Great info as always! Two questions: 1. Have you ever compared 12:1 to Q5? I always shoot at Q5 because I feel the file size is smaller in most cases. 2. I've never remapped the sensor. How much of a difference does that make?
What’s up bud!? I haven’t compared the two in detail yet but most definitely will. Anything to save more space. Remapping refreshes your pixels to ensure a clean picture every time. It’s suggest by Blackmagic to do this often.
@@GOLDWULF Yeah, space is quite important since IQ is great even in the lowest recording settings. I've found that at 4K 24p, pocket eats about 1GB/minute which translates to about 200mbps, that is just double than most cameras record, yet files are way easier to payback and the detail is perfectly retained throughout the range. I've worked with Sony 8bit footage and shadows where a blocky mess. I'll try the remapping to see if it's going to improve the image, thanks!
@@aristomenis_k great insight here, thanks bud. I’ll definitely give this a shot. Might change my entire perspective! Might even make a video about it. 👊
Besides a high quality video, you have a high extreme self-confidence while making this video. You don’t shout, show up or try to impress anyone. And this gives strength the focus of the viewer. Keep it up.
Awesome, this helped me setup my 6kPro today so I can make better videos for my music channel! I don't really know anything about cameras, other than the footage from this thing is INSANELY beautiful. So it's very nice to have a step-by-step walkthrough for these basic settings... the gigantic manual wasn't getting me anywhere besides "what all the buttons and settings do." A bunch of knowledge, but no wisdom. Thanks for sharing this info with me :)
Hey great idea for a video man, and pretty timely as well. Been getting more serious about getting all the elements together necessary to start working on my first short, mainly as practice before a true passion project can happen. This video is really encouraging, because it’s kind of like taking a step back; almost a mental check or reset. All the stuff I’ve been cramming into my head over the past year or so can be pretty overwhelming. Having it simplified and summarized like this gives me courage to keep going and give it a shot. As lost as I am sometimes, I can at least look back and realize I’ve learned quite a bit without having any real experience, so at least I have something to build on. K, I don’t know why I’m sharing all that, little bit of self talk maybe, but I do appreciate your content bro! Oh and I have the Pocket 6K, so I’m assuming the settings are identical or nearly so, to the 6K Pro.
Great comment here. Thanks for the info! I was once just like you so yes, take it one step at a time. Collect your thoughts and prep for your shoot the best to your ability. Learn from the experience and gain knowledge! Continue to practice and sharpen your skills. These settings will translate perfectly to the 6K. As I said in the video, experiment with your settings. master your camera! Good luck bud! Share your results once its done.
Yeahhhhh! my settings are pretty much similar to yours, man. however, I've never done the remapping the sensor!!!!! Thanks so much! Killer video and I want more! 😄. Cheers!
Awesome video. Quick question though. What did you do to add the grain I see in this video from beginning to end? At first I thought it was just noise, but I figured it must be on purpose, since I see it even on the well lit parts. I found your channel not long ago and you are becoming one of my favorites quickly.
@@GOLDWULF Oh. Cool. I guess I just missed them. I think I have a good idea of how you did it, but I’ll look forward to seeing you soon showing it. Cheers!
@@TesLatino The film grain I’m using is inside FilmConvert! Not only can you apply amazing emulated film grain but you can color correct and grade your footage with real film stock! Use my promo code ‘GOLDWULF’ to get an additional 10% off your purchase. Trust me you won’t regret it.
Bro your rig is it the battery grip and two side handles? I like the way it looks I don’t really care for gimbals and I just purchased the blackmagic 6k pro I’ve been trying to find videos on a simple but sturdy in the hands rig every video I run across the rigs are all mad expensive because of all the gadgets added on
Hi Goldwulf! Haven't seen a video as informational as yours was in a long time! Question though: For some reason my camera stops recording/ drops a frame after a short amount of time when recording in 6K... Do you know why it may be doing that? I'm using a 128 SD card with a 200mbs... Help?
