and mannerisms in your work is based off what you see in anime. does that make sense. you can do whatever, so long as you do your due diligence and do the proper research
@@ddmarkk Oh, I understand now. Thank you for the clarification!
Practicing art is fine, but doing comics means you gotta "train while doing." That's what I did with my first web series. It wasn't good. But now I'm redoing it after learning a fuckton about storytelling (I'm a published scifi, fantasy, Lovecraftian horror author). I'm pretty happy with the results so far!
I think Since most people expect to read manga in the sites it's better to make the manga be read from right to left bcz otherwise readers feel very uncomfortable
again that's based on my own personal experience..
I didn't know, i was focused on training and not actually applying my skill to work
I see you doing the Ethan Becker face things, nice. Any advice for posing and/or panel composition?
for posing and composition go copy a bunch of artists who do it the way you like, but instead of straight up copy, break it down and understand the thought process, then repeat this alot and also watch a couple yt tutorials.
1. Me: Takes 5 years to prepare while working a totally unrelated career..
Thanks for your advice,I'll save this video and watch it over and over again
I appreciate this a lot.
well said man, love the content as always!❤❤❤
I agree with everything but the left to right
I plan on having to versions, but I am too used to reading that way, so I draw right to left. But I am glad I don't fall for these it could be argued the fighting but I grew up on power rangers zelda and dragonball I like fights its fun but I still try to give reason.
I agree with the one that is when you're being to derivative of a story, I'm not sure if I'm doing the mistake, let me explain. Originally I made a hypothetical story that was way too derivative of AOT, I just gave up on it and started writing one that started in a place called nakijin village which is part of japan but in my story it is modified. But I don't want to be too derivative off of one source and want to put genuineness and authenticity to it
I'm working in a story, is mainly an Adventure story. I satrted drawing some story-boards pages and I like my story, my world and my characters (I still working in it, but my base is set). MY problem are making the panels.
I'm doing it left to right (it feels more comfartable too). But despite the direction the story is read... I have dificulties making the pages and the panels to refelct the scene I'm thinking of properly. Is kinda annoying :p
Do you have a video to help make better panels? I go to a place where I learn Manga, (I've learn a lot) but I wanna hear other tips related to Panelling specially. Maybe you end up telling me the same as my teacher, but idk xd
for your paneling thing, I simply cant think of anything else but honestly to just read more manga/comics and really analyze the paneling within them. analyze how the panels are used, they way they flow and how much is contained within them. I believe once you understand how panels are used and completely taken advantages of by pros, you'll for sure start implementing what you observed in your own work.
@@ddmarkk So basically I have to pay atention to the pages?
I read Manga and Comics. But I inmerse myself more into the story and characters without thinking too much. So I have to actully _See_ what I'm reading?
1: Yeah, a manga can look good with amazing art. But yeah, you need to make a manga as well. The good news is I am making a manga but I'm also improving in between pages and you need to be careful. The shots need to look right, the sound effects need to fit (and not cover the whole screen), same with the word bubbles and you need to follow the action.
2: Yeah, this is something a lot of people need to learn. What works for another may not work for you but hey, dead ends are mistakes, and you learn from mistakes. Another is that manga isn't the only form of media you can take inspiration from. There are plenty of comic artists you can take inspiration from.
3: It isn't a bad thing to show love to another form of material but yeah, stick to a culture you know. Hell, just make an alien world instead. Like me. My manga's set in another galaxy but has no humans. And I was not happy with how Robin Hood depicted the Scots. WE'RE NOT F*CKING CANNIBALS AND WE HATE ENGLISH ROYALTY! WHY WOULD WE HELP THEM?!
4: Try to be your own but don't follow someone else entirely. I've seen a lot of animations and cartoons but I really don't like black line art. So I went with Promare's direction and made my style no longer have black lines (unless necessary).
5: And this is one problem you MUST avoid! You can have cool stuff, I agree. Action and visuals will lure someone in. But you MUST. HAVE. A. STORY! This is something I saw in Red vs Blue Zero (not a manga but will back me up). The animation wasn't bad and the fight scenes were awesome... but the characters, humour and story was BULLSHIT! It was so fucking awful! The Raid Redemption wouldn't nearly be as awesome as it is if we didn't root for its cast and it did that. Sure the Raid is famous for its amazing martial arts choreography but the characters aren't cardboard and we got a simple story. Arcane is an amazing series with its animation. But it doesn't have many fight scenes and when they happen, they're pretty fucking awesome. But what makes us like them? The story and characters are... interesting!
In other words, make a manga while improving, don't limit yourself to just manga, don't literally try to copy Japan, be inspired and push yourself and WRITE A GOOD STORY!!! My manga would suck if I hadn't learned the barebones of epic storytelling (likeable characters who evolve, a story to get invested in, twists and turns to keep it interesting while serving a purpose, no plotholes, amazing bad guys and a satisfying ending).
