It is better to have those megapixels when you do not need it, rather than not to have them when you need it. Already saving up for this beast. Thank you for this excelent review.
@16:50 you can move through the menus with the scroll wheels, one wheel scrolls through the current menu and the other wheel scrolls through the list of menus. Reviewers never talk about that
what i great review! i'm a bit sad about the physical dials but i've been drooling over the GFX 50 when I saw it firsthand at photokina germany. now i have decide to splash down for the GFX100S.
I prefer physical dials, but I can definitely get use to the GFX100S and its button and virtual-dial set-up. Not ideal but ultimately it can be functional.
I guess the D-Pad is history. Experiencing the same lack of programmable buttons on the X100V. Also not using the touchscreen for functions. Maybe because it is not responsive enough, maybe because it takes away from the physical experience in some way. Love the combination of the ISO button and Shutter button though. Which on larger camera models would even be possible for Fujifilm to expand with a second ring on the base for photometry setting, like on the XH-1. And also a bottom ring on the exposure compensation dial? Would be nice. And while I'm at it, please Fuji, an X camera with a three way screen, like on the XH-1. It is really helpful to have the screen lined up with the lens. So maybe extend the difference in video and photo cameras? I love my X100V for landscape and street. Using my XH-1 for macro. Currently waiting for the Canon R7 for wildlife, but willing to buy a Fuji if available. And yes Fuji, I happen to like primes for wildlife, like a 400mm 5.6 is excellent and cheap (Canon L example), 600mm FF equivalent is good enough :) I guess what they are doing with the PSAM dial is to win over other brands customers. But it will also be an easier decision the opposite way... People in the Fujifilm system for some time, I guess like the physical dials and the colors. But Fujifilm knows how to run their business. Although they might loose people like me on the way. On the other hand, they showed to be diverse in their models, so hope they won't forget to add my model(s) too ;)
I always look forward to your reviews because you insist on shooting with the cameras for weeks or months on end. Would love this one, but may wait for the rumored 50s mkII. But I can see how the extra resolution can spoil someone, especially landscapers and product photographers. As far as the top display panel is concerned, did you toggle to the other formats and see if the lag was noticeable as well? The big histogram seems useful
Thanks, yes I hate it when I only have a week to review, so I’d rather get a camera late if it means they can extend the loan, which Fujifilm is pretty good with. As for the top OLED sub-monitor, I’m not totally against it. I like it on my X-H1 and it’s useful on the GFX 50S. I just don’t want it to replace other important dials. I rarely toggled to the other display options because I always wanted to see and have access to my ISO and shutter speeds. I should have recorded the delay, it wasn’t horrible, but in real time use, it was a pain. I’d overshoot the ISO and go past and have to dial back.
Fantastic review! As an XT3 shooter I'm considering the upcoming GFX 50S. As a non-pro but serious hobbyist travel/landscapes/documentary photographer, am I nuts? I love the 4:3 ratio and I've been floored by the resolution of online sample images. My plan would be to keep one of my X camera bodies along with the 10-24 and 55-200 but use the 50R with a 30mm 3.5 the vast majority of the time. I'd love your input!
I think it’s a good option to have two systems, X Series and GFX, as long as the price of the GFX 50S comes down significantly. I want to see at least $1500 cheaper, if not more. For myself I’d get one or two prime lenses, and maybe an adapter to use some of my film camera lenses on it.
I'd like to know how much computer power is required to work with files of that size and can you recommend any laptops that particularly standout for large RAW files? Thank you for a very down to earth review.
Nice review Take. The blue Fiat? Or Mini? MG? looks amazing with the yellow building. Anyway, these digital medium format sensors will soon take off and Fujifilm should take advantage of their beautiful designs and retro looks before others jump on that ship (I heard rumors of a new Hassy). Love the image quality and the bokeh rendition as well as the colors, but 100mpx is overkill for me. I struggle already with my storage:)))). Be safe, my friend :)
Thanks Cris, the mini car in the intro was a Mini. I agree that Fujifilm is selling so many GFX cameras, it will incentivize Sony to further develop this format as well as drop the price. As for 100MP, it was fun, but I wouldn't shoot at that resolution for everything. When I had the Leica Q2 I was really enjoying 47MP though. It's hard to go back to 26MP, but that's all I really need.....
