I would like to note that I was present for this performance and I listened and watched spellbound. The passion that both Alexander Gavrylyuk and Thomas Dausgaard brought was nearly unparalleled to any other Rachmaninoff performances I've seen. You seldom see such an intimate connection between the conductor and the soloist. Dausgaard managed to weld the orchestra and the soloist into one coherent entity. This, along with Alexander's incredible understanding and technical prowess of the music is what has made this one of the greatest Rach 3 performances I have had the pleasure of listening to. Watching it unfold live in front of my very eyes was a privilege.
Agree with all. Never the last several pages played with such heart on the sleeve emotion...and still have some propulsion. Rachmaninoff played these pages as almost ashamed he had composed such devastatingly emotional music. Blame this on the critics of the day...and before, who demeaned the master's music, and MELODIES as a so-called anachronism. They're long gone, and this music remains, more popular than ever. Mr Gavrylyuk and maestro Dausgaard saw to that.
I agree with you. I have just listened and also watched this piece and have heard many performances before of it. 1st when I was 19 I am now many years on. IMO personal opinion without doubt no one can ? his knowledge of this piece. Alexander thrusted with enthusiasm technically but also has the great delicate grace to exude the emotion from even the tear drop parts of the piece. I while watching and listening only came out with 3 very small pieces of lets say "slightly hurried" outside of that it sits on the top table. I'm sure even Sergei sitting on the other side would bless this performance.
I met this wonderful man a few days ago at a masterclass at my conservatorium. He is a great communicator with both his words and his music. It was an honor to shake his hand. A true musician.
This pianist has the perfect balance between softness and punctuality in attack of the keys. The power is there when it needs to be and the sensative rubato is used carefully. It's also humble yet cuts no corners in virtuosity. Brilliant!
I did not expect this. This is one of those rare musical moments which will live on forever. I believe Rachmaninoff himself would smile at this performance.
Every note is exquisitely cared for and perfectly placed. I love his phrasing, his breathing, the spaciousness he gives the music which allows it to really move forward or to settle as appropriate. It's this that makes it so interesting to me and so musical.
Look at 42:56 at the communication between the pianist and the conductor! They are both so into it, and they both show and share the thrilling moment, that closes this incredible interpretation
@@nevim007 A lot of it is down to the soloist. If he/she takes the "it's my performance and you will follow me" attitude to the conductor things are liable to go very wrong. Here we have a concerto played as it should be - pianist and conductor working together, respecting and understanding each other - and the result is some of the finest music-making ever likely to be heard.
@@nevim007 hahah you feel he screwed him almost?? How so? I thought they were communicating quite well? (Only watched the 3rd movement of that recording tho.)
As I have watched many many takes on the 3rd concerto, I get recommended new versions all the time, but do not bother to watch them all the time. This is truly one of the greatest impressions of the 3rd I have ever seen. Truly phenomenal
THIS is emotions! Virtuosity! Gusto! Fresh air! He doesn’t make it look difficult and uses all energy for expression of every note. I never heard it played so beautifully!
I have loved this concerto from the age of 10. I own most commercial recordings and I have seen pretty much all YOU TUBE videos of the Rach 3rd and I have NEVER been left in tears by the end before ....what an outlet for my rage and my sadness in this insane time time. The conductor seemed to be pleading with the orchestra..."please follow please feel please breathe do it!! DO IT!!!! This pianist.....there are no words... humanity still exists as long as we have art and the artists to do it...
Yes there are lots of amazing performances of the Rach 3rd all worthy of great praise including Lim which was unbelievable but watching this performance and how much blood and sweat and conductor to pianist synergy there was ....it was for me more catharsis ...the total miracle of the human brain and an unbelievable focus and concentration it takes to play this piece. I don't know... I feel that watching this performance ...it transported me .... but I am just one person having my own experience.
I discovered Rachmaninoff in a similar fashion through watching BBC Young Musician. That’s a long time ago now. Keep watching and listening and discovering. If you haven’t already seen it can I recommend Alexander Malofeev’s Rach 3.
They're both good and bring tears to your eyes but I'm partial to Yunchan's interpretation. The conductor's command of the orchestra here, however, is STUNNING.
11:09 Gavrylyuk presents the ossia cadenza a sublime work of art. It progresses like a narrative of the grandest conceivable forces, building to inevitable yet seemingly impossible levels while preserving immense respect for compositional significance of the smallest details.
I agree with the passion but are you seriously saying this is better than Horowitz and Argerich? If you are than I think you need to listen to not only those but Daniil Trifnov ... but silly me, you have heard them all ..... ps. Alexnader lives in Sydney and I have heard hgim numerous times and even woiuld recommend you to listen to Howoritz, Argerich and Daniil
I first heard Ashkenazy play this in the '80s and I have been obsessed with this concerto ever since. The romanticism in this rendition sets a new standard of excellence in my opinion. I hope to hear much more of this soloist.
It certainly sets a new standard for *quantity*. Hardly one phrase was simply stated without tripping up the listener with a pause or nuance. The way he plays it, the piece has about 150 massive "nuance" moments where instead there should be 5-10. The music is already romantic enough, we don't need to be reminded of that every 15 seconds. The sequence from 2:50-3:16 is a great example. Does that need to take 16 seconds? It's just the end of an opening section, not the end of a movement. Or from 3:46-4:23. That's supposed to be a light and cheerful introduction to the lyric theme at 4:24. Instead, they massively slow down into it, taking away all sense of contrast that might've been developed. Where's the sense of scaling and pacing?
@@FrancisAsin-Gioro Well thought-out response there, Francis. It's plain the artist is playing slower because he *can't* play it faster. That's fine, but it's not setting a "new standard for romanticism."
@@willschlueter2478 comical amount of nit picking. Take a step back and look at how he presents the piece on a whole. Don't criticise a master such as him, but see what you can learn from him. It's fine if you don't agree with his interpretation, but saying what should and shouldn't be done is never the answer. I have witnessed this man in concert at Wigmore Hall twice now and will book a ticket every time he plays a recital there, so countering the comment below this one, he can most definitely play it faster. His rachmaninoff 2nd sonata went further than any I've ever witnessed, trust me he is not limited by speed.
