If they had been renewed, do you think the theme might be the rise of the mega musical, since that seemed to be the defining characteristic of musicals from the 80’s-90’s? Season one they were taking inspiration from musicals of the 40’s-50’s like: Brigadoon, Carousel, Sound of Music, Music Man, and Oklahoma. Season two was darker and grittier reflecting the 60s-70’s era musicals like: Chicago, Cabaret, Sweeney Todd, Pippin, Annie and Hair. So season 3 could take inspiration from Cats, all the Disney productions, especially The Lion King, maybe Rent, but the title possibilities don’t roll off the tongue as well as the first two. Schmats? Schmisney? Schment?
Sometimes I can't sleep at night because I'm afraid that people have missed the moment when he says endings that are tragic and casts a dubious look at a lock of her hair, because it's such a throwaway line.
I watched this with my mom for the first time. After this line, I immediately looked at my mom in disbelief. She was CACKLING. The funniest parts of the series are when people hate on Cecily Strong when she’s literally written to be the most normal woman on the planet.
@@marshy_5406 The actor who played Josh, Keegan Michael-Key, said that he actually loves musical theatre in real life, so it was hard for him to act not to enjoy it in back in season 1.
The Ben Vereen energy Tituss has here is brilliant. He looks and sounds stunning. He's chewing the scenery but at the same time it seems effortless. Sassy, seductive, campy, and sinister. Perfect. It made me nostalgic as hell for when I was in Pippin about a decade ago.
@@Airahar when performers are supposed to be miming dialogue amongst themselves they are sometimes told to mutter “peas and carrots” to each other to make it look like you’re all deep in conversation
Right? I'm guessing there was a clue to Season 3 in the finale of Season 2 which included the phrase "One more day" in the last song and, well, a chandelier... cannot wait to see how they satirize all the large scale '80s productions like Les Mis and ALW.
@@miriamjacobson1904 so, if the next era will involve PotO and Les Mis, it seems like the common factors here are France, tragedy, and the operetta style (aka being almost, if not completely, sung through). Does that mean the next setting will be Schmaris? Schmance? Schmopera? Schmellica? Schm… Also, what will Josh and Melissa need to obtain in order to leave?
@@hopefulstarfish7559 I think the common factor for 1980s-early '90s musicals is not thematic but theatrical: they are all epic "mega musicals" with gigantic, electronic sets (Phantom, Evita, Les Mis, Miss Saigon, Cats, Starlight, City of Angels). I'm not sure what kind of Schmega-musical land will be created, but I don't know if they can combine '80s and '90s, as the mid '90s to 2000s moved away from that pretty drastically, and back to smaller ensemble-focused pieces about culture, relationships and families (Rent, Passion, Avenue Q, Hedwig), a tradition that lasted a long time (Next to Normal, Fun Home, Band's Visit, Spring Awakening). I also think season 3 might have to do with whatever issue Josh and Melissa face next--likely the difficulties of parenthood. For that I'd definitely like to see a parody of Avenue Q, Spring Awakening, and Matilda...but it's probably too soon to go back only a decade or so! I'm also hoping they will parody all the musicals based on animated Disney movies--or perhaps theatrical musicals based on non-musical movies in general, which is also a whole thing...
I think season 3 or 4 will deal with magic of some kind there were a lot of popular fantasy musicals, like wicked (i expect that to be season 4) plus it could help with the lore of whatever schmigadoon actually is like did the leprechaun curse the town or what is the cause of it, plus if they do get a kid it can show them lost imagination that a lot of adults have. i just think it would be interesting i dont know what season 3 might be but 90s and 2000s musicals also started bringing in disney musicals like beauty and the beast, lion king, little mermaid, and aladdin i grew up in that time and i remember my parents taking me to those. I know season 3 will still be dark/realistic cause of phantom of the opera, les mis, cats, and little shop of horrors, but i have a feeling if we get a season 4 it will be more fanciful.
My dream season after this is Into the Woods + Wicked and the main theme is parenting their teenage daughter, since that's what Into the Woods is all about
Yes, the one dancer Not named after one of the orphans in Annie. The one that's killed. Then red fabric ala Chicago's "Jailhouse Tango" was also a nice touch.
@@ClarqueAllen From the title song of Cabaret: "I used to have a girlfriend known as Elsie With whom I shared four sordid rooms in Chelsea She wasn't what they called a blushing flower As a matter of fact she rented by the hour The day she died the neighbors came to snicker Well that's what comes of too much pills and liquor But when I saw her laid out like a queen She was the happiest corpse I'd ever seen"
Pippin is another one of those shows that are so entrenched in the conventions of musical theatre, that trying to convert it to another medium would be likely misguided.