@@bigheadtaco same here, I ditched all high res cameras I had and went back to my first love (Nikon) on 24 and xe-4 and xt-4 both on 26. With the Ps/Lr make it easy to boost your res 4x I don’t see a point in owing a high res camera. Obviously I am not talking about medium format where it’s not only the res but the look and iQ. Stay safe, keep doing this awesome work you do and hope to meet you someday to pick your brain.😁
For sure, I’m still happy with 26MP, but man 100MP was so much fun!! As for travel, things are starting to open up and I’m considering where I’ll be traveling in the fall. Stay tuned :-)
Can you shoot-record while connected to a power bank? LOL I carry an extra battery😀 but my little Sony goes for a long time on a battery., (The a6600 uses the bigger Z battery of the full frame models so long battery life)
Hi Donald, yes you should be able to plug into a proper PD power bank via USB-C and plug into the GFX (or any recent Fujifilm camera that allows for external USB charging) and still use the camera.
Take when I bought my GFX100S I got one battery and 2 free batteries including a dual charger for FREE. Pre order special . I still can't figure our the C1 to C6 custom dial yet.
I’d like to see how you actually set up the buttons and menus to get it workable for you . Coming from Leica, I prefer dials too. Maybe a brief walk through would be good ..
I always merge AF-L and AE-L to a single button, which frees up an extra Fn-button. My most used custom function is white balance and film profile selection. If I can assign those to a convenient spot, I'm happy. I also want quick access to ISO, and although I didn't like how the virtual ISO dial worked, I still used it.
Brilliant review. I do so hope the 50s mkII is not a 100s with the old 50 mp sensor. It would lose the whole Fuji tactility analogue experience. Get the dials and D pad back please Fuji!!
Same same. I wouldn't mind the newer battery, but I want to keep all the dials from the OG body. Just get rid of the hunch back look because of the NP-T125 battery.
great video and sample images. wonder the image with the train and different sky color that you use editing to change the color of the sky? 1:06 i'll share my "wish" again that maybe fuji could continue to make use of the 50mp sensor for better video features and less rolling shutter. (50mp might allow for 8k video and use most of the pixels in the camera haha) do you think the lack of dials is a way to sell it as a more "budget" camera? and their higher end cameras that will come in the future will have dials?
I explain the purple sky shift in my Instagram posts, but yes it's a HUE shift in Lightroom. As for an improved 50MP medium format sensor, that's up to Sony to decide, or if Fujifilm orders enough of them, they can make a BSI 50MP on-sensor phase detect sensor, but I have a feeling it's not worth it for either Sony or Fujifilm.
This is a great review. The best one in the new dial layout. I also prefer the old layout, I wish Fuji would keep at least one high res model with the analog buttons.
I like the body of 50R when I tried than 100S. By the way, would you know how the look compares with an A7Sii or iii? I guess the dynamic range wise it might be similar?
Yeah, the Fuji GFX 100S with the 50/3.5 camera is the perfect tool for me. I've already have all the formats there are, in film and digital, just missing digital medium format and this is it. I can still use my many old lenses, T&S, and so on, and some very bright lenses, and they will still work with GFX. I can use it as a digiback with my large format 4x5 camera system. Will still use my m43 system, when I just need a small and light system, and a perfect partner with that system too. A 50R would be good enough for me, but when you have to buy batteries and charger, lenses, and so on, the difference between the 50R/50S to 100S might be too small, to consider it.
Oh nice, if you can use your existing legacy lenses, that's always the ideal. I have tons of Minolta MD and A-mount lenses, and I know many have adapted to the GFX system with no vignetting issues. As for 4x5 T/S, that's great. I'd love to play around with a bellows on the GFXc100S as well. There's enough resolution to do some fun things.
