Neupert has come a long way since the old Revival days. I remember well the wars in the '60s and '70s between the Revival and Historical styles of harpsichord making. So glad we won!
@@hacmmgi6074 The conflict was between so-called "Revival" instruments that were based on piano construction and "Historical" instruments that were near-copies of antique harpsichords. The Revival instruments did not look, act, or sound like antique harpsichords, yet it took several years before the Historical style prevailed. Neupert is one of several makers that produced Revival instruments for many years, but now makes harpsichords in the Historical style.
I wonder how popular the Goldberg variations were in Bach's time? It seems like the recent popularity is due to Glenn Gould's interpretation. However, I love this performance - so many of the runs and decorations feel so right with the harpsichord
Huge bravo! Wonderful rendition, touchy, joyful, bright! Thank you, Natalia Solotych! You restored the glory of harpsichord, for a while in shadow and oblivion.
Замечательное исполнение. Возвращаюсь к нему время от времени и каждый раз получаю огромное удовольствие. С исполнительской точки зрения отмечу очень хорошую артикуляцию, разнообразную, но ненавязчивую, органичную. Особенно хорошо звучит легато, та певучесть, которую практиковал и и которой учил своих учеников Бах. Это особенно нелёгкий тип артикуляции на клавесине. Тем более приятно слышать так совершенный результат. Браво!
Großartig! Die Tempi, die sich scheinbar ganz selbstverständlich aufgrund des Instruments und der Akustik ergeben, die wunderbar ausgeführten und teils improvisierten Verzierungen, die Registrierung und der Wechsel der Manuale zur Klangfarbenerweiterung innerhalb eines Abschnittes und die wunderbare Artikulation, bei der man genau heraushört, wann ein Legato gemeint ist (das sich naturgemäß anders verhält als bei einem Klavier), all das lässt mich bewundernd und staunend diese großartige Musik genießen. Vielen herzlichen Dank!
Superb. Such a beautiful execution of these timeless masterpieces - and she handles both the intricate and slower passages in such a fine and delicate manner. Thank You
Muchas gracias por su respuesta a mi pregunta. Muy amablé. Todos esos términos designan al *clave*, que posee doble teclado. El clavicordio tiene un solo teclado. En el video yo no había advertido que el instrumemto utilizado tenía uno doble, hasta que en un determimado momento ví la mano de la concertista que lo utilizaba. Reitero : muchísimas gracias por la aclaración.
The expressive power of the sound architecture breaks with any form of transcription of the real to attach itself to the expression of an serene universe. Colors and rhythm of these compositions are a language that gives life to exaltation
Alway wonderful to hear Bach's music on the instrument it was intended for and performed so beautifully. The mud these harpsichord pieces make on a modern piano is painful for me to listen to. The harmonies on the harpsichord are just fabulous in frequency perfection; I am sure Bach would have wanted his music played on this instrument.
Eternal Music does not only need the past, the ancient era, in which it was written, it is "Music forever" because it was "launched" into eternity and, in a certain sense, it does not even belong to the composer who wrote it. Bach's music is as alive to us today as it was in the 18th century, otherwise we wouldn't be playing it. Our time today gives us the privilege of being able to play these works of art out of past eras which would probably disgust us very much in other respects if we lived them concretely and meticulously. / ... I prefer to live today, get to know Bach and all the rest of the wonders of Art that History has granted us and grants us. Because all the past, known well or badly (we can't be sure), is in today.
I love BWV 988, though I never understood the hype surrounding Glenn Gould's interpretations of it. Personally I find his constant humming to be extremely annoying. Besides I think harpsichord is a greatly undervalued instrument for the 988. I have a version by Ottavio Dantone which is my favourite of all interpretations I've heard. Sadly I can't find it here on YT, and I suspect it will be taken down if I do upload it.
this is not a video, this is a mockery; the ads are in the middle of the play; if there is no way of doing without ads, could you at least place them in a more human way? dislike and channel ignored
pas d'accord avec le message plus haut .il faut rendre hommage au film, son acteur principal, au réalisateur génial de ce film auquel on peut donner plusieurs sens ( si rare ) dont celui ci : l'histoire d'amour impossible entre un tueur en série et son limier de flic à ses trousses Grand film qui a contribué à faire connaître le plus grand des compositeurs de tous les temps , une oeuvre géniale et envoûtante, un interprète attachant .Peu de cinéastes y sont parvenus ,alors musicien, je lui dis merci à ce cinéaste pour son superbe film et de m'avoir fait connaître les variations Goldberg de Jean -Sebastien Bach comme à des millions de personnes dans le monde ...Aussi et enfin : interprétation de tres belle qualité , captivante musique. Roger Korcia
She makes the machine sing.