Great video! I am still getting used to my 6k Pro, what settings have you found to be your favorite for the least amount of noise and cleanest image? I’ll be shooting a music video at night soon, any advice for less noisy footage at night if we have to use 3200 ISO? Or do we try to use 400 and add a lot of light?
I might be mistaken, but I don't think the choice of film or log color profile makes any change to the resulting file if recording to the BMRaw codec -though the choice does affect how the raw video is mapped to the display so it can still be a useful setting that provides a more contrasty look than Film that might be closer to the look of the finished video. When recording to BMRaw, the camera always records 12-bit log regardless the profile setting (might not be exactly log, as BM calls it "12-bit non-linear"). The choice of color profile will, however, make a big difference when recording directly to Prores.
In your video you mentioned the shutter speed should be set to double the frame rate. Which in the video is 24fps which should be 1/48th of a second for shutter speed but I think you accidentally say 1/148th of second and in the transcript it reads 1/148th of a second. Just thought to let you know. Great video. Best Wishes Craig
I’ve noticed a lot of UA-camrs have been saying that this 6K pro’s DR is a little behind the times now, states 13 but looks lower. Can I ask your thoughts on the DR of this camera?
I know you've talked about focus assist before, but is there anyway to use focus assist while recording but not have the peaking burned into the video???
I like your videos alot,i own 2 of the original 6K and a G2 and i love them. Great cameras. Is the grain on your video by purpose? to look cool and timeless? P.S i didn't subscribe for such a long time,no idea what happened
Hopefully your a subscriber now. Love my P6K's I was an URSA G2 owner but recently sold it. I'm eyeballing the 12K. The grain I use is for style. As you can see I themed my channel around visuals I feel fits my brand and personality. Let me get back to you on how I achieve this look if your interested.
I guessed so. I love the animate logo as well. Obviously I have no idea how you do that,maybe if you make a video would be awesome,for the grain and the moving logo. I always think to start my own channel but . . .
@@billzidis2656 yeah, I was once there just like you. I'd say if you consider it you should just go for it. Its a lot of fun and a great creative outlit. I never considered making a tutorial on animation... maybe that something I should do hmm... I'll keep you posted. Grain and color tutorial coming soon.
No matter what my settings are... my footage doesn’t look as good as what I see online. Even if I shoot 1200 iso, my footage is still noisy. I don’t like using too much denoise on my files, because it takes away from the natural filmic look in my opinion. If I flood my subject with light it looks decent. But I didn’t buy this camera for a studio setup. I want more of a run and gun style when I can. I’m thinking maybe it’s my glass. I’m shooting with Rokinon lenses. Do you think that’s my problem? I need to get my footage like your low light test when you shot the little girl that was playing by the Christmas trees.
Give a try iso 400, 800 (daylight) & 1250, 3200 (lowlight). Good glasses even vintage lenses also help smooting image (and noise). I feel that gen 5 paired w/ standard glasses produce more noise..
Completely disagree with you that you should always shoot under native ISO. I prefer 800 for high dynamic range shots to protect highlights, and lower the ISO in post. Noise isn't a problem because you can denoise, and since you're NEVER going to deliver in 6k, downresing to 4k or 2k will also improve an visible noise issues
Good points, I’ve found the new color gen (gen 5) helps in the shadows more than before. Also, since I add film grain to just about Everything, I want the cleanest image I can possibly get. Another reason is I NEVER denoise my footage ever. I can’t speak from a Davinci Resolve perspective but can as a Premiere users. In the past I found denoising footage never worked well when exporting. Or premiere just shutting shutting down on me. This could have changed recently but it’s was such a nightmare in the past I avoid it completely. Appreciate your comment and perspective.
Thanks for the video. Nice production but I think you missed a massive reason why the standard of 24 FPS was chosen. Although cost was a factor, another huge reason why 24 became the standard was that shooting at other than higher 24fps (using the right shutter of 1/48th) created unrealistic motion... 🤙 if it was just, 15 could have been chosen... 24fps was the trade off which just ‘worked’ 😉
Of course there was more reasons and thanks for pointing that out. My version in this video was the warp speed version that I felt were important (as is your point) to understanding it with out drawing out a long segment. Appreciate the comment!