I was there that night and I can assure you in the politest way that this recording doesn't even do the performance justice. Gavrylyuk demonstrates that he not only can handle the beast that is this piece, but he can tame it with unparalleled understanding. The crescendo starting from 5:34 literally sent shivers down my spine. The cadenza is colossal and he shaped it as well as I've ever heard anyone do so - Bronfman, Matsuev, Berman... name any pianist, Alexander here is at least their equal. The finale is quite simply magical and had me welling up with tears to the point that I was almost inviting them down my face... I was speechless. The only thing I couldn't believe was that the whole hall didn't stand to applaud this absolute gem of a performance. *The* highlight of my summer.
yes, and I was there too...but what put the evening into context and added to the brilliance of the entire evening was the the choir before the concerto and symphony
We too were there that night, I am privileged to say. In our seating area, there was an upstanding outright roar as the performance ended. I was among them. Gavrylyuk WAS the music. It was a once-in-a-lifetime event for me. If I die with a smile on my face, it will be because those moments were replaying in my memory. So pleased to read your comments, with which I whole-heartedly agree.
I agree that a recording doesn't capture the feeling of awe and in-the-moment rapture that being there gives. When I heard him do this at Chautauqua several years ago I was mesmerized and hanging on each note as he executed them so confidently and meaningfully telling the story of this music like I'd never heard it before. It really was one of those moments where the artist, the audience and the music become one. As the finale came toward its end I was cheering him on mentally, thinking "yes, yes, it's been so perfect so far, go for it, keep driving it forward, bigger, bigger." Then as the last note died away I and thousands of others jumped to our feet with a roar of cheers and "BRAVO"s and "YES!'s". And at Chautauqua, extreme satisfaction with a performer is often accompanied by slapping the back of the wooden benches and foot stomping. The Amphitheater resounded with these combined noises for several minutes amid calls for "encore, encore". He ended up giving us 5 encores extending the program by at least another 30 minutes. Afterwards I raved about the performance to any who would listen but they seemed to think I was exaggerating. I'm so pleased to read all these enthusiastic approvals. It vindicates my original thoughts of the pianist. And the Chautauqua orchestra, and conductor also kept pace with Gavrylyuk's tempo interpretation that gives it such power.
I know, Listening to a pianist and orchestra Live is unbelievable. Such a huge difference. I love this piece so much. Rachmaninoff’s emotionally enriched compositions is amazing
I watch this regularly to lift my spirits. One of the greatest performances of this concerto I've ever seen. The relationship between pianist and conductor is amazing
The best performance of the third Rach concert, many are good, Argerich, Trifonov, Seong - Jin Cho, Freire, Hamelin, but Alexander has something especial that put him far from others, is the first time I listened to him, and I’m like in shock, I never imagine this kind of interpretation. Bravo!! Bravo! Bravisimo
It's such a pleasure to watch this again as it is so uplifting, dreamy and full of expression. Reading such appreciative and knowledgeable comments does seriously beg the question, "Why doesn't the BBC, who play such an important role in our culture, translate this onto a DVD, together with the introductory choral work. There would be no shortage of buyers! Please invite this tremendous pianist and orchestra back. Extraordinarily brilliant: wonderful performance!
what i especially loved about this performance, is that the pianist didnt have to show off his technical facility for the sake of showing off like so many other pianists do. By playing a lot of passages so fast that it takes the beauty of the actual composition away. thank you Alexander
To me, it's too slow and nuanced throughout. Clear, yes, but almost in slow motion, with constant pauses at every beautiful chord. This happens a lot with Rachmaninoff and it's unfortunate because it's not how he played it and the melodies lose their "sung" character. As a listener, I found myself constantly losing the phrase. This performance and many like it are like hiking up a mountain and stopping to admire the view every 10 steps rather than once every 10 minutes.
Without doubt a huge triumph and the highlight of this years proms. Alexander Gavrylyuk shows a complete and utter mastery of this concerto. His attention to the silences and the ability to allow the tonal picture to breath add to the total overwhelming tragedy of this music. His accelerandi evoke immediate emotional responses and the sensitive accompanyment by the conducter who manages to be sybiotic with soloist is a sight to behold. This pianist is a conduit for Rachmaninoff's darkest thoughts and appears in a near state of ecstasy throughout as it every note were his last. We all saw a personal and intimate experience that overwhelmed from the first and left everyone sated.
I agree. I was there that evening and although I've heard the Albert Hall's Steinways many times and I've heard this piece played there several times, this is by far the nicest sounding piano music I've ever heard.
Martin...you and Marshall above crystalized my sentiments exactly. It's an honor and privilege...and a draining emotional experience to watch this...and I have, dozens of times.
Not only is this one of the most passionate performances of this piece I've ever heard, the orchestra is fantastic, and the camera work is superb. The video director clearly understands the music. Wonderful camera editing.
This is a cosmic event. A sculpture in sound, video and photography. A deeply moving example of the true Russian soul on display. Gavrylyuk’s phrasing and bravura playing are staggering.The communication between pianist and orchestra is unparalleled anywhere.
I have heard this concert thousands of times, but for the first time I can say, that I could hear every note, every sound so clearly!!!! What a marvelous pianist!!!!!!! I am a musician myself... I can really see the passion here, the deep love to music, to piano and to Rahmaninoff himself.... What a performance!!!!!!!! 👍😳❤️BRAVO, Sir Gawryluk!!!!!!!
I love this performance! I had a feeling that this might be my favourite Rach 3 performance of of all time, so I went on a listening binge and compared them. I heard Argerich, Horowitz, Kissin, Trifonov, Berezovsky, Lang Lang, Yuja Wang and Babayon! They all have their merits, but Gavrylyuk's cadenza in the first movement makes the most sense to me by far. He has such incredible power and purpose. Check out how explosive Gavrylyuk is at 12:08 , and what an ecstatic sense of arrival we have at 13:15 and again at 13:38! That little tenuto is so effective - nobody else I heard uses time so exquisitely. His phrasing is wonderfully clear and his sound is so incredibly rich! Also wanted to mention the ensemble is absolutely perfect - the percussion is precisely in time with the piano at 41:23. The orchestral part is notoriously difficult too! What a wonderful team Sasha and Thomas Dausgaard make. Their connection at 43:00 is palpable! Thanks Sasha! As you know, I love your work!
