【Translation by DeepL】 《Title》 "Works I have made so far" vol-2 (This is a crossfade of the chorus section.) 《No.8》 I knew Lamprey Hole from the timing around here (obvious from the intro). (I originally didn't write the first 4 bars, but as I was working on it, I thought it was kind of lonely at the beginning, so I added them. I was listening to his songs a lot during the period when I wrote this song. The songs (0008~0014) were created by Midsequer and played back by MIDI Voyager, I used a recording cable of WALKMAN to record the MIDI directly to the sound source. The tone of the music was still unstable from a habitual point of view, but thanks to that, there were many works with rich variations, so it's my favorites. The numbering is just order of completion, but the order is not exact in many places. (After 0038, the order is probably the same as the order of completion.) 《No.9》 Yes, here it is at last, the swing song! When it comes to my original music, it's swing, isn't it (I assure you)? I have a lot of songs like "walk," "sphaprous," and others that are in the process of production. At the time I wrote this song, I was feeling "Swing is super cool!" I remember that I was in a great mood when I wrote this song. It is still one of my favorite song. My best friend recommended "Glitz At The Ritz" to me, and that was my first encounter with swing song. I was astonished at how this song just zings in my brain.... I thought it didn't really stick in my brain when it was first recommended to me, But before I knew it, it had stuck deeply in me, Since then, it has become a habit of mine to the extent that I am not good at writing anything other than swinging. The title reads "yuragi"(it means "swing" in Japanese). It is simply my first swing song, hence the title. By the way, I still remember that when I asked my best friend to listen to this song, he advised me to make the bass sound more aggressive. And I'd like to make a proper Electro Swing Remix someday if I can. I like the phrasing very melodic, so I hope one day that remix will become my signature song... Oh, I have to learn mixing, don't run away from mixing, don't run away from mixing, don't run away from mixing, don't run away from mixing, don't run away from mixing... 《No.10》 ~How to make this song.~ (1) Prepare the MIDI of 0007. (2) Encode it by raising the pitch and tempo a little using the browser's conversion software. (3) Complete. Isn't that a lazy way to hit (((((((? Well, actually, it's a bit lazy. Actually, the transpose of 0010 is the original version. I wanted to tweak the transpose of 0007 for a change of pace, so I decided to go back to the original version. I've never played Pokémon, so I may be biased, but the intro chord progression seems to have a Pokémon feel to it. I was creating this song with the feeling that the intro chord progression had some kind of Pokemon feel to it. 《No.11》 This is the first in a series of date titles. (It's not that I was too lazy to think of a title. I swear. Yes. Yes. Probably.) (If you write the date, you can look back and see when you wrote this song!) (The ratio is about 8 for the former and 2 for the latter.) Just to add, this title is not "the date it was completed" but "the date it was started making". I tried my best to make the date series in a short period of time as much as possible, because I want to reflect the tastes and habits of that time period directly in the music. I try my best to make it in a short period of time, but the actual completion date will be after some time has passed. Personally, I like 0:42~. 《No.12》 It's kind of a mess of a song. (And by the way, the numbering is also ambiguous.) When I heard Mopemope, I thought, "I want to write a crazy song, And that's how I ended up with this song. I realized that the original song was based on a perfect balance, I'm amazed at the professionals.... I just started with the main melody and the bass part, and then I just added some random sounds and I just add some random sounds and mess it up! (desperate) This may be the only song of this type that destroys the sense of sound. If the technology improves in the future, I may be able to create a song that is not uncomfortable to listen to, while intentionally destroying the sense of sound. No, that's not destroying the sense of sound. 《No.13》 More than 0005, this song is influenced by The Revolutionary Etude, rather, I made this song based on the concept of "an etude for The Revolutionary Etude". To give you a brief description of The Revolutionary Etude, it is a piece in which the left hand goes wild, If you don't relax well, you will get very tired. Also, the fingering (which finger plays which note) is unique, There are a lot of ambiguous fingerings such as, "Play the keyboard key to the right of the keyboard key pressed by the left thumb with the left ring finger". There are a lot of "unbelievable" things that come up. So, in order to practice them, I included a lot of phrases that imitate those characteristic fingerings. (I can't actually play them.) 《No.14》 When I started writing this song, I still remember the feeling that my stance on "composing" changed at once. I was tremendously influenced by many good old Vocaloid songs with up-tempo and slightly dark atmosphere. The intro melody is completely borrowed from a phrase from MEGALOVANIA. Because it is fucking cool. Also, I probably learned "It Seems That the Sea Turtle's Tears Are Salt" at around this time, I casually incorporate the phrase of my original song that I have made so far in the chorus. (This is also followed in the form of the introduction in 0015 of the remake and its twin, 0016.)
【Translation by DeepL】
《Title》
"Works I have made so far" vol-2
(This is a crossfade of the chorus section.)
《No.8》
I knew Lamprey Hole from the timing around here (obvious from the intro).
(I originally didn't write the first 4 bars, but as I was working on it, I thought it was kind of lonely at the beginning, so I added them.
I was listening to his songs a lot during the period when I wrote this song.