@@bigheadtaco I have both the Canon and Nikkor 24/3.5 T&S, but they are fragile. Then the Nikkor 28 and Olympus 35 tilt lenses. Both will work fine as wide angle lenses with GFX. The Oly 55/1.2 will cover the GFX, and so will all the other more teles. The GFX format is perfect in many ways. Actually the m43 is more than enough for me, but not when I'm doing fine art. That's the reason why I also use film, and every format there is. They are tools for me, as GFX will be.
@@bigheadtaco By the way. All cameras are in a way advanced pinhole cameras. Black boxes with a hole in it. The more advanced has a brand name to it, some with a bigger hole to attach a lens, but they are still tools for capturing light. Many people just see a brand name. I see a tool in that black box with a hole in it.
@@protestagain I know Jonas Rask tested tons of 35mm lenses on his GFX, and some suprised me, like the MD Rokkor 45mm f/2. Such a tiny lens but no vignetting. I didn't realize the T/S lenses are so fragile. Maybe I'm better to just use the large format lens adapter and use a bellows.
@@bigheadtaco Well, those T&S lenses aren't really fragile, but kind of flimsy. You have to tighten them always up, and they aren't as usable as wide angels, as some of those Tilt lenses from the era before, such as the Nikkor 28 and the Olympus 35/3.5. They will also cover the GFX perfectly, and give a field of view as 21 and 28 mm in 35 mm cameras. I got them for € 100 each. I have many Nikkor F tele lenses I know wil work fine, with GFX, but there is one lens specially I look forward to testing out, and it's the most famous one. The Nikkor 105/2.5 AIS. I use it with Metabones Speedbooster on m43, and it's tremendously good, better than Oly 75/1.8. Buy the way, I bought the cheapest Nikkor 50mm there is, the NIKKOR-H 50mm f/2. Those old ones are some of the best lenses from Nikkor. You get those from $ 30-100, and I think they will work nice with GFX. Yes, I have seen all of those videos from Jonas Rask.
I’d like to know are the LCD & EVF - calibrated or are they warmed like all the rest of the cameras. Or does €6k actually get you a proper colour calibrated screen. I contacted Fujifilm directly and they contacted their engineering team. They told me directly that Fujifilm no longer calibrates their lcd or evfs Every new Fujifilm camera I have tested has a warm tone on their screens so it’s not a proper B&W image. It’s horrible
Great review! I've had my GFX 100s for a few months now and, I am loving it I've just started putting out videos with youtube. I am just having fun with it not putting up client shoots because the videos would be six hours long. Just putting up videos of me having a bit of fun with the camera, but I am getting some trolls saying that the camera is wasted on me, so I am getting annoyed because I have worked commercially. I'm not putting up images that I claim are very good a lot are just straight out of the camera, plus I'm just doing it for fun. What would you say to a troll? Do I make a video showing what I can do with the camera, which will take a while because well, it won't be as fun but to prove to the trolls what I can do. Do I destroy them in the comments? Do I ignore them and delete their comments. Sorry, that turned out to be a lot more than I was expecting to post.
Congrats on the GFX100S, it is a great camera, especially if you're new to Fujifilm. UA-cam is a tough world, but it's best to ignore, delete, mute or report trolls. Don't waste your energy on them. Even if what they say is true, if they don't have the decency to say it politely, then they're not worth the energy.
I also subscribed, so just keep doing what you're doing and build a community around people who want to see your content and want to support your growth.
Thank you so much I am new to Fuji. I was shooting canon digital for 15 years before that, Minolta 35mm and Pentax 67 been wanting back in the medium format space for so long so I sold all my canon gear and took the plunge with the Fuji 100s. Total worth it for me. Thank you for the kind words I’ve only just started with video never done much before so it’s a massive learning curve but it’s definitely fun learning the new skills. Will start to push myself more after I’ve got my surgery out the way, and hopefully will grow the channel and continue having fun.
Give them time, this system is only 4 years old and I've done pretty well for such a young system. Until then you can use adapters and use other lenses from different manufacturers. I also would like to see manual focus lenses so they can make them fast but still reasonably compact.
