📅Raag Kalingada Vocal - Subhra Guha Sahiba Teaches: Aroh, Avaroh, Pakad, Bandish, and Sargam

Brought To You by Adam Gheli aka Bhaijaan Yousufi
Thaat: Bhairav
Aarohi: S r G m P---P d N S'
Amrohi: S' N d P---m P d P m G---m G r S
Vadi: P
Samvadi: S
Pakard: PdPmG---GPmG rS'N---SrG
Time: 3 am - 6 am
Zaat: Sampuran - Sampuran
Raag Kalingada is a Hindustani classical raga belonging to the Khamaj thaat. It is a morning raga, and is typically performed from 4am to 7am. The raga is characterized by its bright and cheerful mood, and is often used to express feelings of love, joy, and longing.
The scale of Raag Kalingada is:
S R G M P D N S
The notes R and D are komal (flat), while all other notes are shuddha (natural). The vadi (dominant) note is P, and the samvadi (subdominant) note is S.
The raga is said to have originated in the ancient kingdom of Kalinga, which is now part of Odisha, India. The name "Kalingada" is derived from the word "Kalinga", which means "battlefield". This is likely a reference to the fact that the raga is said to have been created by a warrior who was inspired by the beauty of the morning sky after a battle.
Raag Kalingada is a relatively rare raga, and is not as commonly performed as other morning ragas such as Raag Malkauns and Raag Shivranjani. However, it is a beautiful and expressive raga, and is well worth exploring for those who are interested in Hindustani classical music.
Here are some of the key features of Raag Kalingada:
* The raga is bright and cheerful and is often used to express feelings of love, joy, and longing.
* The scale of the raga is S R G M P D N S, with R and D komal.
* The vadi note is P, and the samvadi note is S.
* The raga is said to have originated in the ancient kingdom of Kalinga.
* Raag Kalingada is a relatively rare raga, and is not as commonly performed as other morning ragas.
If you are interested in learning more about Raag Kalingada, there are many resources available online and in libraries. You can also find recordings of the raga performed by renowned musicians. With a little effort, you can learn to appreciate the beauty and complexity of this unique raga.
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Intro: (0:00)
Pakard: (0:15)
Bandish: (0:30)
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