That instrument has a gorgeous timbre!
Neupert has come a long way since the old Revival days. I remember well the wars in the '60s and '70s between the Revival and Historical styles of harpsichord making. So glad we won!
which one won?
@@hacmmgi6074 The conflict was between so-called "Revival" instruments that were based on piano construction and "Historical" instruments that were near-copies of antique harpsichords. The Revival instruments did not look, act, or sound like antique harpsichords, yet it took several years before the Historical style prevailed. Neupert is one of several makers that produced Revival instruments for many years, but now makes harpsichords in the Historical style.
I love the sound of this harpsichord! Splendid performance BRAVO Natalya!!!
4:15 Var 1
6:20 Var 2
7:58 Var 3
10:08 Var 4
11:11 Var 5
12:52 Var 6
14:10 Var 7
16:07 Var 8
18:10 Var 9
20:07 Var 10
21:49 Var 11
24:16 Var 12
26:42 Var 13
33:11 Var 14
35:22 Var 15
I wonder how popular the Goldberg variations were in Bach's time? It seems like the recent popularity is due to Glenn Gould's interpretation. However, I love this performance - so many of the runs and decorations feel so right with the harpsichord
Beautifully played. The tempo, rhythm, slight pauses are just perfect. Thanks for sharing
Una de las más maravillosas obras musicales jamás compuestas, interpretada con sensibilidad y delicadeza por una gran artista. Gracias
Huge bravo! Wonderful rendition, touchy, joyful, bright! Thank you, Natalia Solotych! You restored the glory of harpsichord, for a while in shadow and oblivion.
Esecuzione meravigliosa per equilibrio e plasticità’ nella resa interpretativa !!!bravissima e bello strumento
Замечательное исполнение. Возвращаюсь к нему время от времени и каждый раз получаю огромное удовольствие. С исполнительской точки зрения отмечу очень хорошую артикуляцию, разнообразную, но ненавязчивую, органичную. Особенно хорошо звучит легато, та певучесть, которую практиковал и и которой учил своих учеников Бах. Это особенно нелёгкий тип артикуляции на клавесине. Тем более приятно слышать так совершенный результат. Браво!
Großartig! Die Tempi, die sich scheinbar ganz selbstverständlich aufgrund des Instruments und der Akustik ergeben, die wunderbar ausgeführten und teils improvisierten Verzierungen, die Registrierung und der Wechsel der Manuale zur Klangfarbenerweiterung innerhalb eines Abschnittes und die wunderbare Artikulation, bei der man genau heraushört, wann ein Legato gemeint ist (das sich naturgemäß anders verhält als bei einem Klavier), all das lässt mich bewundernd und staunend diese großartige Musik genießen. Vielen herzlichen Dank!
Beautiful. I can't say More...
Superb. Such a beautiful execution of these timeless masterpieces - and she handles both the intricate and slower passages in such a fine and delicate manner. Thank You
I love it 😍!
Exelsa música y muy birn interpretada.
¿ es un clavicordio ?
¿O es un clave ?
Clavicémbalo, clavecin, cembalo, harpsichord.
Muchas gracias por su respuesta a mi pregunta.
Muy amablé.
Todos esos términos designan al *clave*, que posee doble teclado.
El clavicordio tiene un solo teclado.
En el video yo no había advertido que el instrumemto utilizado tenía uno doble, hasta que en un determimado momento ví la mano de la concertista que lo utilizaba.
Reitero : muchísimas gracias por la aclaración.
beautiful!
Чудове виконання, пані Наталія. Дякую!
Beautiful ❤
Браво !
Saving this to my Harpsichord Bangers playlist :D
Bravo!
excellent!
Eccezionale!
Wonderful! Brava!!!
Superb rendition. Excellent sound quality. Wonderful video. Thank you.
Brilliant
This is wonderful. Thank you so much for this video.
¡Qué máquina!
Fantastico
Thank you
The expressive power of the sound architecture breaks with any form of transcription of the real to attach itself to the expression of an serene universe. Colors and rhythm of these compositions are a language that gives life to exaltation
Thank you!
Sounds like a deepity.
Alway wonderful to hear Bach's music on the instrument it was intended for and performed so beautifully. The mud these harpsichord pieces make on a modern piano is painful for me to listen to. The harmonies on the harpsichord are just fabulous in frequency perfection; I am sure Bach would have wanted his music played on this instrument.
Agree. as when Bach was composing whether on an instrument or on paper the sound he would have heard was that of a harpsichord.
They were actually meant to be played on the sackbut
Ha ha ha.
Wunderbares Spiel☺️
great!!! i really like this interpretation and moive,, and wait 16~
Thank you very much! The second part will com up soon.