@@bigheadtaco Totally agree. What would you say your ideal 3 prime setup for this is? Just for reference, for my Nikon FM2n, I have a 28mm f1.4, 50mm f1.4 and the Zeiss Milvus 100mm f2. For Sony, I use 21, 35, 55 and 85.
@@robiulahmed Depends if I'm shooting film, digital, rangefinder, mirrorless, medium format, etc. For myself, I think the 28mm, 40mm and 90mm is perfect for rangefinders or mirrorless. For GFX, based on what they currently have, I would say the 30mm, 50mm, and 120mm.
@@NorthernMigrationTravel agreed. I don't see them removing it from the X100 or X-Pro series, but for a camera they're trying to appeal to high end DSLR and mirrorless shooters, it makes business sense....
![[UA] Team Vitality проти NAVI | IEM Cologne 2024](http://i.ytimg.com/vi/wttO1zVRTC0/mqdefault.jpg)
So nice to watch a whole full review without those bloody annoying ads. Thank you for that!
What is fascinating is that you talk so fast and you have so much to say and still its so easy to listen to you. You have a gift there.
Ha, my wife is always telling me to slow down.... but if I do the video would have been 50 min instead of 24 min!!
@@bigheadtaco It is exactly like it was supposed to be. Just great.
@@jan-martinulvag1953 Ha ha, thanks. I'll show my wife your answer. She initially saw your comment and told me to slow down :-)
It is better to have those megapixels when you do not need it, rather than not to have them when you need it.
Already saving up for this beast.
Thank you for this excelent review.
@16:50 you can move through the menus with the scroll wheels, one wheel scrolls through the current menu and the other wheel scrolls through the list of menus. Reviewers never talk about that
Love how you started to use the rolling shutter as an artistic opportunity.
Ha ha, might as well have fun right? Initially it was an accident, but it kept happening so I decided to 'roll' with it
Awesome job Take.
what i great review! i'm a bit sad about the physical dials but i've been drooling over the GFX 50 when I saw it firsthand at photokina germany. now i have decide to splash down for the GFX100S.
I prefer physical dials, but I can definitely get use to the GFX100S and its button and virtual-dial set-up. Not ideal but ultimately it can be functional.
I guess the D-Pad is history. Experiencing the same lack of programmable buttons on the X100V. Also not using the touchscreen for functions. Maybe because it is not responsive enough, maybe because it takes away from the physical experience in some way. Love the combination of the ISO button and Shutter button though. Which on larger camera models would even be possible for Fujifilm to expand with a second ring on the base for photometry setting, like on the XH-1. And also a bottom ring on the exposure compensation dial? Would be nice.
And while I'm at it, please Fuji, an X camera with a three way screen, like on the XH-1. It is really helpful to have the screen lined up with the lens. So maybe extend the difference in video and photo cameras? I love my X100V for landscape and street. Using my XH-1 for macro. Currently waiting for the Canon R7 for wildlife, but willing to buy a Fuji if available. And yes Fuji, I happen to like primes for wildlife, like a 400mm 5.6 is excellent and cheap (Canon L example), 600mm FF equivalent is good enough :)
I guess what they are doing with the PSAM dial is to win over other brands customers. But it will also be an easier decision the opposite way... People in the Fujifilm system for some time, I guess like the physical dials and the colors. But Fujifilm knows how to run their business. Although they might loose people like me on the way. On the other hand, they showed to be diverse in their models, so hope they won't forget to add my model(s) too ;)
thanks for your thoughts! Yes X100V is great, but would have been even better if they kept the D-Pad!
I always look forward to your reviews because you insist on shooting with the cameras for weeks or months on end. Would love this one, but may wait for the rumored 50s mkII. But I can see how the extra resolution can spoil someone, especially landscapers and product photographers.
As far as the top display panel is concerned, did you toggle to the other formats and see if the lag was noticeable as well? The big histogram seems useful
Thanks, yes I hate it when I only have a week to review, so I’d rather get a camera late if it means they can extend the loan, which Fujifilm is pretty good with. As for the top OLED sub-monitor, I’m not totally against it. I like it on my X-H1 and it’s useful on the GFX 50S. I just don’t want it to replace other important dials. I rarely toggled to the other display options because I always wanted to see and have access to my ISO and shutter speeds. I should have recorded the delay, it wasn’t horrible, but in real time use, it was a pain. I’d overshoot the ISO and go past and have to dial back.