I've listened to many different versions of Rachmaninoff's Piano Concerto No. 3 over the years, but this version feels like the best fit for me. it's truly the greatest
Just heard Alexander play solo at Herbst Theater in San Francisco today. Sonata No. 2 by Rachmaninoff was phenomenal. Mr. Gavrylyuk is the greatest artist of our time. No question.
I wonder if everyone involved sensed that music history was being made here? Certain to be immortalized as one of the greatest recordings of the Rachmaninov 3rd Piano Concerto ever made. 😎🎹
Marshall..."chatted" with you briefly during the Cliburn telecast tonight. I mentioned this performance, you answered.Mr Lim's Mozart was very fine. Yes there's is pressure, but nothing I've seen has rivaled the emotion of Olga Kern's Cliburn..though I haven't seen that many. You are totally spot on as regards this performance. It is transcendent...a positive perfect storm...magnificent composer meets great orchestra meets dedicated Maestro who musically bonds with the pianist...all in front of a willing and captivated audience. I get that feeling with the Kissen No 2 on the Tube, Bronfman, and the exciting, often quirky (in a good way Paremski. The look she gives Andrew Litton during the final statement could melt an iceberg. haha
I was privileged to be in the audience that night - sat in the choir stalls behind the orchestra, and was utterly blown away. What you don’t see here is that the Concerto was preceded by a Latvian choir singing a Russian Liturgy of some description whilst slowly walking from the back of the Albert Hall through to the stage and then off to the sides. As the last echoes of their voices faded, the concerto started in a perfect segue. Magical evening (the Rach 2nd Symphony that followed was almost as good!).
This is my favorite PIano concerto and i believe I have heard most of the recordings but this one is just unbelievable. The intensity is just inexplicable. I lost my words. Congratulation!
The first time I heard Rachmaninoff‘s 3rd I literally cried in last 3 minutes because I couldn‘t hold any longer. I must had felt what this pianist is feeling through the whole run.
I didn't know about his power before watching this concerto. Every single touch seems like sing its own sound. It's good for us to see his live concert performance on net. He should do concert beyond Europe!
What makes this so exceptional for me, is the sweat was running down his forehead and into his eyes, which would have affected his concentration and view.....Absolutely mind blowing !!
This is the best performance of this concerto I have ever heard. I have listened to many as this is my favorite concert. I am a pianist myself and I can appreciate it from a professional point of view. I can say just one word - Bravissimo maestro!!!
I have heard this concerto many times by different performers, heard it live but I must say I am love with this performance. Absolutely the best I've heard.
The silences in the climax at 42 minutes and those simple notes - da dum . . .. . da dum magic, magic magic. It boils the marrow. For those of us fortunate enough to be sensitive to it. Now, to look for more Alexander G. And thanks for putting it up.
A titanic performance. Gavrylyuk is one of the very few pianists that adopts the composers dynamics, phrasing and expressive insights. The result is pure electricity from start to finish.
I saw him perform this several years ago at the Chautauqua Institution Amphitheater. Absolutely wonderful performance back then. The entire audience was on it's feet instantly with intense applause demanding an encore. He gave us 5! It was a magnificent evening. I searched for a CD of him performing this piece without success. But here is a new and I think improved performance. I've heard this piece many times in the last 40 years and two more live performances of this piece by other pianists since then but they just don't have the intensity and depth that Gavrylyuk throws into it. Absolutely incredible performance here. He comes back to Chautauqua every year. Current schedule indictates he'll be doing the Brahms 1st piano concerto here this summer (July 12).
Absolutely epic. This is exactly how I imagined the rachmaninoff's third should be played. Broad and majestic, full of drama, no rushing a phrases or too quick tempos. Just thrilling. Omg the cadenza! Never have I heard it played like this--absolutely spectacular. And the quieter parts are played with such feeling and beauty. This is truly the ultimate Rachmaninoff third. Seeinh the passionate emotion in his face while he creates this concerto to absolute perfection is truly a moving experience. Credit must also go to the conductor on the orchestra for this absolutely perfect performance.
Fantastic performance and interpretation of the Rach 3. Thomas & Alexander were at one throughout. Thomas's facial expression at 43.00 is priceless. Have viewed this video many time---love it
This has to be one of the finest performances of this particular piece that I have ever heard. I have watched it several times but one reason for my multiple viewings of this video, is the fact that every watching has me more and more captivated by the deliciously beautiful flautist. The studio staff must have been similarly enchanted as she features in many orchestra shots. Talent and beauty is an enthralling mixture. Mr. Gavrylyuk may not have the physical beauty, but his talent is gargantuan.
I have never heard of him. It is almost a fluke that I ended listening to this piece. Ladies and gentlemen this is so soothing to the soul and so fluent and so emotional. I simply LOVE the way he plays and sweeps the entire orchestra with his emotions. Bravo, man, well played!
Picture this: There is Sergei sitting at a piano with a blank sheet of music and a pencil, and he writes this! Perhaps the most beautiful and emotional performance of this masterpiece that I have heard in my long life. Alexander was crying before he even started. I am in awe of those who can play Rachmaninoff and here we have a pianist who brings us to the music as an unfolding story. Emile thank you for providing us with this 40 minutes of power and beauty.
@@rachgodf03 No, it is OURS...bless you. I was able to express my gratitude to Mr Mr Gavrylyuk on his FB page. He is as charming as he is talented. Beautiful family, too. Kudos MUST be given to conductor Dausgaard and the orchestra, who played out of their minds!
ez fantasztikus, hallgatni ezt a csodálatos zenét és látni a zenészek arcán a zenélés ôrömét, élvezetét, engem teljesen magával ragadott, csodálatos, szerintem ezt sokszor fogom újra nézni, hallgatni,
Gavrylyuk OWNS this concerto. Passion, power and precision all at the highest level. I had the pleasure to hear him play this at Chautauqua two years ago and thought it the finest concert performance I've heard in my 59 years. If anything he improved with this performance. Alexander is well on his way to being the best in the world.