Have you seen Broadway by Ghostlight's Schmigadoon/Schmicago videos? He has an entire series of interviews with Chris Gatelli, where they discuss the choreography influences and Easter eggs. And there's really great behind the scenes footage!
What do you think? We'll be going to 90s and 2000s musicals (bringing a bit more rock to the soundtrack a la Rent and Spring Awakening though 200s would also include Wicked and Hairspray) or we'll be going back to the 20s and 30s (though those are a bit too much like the 40s and 50s musicals though with Fred Astaire instead of Gene Kelly and it kind of goes against their method of going forward in time rather than backwards - unless they're going for the 'complete opposite' line of thinking). Of course the one 70s musical they didn't touch was 'Grease' which of course is has a 70s version of 50s music so it sort of belongs to both genres of musicals we've seen so far!
I'm really hoping for a third season too. It'd be a waste not to. Following the pattern, they'd move on to 80s and 90s musicals. How can we miss out on a chance to see parodies of Les Mis, Phantom, Little Shop of Horrors, Cats, Rent, Miss Saigon, Into the Woods, Ragtime, Aida, Mamma Mia...the list goes on and on. Many of the most iconic musicals come from those years imo. I'll be really disappointed if it isn't made. Of course, I'd love a fourth season with 00-10s musicals too, but I'm already crossing my fingers for a third season lol, I doubt a fourth one is in the cards. But who knows...
CW: possible slight spoiler . . . . I wonder if Melissa's outfit is some foreshadowing, the pattern almost looks like skull and crossbones, and the red ribbon around her waist. Also with Titus playing with her hair when he sang "endings that are tragic"
Was this the extent of Ariana Debose's performance in the 2nd season--that brief stint as host like in "Cabaret". Did they censor her? Too sizzling? She's the outstanding new talent. She won't be held down for long.
Ariana was only available for three days of filming. That's why she doesn't have as big a role this season. But she has a phenomenal Dreamgirls-esque number in episode 6, where she brings the house down.
[ENSEMBLE] Ooh, ooh, ooh, ooh Ooh, ooh, ooh, ooh [GRUNKLE STAN] If your life is a bore And it's left you wanting more Leave your fancy degrees And your jobs and your cheese It's time to change your point of view Schmigadee-do There's a world to explore With a thrill behind each door We got song, we got dance Lots of sex, no romance We've got it all and just for you Welcome to Schmicago Our fantastical farrago Mystery and magic Endings that are tragic Welcome to Schmicago Schmicago [HOPEDIAH “HOP POP” PLANTAR] Dreams of fate on the stage [SILCO] And revenge that's fueled by rage [TWILIGHT SPARKLE + RAINBOW DASH + APPLEJACK + RARITY + FLUTTERSHY + PINKIE PIE] Women bringing with lust [THE GENERAL] Men that you shouldn't trust [HUEY + DEWEY + LOUIE + WEBBY + LENA + VIOLET] And orphans that don't wanna die [GRUNKLE STAN] Schmig-a-dee-yi [KORRA + MAKO + ASAMI + BOLIN + TOPH + SOKKA + KATARA + AANG] Quest for meaning in life [GLIMMER] And an end to all this strife [PAULINE PHOENIX] Systems running on greed [EMPEROR BELOS] And good guys who succeed [GRUNKLE STAN] And also someone's gonna fry [ENSEMBLE] Welcome to Schmicago Our fantastical farrago [GRUNKLE STAN, SPOKEN] Look it up [ENSEMBLE] Mystery and magic Endings that are tragic Welcome to, welcome to, welcome to, welcome to Schmicago Schmicago Schmicago Schmicago [ENSEMBLE, SPOKEN] Peas and carrots, peas and carrots... [ENSEMBLE] Welcome to Schmicago Our fantastical farrago Mystery and magic Endings that are tragic Welcome to Welcome to Welcome to Welcome to Welcome to Welcome to Welcome to Schmicago Schmicago Schmicago Schmicago Ooh, ooh, ooh, ooh
It has to be Schmunset Boulevard, as the name needs to be a show title that's also a location. And there aren't a lot of 80's or 90's shows named after places
That's literally the premise of the show? Josh and Melissa get stuck in a musical. Last season it was golden age (1940s and 50s), musicals like The Music Man, Brigadoon (hence Schmigadoon), Sound of Music etc. this season is 1960s and 70s era musicals: Chicago, Pippin, Sweeney Todd, Cabaret, Jesus Christ Superstar, Sweet Charity, Annie, etc. This number is a pitch perfect sendup of Magic to Do from Pippin.
