How to Create the NATURAL Film Look - Cinematography Breakdown
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- Опубліковано 29 вер 2024
- Today, we're talking about how to light commercials with practical lighting and minimizing your lights to create a natural film look, and how sometimes less is more. Although we had a mixture of other lights involved, the practicals are what help push this scene and project forward.
Let us know your thoughts and what you'd want to see more of in the future.
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Now I understand when cinematographers say "Light spaces, not faces". Obviously you still need to light the subject, but lighting spaces properly will really improve the scene drastically
You got it! This will really save you a ton of time and allow you to work faster.
Your video breakdowns thought me how to stick to Native ISO. A technic I have not been applying over the years. Thnx brother
Thanks for watching! Appreciate it, it's such a big topic.
Beautiful work! and thank you so much for taking the time to make these BTS/breakdown videos. Can I just check, is camera really set to 5600k? If I set up 2700k practicals, key and ambience I think I'd end up with a hot yellow mess if my camera was still at 5600k! And although warm, this grade is still really nice and clean.
Thanks so much! We set the camera around 4400k for the majority of the shoot!
I'm surprised you don't go to change the lighting positions with each set up. For example your close up on the daughter, I personally think could have been cheated a little more to make her light up/stand out a bit more than from the same lighting you did in the wide. Any reason why that is? Good stuff though!
We did switch most lighting setups, at least brought things in for tights/closeups. Either it wasn't shown or we were extremely tight on time! Appreciate it!
If he could explain without so many words…or is it me..its like a constant chatter
Just trying to provide as much context as possible. Appreciate the feedback though!
This looks really clean for such low percentages on your light. Were you shooting at 3200 iso? Remember you mentioned it previously as an approach with darker settings.
Most likely under 1600 for the LF.
Thank God, you always have some behind the scenes footages . I would not be able to listen to you with all the drawings if they were only that - thank you so much for those BTS ❤
Thanks! Always trying to get as much bts as possible
do you have any video on how you colorgrade?.. most of your videos are breakdowns of tools you used. but no colorgrading. /:
Invaluable information! Your tip on lighting continuity was brilliant and insightful. & it also explains the cohesion in your images. Thank you so much for sharing brother. Much love and appreciation 🙏🏾✨️
Thanks so much Mylez! Appreciate you watching and glad you got something helpful out of it.
That is so interesting! I'm hoping to see how you also handled the outdoor scene on that project :)
lol I knew the moment when I first used my black pro mist that it was a mistake 😂😂😂but that’s how we learn😅
Haha nothing wrong with a BPM! Just needs to be used in the right circumstances.
@@TenfoldProductionplease, I'm really anticipating the coming paid tutorial....also, do you do private mentorship?
@@brightibok4208 we’ve opened up enrollment to our cohort course, where we’ll be doing live coaching and mentorship within. It’s our Cinematic Portfolio Mastery Course! Check it out in our description.
Thanks a lot for all your breakown lighting. But i'm asking myself on how do you expose your image? did you use a custom lut on set or simply with rec709 maybe? or only with log and false color or waveform?
Almost always rec709 lut and expose based off of that.
Is the cinematic portfolio course all online? I'm in the uk. Also wondering how transferable the pricing structures / marketing will be for the UK industry. The course looks amazing by the way!
It’s an online course! Curriculum roles out June 24, but we have weekly Q&A’s leading up to the launch (bonus). It’ll all be transferable! The course really teaches the fundamentals of what’s working right now and how to create spec work that excites you and sells. (Aka, make work so good that people can’t ignore you). If you have any specific questions, you can reach out at Jason@tenfoldfilmmaker.com
I've been learning so much from these videos! Question, what was the white balance set in camera and the ISO. I didnt catch it being said in the video?
Most likely set at 4400K, and somewhere in the higher ISO range, but below 1600ISO for sure.
Definitely one of my favorite DPs how you explain. Although I'm pretty good at lighting, it's still good to keep hammering all this info into my head so I become a Master. I literally watch and try to guess what you have before you actually write it down haha lol
Haha thanks so much! Appreciate the support!! We have some fun ones coming soon
Loved this breakdown of practical lighting in commercials! It's amazing how often less is more when it comes to lighting, and I'm definitely taking some of these tips to heart for my own projects. Thanks for sharing your expertise!
Amazing! That means a lot, if you ever have questions let us know in the comments. If you’re looking to get more in-depth with your projects and filmmaking, we have a cohort course coming soon as well. Glad we can help though!
This first thumbnail is more beautiful and catchy
It's also teases the content more
Which one? The wide with the dad and daughter, or just the daughter?
i never seen anyone breakdown so details like this, you're my saviour
Thanks so much!! Appreciate you watching
Nice! pracs are so important!
Thanks Kris!