@Michael Zhu Anything but normal. Please. I love Argerich so much but this man was the one who made me feel this Concerto on a whole new level. I teared up and its very rare for me to do so.
In my opinion, orchestration and piano are excellent . The psychotic piece at 41:11 is the most masterfully performed piece I have ever heard. The overwhelming ending is pure energy. Correct times, enviable touch. In summary, one of the best performances of this incredible concert that run on UA-cam.
Damn what a performance. With out a doubt the most satisfying ending to a rach 3rd i've seen. The jumping up right after was so fitting. Martha argerich may finally have met her match in my book. Just Amazing!
Far and away my favorite recording of this piece. Alexander's command of color and rubato are extraordinary. I've listened to this recording every day for the past 2 years now and it still leaves me speechless every time. Thank you for posting this :)
Alexander’s performance of Tchaikovsky’s Piano Concerto No. 1 with the SSO at the Sydney Opera House last night was a triumph. He channelled the composer. The playing was mesmerising. Some audiophiles of classical music will become his cult fans ♥️ Alexander’s rendition of Rach III here backed by a great orchestra is darkly disturbing and makes one mists up. He’s totally committed…his whole self…those hands…fingers…fly over the ivories tickling or pounding them in ordered mayhem! This piano virtuoso is in his PRIME 🙇🏻
And again I return. 1st page to final chord, a totally committed performance by Mr Gavrylyuk and his devoted conductor...and orchestra. Again, Bravo, and again thanks, Emile for giving us this magnificence.
A truly wonderful performance that never fails to give me goosebumps in the closing section. The connection between Alexander and the conductor is also a stand out. Dausgaard brilliantly lets the soloist express the emotion of the piece whilst maintaining the perfect combination with the orchestra. I was fortunate enough to hear Alexander play this piece with the Tasmanian Symphony orchestra a couple of years ago. One of my greatest memories of any live performance I have been to. Bravo Sacha
I’m so happy this performance exists, it is so refreshing and belongs to the select group of top performances of the Rach 3. Russian definitely learn and love they culture and respect the composer so much they give everything about themselves, thank you very much and I certainly hope UA-cam does not take the video down
Absolutely the best performance of this gorgeous piano concerto I've seen and heard; perhaps of any piano concerto. This is virtuoso playing at its best. I would love to see him do the Busoni Concerto. Thanks so much for posting.
This is indeed quite impressive, the soloist reaches heights I have only heard in few recordings and never live in this concert. The conductor understood what he had besides him and sticks to the piano like glue. I do believe the comments of those who attended the concert, such an experience, one of those rare moments that one is shocked by a performance. But that is what we ultimately look for when we buy a ticket, right?
I would like to note that I was present for this performance and I listened and watched spellbound. The passion that both Alexander Gavrylyuk and Thomas Dausgaard brought was nearly unparalleled to any other Rachmaninoff performances I've seen. You seldom see such an intimate connection between the conductor and the soloist. Dausgaard managed to weld the orchestra and the soloist into one coherent entity. This, along with Alexander's incredible understanding and technical prowess of the music is what has made this one of the greatest Rach 3 performances I have had the pleasure of listening to. Watching it unfold live in front of my very eyes was a privilege.
Agree with all. Never the last several pages played with such heart on the sleeve emotion...and still have some propulsion. Rachmaninoff played these pages as almost ashamed he had composed such devastatingly emotional music. Blame this on the critics of the day...and before, who demeaned the master's music, and MELODIES as a so-called anachronism. They're long gone, and this music remains, more popular than ever. Mr Gavrylyuk and maestro Dausgaard saw to that.
I agree with you. I have just listened and also watched this piece and have heard many performances before of it. 1st when I was 19 I am now many years on. IMO personal opinion without doubt no one can ? his knowledge of this piece. Alexander thrusted with enthusiasm technically but also has the great delicate grace to exude the emotion from even the tear drop parts of the piece. I while watching and listening only came out with 3 very small pieces of lets say "slightly hurried" outside of that it sits on the top table. I'm sure even Sergei sitting on the other side would bless this performance.
Emile Epifanoff i
I'm stuck between this and performance and the one by Bronfman
BRONFMAN! (= less excentric)
I met this wonderful man a few days ago at a masterclass at my conservatorium. He is a great communicator with both his words and his music. It was an honor to shake his hand. A true musician.
This pianist has the perfect balance between softness and punctuality in attack of the keys. The power is there when it needs to be and the sensative rubato is used carefully. It's also humble yet cuts no corners in virtuosity. Brilliant!
I did not expect this. This is one of those rare musical moments which will live on forever. I believe Rachmaninoff himself would smile at this performance.
Esperienza meravigliosa ascoltare questa musica di trasporta in altra dimensione
I've heard recordings of Rachmaninoff playing this piece, and Gavrylyuk nails the emotional turbulence within this concerto.
This pianist shows more expression than any other that I’ve watched and heard in my 76 years. Absolutely amazing and incredible!
I agree with you about this great pianist , he shows the true feelings and expressions that also related with this beautiful concerto
totally agreed
@@mimicat6479
Try this one. I consider it highly comparable. ua-cam.com/video/wBca3z7bAtE/v-deo.html
hard worker
Music is expression of emotions... you cannot play without emotions
Every note is exquisitely cared for and perfectly placed. I love his phrasing, his breathing, the spaciousness he gives the music which allows it to really move forward or to settle as appropriate. It's this that makes it so interesting to me and so musical.
This is my favorite version of this peice, and truly amazing
This guy is phenomenal. He should be better known.
Исполнение концерта захватывает искренностью и погруженностью в самые глубины Рахманиновской музыки,создает атмосферу соучастия в этом процессе.
Definetely!
An exceptional and exquisite performance by a true maestro. Would have loved to be there live.
Honestly, one of THE BEST performances of this concerto I’ve heard. The cadenza in the first movement...I’m speechless.
I was truly speechless during the cadenza too
If only you had bigger hands! 👋
@@cameron4994 AHAHAHAHHA!! 😂 literally I wish!