Do Brasil. Linda demais a música do grande compositor barroco J.S.Bach
Danke schön!!! Bamberg
Hope to hear more
Natalia + Bamberg = B-A-C-H !!!!
Una joya !
muchas gracias!
El nombre Solotych significa "el dorado".🙂
Como me gustaría tener una máquina de tiempo para vivir en una nación donde la música fuera esa❤❤❤😊😊
Eternal Music does not only need the past, the ancient era, in which it was written, it is "Music forever" because it was "launched" into eternity and, in a certain sense, it does not even belong to the composer who wrote it.
Bach's music is as alive to us today as it was in the 18th century, otherwise we wouldn't be playing it.
Our time today gives us the privilege of being able to play these works of art out of past eras which would probably disgust us very much in other respects if we lived them concretely and meticulously. /
... I prefer to live today, get to know Bach and all the rest of the wonders of Art that History has granted us and grants us.
Because all the past, known well or badly (we can't be sure), is in today.
Bach c'est le maître à tous et il le restera à jamais
Exquisite exciting commercials occasionally interrupted by the sublime.
Qué belleza de sonido, qué acústica y qué interpretación brillante para los que amamos el sonido del clavicordio ❤
Muchas gracias
@@bambergbaroque9457 Les hago una consulta ¿Cuál es el espacio físico en donde se grabó el video?
Capilla de San Juan de Bamberg, antigua iglesia.
The best master
Shiguet sans
Marveilleux！ Ｔrės jolie et
Par coeur！
J'exige la deuxième partie ...au plus vite. je ne pourrais pas attendre plus
La 2ème partie:
ua-cam.com/video/oSn1sUyPevU/v-deo.html
💖
❤
Bach on the harpsichord...not so bad :)
Musicians like her, like very few others were gifted not only with the love of music, but with God-given gift of very special brain
Merci de donner le nom de l'interprète c'est la moindre des choses ainsi que la marque et l'age de l'instrument et l'endroit de l'interpretation !
Like 545
Is this a lute harpsichord?
This is NEUPERT-harpsichord, model "Hemsch" in french style:
2 manuals, 3 registers (8' 8" 4), lute 8"
what is that for a building? looks like a former church?
Yes, that was a church. Today it is a concert hall.
Which church is this?
Johanniskapelle Bamberg
@@bambergbaroque9457 oh merci. Très bien. Nice recording.
En realidad, tendrían que llamarse " Variaciomes Keiserlin "
Blabo🎉 ありがとうございます❤
ご関心をお寄せいただきありがとうございます。
Ma è lei che suona?🤔
Sì.
I love BWV 988, though I never understood the hype surrounding Glenn Gould's interpretations of it. Personally I find his constant humming to be extremely annoying.
Besides I think harpsichord is a greatly undervalued instrument for the 988. I have a version by Ottavio Dantone which is my favourite of all interpretations I've heard. Sadly I can't find it here on YT, and I suspect it will be taken down if I do upload it.
Настроен на пол тона ниже, чем
совр.ф-но .
415 Hz.
way too fast. cool for cell phone culture. but when people lived in 1720, there was a much slower and more patient understanding of life
thankfully we got scholar thomas schwarz to teach us all about tempo 🙏
this is not a video, this is a mockery; the ads are in the middle of the play; if there is no way of doing without ads, could you at least place them in a more human way? dislike and channel ignored
No need to dislike... just install an ad blocker into your browser and no more ads! 😁
Don't be bamboozled by this Goldberg Variations stuff. It's predictable. It became trendy for the wrong reasons.
Whether one has the competence to judge which reasons are wrong or right - that is the question here. :)
Well, that's certainly a vague bit of cynical, hipster trollery on your part. Best wishes from Vermont 🍁
pas d'accord avec le message plus haut .il faut rendre hommage au film, son acteur principal, au réalisateur génial de ce film auquel on peut donner plusieurs sens ( si rare ) dont celui ci : l'histoire d'amour impossible entre un tueur en série et son limier de flic à ses trousses
Grand film qui a contribué à faire connaître le plus grand des compositeurs de tous les temps , une oeuvre géniale et envoûtante, un interprète attachant .Peu de cinéastes y sont parvenus ,alors musicien, je lui dis merci à ce cinéaste pour son superbe film et de m'avoir fait connaître les variations Goldberg de Jean -Sebastien Bach comme à des millions de personnes dans le monde ...Aussi et enfin : interprétation de tres belle qualité , captivante musique. Roger Korcia
WIth exception of Glen Gould.
I think "never talk......" is a bit too far up himself. I enjoy the music for itself, not to analyse it to bits. That's for musicologists.