The songs (0008~0014) were created by Midsequer and played back by MIDI Voyager,
I used a recording cable of WALKMAN to record the MIDI directly to the sound source.
The tone of the music was still unstable from a habitual point of view, but thanks to that, there were many works with rich variations, so it's my favorites.
The numbering is just order of completion, but the order is not exact in many places.
(After 0038, the order is probably the same as the order of completion.)
《No.9》
Yes, here it is at last, the swing song!
When it comes to my original music, it's swing, isn't it (I assure you)?
I have a lot of songs like "walk," "sphaprous," and others that are in the process of production.
At the time I wrote this song, I was feeling "Swing is super cool!" I remember that I was in a great mood when I wrote this song.
It is still one of my favorite song.
My best friend recommended "Glitz At The Ritz" to me, and that was my first encounter with swing song.
I was astonished at how this song just zings in my brain....
I thought it didn't really stick in my brain when it was first recommended to me,
But before I knew it, it had stuck deeply in me,
Since then, it has become a habit of mine to the extent that I am not good at writing anything other than swinging.
The title reads "yuragi"(it means "swing" in Japanese).
It is simply my first swing song, hence the title.
By the way, I still remember that when I asked my best friend to listen to this song, he advised me to make the bass sound more aggressive.
And I'd like to make a proper Electro Swing Remix someday if I can.
I like the phrasing very melodic, so I hope one day that remix will become my signature song...
Oh, I have to learn mixing, don't run away from mixing, don't run away from mixing, don't run away from mixing, don't run away from mixing, don't run away from mixing...
《No.10》
~How to make this song.~
(1) Prepare the MIDI of 0007.
(2) Encode it by raising the pitch and tempo a little using the browser's conversion software.
(3) Complete.
Isn't that a lazy way to hit (((((((?
Well, actually, it's a bit lazy.
Actually, the transpose of 0010 is the original version.
I wanted to tweak the transpose of 0007 for a change of pace, so I decided to go back to the original version.
I've never played Pokémon, so I may be biased, but the intro chord progression seems to have a Pokémon feel to it.
I was creating this song with the feeling that the intro chord progression had some kind of Pokemon feel to it.
《No.11》
This is the first in a series of date titles.
(It's not that I was too lazy to think of a title. I swear. Yes. Yes. Probably.)
(If you write the date, you can look back and see when you wrote this song!)
(The ratio is about 8 for the former and 2 for the latter.)
Just to add, this title is not "the date it was completed" but "the date it was started making".
I tried my best to make the date series in a short period of time as much as possible, because I want to reflect the tastes and habits of that time period directly in the music.
I try my best to make it in a short period of time, but the actual completion date will be after some time has passed.
Personally, I like 0:42~.
《No.12》
It's kind of a mess of a song. (And by the way, the numbering is also ambiguous.)
When I heard Mopemope, I thought, "I want to write a crazy song,
And that's how I ended up with this song.
I realized that the original song was based on a perfect balance,
I'm amazed at the professionals....
I just started with the main melody and the bass part, and then I just added some random sounds and I just add some random sounds and mess it up! (desperate)
This may be the only song of this type that destroys the sense of sound.
If the technology improves in the future, I may be able to create a song that is not uncomfortable to listen to, while intentionally destroying the sense of sound.
No, that's not destroying the sense of sound.
《No.13》
More than 0005, this song is influenced by The Revolutionary Etude, rather, I made this song based on the concept of "an etude for The Revolutionary Etude".
To give you a brief description of The Revolutionary Etude, it is a piece in which the left hand goes wild,
If you don't relax well, you will get very tired.
Also, the fingering (which finger plays which note) is unique,
There are a lot of ambiguous fingerings such as, "Play the keyboard key to the right of the keyboard key pressed by the left thumb with the left ring finger".
There are a lot of "unbelievable" things that come up.
So, in order to practice them, I included a lot of phrases that imitate those characteristic fingerings.
(I can't actually play them.)
《No.14》
When I started writing this song, I still remember the feeling that my stance on "composing" changed at once.
I was tremendously influenced by many good old Vocaloid songs with up-tempo and slightly dark atmosphere.
The intro melody is completely borrowed from a phrase from MEGALOVANIA.
Because it is fucking cool.
Also, I probably learned "It Seems That the Sea Turtle's Tears Are Salt" at around this time,
I casually incorporate the phrase of my original song that I have made so far in the chorus.
(This is also followed in the form of the introduction in 0015 of the remake and its twin, 0016.)
うぽつです〜
すこです
嬉しすぎた
ここからまだまだ上げますよ～！
* I really like these. Are there any full versions? I cant read japanese, so I couldnt tell in the video
I WILL ABSOLUTELY UPLOAD FULL VERSIONS!!!!!!!!!!!!!!!!!!!
THANK YOU SOOOOOOOOOOO MUCH!!!!!!!!!!!!!!!!!!!!!!!
Thank you for waiting!!!!!!!!!!!!!!!!
I've just uploaded mp3 files!!!!!!!!!!!!!!!!!!!!!