I’m just mad they’re not getting a third season.
If they had been renewed, do you think the theme might be the rise of the mega musical, since that seemed to be the defining characteristic of musicals from the 80’s-90’s? Season one they were taking inspiration from musicals of the 40’s-50’s like: Brigadoon, Carousel, Sound of Music, Music Man, and Oklahoma. Season two was darker and grittier reflecting the 60s-70’s era musicals like: Chicago, Cabaret, Sweeney Todd, Pippin, Annie and Hair. So season 3 could take inspiration from Cats, all the Disney productions, especially The Lion King, maybe Rent, but the title possibilities don’t roll off the tongue as well as the first two. Schmats? Schmisney? Schment?
@@srayjmiss schmaigon?
@@jacquelinejae 😂 Nice!
@@jacquelinejae Cinco Paul just revealed it would have been called Into the Schmoods. It was already written, including all the music
:((
@@srayjI was leaning towards Les Schmiserables
Sometimes I can't sleep at night because I'm afraid that people have missed the moment when he says endings that are tragic and casts a dubious look at a lock of her hair, because it's such a throwaway line.
ua-cam.com/video/jb4IK0ZX5lw/v-deo.html
♪And I worry: what if all my ends should split?♫ - _Carrie,_ "In" (original version)
I watched this with my mom for the first time. After this line, I immediately looked at my mom in disbelief. She was CACKLING.
The funniest parts of the series are when people hate on Cecily Strong when she’s literally written to be the most normal woman on the planet.
Josh’s journey of completely enjoying this intro in comparison to S1 is unreal 😂
It's my favorite part, honestly
He definitely seem like the kind of person who likes a show with darker and more adult themes like murder and sex
@@marshy_5406 The actor who played Josh, Keegan Michael-Key, said that he actually loves musical theatre in real life, so it was hard for him to act not to enjoy it in back in season 1.
One thing Schmigadoon has taught me is that musical theater was the very first source to SAT words😂😂😂
You should check this year list of SAT words if you are reader avid reader it will make you cry
This is true even of the stage directions. I learned the word "obsequious" in high school because it was in the script of _Sweeney Todd_
The Ben Vereen energy Tituss has here is brilliant. He looks and sounds stunning. He's chewing the scenery but at the same time it seems effortless. Sassy, seductive, campy, and sinister. Perfect. It made me nostalgic as hell for when I was in Pippin about a decade ago.
"Endings that are tragic" slays me
The woman who wants an end to all this strife is the same one complaining about strife (and tribulation) in Schmigadoon. Nicely played.
Nice catch.
Man dare I say this opener number is better than Schmigadoon which was also excellent
Not only this was better , every other song this season eclipse S1 , I don't know what they did but man they killed it shmicago is amazing
just as a side effect of parodying a different era of musical theater (which I believe to be FAR superior)
I didn't like the first season, but this seems much cleverer. Lots of Broadway trivia tossed in here.
@@jlasf the only thing I didn't like about S1 is that tribulation song , and pretty much almost all of josh and Mel songs , they were so meh
Truly. The choreography of this--the way they sped up the Fosse hip thrusts double time at the very end had me in stitches.
The "peas and carrots" bit is such a geeky in-joke and I love it.
This has to be one of the best tracks in the series.
THE FACT HE GRABS HER HAIR HEN SAYING ENDINGS THAT ARE TRAGIC 2:35
ua-cam.com/video/jb4IK0ZX5lw/v-deo.html
Is that a reference to something?
@@luongtrungnghia8097nah, he’s just insulting her hair and its dead ends.
@@PianoDisneygal10Oh. Ok
Titus looks incredible here! His face is so expressive, too, it’s a delight to watch him emoting so much here. So fun!
Tituss Is the perfect addition to this show!
The reprise at the end of this episode gives me life!! Tituss is it!! ✨
Every scene Tituss is in he's just chewing scenery and it's hilarious
ua-cam.com/video/4Oh6JYd3yhQ/v-deo.html
I have rewatched the ending so many times! I get chills lol
When I see Tituss, all I can think about is his roll as Sebastian in The Little Mermaid on Broadway!