Check also Lukáš Vondráček at the finals of Reine Elisabeth competition in 2016, it is also pretty amazing
@@afrofinka ooooh, I’ll have a listen! ✨😊
Look at 42:56 at the communication between the pianist and the conductor! They are both so into it, and they both show and share the thrilling moment, that closes this incredible interpretation
If you are conducting a concerto, you have to be connected to the soloist, otherwise you are going to screw. Like Zubin Mehta almost screwed Horowitz.
@@nevim007 A lot of it is down to the soloist. If he/she takes the "it's my performance and you will follow me" attitude to the conductor things are liable to go very wrong. Here we have a concerto played as it should be - pianist and conductor working together, respecting and understanding each other - and the result is some of the finest music-making ever likely to be heard.
@@nevim007 hahah you feel he screwed him almost?? How so? I thought they were communicating quite well? (Only watched the 3rd movement of that recording tho.)
@@stefanmariaschneider the end octaves
@@nevim007 totally BS you know nothing fk off
An electrifying performance. The very best I have heard in 60 years...........................Wow.
As I have watched many many takes on the 3rd concerto, I get recommended new versions all the time, but do not bother to watch them all the time. This is truly one of the greatest impressions of the 3rd I have ever seen. Truly phenomenal
THIS is emotions! Virtuosity! Gusto! Fresh air! He doesn’t make it look difficult and uses all energy for expression of every note. I never heard it played so beautifully!
This performance is simply overwhelming
Yes completely agree, especially the ending.
I have loved this concerto from the age of 10. I own most commercial recordings and I have seen pretty much all YOU TUBE videos of the Rach 3rd and I have NEVER been left in tears by the end before ....what an outlet for my rage and my sadness in this insane time time. The conductor seemed to be pleading with the orchestra..."please follow please feel please breathe do it!! DO IT!!!!
This pianist.....there are no words... humanity still exists as long as we have art and the artists to do it...
Beautifully said, sir. I feel likewise, and return to this performance often. His FB page is quite charming.
Yunchan Lim plays it better.
Check it out. Everyone in my conservatory is still in shock after hearing him.
@@tonytony8747 How was it better in your eyes what makes it better?
Yes there are lots of amazing performances of the Rach 3rd all worthy of great praise including Lim which was unbelievable but watching this performance and how much blood and sweat and conductor to pianist synergy there was ....it was for me more catharsis ...the total miracle of the human brain and an unbelievable focus and concentration it takes to play this piece. I don't know... I feel that watching this performance ...it transported me .... but I am just one person having my own experience.
What are your rage and sadness about?
Because of Yunchan Lim's Rach, I am here to watch this. I have learned Rach from his work. Now I can enjoy other pianists' play too.
I discovered Rachmaninoff in a similar fashion through watching BBC Young Musician. That’s a long time ago now. Keep watching and listening and discovering.
If you haven’t already seen it can I recommend Alexander Malofeev’s Rach 3.
They're both good and bring tears to your eyes but I'm partial to Yunchan's interpretation. The conductor's command of the orchestra here, however, is STUNNING.
11:09 Gavrylyuk presents the ossia cadenza a sublime work of art. It progresses like a narrative of the grandest conceivable forces, building to inevitable yet seemingly impossible levels while preserving immense respect for compositional significance of the smallest details.
Simply the most passionate performance of the Rach 3 I've ever heard. And I think I've heard them all. What musicality. What drama!
Completely agree with you, Mr. Hudson. This was truly phenomenal.
Including Rachmaninov's own performance? Hmmmmm
I agree with the passion but are you seriously saying this is better than Horowitz and Argerich? If you are than I think you need to listen to not only those but Daniil Trifnov ... but silly me, you have heard them all ..... ps. Alexnader lives in Sydney and I have heard hgim numerous times and even woiuld recommend you to listen to Howoritz, Argerich and Daniil
@@DAS1962- I wouldn't waste my time on Trifonov. I always felt he was overrated. I'm sorry, but I really don't like Trifonov's playing.
@@DAS1962 seriously…argerich brutalized this peace. Too fast, harsh tone and simply not poetic. I’ve always found her to be over-rated and average.
Unquestionably one of the finest performances of this piece ever given.
When I think I couldn't possibly love Rachmaninov any more, in comes Alexander Gavrylyuk. Bravo, thank you!
I first heard Ashkenazy play this in the '80s and I have been obsessed with this concerto ever since. The romanticism in this rendition sets a new standard of excellence in my opinion. I hope to hear much more of this soloist.
It certainly sets a new standard for *quantity*. Hardly one phrase was simply stated without tripping up the listener with a pause or nuance. The way he plays it, the piece has about 150 massive "nuance" moments where instead there should be 5-10. The music is already romantic enough, we don't need to be reminded of that every 15 seconds. The sequence from 2:50-3:16 is a great example. Does that need to take 16 seconds? It's just the end of an opening section, not the end of a movement. Or from 3:46-4:23. That's supposed to be a light and cheerful introduction to the lyric theme at 4:24. Instead, they massively slow down into it, taking away all sense of contrast that might've been developed. Where's the sense of scaling and pacing?
@@willschlueter2478 keep your BS to yourself loser
@@FrancisAsin-Gioro Well thought-out response there, Francis. It's plain the artist is playing slower because he *can't* play it faster. That's fine, but it's not setting a "new standard for romanticism."
@@willschlueter2478 comical amount of nit picking. Take a step back and look at how he presents the piece on a whole. Don't criticise a master such as him, but see what you can learn from him. It's fine if you don't agree with his interpretation, but saying what should and shouldn't be done is never the answer. I have witnessed this man in concert at Wigmore Hall twice now and will book a ticket every time he plays a recital there, so countering the comment below this one, he can most definitely play it faster. His rachmaninoff 2nd sonata went further than any I've ever witnessed, trust me he is not limited by speed.
I was there that night and I can assure you in the politest way that this recording doesn't even do the performance justice. Gavrylyuk demonstrates that he not only can handle the beast that is this piece, but he can tame it with unparalleled understanding. The crescendo starting from 5:34 literally sent shivers down my spine. The cadenza is colossal and he shaped it as well as I've ever heard anyone do so - Bronfman, Matsuev, Berman... name any pianist, Alexander here is at least their equal. The finale is quite simply magical and had me welling up with tears to the point that I was almost inviting them down my face... I was speechless. The only thing I couldn't believe was that the whole hall didn't stand to applaud this absolute gem of a performance. *The* highlight of my summer.
yes, and I was there too...but what put the evening into context and added to the brilliance of the entire evening was the the choir before the concerto and symphony
We too were there that night, I am privileged to say.