My settings: ProRes 422 Under [Record] (dynamic range settings) select [Extended Video]. Set to 50fps with a shutter speed of 1/100. Monitor: both LCD & HDMI select Focus Assist Setup: shutter angle, last page: calibrate motion sensor, remap pixels. All these blurry cinematic shots are giving me cinematic eye cancer.
I used your links for the handheld setup you have in this video... 1st time camera buyer and user.. I got the bmpcc 6k pro with a canon 24-70mm f2.8 L ii.. I hope you reach back out to me and could give me tips on how to mount it properly ......🙏🙏🙏. Thank you to buy the way cause everything is on back order for this camera..👐👐🙌👊💪💪
That’s awesome to hear! Congrats on your new purchases! Your gonna love it. The canon 24-70 is a bad ass lens. Shoot me a DM over on IG, I’ll give you a couple of pointers on your setup. 👍👍👍
English is not my native language and i could have understood wrong but did you said that Hollywood is shooting at 24p cause its expensive to shoot at higher frame rates? Why should be, film is not widely used to shoot anymore and what it costs you to shoot digitally in 60p, few gigs more on your storage? I hate high frame rate movies such as Gemini Man, it's like im watching idiots, loool! It's not cinematic at all and i believe most film makers still use 24p because of this!
all your footage are GRAINY..little dots moving everywhere...Welcome to the "Black Magic trick" : an image similar to grainy old film....what a shame, because even if it s an emulation on post production you added, anyway most of the time it's there in bmpcc footages because of bad latitude...
You’er seeing emulated grain. It’s an addition to my footage to have this look. It’s a personal preference which mean I don’t care what anyone thinks about it. Love it or hate it. Don’t give 2 flying figs about it. BM cameras are hands down the best bang for your buck vs ANYONE. Don’t like that point of view? See the door.
@@GOLDWULF you make video on UA-cam to be seen, even make money or be nauthorious, and you Need viewers. Otherwise stay hidden and don't bother, nope ? So to say see the door or I just don't care, is just weird for a you tuber, when I just comment the grainy look of it. Don't you go and see million dollars movies at the theatre and critized it ? Art will always be a mater of taste. And if you don't give a F**** and do videos just to please yourself, just don't post it publicly, no? !!! 😅 And yeah, it's inexpensive cameras, with poor warranty and reliability... But it's easily noisy ones without post prod, dare proove me wrong and I will oblige! :)
@@tekoneco people make videos on UA-cam for all sorts of reason. It’s not everyone’s goal to make money or create a career. If you don’t like someone’s content you can choose not to watch it. That’s what the expression “see the door” means. Your comment is very subjective, that’s why I’m responding this way. Your comment isn’t constructive. It’s your own subjective opinion. It’s “weird” to you because of your perspective of what UA-camrs should be. We don’t share the same perspective at all. Lol making a comparison of funded box office movies to UA-cam is weird. We’re talking about filmmakers who get paid hundreds of thousands if not millions to be creative vs creatives who make videos for free. By the way, you have to buy a ticket to watch a movie, remember? You have every right to be critical because you’ve spent money to watch their film! My content you watch for free! And 95% of the time I see no return on the hours I put into these videos. There’s a gigantic difference guy. Lastly, if I want to make videos for me then that’s what I’ll do. Check this out… there’s no right or wrong way to make videos for UA-cam. Want to upload a video of your son birthday? Go for it! Here’s my pro tip for you. Next time-before you comment think about the subjective nature of you criticisms. If it’s extremely subjective, consider keeping your opinion to yourself. Or not.
I guess my translation from french might not be what I meant. You sem to take it so personally. You do what you want, it's not the point. I said it's a shame regarding the footage from the bmpcc, and that is not subjective, it's hardware! and it's tendancy to create grain. Maybe mine is faulty but with aperture 4 and 400 Iso with a normal interior scene the black are always grainy. So when you add up grain in post it shows even more. Welcome to the tchat world where everybody interpret what ever he is in the mood with...
