AP is a genius and such a gift to these young artists showing such promise. Well done ROH loving these masterclasses. Donate to support this incredible ensemble
Ms. Wake-Edwards is my favorite young artist that the ROH program has trained so far. Her voice is so rich and deep. It often moves me to tears. Rare!!
I was fortunate enough to hear/see Stephanie at a masterclass given last year by Juan Diego Florez. She reminded me of Daniella Barcellona. I thought then that she has a great future. I shall watch her career with interest.
Love this!! I appreciate his knowledge of the voice sooo much, and the way he talks it's obvious how much he works with DiDonato ;) Stephanie does great work as well and so does the pianist!
The Royal Opera is heaven blessed to have found Antonio Pappano , a truly great musical director , whose simple warmth communicates so well and brings opera to the people .
A beautiful girl , beautiful voice and beautiful singing !!! I am a fan of the mezzo soprano voice , there are so many wonderful roles that a await Stephanie Wake-Edwards .
This aria actually occurs during the Antonia act, not the Olympia act. It was a lost aria which was discovered in 1987 and added into the Met Opera revival which was telecast in 1988.
Yeah, we found it in the Alkor edition of the opera. It’s typically now an insert aria to give Nicklausse something to actually do in the Antonia act. There was also a really interesting re-write of Dapertutto’s “Scintille Diamant" to insert into the Olympia Act after the eyes trio, to give Coppelius an aria in the Olympia act if Dappertutto is singing "Tourne mirroir" (which is the same tune as "J’ai des yeux" which is often replaced by the trio now). I’d be very interested if a recording of this version of the aria exists
@@kiwi_tenor It does exist. I believe that this is the recording which encapsulates the Michael Kaye version. Here is it with Samuel Ramey (the late Jeffrey Tate conducting). Enjoy! ua-cam.com/video/B4XwFsmvaxI/v-deo.html
@@kiwi_tenor Here is another recording of it with Jose Van Dam (Sylvain Camberling conducting). These recordings came out shortly after more music had been discovered. In order to preserve it, a couple of the recording companies produced a couple of new recordings to make them available to the public and to HOFFMANN lovers (like myself). Enjoy! ua-cam.com/video/O7VcNrsPhKg/v-deo.html
I think it's just her way of staying verbally and mentally engaged, a lot of folks (and cultures!) say short words in succession to show they are focused on the conversation 😊
AP is a genius and such a gift to these young artists showing such promise. Well done ROH loving these masterclasses. Donate to support this incredible ensemble
Ms. Wake-Edwards is my favorite young artist that the ROH program has trained so far. Her voice is so rich and deep. It often moves me to tears. Rare!!
Truly amazing. Love her voice. Impressive.
Just beautiful. Brings tears to my eyes.
I was fortunate enough to hear/see Stephanie at a masterclass given last year by Juan Diego Florez. She reminded me of Daniella Barcellona. I thought then that she has a great future. I shall watch her career with interest.
Love this!! I appreciate his knowledge of the voice sooo much, and the way he talks it's obvious how much he works with DiDonato ;)
Stephanie does great work as well and so does the pianist!
Wow!! Everything about Stephanie's performance is amazing: her beautiful voice, her emotion behind her singing, her!
The Royal Opera is heaven blessed to have found Antonio Pappano , a truly great musical director , whose simple warmth communicates so well and brings opera to the people .
A beautiful girl , beautiful voice and beautiful singing !!! I am a fan of the mezzo soprano voice , there are so many wonderful roles that a await Stephanie Wake-Edwards .
dear stephanie,
i love your endless supply of beautiful jumpsuits. and also your voice.
Omg, I noticed too, her style is excellent 😁
Stunning voice!
Such a beautiful voice!
So Fabulous!
This aria actually occurs during the Antonia act, not the Olympia act.
It was a lost aria which was discovered in 1987 and added into the Met Opera revival which was telecast in 1988.
Oh wow, fascinating!!
Yeah, we found it in the Alkor edition of the opera. It’s typically now an insert aria to give Nicklausse something to actually do in the Antonia act. There was also a really interesting re-write of Dapertutto’s “Scintille Diamant" to insert into the Olympia Act after the eyes trio, to give Coppelius an aria in the Olympia act if Dappertutto is singing "Tourne mirroir" (which is the same tune as "J’ai des yeux" which is often replaced by the trio now). I’d be very interested if a recording of this version of the aria exists
@@kiwi_tenor It does exist. I believe that this is the recording which encapsulates the Michael Kaye version. Here is it with Samuel Ramey (the late Jeffrey Tate conducting). Enjoy!
ua-cam.com/video/B4XwFsmvaxI/v-deo.html
@@kiwi_tenor Here is another recording of it with Jose Van Dam (Sylvain Camberling conducting). These recordings came out shortly after more music had been discovered. In order to preserve it, a couple of the recording companies produced a couple of new recordings to make them available to the public and to HOFFMANN lovers (like myself). Enjoy!
ua-cam.com/video/O7VcNrsPhKg/v-deo.html
Pretty Mezzosoprano and wonderful operasinger braaaaaaaaaaaaaaaaava wonderful
Marvelous coaching!
How does one become a part of this program?
Pamina!
ストコフスキだったらどんな指導をするんだろう。
QUIERA
In my humble opinion, Stephanie is very good. However, I do wish she could stop herself from saying "yeahyeahyeahyeahyeah" or even "yeahyeah".
I think it's just her way of staying verbally and mentally engaged, a lot of folks (and cultures!) say short words in succession to show they are focused on the conversation 😊
Oh I love this I’m so happy I caught this