Fantastic review! As an XT3 shooter I'm considering the upcoming GFX 50S. As a non-pro but serious hobbyist travel/landscapes/documentary photographer, am I nuts? I love the 4:3 ratio and I've been floored by the resolution of online sample images. My plan would be to keep one of my X camera bodies along with the 10-24 and 55-200 but use the 50R with a 30mm 3.5 the vast majority of the time. I'd love your input!
I think it’s a good option to have two systems, X Series and GFX, as long as the price of the GFX 50S comes down significantly. I want to see at least $1500 cheaper, if not more. For myself I’d get one or two prime lenses, and maybe an adapter to use some of my film camera lenses on it.
I'd like to know how much computer power is required to work with files of that size and can you recommend any laptops that particularly standout for large RAW files? Thank you for a very down to earth review.
Thank you for your candid and detailed review. It is extremely informative especially to someone like me. ^^
Nice review Take. The blue Fiat? Or Mini? MG? looks amazing with the yellow building. Anyway, these digital medium format sensors will soon take off and Fujifilm should take advantage of their beautiful designs and retro looks before others jump on that ship (I heard rumors of a new Hassy). Love the image quality and the bokeh rendition as well as the colors, but 100mpx is overkill for me. I struggle already with my storage:)))). Be safe, my friend :)
Thanks Cris, the mini car in the intro was a Mini. I agree that Fujifilm is selling so many GFX cameras, it will incentivize Sony to further develop this format as well as drop the price. As for 100MP, it was fun, but I wouldn't shoot at that resolution for everything. When I had the Leica Q2 I was really enjoying 47MP though. It's hard to go back to 26MP, but that's all I really need.....
@@bigheadtaco same here, I ditched all high res cameras I had and went back to my first love (Nikon) on 24 and xe-4 and xt-4 both on 26. With the Ps/Lr make it easy to boost your res 4x I don’t see a point in owing a high res camera. Obviously I am not talking about medium format where it’s not only the res but the look and iQ. Stay safe, keep doing this awesome work you do and hope to meet you someday to pick your brain.😁
For sure, I’m still happy with 26MP, but man 100MP was so much fun!! As for travel, things are starting to open up and I’m considering where I’ll be traveling in the fall. Stay tuned :-)
@@bigheadtaco don’t tease me, ha😂
@@CrisConstantin where are you again?
Can you shoot-record while connected to a power bank? LOL I carry an extra battery😀 but my little Sony goes for a long time on a battery.,
(The a6600 uses the bigger Z battery of the full frame models so long battery life)
Hi Donald, yes you should be able to plug into a proper PD power bank via USB-C and plug into the GFX (or any recent Fujifilm camera that allows for external USB charging) and still use the camera.
Take when I bought my GFX100S I got one battery and 2 free batteries including a dual charger for FREE. Pre order special . I still can't figure our the C1 to C6 custom dial yet.
Wow that’s awesome. I feel the charger should have been included anyway, but the two extra batteries is nice!!
I’d like to see how you actually set up the buttons and menus to get it workable for you . Coming from Leica, I prefer dials too. Maybe a brief walk through would be good ..
I always merge AF-L and AE-L to a single button, which frees up an extra Fn-button. My most used custom function is white balance and film profile selection. If I can assign those to a convenient spot, I'm happy. I also want quick access to ISO, and although I didn't like how the virtual ISO dial worked, I still used it.
Super review.
The main con is not the rolling shutter because i can use mechanical shutter. The main Con is the missing socket for the tilting EVF adapter…
I love to see this on lowlight moon light test.
Oh man… GFX100S + tripod for wedding family portraits. Just make sure it’s wide enough to fit everyone and crop to fit as needed.