@@tekoneco personal? No. I could have just left your comment here and not responded but I feel it’s my duty to be fully transparent and to make my point when challenged on subjective opinions like yours. That’s all. Grain at 400 ISO? Sound like operator error to me.
Great info as always! Two questions:
1. Have you ever compared 12:1 to Q5? I always shoot at Q5 because I feel the file size is smaller in most cases.
2. I've never remapped the sensor. How much of a difference does that make?
What’s up bud!? I haven’t compared the two in detail yet but most definitely will. Anything to save more space. Remapping refreshes your pixels to ensure a clean picture every time. It’s suggest by Blackmagic to do this often.
@@GOLDWULF Yeah, space is quite important since IQ is great even in the lowest recording settings. I've found that at 4K 24p, pocket eats about 1GB/minute which translates to about 200mbps, that is just double than most cameras record, yet files are way easier to payback and the detail is perfectly retained throughout the range. I've worked with Sony 8bit footage and shadows where a blocky mess.
I'll try the remapping to see if it's going to improve the image, thanks!
@@aristomenis_k great insight here, thanks bud. I’ll definitely give this a shot. Might change my entire perspective! Might even make a video about it. 👊
@@GOLDWULF Would love that, keep it up!!
Besides a high quality video, you have a high extreme self-confidence while making this video. You don’t shout, show up or try to impress anyone. And this gives strength the focus of the viewer. Keep it up.
Thanks bud! Appreciate you.
YES!!! more of this 🔥
🤘🤘🤘
Awesome, this helped me setup my 6kPro today so I can make better videos for my music channel! I don't really know anything about cameras, other than the footage from this thing is INSANELY beautiful. So it's very nice to have a step-by-step walkthrough for these basic settings... the gigantic manual wasn't getting me anywhere besides "what all the buttons and settings do." A bunch of knowledge, but no wisdom. Thanks for sharing this info with me :)
Just subscribed and wow! Loved the video
Getting as much virtual experience/ tutorials before picking it up! Thanks man
That’s great! Hopefully this helps you!
I just got my pocket 6k pro and this helped me so much thanks for this!!
Got you bro 👍
yes, please add more in-depth videos on this camera!
Awwww hell yeah I’m here for this!
🤘🤘🤘
Hey great idea for a video man, and pretty timely as well. Been getting more serious about getting all the elements together necessary to start working on my first short, mainly as practice before a true passion project can happen.
This video is really encouraging, because it’s kind of like taking a step back; almost a mental check or reset. All the stuff I’ve been cramming into my head over the past year or so can be pretty overwhelming. Having it simplified and summarized like this gives me courage to keep going and give it a shot. As lost as I am sometimes, I can at least look back and realize I’ve learned quite a bit without having any real experience, so at least I have something to build on.
K, I don’t know why I’m sharing all that, little bit of self talk maybe, but I do appreciate your content bro!
Oh and I have the Pocket 6K, so I’m assuming the settings are identical or nearly so, to the 6K Pro.
Great comment here. Thanks for the info! I was once just like you so yes, take it one step at a time. Collect your thoughts and prep for your shoot the best to your ability. Learn from the experience and gain knowledge! Continue to practice and sharpen your skills.
These settings will translate perfectly to the 6K. As I said in the video, experiment with your settings. master your camera! Good luck bud! Share your results once its done.
@@GOLDWULF Good advice, thanks again, and you got it, will share something when its ready! 👍
Yeahhhhh! my settings are pretty much similar to yours, man. however, I've never done the remapping the sensor!!!!! Thanks so much! Killer video and I want more! 😄. Cheers!
Ruben! Yeah, remapping is good practice. $20 macro lens hack coming next week! Thanks again! 🙃
@@GOLDWULF get out 😲😲😲 $20!!! AWESOMENESS
@TopicRuben 👌
Awesome video. Quick question though. What did you do to add the grain I see in this video from beginning to end? At first I thought it was just noise, but I figured it must be on purpose, since I see it even on the well lit parts. I found your channel not long ago and you are becoming one of my favorites quickly.