Best advice I've heard yet. Everything you pointed out are facts! Your wisdom speaks volumes. 👏 👏 👏 And if anyone has anything bad to say about it, then they definitely need to get out of that bubble.
The greatest Japanese artists broke those societal boundaries of stereotyped art, years ago. Which is why you can only count the number on both your hands. The differences are there, but new artists are still used to thinking that art is a set system, when it's not. Take his advice people. Break the chains of what the standard is and what the social norm thinks manga should be. Manga is just the Japanese word for comic. You're an artist/illustrator. So stop conforming to what the industry thinks it should be. Use it as a foundation but don't settle on it.
Revisiting this video, I gotta say the only thing I disagree with you is the reading direction convention. I get the context of why it is read from right to left but now that manga is published globally as its own category and format for everyone, who cares if the audience is Japanese or not and the format is read right to left?
The rest are still solid, and the part about the setting of your plot and countries of origin of the authors was actually a good point considering not everyone is familiar with a certain culture. And even if you were fully familiarized with the foreign culture, showing these Japanese artists eager to see mangas made in a non-Asiatic setting really got me to think a lot. It's a helpful tip.
I’m so glad I watched this video…..no.1 is my main problem and drawing the manga in right to left thank you sooo much
Glad I could help!
Thanks for the tip's bro
Hey, making a right to left English manga makes sense because if you get big, it will be translatable to Japanese.
People who already read manga are accustomed to this format already so it's not a problem. However, Japanese manga readers are not accustomed to a left to right format with horizontal font.
So they are not clowns.
i agree, what im saying is if you are not japanese, you LITERALLY have no reason, you just look like a fan boy or girl. The reason manga reads that way is cause thats the reading orientation there. but its just my opinion as well as alot of professionals so whatever ig.
Can you point to some other professionals who also hold to this opinion?
please give some info about publishing manga, how to do it, can someone stole your manga/comics or where i can find information about it?
Man, I know you don't want to do bad, but you can't say "Think out of the box and stay out of Shonens and blablabla" but then, literally calling people cringe for some of their choices.
People will be inspired by what they read, and mangas are mostly japanese. Same for the right to left, it's manga tradition and it's very well like that. People need to tell the stories they want, if they want a Japanese character, so be it, if they don't, so be it too. Same for the culture of the characters, the powers, etc.
You cannot tell people to not do something. Rather, you should tell them to do it well. I know you did say that they'd need to learn language, culture etc, but you really came out wrong here
Banger again
appreciate! it :)
For number three, my friend is also trying to make manga, and he uses Japanese names for his characters, like Akio, Aneko, and others. Is that also part of being fanboy-ish?
generally yes
I made a whole arc that took place in Japan for a year now and I’m called out😩 I can’t give it up man if there is a solution I’ll use it
To be honest, I was about to give up being a manga artist, but this video helps me out lots. 💯🔥
Good tips😊
i agree on most but personally I don"t think there's anything wrong with basing your manga in japan as long as you do your research, many professional japanese mangaka base there manga in diffrent countries for example how vinland saga was based in iceland.
hey man, I am currently making a pilot to a show I wanna make big! Naruto and one piece level! ever since I was a child playing with toys I always put a big dramatic story haha, I have made the story, the plot twist, character development, a epic title, the dark world, timeline and more I have been creating the story for weeks, Im just confused on the right to left format, what do I do, I wanna make it big in Japan, but idk much.
I wanna make this manga a anime
bro im looking at the story I am building and wow this is awesome, this is going on the big tiers, like I have so much creativity, 😁, the action figures had me learn how to make a unique script! oh haha!! this is gonna be so spicy! like this is goat material fr, aot and demon slayer inspired
oh wow, 😭 bro this story got me crying, oh wow this is gonna be an emotional roller coaster. bro did how I make this masterpiece ? I wanna talk about it, but I dont want anyone to steal my story idea.
Go for it! sounds great! as for the reading orientation; ask yourself one question, where would the physical books realistically be published? if the answer is not japan then go for left to right. but then again, do whatever you want.
@@ddmarkk Thanks ! 👍
I was worried I was making some mistakes but still moving ahead, after watching I realised I was on the right path from the beginning.... #overthinkerstruggles
yup! it be like that. we artists tend to overthink
I still prefer to panel from left to right but now I feel bad
Can't stop I'm use to it
With the dialogue and story element I feel like those are often awful in popular manga/anime as well so I don't really think that matters that much, even though I wish it did. Although these are good tips for someone who actually cares about making a GOOD manga, they're just not all necessary to have a successful one sadly.
idk how you're able to breathe and constantly be spitting facts at the same time dude
Me and my friend want to make a one shot manga and submit to a competition next year , our goal is to get to Japan . I am the writer btw . Should we panel from right to left or not . I am confused 🤣
if your goal is japan, then right to left. i only advise to do the opposite, if you have no plans of going to or being published in japan
@@ddmarkk thank you ❤️
Well, my story does have a few of these "mistakes" (it's read from right to left, happens in Japan, MC is half-Jaoanese) but I hope that someday I would prove that these elements don't have to be flaws.