Take one photo and crop in to make 8-10 smaller portraits :-)
Brilliant review. I do so hope the 50s mkII is not a 100s with the old 50 mp sensor. It would lose the whole Fuji tactility analogue experience. Get the dials and D pad back please Fuji!!
Same same. I wouldn't mind the newer battery, but I want to keep all the dials from the OG body. Just get rid of the hunch back look because of the NP-T125 battery.
Unfortunately your worries are right
great video and sample images.
wonder the image with the train and different sky color that you use editing to change the color of the sky? 1:06
i'll share my "wish" again that maybe fuji could continue to make use of the 50mp sensor for better video features and less rolling shutter. (50mp might allow for 8k video and use most of the pixels in the camera haha)
do you think the lack of dials is a way to sell it as a more "budget" camera? and their higher end cameras that will come in the future will have dials?
I explain the purple sky shift in my Instagram posts, but yes it's a HUE shift in Lightroom. As for an improved 50MP medium format sensor, that's up to Sony to decide, or if Fujifilm orders enough of them, they can make a BSI 50MP on-sensor phase detect sensor, but I have a feeling it's not worth it for either Sony or Fujifilm.
Beautiful!
This is a great review. The best one in the new dial layout. I also prefer the old layout, I wish Fuji would keep at least one high res model with the analog buttons.
Hi, were you testing with the 14bit or the 16bit ?
World apart with respect to speed.
I like the body of 50R when I tried than 100S. By the way, would you know how the look compares with an A7Sii or iii? I guess the dynamic range wise it might be similar?
Yeah, the Fuji GFX 100S with the 50/3.5 camera is the perfect tool for me. I've already have all the formats there are, in film and digital, just missing digital medium format and this is it. I can still use my many old lenses, T&S, and so on, and some very bright lenses, and they will still work with GFX. I can use it as a digiback with my large format 4x5 camera system. Will still use my m43 system, when I just need a small and light system, and a perfect partner with that system too.
A 50R would be good enough for me, but when you have to buy batteries and charger, lenses, and so on, the difference between the 50R/50S to 100S might be too small, to consider it.
Oh nice, if you can use your existing legacy lenses, that's always the ideal. I have tons of Minolta MD and A-mount lenses, and I know many have adapted to the GFX system with no vignetting issues. As for 4x5 T/S, that's great. I'd love to play around with a bellows on the GFXc100S as well. There's enough resolution to do some fun things.
@@bigheadtaco I have both the Canon and Nikkor 24/3.5 T&S, but they are fragile. Then the Nikkor 28 and Olympus 35 tilt lenses. Both will work fine as wide angle lenses with GFX. The Oly 55/1.2 will cover the GFX, and so will all the other more teles. The GFX format is perfect in many ways.
Actually the m43 is more than enough for me, but not when I'm doing fine art. That's the reason why I also use film, and every format there is. They are tools for me, as GFX will be.
@@bigheadtaco By the way. All cameras are in a way advanced pinhole cameras. Black boxes with a hole in it. The more advanced has a brand name to it, some with a bigger hole to attach a lens, but they are still tools for capturing light.
Many people just see a brand name. I see a tool in that black box with a hole in it.
@@protestagain I know Jonas Rask tested tons of 35mm lenses on his GFX, and some suprised me, like the MD Rokkor 45mm f/2. Such a tiny lens but no vignetting. I didn't realize the T/S lenses are so fragile. Maybe I'm better to just use the large format lens adapter and use a bellows.
@@bigheadtaco Well, those T&S lenses aren't really fragile, but kind of flimsy. You have to tighten them always up, and they aren't as usable as wide angels, as some of those Tilt lenses from the era before, such as the Nikkor 28 and the Olympus 35/3.5. They will also cover the GFX perfectly, and give a field of view as 21 and 28 mm in 35 mm cameras. I got them for € 100 each.
I have many Nikkor F tele lenses I know wil work fine, with GFX, but there is one lens specially I look forward to testing out, and it's the most famous one. The Nikkor 105/2.5 AIS. I use it with Metabones Speedbooster on m43, and it's tremendously good, better than Oly 75/1.8.