In our seating area, there was an upstanding outright roar as the performance ended. I was among them. Gavrylyuk WAS the music. It was a once-in-a-lifetime event for me. If I die with a smile on my face, it will be because those moments were replaying in my memory. So pleased to read your comments, with which I whole-heartedly agree.
I agree that a recording doesn't capture the feeling of awe and in-the-moment rapture that being there gives. When I heard him do this at Chautauqua several years ago I was mesmerized and hanging on each note as he executed them so confidently and meaningfully telling the story of this music like I'd never heard it before. It really was one of those moments where the artist, the audience and the music become one. As the finale came toward its end I was cheering him on mentally, thinking "yes, yes, it's been so perfect so far, go for it, keep driving it forward, bigger, bigger." Then as the last note died away I and thousands of others jumped to our feet with a roar of cheers and "BRAVO"s and "YES!'s". And at Chautauqua, extreme satisfaction with a performer is often accompanied by slapping the back of the wooden benches and foot stomping. The Amphitheater resounded with these combined noises for several minutes amid calls for "encore, encore". He ended up giving us 5 encores extending the program by at least another 30 minutes. Afterwards I raved about the performance to any who would listen but they seemed to think I was exaggerating. I'm so pleased to read all these enthusiastic approvals. It vindicates my original thoughts of the pianist. And the Chautauqua orchestra, and conductor also kept pace with Gavrylyuk's tempo interpretation that gives it such power.
Yes, tears here as well, every time I watch this.
I know, Listening to a pianist and orchestra Live is unbelievable. Such a huge difference. I love this piece so much. Rachmaninoff’s emotionally enriched compositions is amazing
Wonderful performance! Poignant to see Laura Samuel leading the BBCSSO. She died of an incurable disease very recently. RIP.
The left hand at 41:23 and onward...played nearly pedal-less. Magnificent.
An absolutely incredible performance. So glad I found this...never heard Rach 3 played better.
I watch this regularly to lift my spirits. One of the greatest performances of this concerto I've ever seen. The relationship between pianist and conductor is amazing
The best performance of the third Rach concert, many are good, Argerich, Trifonov, Seong - Jin Cho, Freire, Hamelin, but Alexander has something especial that put him far from others, is the first time I listened to him, and I’m like in shock, I never imagine this kind of interpretation. Bravo!! Bravo! Bravisimo
It's such a pleasure to watch this again as it is so uplifting, dreamy and full of expression. Reading such appreciative and knowledgeable comments does seriously beg the question, "Why doesn't the BBC, who play such an important role in our culture, translate this onto a DVD, together with the introductory choral work. There would be no shortage of buyers!
Please invite this tremendous pianist and orchestra back. Extraordinarily brilliant: wonderful performance!
what i especially loved about this performance, is that the pianist didnt have to show off his technical facility for the sake of showing off like so many other pianists do. By playing a lot of passages so fast that it takes the beauty of the actual composition away. thank you Alexander
To me, it's too slow and nuanced throughout. Clear, yes, but almost in slow motion, with constant pauses at every beautiful chord. This happens a lot with Rachmaninoff and it's unfortunate because it's not how he played it and the melodies lose their "sung" character. As a listener, I found myself constantly losing the phrase. This performance and many like it are like hiking up a mountain and stopping to admire the view every 10 steps rather than once every 10 minutes.
Without doubt a huge triumph and the highlight of this years proms. Alexander Gavrylyuk shows a complete and utter mastery of this concerto. His attention to the silences and the ability to allow the tonal picture to breath add to the total overwhelming tragedy of this music. His accelerandi evoke immediate emotional responses and the sensitive accompanyment by the conducter who manages to be sybiotic with soloist is a sight to behold. This pianist is a conduit for Rachmaninoff's darkest thoughts and appears in a near state of ecstasy throughout as it every note were his last. We all saw a personal and intimate experience that overwhelmed from the first and left everyone sated.
I agree. I was there that evening and although I've heard the Albert Hall's Steinways many times and I've heard this piece played there several times, this is by far the nicest sounding piano music I've ever heard.
Martin...you and Marshall above crystalized my sentiments exactly. It's an honor and privilege...and a draining emotional experience to watch this...and I have, dozens of times.
Returning again. Still this is my fave interpretation. The passion is palpable.
Legend has it that they are still trying to restore the piano.
Sensational. My favorite performance of all time, by far!
I've listened to this concerto all my life and I've never heard a more passionate, committed performance. Bravo!
The Finale in this performance was the best version I ve ever heard
You can imagine that I was watching it unfold live open-mouthed for the duration of that movement
@@rachgodf03 I envy you so much!
Not only is this one of the most passionate performances of this piece I've ever heard, the orchestra is fantastic, and the camera work is superb. The video director clearly understands the music. Wonderful camera editing.
This is a prove that artistic is more important than speed. Love this performance....
This is one of the best performances of Rach3 I’ve ever heard.
Excellent interpretation...so compelling and beautiful...from an exceptionally talented pianist.
This is a cosmic event. A sculpture in sound, video and photography. A deeply moving example of the true Russian soul on display. Gavrylyuk’s phrasing and bravura playing are staggering.The communication between pianist and orchestra is unparalleled anywhere.
grazie 10000
Magnificent. Truly one of the best performances of this concerto. Ever.
A stunning performance in which soloist conductor and orchestra are as one.
I have heard this concert thousands of times, but for the first time I can say, that I could hear every note, every sound so clearly!!!! What a marvelous pianist!!!!!!! I am a musician myself... I can really see the passion here, the deep love to music, to piano and to Rahmaninoff himself.... What a performance!!!!!!!! 👍😳❤️BRAVO, Sir Gawryluk!!!!!!!
