【Translation by DeepL】 《Title》 "Works I have made so far" vol-1 (This is a crossfade of the chorus section.) 《No.1》 Actually, this is not exactly the 1st song composed.... (although it is definitely a very early song). I have a faint memory that I was working on some kind of piece in MidSequer or Domino before I composed this song, The file name of the dms file said number 1, so I started numbering the Original songs using this as a starting point. (I sorted them all at once up to around the low 0030's.) 《No.2》 I wrote it as a piano etude, so no matter what anyone says, this piece is a piano etude. (I assure you.) I wrote this piece to say to Franz Liszt, "Play it." What the hell is this song? The melody of the tremolo hell is (accidentally) ethnic, and I like it a lot. The composition of the song (not sure? please don't tell that. (distant look)) is simple, but the length of the song is relatively long (3:40), The reason why the piece is relatively long (3:40) despite its simplicity is that it forces the performers to perform the agony of completely switching both hands in the first half and the second half, which is nothing but malicious repetition. I wonder how strong my (mysterious) rivalry against Liszt was at that time... 《No.3》 I made this song somehow, and it was completed somehow. (Is this typical of beginners?) Like the previous two songs, I feel that the word "mass of originality" (don't say it yourself) fits this song rather well compared to the songs after 0004. Maybe it's because I'm listening through "the composer's unique filter," but that's how I feel. The reason why the dissonant melody is rather well-balanced (filter of the composer), Maybe it is because it is a 100% sensory composition with zero theory. I wonder what I was thinking when I wrote this moving around melody... I was not thinking about anything, so I could write it without fear (self-resolution). 《No.4》 I made this song inspired by the BGM of the 6th stage of a certain DANMAKU (the stage is set in a volcano). Already there is a stage with the theme of the sun in the original game, but I don't mind the fact that it is covered with the same theme. I used the BGM of a volcano stage used in a game in which a plumber flies around in space as a reference. Low-pitched piano is cool, isn't it? I didn't use a DAW at the time and the only way to convert MIDI to mp3 was through a browser conversion site, However, the result was more suitable for me using the conversion site than the original sound source of Domino. The reverb was perfect. 《No.5》 The left hand arpeggio in the intro section was influenced by the revolutionary etude. (I later wrote another piece that received a phrase from the Revolution.) With the exception of 0004 and 0012, all of the songs up to 0014 are piano-driven because I was not used to using composition software and could only use piano tones. Also, but above all, I was listening to piano music by Chopin and Liszt all the time at the time of composition. I missed practicing etudes on the electronic piano as much as I could. The phrase for the chorus was my favorite at the time, and the moment I thought of it, I thought, "I want this melody to be the chorus!" I thought. After a lot of trial and error, this is what I came up with. I was going to make the chorus a little longer, but as I wrote, the ideas flew away (I like to think that's a common thing) and I finally settled on this length. I'm still a little concerned about the melody, though, I'll think about that when I have a chance to remix this song in the future. (I don't remix Original songs very often.)(←Please keep this statement in mind.) Because of the idea that once you put a period on any song as "finished", that state is (now) the best, I was not very good at arranging and remixing at the time.... (I think I have changed my mind now after listening to various songs.) This song is rather melodious, and I think it is one of the growth points of my style, along with the next one, 0006. It's fun to look back at the Ori songs one by one. I wonder if it will be possible someday to make a device that instantly records the phrases that pop into my head as voice data.... (longing) 《No.6》 First, I came up with the phrase from 0:25~ and started writing it, then I added the intro. In retrospect, I see that the atmosphere of the intro is exactly the same as Nuyuri's dikadism. I was conscious of not having it sound too much like other songs, but I was surprised when I noticed this. This song made me realize that I am unconsciously influenced by the songs I usually listen to. I still like the chorus and the phrases at the beginning of the intro so much that it is one of my top five favorites. I was completely ignorant of chord theory, but there were chords using b9 and a lot of chromatic bass rises, Among the early Ori songs, I think it is still a very good song (in my opinion). 《No.7》 The intro has a chord progression that I don't understand(specification). Also, the chorus is modulated. I wonder what song he learned this technique. After the intro, the melody is somewhat reminiscent of the very first 4 songs. (I think the completion time from 0001 to 0004 and after 0005 were quite far apart.) I personally like the part from 1:53 on, borrowing a bit of the chorus phrase from 0006. From 0021 onwards until I changed my DAW to Ability 3.0, I used to incorporate phrases from past works into my songs.