DUDE thank you! Its emulated film grain. Stay tuned, I'm making a video dedicated to it!
@@GOLDWULF cool. I’m surprised no one else commented on that.
@@TesLatino I got more comments like this. Most want to know how to apply the look.
@@GOLDWULF Oh. Cool. I guess I just missed them. I think I have a good idea of how you did it, but I’ll look forward to seeing you soon showing it.
Cheers!
@@TesLatino The film grain I’m using is inside FilmConvert! Not only can you apply amazing emulated film grain but you can color correct and grade your footage with real film stock! Use my promo code ‘GOLDWULF’ to get an additional 10% off your purchase. Trust me you won’t regret it.
this video is so helpful and informative. I just got my camera and are lost in all the settings... than you vry much for your knowledge
🙏🙏
do press reset camera before each shoot or one of the other settings I didn't see you do it or say it clearly
Bro your rig is it the battery grip and two side handles? I like the way it looks I don’t really care for gimbals and I just purchased the blackmagic 6k pro I’ve been trying to find videos on a simple but sturdy in the hands rig every video I run across the rigs are all mad expensive because of all the gadgets added on
Yup love it 🔥
🙏🙏
Great video! I’d love to know what side handle that is at 5:05 I haven’t seen that before
Thanks bud! Just updated my description! All the parts used to make the handheld rig are now there. Check it out!
@@GOLDWULF thank you! do you know where i could purchase smallrig stuff in the uk?
The film grain I see throughout your video is much more apparent on my 2019 iPad Pro vs my 2016 4K 55 inch television.
It's really jarring.
Perfect ☺️
🙏 happy you enjoyed! 🙃
Hi Goldwulf! Haven't seen a video as informational as yours was in a long time!
Question though:
For some reason my camera stops recording/ drops a frame after a short amount of time when recording in 6K... Do you know why it may be doing that? I'm using a 128 SD card with a 200mbs... Help?
Great video! I am still getting used to my 6k Pro, what settings have you found to be your favorite for the least amount of noise and cleanest image? I’ll be shooting a music video at night soon, any advice for less noisy footage at night if we have to use 3200 ISO? Or do we try to use 400 and add a lot of light?
IUwish you would explain on more detail and stop the blur on showing settings
why is this video so grainy?
I might be mistaken, but I don't think the choice of film or log color profile makes any change to the resulting file if recording to the BMRaw codec -though the choice does affect how the raw video is mapped to the display so it can still be a useful setting that provides a more contrasty look than Film that might be closer to the look of the finished video. When recording to BMRaw, the camera always records 12-bit log regardless the profile setting (might not be exactly log, as BM calls it "12-bit non-linear"). The choice of color profile will, however, make a big difference when recording directly to Prores.
Never experienced that. The T3i has always been good to me.
@4:25 'ish you mention there will be more on Shutter Speed and Shutter Angle in a later video. Have you made it yet?
In your video you mentioned the shutter speed should be set to double the frame rate. Which in the video is 24fps which should be 1/48th of a second for shutter speed but I think you accidentally say 1/148th of second and in the transcript it reads 1/148th of a second. Just thought to let you know. Great video. Best Wishes Craig
I’ve noticed a lot of UA-camrs have been saying that this 6K pro’s DR is a little behind the times now, states 13 but looks lower. Can I ask your thoughts on the DR of this camera?
I know you've talked about focus assist before, but is there anyway to use focus assist while recording but not have the peaking burned into the video???
Yes it's like that by default.
I need to know what the background music is, someone help
I like your videos alot,i own 2 of the original 6K and a G2 and i love them. Great cameras.
Is the grain on your video by purpose? to look cool and timeless?
P.S i didn't subscribe for such a long time,no idea what happened
Hopefully your a subscriber now. Love my P6K's I was an URSA G2 owner but recently sold it. I'm eyeballing the 12K. The grain I use is for style. As you can see I themed my channel around visuals I feel fits my brand and personality. Let me get back to you on how I achieve this look if your interested.