I love this performance! I had a feeling that this might be my favourite Rach 3 performance of of all time, so I went on a listening binge and compared them. I heard Argerich, Horowitz, Kissin, Trifonov, Berezovsky, Lang Lang, Yuja Wang and Babayon! They all have their merits, but Gavrylyuk's cadenza in the first movement makes the most sense to me by far. He has such incredible power and purpose. Check out how explosive Gavrylyuk is at 12:08 , and what an ecstatic sense of arrival we have at 13:15 and again at 13:38! That little tenuto is so effective - nobody else I heard uses time so exquisitely. His phrasing is wonderfully clear and his sound is so incredibly rich!
Also wanted to mention the ensemble is absolutely perfect - the percussion is precisely in time with the piano at 41:23. The orchestral part is notoriously difficult too! What a wonderful team Sasha and Thomas Dausgaard make. Their connection at 43:00 is palpable! Thanks Sasha! As you know, I love your work!
I've listened to many different versions of Rachmaninoff's Piano Concerto No. 3 over the years, but this version feels like the best fit for me. it's truly the greatest
Just heard Alexander play solo at Herbst Theater in San Francisco today. Sonata No. 2 by Rachmaninoff was phenomenal. Mr. Gavrylyuk is the greatest artist of our time. No question.
I wonder if everyone involved sensed that music history was being made here? Certain to be immortalized as one of the greatest recordings of the Rachmaninov 3rd Piano Concerto ever made. 😎🎹
well that didn't happen!
Marshall..."chatted" with you briefly during the Cliburn telecast tonight. I mentioned this performance, you answered.Mr Lim's Mozart was very fine. Yes there's is pressure, but nothing I've seen has rivaled the emotion of Olga Kern's Cliburn..though I haven't seen that many. You are totally spot on as regards this performance. It is transcendent...a positive perfect storm...magnificent composer meets great orchestra meets dedicated Maestro who musically bonds with the pianist...all in front of a willing and captivated audience. I get that feeling with the Kissen No 2 on the Tube, Bronfman, and the exciting, often quirky (in a good way Paremski. The look she gives Andrew Litton during the final statement could melt an iceberg. haha
I was privileged to be in the audience that night - sat in the choir stalls behind the orchestra, and was utterly blown away. What you don’t see here
is that the Concerto was preceded by a Latvian choir singing a Russian Liturgy of some description whilst slowly walking from the back of the Albert Hall through to the stage and then off to the sides. As the last echoes of their voices faded, the concerto started in a perfect segue. Magical evening (the Rach 2nd Symphony that followed was almost as good!).
@@JB-bb9xs wow, what a concert! No lack of melodic inspiration there.
This is my favorite PIano concerto and i believe I have heard most of the recordings but this one is just unbelievable. The intensity is just inexplicable. I lost my words. Congratulation!
The first time I heard Rachmaninoff‘s 3rd I literally cried in last 3 minutes because I couldn‘t hold any longer. I must had felt what this pianist is feeling through the whole run.
I didn't know about his power before watching this concerto. Every single touch seems like sing its own sound. It's good for us to see his live concert performance on net. He should do concert beyond Europe!
What makes this so exceptional for me, is the sweat was running down his forehead and into his eyes, which would have affected his concentration and view.....Absolutely mind blowing !!
This is the best performance of this concerto I have ever heard. I have listened to many as this is my favorite concert. I am a pianist myself and I can appreciate it from a professional point of view. I can say just one word - Bravissimo maestro!!!
I have heard this concerto many times by different performers, heard it live but I must say I am love with this performance. Absolutely the best I've heard.
The silences in the climax at 42 minutes and those simple notes - da dum . . .. . da dum magic, magic magic. It boils the marrow. For those of us fortunate enough to be sensitive to it. Now, to look for more Alexander G. And thanks for putting it up.
I found him playing Brahms Paganini variations the other day here. This man’s technical ability is amazing. Lizst’s Mephisto waltz is on it too.
A titanic performance. Gavrylyuk is one of the very few pianists that adopts the composers dynamics, phrasing and expressive insights. The result is pure electricity from start to finish.
Bravo!! One of the most expressive Rach 3. From 40:03 and the climax is spectacular.
I saw him perform this several years ago at the Chautauqua Institution Amphitheater. Absolutely wonderful performance back then. The entire audience was on it's feet instantly with intense applause demanding an encore. He gave us 5! It was a magnificent evening. I searched for a CD of him performing this piece without success. But here is a new and I think improved performance. I've heard this piece many times in the last 40 years and two more live performances of this piece by other pianists since then but they just don't have the intensity and depth that Gavrylyuk throws into it. Absolutely incredible performance here. He comes back to Chautauqua every year. Current schedule indictates he'll be doing the Brahms 1st piano concerto here this summer (July 12).
The most passionate performance I've ever seen of this masterwork. Impossible not to get caught up in his enthusiasm.
Absolutely epic. This is exactly how I imagined the rachmaninoff's third should be played. Broad and majestic, full of drama, no rushing a phrases or too quick tempos. Just thrilling.
Omg the cadenza! Never have I heard it played like this--absolutely spectacular.
And the quieter parts are played with such feeling and beauty. This is truly the ultimate Rachmaninoff third.
Seeinh the passionate emotion in his face while he creates this concerto to absolute perfection is truly a moving experience.
Credit must also go to the conductor on the orchestra for this absolutely perfect performance.
Fantastic performance and interpretation of the Rach 3. Thomas & Alexander were at one throughout. Thomas's facial expression at 43.00 is priceless. Have viewed this video many time---love it
This has to be one of the finest performances of this particular piece that I have ever heard. I have watched it several times but one reason for my multiple viewings of this video, is the fact that every watching has me more and more captivated by the deliciously beautiful flautist. The studio staff must have been similarly enchanted as she features in many orchestra shots. Talent and beauty is an enthralling mixture. Mr. Gavrylyuk may not have the physical beauty, but his talent is gargantuan.
Just because he has hair loss, he is in ugly category?
My favorite version of all time!
I have never heard of him. It is almost a fluke that I ended listening to this piece. Ladies and gentlemen this is so soothing to the soul and so fluent and so emotional. I simply LOVE the way he plays and sweeps the entire orchestra with his emotions. Bravo, man, well played!