Buy the way, I bought the cheapest Nikkor 50mm there is, the NIKKOR-H 50mm f/2. Those old ones are some of the best lenses from Nikkor. You get those from $ 30-100, and I think they will work nice with GFX.
Yes, I have seen all of those videos from Jonas Rask.
I’d like to know are the LCD & EVF - calibrated or are they warmed like all the rest of the cameras. Or does €6k actually get you a proper colour calibrated screen. I contacted Fujifilm directly and they contacted their engineering team. They told me directly that Fujifilm no longer calibrates their lcd or evfs
Every new Fujifilm camera I have tested has a warm tone on their screens so it’s not a proper B&W image. It’s horrible
... correction : I DO need 100 Megapixels :-)
Great review! I've had my GFX 100s for a few months now and, I am loving it I've just started putting out videos with youtube. I am just having fun with it not putting up client shoots because the videos would be six hours long. Just putting up videos of me having a bit of fun with the camera, but I am getting some trolls saying that the camera is wasted on me, so I am getting annoyed because I have worked commercially. I'm not putting up images that I claim are very good a lot are just straight out of the camera, plus I'm just doing it for fun. What would you say to a troll? Do I make a video showing what I can do with the camera, which will take a while because well, it won't be as fun but to prove to the trolls what I can do. Do I destroy them in the comments? Do I ignore them and delete their comments.
Sorry, that turned out to be a lot more than I was expecting to post.
Congrats on the GFX100S, it is a great camera, especially if you're new to Fujifilm. UA-cam is a tough world, but it's best to ignore, delete, mute or report trolls. Don't waste your energy on them. Even if what they say is true, if they don't have the decency to say it politely, then they're not worth the energy.
I also subscribed, so just keep doing what you're doing and build a community around people who want to see your content and want to support your growth.
Thank you so much I am new to Fuji. I was shooting canon digital for 15 years before that, Minolta 35mm and Pentax 67 been wanting back in the medium format space for so long so I sold all my canon gear and took the plunge with the Fuji 100s. Total worth it for me.
Thank you for the kind words I’ve only just started with video never done much before so it’s a massive learning curve but it’s definitely fun learning the new skills.
Will start to push myself more after I’ve got my surgery out the way, and hopefully will grow the channel and continue having fun.
I’d love a medium format X100. Make it the size of an X-Pro with the Xf18 f2. That would be awesome!
How about 18mm f/1.4? That's a great lens!!
I like this, but I feel it needs faster lenses. F1.7 is fine, but they only have one f1.7 lens.
Give them time, this system is only 4 years old and I've done pretty well for such a young system. Until then you can use adapters and use other lenses from different manufacturers. I also would like to see manual focus lenses so they can make them fast but still reasonably compact.
@@bigheadtaco Totally agree. What would you say your ideal 3 prime setup for this is? Just for reference, for my Nikon FM2n, I have a 28mm f1.4, 50mm f1.4 and the Zeiss Milvus 100mm f2. For Sony, I use 21, 35, 55 and 85.
@@robiulahmed Depends if I'm shooting film, digital, rangefinder, mirrorless, medium format, etc. For myself, I think the 28mm, 40mm and 90mm is perfect for rangefinders or mirrorless. For GFX, based on what they currently have, I would say the 30mm, 50mm, and 120mm.
@@bigheadtaco Thanks for the response!
I think this is for film making..
Milk that dynamic range. 💪
Yup.
"as you can see, I don't have a strap-on",.... So, there's that
Excellent review here!!! Happy shooting….. click clickkk C L I C K 📸
thanks for watching, click, click!!
The images appears to be little dark
you can check out my article on Fujilove Magazine and see if it's the same darkness, as I share the same photos...
No top dials... horrendous from Fuji
only virtual, and the single PSAM with custom settings....
@@bigheadtaco I understand why they are doing it as it widens the scope of customers. However, for hard-core Fuji uses it’s a bad call
@@NorthernMigrationTravel agreed. I don't see them removing it from the X100 or X-Pro series, but for a camera they're trying to appeal to high end DSLR and mirrorless shooters, it makes business sense....