Thank you for your wonderful comment, Awilda! I'm delighted that you enjoyed my interpretation of this piece. The emojis bring such lovely summer and nature vibes to your message!
Interesting piece, for two reasons at least: first of all it seems to be a particular, neoromantic homage to the " fin de siecle" passion for archaism, similarly to the literary and artistic trend of the Preraffaelliti... And then because of a strange parallelism (in the general conception and musical plot, while the mood is really more animated in the other piece...) with a similar descriptive piece by Gottschalk entitled " Pastorella et Cavalliere".... Obviously the Pastorella has been transformed into a Tzigane Girl ( but the musical pseudo-tzigane inflections are here really not so evident....). Beautiful performance....excellent legato in the melodic omophonic phrases, a thing only apparently easy, but ...pianists know! Bravo Phillip!
Thank you, Alessandro, for such an insightful observation! The parallel you draw with Gottschalk's "Pastorella et Cavalliere" is fascinating. Your note about the neo-romantic and Pre-Raphaelite influences really helps place this piece in its historical context. I'm also glad you noticed the legato passages - they indeed require careful attention to achieve the right touch and control. I appreciate your thoughtful analysis and kind words.
Thanks, Mr. Sear👍, for delighting us with your excellent interpretation💯🎹🎶 of this charming melody.🎼🎶 Awilda 🌞🌊🚣♀️🌴🐪🐕⚘
Thank you for your wonderful comment, Awilda! I'm delighted that you enjoyed my interpretation of this piece. The emojis bring such lovely summer and nature vibes to your message!
Very nice!
Thank you so much, Julia!
a nice and intriguing piece, tnx for sharing!
My pleasure!
Good evening PSear Pianist ! Thank you for this lovely music ! 😊😊😊😊😊❤❤❤❤❤
Interesting piece, for two reasons at least: first of all it seems to be a particular, neoromantic homage to the " fin de siecle" passion for archaism, similarly to the literary and artistic trend of the Preraffaelliti...
And then because of a strange parallelism (in the general conception and musical plot, while the mood is really more animated in the other piece...) with a similar descriptive piece by Gottschalk entitled " Pastorella et Cavalliere"....
Obviously the Pastorella has been transformed into a Tzigane Girl ( but the musical pseudo-tzigane inflections are here really not so evident....).
Beautiful performance....excellent legato in the melodic omophonic phrases, a thing only apparently easy, but ...pianists know! Bravo Phillip!
Thank you, Alessandro, for such an insightful observation! The parallel you draw with Gottschalk's "Pastorella et Cavalliere" is fascinating. Your note about the neo-romantic and Pre-Raphaelite influences really helps place this piece in its historical context. I'm also glad you noticed the legato passages - they indeed require careful attention to achieve the right touch and control. I appreciate your thoughtful analysis and kind words.