Love the Pippin vibe of “Magic to Do”
For some reason the raised eyebrow from Keegan followed by the synchronized white-gloved hands makes me laugh every time i watch this
Peas and carrots…peas and carrots….peas and carrots….peas and carrots
What is that a reference to?
@@Airahar when performers are supposed to be miming dialogue amongst themselves they are sometimes told to mutter “peas and carrots” to each other to make it look like you’re all deep in conversation
@@andrewhavens5937 got it. Thanks!
@@andrewhavens5937 Damn so this is a show for theater kids by theater kids?
@@captaintalon4485 Now you're catching on.
ive worked a lot of musical shows, and can tell when the cast actually enjoys the play.
A shame this was the last season. I actually liked this season more. I really looked forward to Schmew York next. Or Shmorida. Or even Schmalabama!
Same, this season spoke to me. I want to live in Schmicago, its my heaven
Schmunset Boulevard
it was going to be schminto the woods!!! :(
Cannot wait for season 3. Giddy fun watching and singing along with the catchy songs. Dare I say season 2 is better than season 1? ❤
Right? I'm guessing there was a clue to Season 3 in the finale of Season 2 which included the phrase "One more day" in the last song and, well, a chandelier... cannot wait to see how they satirize all the large scale '80s productions like Les Mis and ALW.
@@miriamjacobson1904 so, if the next era will involve PotO and Les Mis, it seems like the common factors here are France, tragedy, and the operetta style (aka being almost, if not completely, sung through). Does that mean the next setting will be Schmaris? Schmance? Schmopera? Schmellica? Schm…
Also, what will Josh and Melissa need to obtain in order to leave?
@@hopefulstarfish7559 I think the common factor for 1980s-early '90s musicals is not thematic but theatrical: they are all epic "mega musicals" with gigantic, electronic sets (Phantom, Evita, Les Mis, Miss Saigon, Cats, Starlight, City of Angels). I'm not sure what kind of Schmega-musical land will be created, but I don't know if they can combine '80s and '90s, as the mid '90s to 2000s moved away from that pretty drastically, and back to smaller ensemble-focused pieces about culture, relationships and families (Rent, Passion, Avenue Q, Hedwig), a tradition that lasted a long time (Next to Normal, Fun Home, Band's Visit, Spring Awakening). I also think season 3 might have to do with whatever issue Josh and Melissa face next--likely the difficulties of parenthood. For that I'd definitely like to see a parody of Avenue Q, Spring Awakening, and Matilda...but it's probably too soon to go back only a decade or so! I'm also hoping they will parody all the musicals based on animated Disney movies--or perhaps theatrical musicals based on non-musical movies in general, which is also a whole thing...
I think season 3 or 4 will deal with magic of some kind there were a lot of popular fantasy musicals, like wicked (i expect that to be season 4) plus it could help with the lore of whatever schmigadoon actually is like did the leprechaun curse the town or what is the cause of it, plus if they do get a kid it can show them lost imagination that a lot of adults have. i just think it would be interesting i dont know what season 3 might be but 90s and 2000s musicals also started bringing in disney musicals like beauty and the beast, lion king, little mermaid, and aladdin i grew up in that time and i remember my parents taking me to those. I know season 3 will still be dark/realistic cause of phantom of the opera, les mis, cats, and little shop of horrors, but i have a feeling if we get a season 4 it will be more fanciful.
My dream season after this is Into the Woods + Wicked and the main theme is parenting their teenage daughter, since that's what Into the Woods is all about
I love Titus Andromadon omg and he slayed this song I was blown away this season
3:21 The person with suspenders on is all of us at some point during a musical
So many references. Musical theatre overload.
Interesting who they focused on during the first "endings that are tragic" 😉
Yes, the one dancer Not named after one of the orphans in Annie.
The one that's killed.
Then red fabric ala Chicago's "Jailhouse Tango" was also a nice touch.
I think he was literally referring to her hair (i.e., split ends) :)
@Seth Grenald I'm referring to the first chorus, not the second one :)
@@ClarqueAllen From the title song of Cabaret:
"I used to have a girlfriend known as Elsie
With whom I shared four sordid rooms in Chelsea
She wasn't what they called a blushing flower
As a matter of fact she rented by the hour
The day she died the neighbors came to snicker
Well that's what comes of too much pills and liquor
But when I saw her laid out like a queen
She was the happiest corpse I'd ever seen"
Titus is flawless.