I guessed so. I love the animate logo as well. Obviously I have no idea how you do that,maybe if you make a video would be awesome,for the grain and the moving logo.
I always think to start my own channel but . . .
@@billzidis2656 yeah, I was once there just like you. I'd say if you consider it you should just go for it. Its a lot of fun and a great creative outlit. I never considered making a tutorial on animation... maybe that something I should do hmm... I'll keep you posted. Grain and color tutorial coming soon.
I guess you're right. It's fun! Although I already like channels like yours,why should I bother 😁. Future will tell! Keep posting man. 💪
@@billzidis2656 Cause you have your own unique experiences unlike everyone else on UA-cam. What makes us stand out is our own stories. Go for it!
No matter what my settings are... my footage doesn’t look as good as what I see online. Even if I shoot 1200 iso, my footage is still noisy. I don’t like using too much denoise on my files, because it takes away from the natural filmic look in my opinion. If I flood my subject with light it looks decent. But I didn’t buy this camera for a studio setup. I want more of a run and gun style when I can. I’m thinking maybe it’s my glass. I’m shooting with Rokinon lenses. Do you think that’s my problem? I need to get my footage like your low light test when you shot the little girl that was playing by the Christmas trees.
Give a try iso 400, 800 (daylight) & 1250, 3200 (lowlight). Good glasses even vintage lenses also help smooting image (and noise). I feel that gen 5 paired w/ standard glasses produce more noise..
The master, like always, sharing his knowledge.
😊 thanks Dieeser! Hope this helped bud.
Completely disagree with you that you should always shoot under native ISO. I prefer 800 for high dynamic range shots to protect highlights, and lower the ISO in post. Noise isn't a problem because you can denoise, and since you're NEVER going to deliver in 6k, downresing to 4k or 2k will also improve an visible noise issues
Good points, I’ve found the new color gen (gen 5) helps in the shadows more than before. Also, since I add film grain to just about Everything, I want the cleanest image I can possibly get. Another reason is I NEVER denoise my footage ever. I can’t speak from a Davinci Resolve perspective but can as a Premiere users. In the past I found denoising footage never worked well when exporting. Or premiere just shutting shutting down on me. This could have changed recently but it’s was such a nightmare in the past I avoid it completely. Appreciate your comment and perspective.
@@GOLDWULF Yeah it's time that you start cheating on Premiere with Davinci. Grain is always good, and denoising on Davinci isn't an issue
@@leebrandt8597 love adding film emulated grain to my footage and yes! I hear so many good things about Davinci! It’s a possibility.
Thanks for the video. Nice production but I think you missed a massive reason why the standard of 24 FPS was chosen. Although cost was a factor, another huge reason why 24 became the standard was that shooting at other than higher 24fps (using the right shutter of 1/48th) created unrealistic motion... 🤙 if it was just, 15 could have been chosen... 24fps was the trade off which just ‘worked’ 😉
Of course there was more reasons and thanks for pointing that out. My version in this video was the warp speed version that I felt were important (as is your point) to understanding it with out drawing out a long segment. Appreciate the comment!
My settings:
ProRes 422
Under [Record] (dynamic range settings) select [Extended Video].
Set to 50fps with a shutter speed of 1/100.
Monitor: both LCD & HDMI select Focus Assist
Setup: shutter angle, last page: calibrate motion sensor, remap pixels.
All these blurry cinematic shots are giving me cinematic eye cancer.
UA-cam be defaulting me to 144p on my own wifi, negating all cinematic prettiness. Dicks.
Hell nah!! 🤪🔫
can you link us that camera handle mount?
Handle mount? I could, is it displayed in this video? Time stamp it please.
@@GOLDWULF i mean that handle grips you mount the camera on
@@iakovoscinematographer OK got it! Just updated my description! All the parts used to make the handheld rig are now there. Check it out!
bro theres a lot of grain on your face
I used your links for the handheld setup you have in this video... 1st time camera buyer and user.. I got the bmpcc 6k pro with a canon 24-70mm f2.8 L ii..