Good GOD you did not need to suckerpunch me with the first advice
good video!
Glad you enjoyed it
Hey DD mark, have u seen the 2020 Anime Sing Yesterday for Me, it's only 12 eps, no season 2, it's the whole story. It's the epitome of telling a good story. It was written 20 years ago, it was relevant then, it's relevant now, and it'll be relevant 20 years from now. Highest of recommendations. Stories don't necessarily need to be original or flashy, what matters is that they have passion behind them and it can resonate in some shape or form. SING YESTERDAY FOR ME anime hits like I want to eat your Pancreas or Erased, this anime in my opinion is better than the manga.
thanks for the recommendation, ill be sure to check it out! adding it to my list of animes to watch now ;)
what is the overseas contest which had akira toriyuama and one peice man judging?
This video is almost spot on!!. And that point about fanboish attitude is verry true and doesnt get talked bout enough. Its funny how Japanese mangaka's include other culture into their stories. Even at times basing their whole manga on another culture whereas most of the outside of Japan, non japanese aspiring creators base their whole manga model almost entirely on a shounen, Japan sentric model. I get why they do and its understandable why they want it that way but yh. I thought I was the only one who thought this was a slight issue. Like its not an issue, issue. But it is restrictive of one's creativity. People need to understand that manga is just a "MEDIUM" through which you can tell any story of anywhere you like. I also think its cringe sometimes. But I dont want to discourage the artist. But as for read orientation, I dont think its that deep.
hey, i agree pretty much all you said, you very well made your point come across. As for the reading orientation, I'm not a god or anything so its fine when people disagree w me. I'm also fine w agreeing to disagree, but everything else you talked about tho, spot on!
You are a legend for taking the time to read every comment and give a motivational response
i myself aspire to become a mangaka in japan even though i live in england but im learing the culture and japanese so i dont know if im safe about not being fanboyish or ....
Why call it manga of your just going to disregard or renounce? If you can't embrace how cringe why not just make comics ?
I only disagree on reading directions, i am ok with making manga for specific demographic but it nessesary for me to maintain this way personally, you can always mirror it ,if publisher insist.
this probably applies to almost any creative endeavour - music, comics/manga, film - heck, even standup 👍
Deadass called me out in the first tip💀
LMFAO then hopefully i helped you out. if i didnt then im sowwy :(
@@ddmarkk no you did it was super helpful and it motivated me
4:50 what the Actual fuck this dude knows where i live
Number 3 is the revelation I had after coming out of my weeb phase in 7th grade lol
LMFAO I feel that
it’s so not fair to not let anyone who isn’t from a certain country or piece of land on this earth to restrict their writing and storytelling to one specific area; like tell that to someone born in the bahamas that wants to write a story based on snowboarding ?? if i have to figure out a few things to help fit a culture that’s not disrespectful, maybe if you don’t try to truly understand it can, but this entire video sounds like someone trying to write my story for me rather than tell me common mistakes
The main problem; a lot of authors aren't really authors, they don't know how to structure or write a story. They're fans of previous works, wherein they "borrow" said story and hope it catches on. The reality being, most of your favorite manga is ridiculously one dimensional, but the panels and artwork are beautiful. There's a reason only a few well written manga's get popular. From Death Note to Brotherhood and Akira, these poultry few stand out because they're well written, not just well drawn.
This is the best advice I can give any Mangaka...learn to write, truly, become familiar with the motifs, tropes, devices, etc. And stick to creating a universe wherein you don't need deus ex machinas or massive plot holes saving your lazy writing. Actually read some of the best works known to man, no, not the most popular, there's always gonna be the DBZ's and One Piece's of the genres, look for well written work, analyze thoroughly.
nice vídeo
this intro is enough alr
Yo I felt #2 so deep. I hate when fam do this. I gotta keep aboriginal period. Big ups for this bro real talk that hit deep pause
lmfao, good thing you said pause HAHAHA but yea, thank you! lol
Gotta admit, it's kinda weird seeing all the comments talking about how they "can't/prefer not to" read a manga from left-to-right simply cuz that's just not how it's traditionally done. As long as it remains consistent and keeps a natural eye-flow rhythm going, what difference does it seriously make, whether you're reading or creating??? XD
Whoa your style reminds me heavily of MHA style manga.
7:22 i dissagre on this one 100%. This will lead ppl to confusion if i start to write it the right way we read in states or europe. If manga readers are used to read in the traditional way, keep it this way.🤡