Magic To Do has never sounded better
I didn’t finish my first watch of the episode because I IMMEDIATELY went to Prime and watched Pippin 😂😂
This is the closest we're getting to a Pippin movie
Which is for the best. Pippin would be butchered as a film, same thing with Hamilton.
There is this, thoug
ua-cam.com/video/nNz8VTroO2w/v-deo.html
Here's the recording of the whole original "Pippin." ua-cam.com/video/mM__WMfQuUc/v-deo.html
Pippin is another one of those shows that are so entrenched in the conventions of musical theatre, that trying to convert it to another medium would be likely misguided.
IM LIVING for this pippin reference
I’m getting Pipin and Chicago vibes it’s awesome.
Dude, Dove Cameron’s facial expressions when they try to get “the mayor’s” attention always catch me. Her face is so lit up.
Her face acting in this show, especially during "Talk to Daddy," is phenomenal stuff
Have you seen Broadway by Ghostlight's Schmigadoon/Schmicago videos?
He has an entire series of interviews with Chris Gatelli, where they discuss the choreography influences and Easter eggs. And there's really great behind the scenes footage!
Thank you for putting the exact information I needed in the description
This short lived series was brilliantly done.
I keep bouncing back between Welcome to Scmocago and Magic To Do. I definitely like “schmigadeedoo” more than didleeedoo, sounds Yiddish or something.
Ahah i was so confused i was like…aint that pippin?
Can’t wait for a season 3!
What do you think? We'll be going to 90s and 2000s musicals (bringing a bit more rock to the soundtrack a la Rent and Spring Awakening though 200s would also include Wicked and Hairspray) or we'll be going back to the 20s and 30s (though those are a bit too much like the 40s and 50s musicals though with Fred Astaire instead of Gene Kelly and it kind of goes against their method of going forward in time rather than backwards - unless they're going for the 'complete opposite' line of thinking). Of course the one 70s musical they didn't touch was 'Grease' which of course is has a 70s version of 50s music so it sort of belongs to both genres of musicals we've seen so far!
I'm really hoping for a third season too. It'd be a waste not to. Following the pattern, they'd move on to 80s and 90s musicals. How can we miss out on a chance to see parodies of Les Mis, Phantom, Little Shop of Horrors, Cats, Rent, Miss Saigon, Into the Woods, Ragtime, Aida, Mamma Mia...the list goes on and on. Many of the most iconic musicals come from those years imo. I'll be really disappointed if it isn't made.
Of course, I'd love a fourth season with 00-10s musicals too, but I'm already crossing my fingers for a third season lol, I doubt a fourth one is in the cards. But who knows...
@@agenttheater5 schmicked
@@funapatr2758 or schment, or schmisney, or schmatz. So many possibilities!
Schmantom, Les Schmiserables, Schmiss Schmiaghon, Schmats,
thanks for uploading it! a great opening song
my god did they step it up this season, just waited for it to end so I could binge it! ❤
Damn this intro was fire!
I know right?! I LOVE THIS SONG!!
Thank youuuu I've been wanting this one one it's own!
CW: possible slight spoiler
.
.
.
.
I wonder if Melissa's outfit is some foreshadowing, the pattern almost looks like skull and crossbones, and the red ribbon around her waist. Also with Titus playing with her hair when he sang "endings that are tragic"
I'm pretty sure that's a split ends joke.
@@ClarqueAllen and those were some pretty tragic endings too
Why have they not uses this for the Apple TV channel
Since Apple TV is a subscription I’m assuming that they want to give you a taste but little enough so you will subscribe
@@Munchausen45 To their credit, they aren't blocking use on UA-cam.
Can’t wait for Schmamilton.
Nice
Will there also be a visit to the Schmig Apple? And either Schmigh School or Schmuniversity? I wonder…
I think Schmamilton will be two seasons from now. We still needs to get through the 80s and 90s with Schmigadu.
That might be more of a season 5 thing if we ever manage to make it there
@@hopefulstarfish7559 Schmats
Thank you for doing gawdz work!
Is it wrong to like this better than Magic To Do ?
No, it is not.
Браво 👏👏👏
ABSOLUTE BANGER
Finally! Thank you!
Brilliant!
anyone else notice the "magic to do tones" lol
When the entire number is almost a direct parody? Who could crack this code… 🙄
Lmao
Duh
Was this the extent of Ariana Debose's performance in the 2nd season--that brief stint as host like in "Cabaret". Did they censor her? Too sizzling? She's the outstanding new talent. She won't be held down for long.
Ariana was only available for three days of filming. That's why she doesn't have as big a role this season.
