Haas Mono Track Doubling Without Regrets

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  • Опубліковано 16 вер 2024

КОМЕНТАРІ • 7

  • @NikolausBrocke
    @NikolausBrocke 2 роки тому +2

    Great explanation. Very clear and professional. Very important for guitarists, because doubling guitars is very common.

    • @jhughsPresonusStudioOneTips
      @jhughsPresonusStudioOneTips  2 роки тому +2

      Thank you Nikolaus. That means a lot to me as my intention is to help others enjoy mixing, because it really can be fun, while avoiding trouble areas that make it frustrating.

  • @Frank.Zimmermann
    @Frank.Zimmermann 2 роки тому +1

    Wow! What an excellent video, thank you so much!! :)

  • @streetpyramids
    @streetpyramids 2 роки тому +2

    I knew about Haas effect but this was very thorough and summed it all up really well with the tests. Thanks for making the videos I'm fairly new to S1 so very helpful

    • @jhughsPresonusStudioOneTips
      @jhughsPresonusStudioOneTips  2 роки тому +2

      Thanks Travis. I'm making these videos with people like you in mind and hope it gives you enough to build on and have fun with Studio One, while avoiding the mistakes I made.

  • @spkldgecko
    @spkldgecko 2 роки тому +1

    Thank you for this. First of all, thank you for using a guitar and not, like so many other youtubers, some kind of midi synthy thingy or 808 kit sounds. Also, the use of pink noise is a really great way to illustrate what is going on. I have always used the sends to a delay left and right but, from this video, I learned that I have probably been making some mistakes on delay time. You have given me something to think about for sure.

    • @jhughsPresonusStudioOneTips
      @jhughsPresonusStudioOneTips  2 роки тому

      Thanks! That means a lot to me that you enjoyed the pink noise demos. I think it's important to not only know what to do or not do, but WHY. You definitely got it; doubling a track is more than just plug & play, and every case is different. It may never be "perfect" in mono, but it should be listenable. Thanks again.