@@Mullikia Tempos of beginning of 19xx dictated by recording equipment available - performers rushed to fit into 45 rpm disc))
Picture this: There is Sergei sitting at a piano with a blank sheet of music and a pencil, and he writes this!
Perhaps the most beautiful and emotional performance of this masterpiece that I have heard in my long life. Alexander was crying before he even started. I am in awe of those who can play Rachmaninoff and here we have a pianist who brings us to the music as an unfolding story. Emile thank you for providing us with this 40 minutes of power and beauty.
It's my pleasure
There is a picture of him sitting at a table working on this very concerto!
@@rachgodf03 No, it is OURS...bless you. I was able to express my gratitude to Mr Mr Gavrylyuk on his FB page. He is as charming as he is talented. Beautiful family, too. Kudos MUST be given to conductor Dausgaard and the orchestra, who played out of their minds!
ez fantasztikus, hallgatni ezt a csodálatos zenét és látni a zenészek arcán a zenélés ôrömét, élvezetét, engem teljesen magával ragadott, csodálatos, szerintem ezt sokszor fogom újra nézni, hallgatni,
I know this piece all my life and this was like the first time I've heard it. Brings me to tears every time again.
Fabulous how every Conductor Pianist and Orchestra can bring out
different subtleties and moods from this Incredible Concerto...
Thank you so much for that incredible recording. Gavrylyuk is also a very kind person in life and one of the most beautiful pianist of his generation.
42:50 That was the most magical moment between pianist and conductor i have ever seen. Pure joy!
Magnificent! One of the most passionate performances of Rachamninov's third I've ever seen! Thanks for uploading.
If only Rachmaninoff could have heard this performance. How he would have so thoroughly enjoyed it.
The second mov. Is perfect....all my soul smiles! Tears of happiness.
One of the best performances recorded. Such passion! Brilliant!
Extraordinary and intense performance by the pianist, conductor and orchestra.
I got such an adrenaline rush this man gives a WHOLE SHOW !
Gavrylyuk OWNS this concerto. Passion, power and precision all at the highest level. I had the pleasure to hear him play this at Chautauqua two years ago and thought it the finest concert performance I've heard in my 59 years. If anything he improved with this performance.
Alexander is well on his way to being the best in the world.
OMG he is magnificent. Clear and precise
Magnificent performance. It put an old man into tears. Bravo.
I never knew Prince William of Wales could play like that. 😋. Phenomenal performance by Alexander Gavrylyuk.
i getting unspeakable, this is magnificient performance !
OMG how have I never heard this before? It's the new standard of musicianship for this piece.
one of thest lyrical/beautiful interpretation of this master piece! And I've heard a lot in 30 years...
Awesome.
Best interpretation on UA-cam yet. Unbelievable.
Agreed
That's so true. This is the perfect one.
Couldn't agree more
...Daniil Trifonov/ Myung-Whun Chung.
@Michael Zhu Anything but normal. Please. I love Argerich so much but this man was the one who made me feel this Concerto on a whole new level. I teared up and its very rare for me to do so.
Do not watch this alone as I did. I'm a mess of emotions. superb!
Yes, me also - I was literally crying with happiness by the end.
That's where I am right now
In my opinion, orchestration and piano are excellent . The psychotic piece at 41:11 is the most masterfully performed piece I have ever heard. The overwhelming ending is pure energy. Correct times, enviable touch. In summary, one of the best performances of this incredible concert that run on UA-cam.
Damn what a performance. With out a doubt the most satisfying ending to a rach 3rd i've seen. The jumping up right after was so fitting. Martha argerich may finally have met her match in my book. Just Amazing!
Far and away my favorite recording of this piece. Alexander's command of color and rubato are extraordinary. I've listened to this recording every day for the past 2 years now and it still leaves me speechless every time. Thank you for posting this :)
What a passion!!!!!!!!!!One of the best cadenzas I have ever heard.
This is just insane how good he is and the orchestra
Alexander’s performance of Tchaikovsky’s Piano Concerto No. 1 with the SSO at the Sydney Opera House last night was a triumph.
He channelled the composer. The playing was mesmerising. Some audiophiles of classical music will become his cult fans ♥️
Alexander’s rendition of Rach III here backed by a great orchestra is darkly disturbing and makes one mists up.
He’s totally committed…his whole self…those hands…fingers…fly over the ivories tickling or pounding them in ordered mayhem!
This piano virtuoso is in his PRIME 🙇🏻
Last night was truly spectacular
when you're forbidden to go home so you compose frustratingly beautiful music.
And again I return. 1st page to final chord, a totally committed performance by Mr Gavrylyuk and his devoted conductor...and orchestra. Again, Bravo, and again thanks, Emile for giving us this magnificence.
A truly wonderful performance that never fails to give me goosebumps in the closing section. The connection between Alexander and the conductor is also a stand out. Dausgaard brilliantly lets the soloist express the emotion of the piece whilst maintaining the perfect combination with the orchestra.
I was fortunate enough to hear Alexander play this piece with the Tasmanian Symphony orchestra a couple of years ago. One of my greatest memories of any live performance I have been to.
Bravo Sacha
A rare magnificent performance!!!
I’m so happy this performance exists, it is so refreshing and belongs to the select group of top performances of the Rach 3. Russian definitely learn and love they culture and respect the composer so much they give everything about themselves, thank you very much and I certainly hope UA-cam does not take the video down
Absolutely the best performance of this gorgeous piano concerto I've seen and heard; perhaps of any piano concerto. This is virtuoso playing at its best. I would love to see him do the Busoni Concerto.
Thanks so much for posting.
una tra le migliori interpretazioni soprattutto per lo stacco dei tempi molto musicali,e sempre in linea col fraseggio.
His performance reminds me the same concerto in Horowitz's golden age. Perfectly controlled dynamics from ppp to fff.
It was a wonderful performance.
This is indeed quite impressive, the soloist reaches heights I have only heard in few recordings and never live in this concert. The conductor understood what he had besides him and sticks to the piano like glue. I do believe the comments of those who attended the concert, such an experience, one of those rare moments that one is shocked by a performance. But that is what we ultimately look for when we buy a ticket, right?