【Translation by DeepL】
《Title》
"Works I have made so far" vol-1
(This is a crossfade of the chorus section.)
《No.1》
Actually, this is not exactly the 1st song composed....
(although it is definitely a very early song).
I have a faint memory that I was working on some kind of piece in MidSequer or Domino before I composed this song, The file name of the dms file said number 1, so I started numbering the Original songs using this as a starting point.
(I sorted them all at once up to around the low 0030's.)
《No.2》
I wrote it as a piano etude,
so no matter what anyone says,
this piece is a piano etude. (I assure you.)
I wrote this piece to say to Franz Liszt, "Play it."
What the hell is this song?
The melody of the tremolo hell is (accidentally) ethnic, and I like it a lot.
The composition of the song (not sure? please don't tell that. (distant look)) is simple, but the length of the song is relatively long (3:40),
The reason why the piece is relatively long (3:40) despite its simplicity is that it forces the performers to perform the agony of completely switching both hands in the first half and the second half, which is nothing but malicious repetition.
I wonder how strong my (mysterious) rivalry against Liszt was at that time...
《No.3》
I made this song somehow, and it was completed somehow. (Is this typical of beginners?)
Like the previous two songs, I feel that the word "mass of originality" (don't say it yourself) fits this song rather well compared to the songs after 0004.
Maybe it's because I'm listening through "the composer's unique filter," but that's how I feel.
The reason why the dissonant melody is rather well-balanced (filter of the composer),
Maybe it is because it is a 100% sensory composition with zero theory.
I wonder what I was thinking when I wrote this moving around melody...
I was not thinking about anything,
so I could write it without fear (self-resolution).
《No.4》
I made this song inspired by the BGM of the 6th stage of a certain DANMAKU (the stage is set in a volcano).
Already there is a stage with the theme of the sun in the original game, but I don't mind the fact that it is covered with the same theme.
I used the BGM of a volcano stage used in a game in which a plumber flies around in space as a reference.
Low-pitched piano is cool, isn't it?
I didn't use a DAW at the time and the only way to convert MIDI to mp3 was through a browser conversion site,
However, the result was more suitable for me using the conversion site than the original sound source of Domino. The reverb was perfect.
《No.5》
The left hand arpeggio in the intro section was influenced by the revolutionary etude.
(I later wrote another piece that received a phrase from the Revolution.)
With the exception of 0004 and 0012, all of the songs up to 0014 are piano-driven because I was not used to using composition software and could only use piano tones.
Also, but above all, I was listening to piano music by Chopin and Liszt all the time at the time of composition.
I missed practicing etudes on the electronic piano as much as I could.
The phrase for the chorus was my favorite at the time, and the moment I thought of it, I thought, "I want this melody to be the chorus!" I thought.
After a lot of trial and error, this is what I came up with. I was going to make the chorus a little longer, but as I wrote, the ideas flew away (I like to think that's a common thing) and I finally settled on this length.
I'm still a little concerned about the melody, though,
I'll think about that when I have a chance to remix this song in the future.
(I don't remix Original songs very often.)(←Please keep this statement in mind.)
Because of the idea that once you put a period on any song as "finished", that state is (now) the best,
I was not very good at arranging and remixing at the time....
(I think I have changed my mind now after listening to various songs.)
This song is rather melodious, and I think it is one of the growth points of my style, along with the next one, 0006.
It's fun to look back at the Ori songs one by one.
I wonder if it will be possible someday to make a device that instantly records the phrases that pop into my head as voice data.... (longing)
《No.6》
First, I came up with the phrase from 0:25~ and started writing it, then I added the intro.
In retrospect, I see that the atmosphere of the intro is exactly the same as Nuyuri's dikadism.
I was conscious of not having it sound too much like other songs, but I was surprised when I noticed this.
This song made me realize that I am unconsciously influenced by the songs I usually listen to.
I still like the chorus and the phrases at the beginning of the intro so much that it is one of my top five favorites.
I was completely ignorant of chord theory, but there were chords using b9 and a lot of chromatic bass rises,
Among the early Ori songs, I think it is still a very good song (in my opinion).
《No.7》
The intro has a chord progression that I don't understand(specification).
Also, the chorus is modulated. I wonder what song he learned this technique.
After the intro, the melody is somewhat reminiscent of the very first 4 songs.
(I think the completion time from 0001 to 0004 and after 0005 were quite far apart.)
I personally like the part from 1:53 on, borrowing a bit of the chorus phrase from 0006.
From 0021 onwards until I changed my DAW to Ability 3.0, I used to incorporate phrases from past works into my songs.