But she has a phenomenal Dreamgirls-esque number in episode 6, where she brings the house down.
Here's that number
ua-cam.com/video/XY2zwk9fepQ/v-deo.html
she got 3 numbers I think but yess she's essentially a cameo in season 2
Is the choreography Bob Fosse’s “All That Jazz”? ❤
It’s mostly Magic To Do from Pippin
@@MediaLover194 Right Choreographer, wrong musical.
it actually is lol they used magic to do tones with chicago choreo
My school just did Pippin 😂
The opening "floating hands" is a reference to the original opening of Fosse's Pippin: ua-cam.com/video/ADeU6qz37B4/v-deo.html
I mean the whole performance is a reference to Pippen. lol
@@free_re_fells Of course, but many people have not seen the floating hands opening. Posted as a public service.
[ENSEMBLE]
Ooh, ooh, ooh, ooh
Ooh, ooh, ooh, ooh
[GRUNKLE STAN]
If your life is a bore
And it's left you wanting more
Leave your fancy degrees
And your jobs and your cheese
It's time to change your point of view
Schmigadee-do
There's a world to explore
With a thrill behind each door
We got song, we got dance
Lots of sex, no romance
We've got it all and just for you
Welcome to Schmicago
Our fantastical farrago
Mystery and magic
Endings that are tragic
Welcome to Schmicago
Schmicago
[HOPEDIAH “HOP POP” PLANTAR]
Dreams of fate on the stage
[SILCO]
And revenge that's fueled by rage
[TWILIGHT SPARKLE + RAINBOW DASH + APPLEJACK + RARITY + FLUTTERSHY + PINKIE PIE]
Women bringing with lust
[THE GENERAL]
Men that you shouldn't trust
[HUEY + DEWEY + LOUIE + WEBBY + LENA + VIOLET]
And orphans that don't wanna die
[GRUNKLE STAN]
Schmig-a-dee-yi
[KORRA + MAKO + ASAMI + BOLIN + TOPH + SOKKA + KATARA + AANG]
Quest for meaning in life
[GLIMMER]
And an end to all this strife
[PAULINE PHOENIX]
Systems running on greed
[EMPEROR BELOS]
And good guys who succeed
[GRUNKLE STAN]
And also someone's gonna fry
[ENSEMBLE]
Welcome to Schmicago
Our fantastical farrago
[GRUNKLE STAN, SPOKEN]
Look it up
[ENSEMBLE]
Mystery and magic
Endings that are tragic
Welcome to, welcome to, welcome to, welcome to
Schmicago
Schmicago
Schmicago
Schmicago
[ENSEMBLE, SPOKEN]
Peas and carrots, peas and carrots...
[ENSEMBLE]
Welcome to Schmicago
Our fantastical farrago
Mystery and magic
Endings that are tragic
Welcome to
Welcome to
Welcome to
Welcome to
Welcome to
Welcome to
Welcome to
Schmicago
Schmicago
Schmicago
Schmicago
Ooh, ooh, ooh, ooh
Amazing intro song - sadly this series didnt continue the same momentum as the 1st
Season 3 names GO!
I'm partial to Kristin Chenoweth's suggestion, "Schmicked."
Schmigadu
It has to be Schmunset Boulevard, as the name needs to be a show title that's also a location. And there aren't a lot of 80's or 90's shows named after places
Les Schmiserables
can someone explain the peas and carrots joke?
It's what background actors are told to say to make it look like they are having a real conversation.
I am the 69th person to like this
It’s so annoying when S-E-X becomes more than that and they want romance. Oof. No thanks.
Is the entire show a fking musical?
Um… yes?
That's literally the premise of the show? Josh and Melissa get stuck in a musical.
Last season it was golden age (1940s and 50s), musicals like The Music Man, Brigadoon (hence Schmigadoon), Sound of Music etc.
this season is 1960s and 70s era musicals: Chicago, Pippin, Sweeney Todd, Cabaret, Jesus Christ Superstar, Sweet Charity, Annie, etc.
This number is a pitch perfect sendup of Magic to Do from Pippin.
For comparison, here's the original staging of Magic to Do
ua-cam.com/video/ADeU6qz37B4/v-deo.html
😂 what gave it away?!
Yes, it’s been like that since last season.
" Peas and carrots... peas and carrots"..."Could you all stop talking at once".😂😂😂😂
Again Scarlett Witch Creating Multiverse from Fusion Between Disney world and Broadway ?!?