I hope you reach back out to me and could give me tips on how to mount it properly ......🙏🙏🙏. Thank you to buy the way cause everything is on back order for this camera..👐👐🙌👊💪💪
That’s awesome to hear! Congrats on your new purchases! Your gonna love it. The canon 24-70 is a bad ass lens. Shoot me a DM over on IG, I’ll give you a couple of pointers on your setup. 👍👍👍
@@GOLDWULF thanks Man💪💪💪🙏🙏
English is not my native language and i could have understood wrong but did you said that Hollywood is shooting at 24p cause its expensive to shoot at higher frame rates? Why should be, film is not widely used to shoot anymore and what it costs you to shoot digitally in 60p, few gigs more on your storage? I hate high frame rate movies such as Gemini Man, it's like im watching idiots, loool! It's not cinematic at all and i believe most film makers still use 24p because of this!
all your footage are GRAINY..little dots moving everywhere...Welcome to the "Black Magic trick" : an image similar to grainy old film....what a shame, because even if it s an emulation on post production you added, anyway most of the time it's there in bmpcc footages because of bad latitude...
You’er seeing emulated grain. It’s an addition to my footage to have this look. It’s a personal preference which mean I don’t care what anyone thinks about it. Love it or hate it. Don’t give 2 flying figs about it. BM cameras are hands down the best bang for your buck vs ANYONE. Don’t like that point of view? See the door.
@@GOLDWULF you make video on UA-cam to be seen, even make money or be nauthorious, and you Need viewers. Otherwise stay hidden and don't bother, nope ? So to say see the door or I just don't care, is just weird for a you tuber, when I just comment the grainy look of it. Don't you go and see million dollars movies at the theatre and critized it ? Art will always be a mater of taste. And if you don't give a F**** and do videos just to please yourself, just don't post it publicly, no? !!! 😅
And yeah, it's inexpensive cameras, with poor warranty and reliability... But it's easily noisy ones without post prod, dare proove me wrong and I will oblige! :)
@@tekoneco people make videos on UA-cam for all sorts of reason. It’s not everyone’s goal to make money or create a career. If you don’t like someone’s content you can choose not to watch it. That’s what the expression “see the door” means. Your comment is very subjective, that’s why I’m responding this way. Your comment isn’t constructive. It’s your own subjective opinion. It’s “weird” to you because of your perspective of what UA-camrs should be. We don’t share the same perspective at all.
Lol making a comparison of funded box office movies to UA-cam is weird. We’re talking about filmmakers who get paid hundreds of thousands if not millions to be creative vs creatives who make videos for free. By the way, you have to buy a ticket to watch a movie, remember? You have every right to be critical because you’ve spent money to watch their film! My content you watch for free! And 95% of the time I see no return on the hours I put into these videos. There’s a gigantic difference guy.
Lastly, if I want to make videos for me then that’s what I’ll do. Check this out… there’s no right or wrong way to make videos for UA-cam. Want to upload a video of your son birthday? Go for it! Here’s my pro tip for you. Next time-before you comment think about the subjective nature of you criticisms. If it’s extremely subjective, consider keeping your opinion to yourself. Or not.
I guess my translation from french might not be what I meant. You sem to take it so personally. You do what you want, it's not the point. I said it's a shame regarding the footage from the bmpcc, and that is not subjective, it's hardware! and it's tendancy to create grain. Maybe mine is faulty but with aperture 4 and 400 Iso with a normal interior scene the black are always grainy. So when you add up grain in post it shows even more. Welcome to the tchat world where everybody interpret what ever he is in the mood with...
@@tekoneco personal? No. I could have just left your comment here and not responded but I feel it’s my duty to be fully transparent and to make my point when challenged on subjective opinions like yours. That’s all.
Grain at 400 ISO? Sound like operator error to me.
Step 1: Sell it. Step 2: Buy a Z Cam.
boiiiiii
Step3 punch Joe in the face
Joking aside, this is a great explanation. All of the calibration and remapping...is that new for the P6KPro? I don't have that on my P4K.
@@joenicklo you would if you could get the new firmware
@@Ansonandco womp womp womp