Thanks a lot diego. I cant believe that i actually learn bulerias because of your videos. It is really important to have a teacher for flamenco Guitar.
no hablo ingles, pero se entienden los vídeos perfectamente, te agradezco que pongas la tablatura a la vez que explicas, muchas gracias, eres un fenómeno.
Thanks for all the lessons. You are one of the best teachers with a lot of detailed explanations and very nice bulerias falsetas explained slowly in details with tabs also!!!! what more could anybody want?
I play this bulerias so much and it helps me warm up! You are amazing and a killer teacher! I studied with juan serrano at fresno state and some guys just have that knack for teaching!
I´m very grateful for this awesome person that is helping us with videos and tabs to learn this beautiful genre. Thanks so much Diego de Oro this is literraly gold for everyone that is starting learning bullearias :=D
Hope you will do a video for how to grow the nails in a correct way ,, my nails always growing down side so I am using heat and force to make them up . but they goes down again in few hours .. any way thanks a lot for all your efforts.
There are fake nails made specifically for finger style or flamenco for people with stubs like myself I have never tried them so I can’t vouch for how well they work but I can tell you they exist
Appreciate this so much. i bought some lessons online from a good teacher for intro technique and a solea package, now i feel ready to begin picking away at some bulerias now that I can rasgueado acceptably. long road ahead.
it' s really a big help to see this. since very short time i try to learn a little bit flamenco style. this is the bet vidoe i ve seen in internet.your sound is so clear and full. thank you for that . what kind of guitar you are playing,very good sound?
Hi vonanthony, try this one: ua-cam.com/video/d3wrGsm2nEU/v-deo.html Also, do a UA-cam search "buleria compas" for a selection of tempos. All the best!
Hi Antoinen, it can be tricky if you've never done it, but with a little practise it becomes easy quickly. Play the 0 (string 4) and then hammer to string 5 "from nowhere". That is to say, string 5 is not played to sound the note, but the hammer itself sets the note vibrating. I hope that helps. Good luck!
Thanks Diego, I was a little frustrated with the beginning as it cut into (a very nice looking) intro cut. To be honest I thought it would stifle my speed in learning this but I actually ended up getting this spot on just a few hours after commenting. I take back my critique and am moving on to the Solea por Buleria, thanks again Diego!
No worries. Critiques help me make a better video by understanding the end user's needs. Look for Solea por Buleria #4 to 9 to have practice supplements which play each compas or falseta multiple times at various tempos. I am editing them as we speak. Cheers!
I have one question.. Can I use my three fingers in picado that is ima or only I have to use im? Which one is the best idea to play faster and easy way? Right now I am using three fingers ima I reached the speed of 120 per beat metronome. So please suggest me.
ima is the rasgueo - there is no picardo in the whole piece IMA = index finger, middle and ring finger down. then middle finger down and index up. Got it?
The accents are not structured so much as suggested. There is no formula. Observe where the note is picked vs slurred. The picked notes create sycopations whose notes should feel more "solid" than the ligados. Also some notes are "leaned on" a bit more depending on the direction of the musical line. The technique alone will give it half of the feel. The other half will come from listening and familiarity. Also, you can give it your own feel. You don't have to play it exactly like me. Experiment with a compas track playing and see what you like to do with it. Suerte!
Great clarity. I was looking for a flamenco line for one for one of my guitar pieces and found all techniques necessary. Amazing. Even managed the buleria falseta, although, much practice and counting will be needed before getting here... Great mike too what is it?
The best tutorial. BUT putting the clamp to change the key while showing the score for a different key is very confusing. I do not have a clamp on me at the moment.
2nd fret capo is very common...get one... it shortens the neck and makes it easier to play...5th fret is also good since the frets are smaller up the neck....
nice!!! ilove it! ....i have a question: Which software do you use to write tabs? I cant find yours.The one you use is pretty cool! I hope you can fill me in asap. Thanks Juanjo
Thanks. I write the Tabs in Sibelius 4 which I've had for about 10 years. It takes me about 1 1/2 hours per page because of the detail involved. I'd love to find a faster way if anyone has a suggestion. All the best - Diego
Thank you Elias for your inquiry. I don't have any method books currently available, but look for some beginning in 2017 by visiting www.deoromusic.com I am just finishing a studio which I will use to produce lesson videos. All the best! - Diego
Hi Cornelius, it is a flamenco negra. Spruce top with Rosewood back and sides. ie: tradition flamenco top, but borrowing classical guitar wood for the back and sides. All the best! - Diego
Hi TheRitchie213 The techniques are based more on the mechanics of the fingers and wrist than length of fingernail. You can have varying lengths of fingernail, but you will benefit to have some nail. You volume and tone comes largely from the fingers and nails and a lot of these techniques need some aggressiveness in their sound. Nails will help deliver that. Anyone else have some thoughts about it?
nails are a must for flamenco. try a rasguao without nails, it will sound weak and empty. flamenco uses very strong sounds against soft ones to accentuate the beat cycle known as the compas. no nails is for steel string only. classical and flamenco require much more variation on strength of delivery that you cannot get without nails.
Thanks a lot diego. I cant believe that i actually learn bulerias because of your videos. It is really important to have a teacher for flamenco Guitar.
this is an incredibly helpful flamenco guitar video, probably one of the best I've seen and I've watched a ton!
Thank you ToastMusic. I'm glad you found it helpful.
ToastMusic im with you. His voice audio is loud enough to easily hear him, rare in youtube land
no hablo ingles, pero se entienden los vídeos perfectamente, te agradezco que pongas la tablatura a la vez que explicas, muchas gracias, eres un fenómeno.
Me encanta esta explicación para la falseta y ciertas técnicas para mejorar mi posición de la mano derecha! Aplausos maestro!
Gracias. Suerte!
What an amazing teacher.
Thank you Mister Ree!
Merci beaucoup pour toutes ses explications claires qui nous permette de mieux comprendre le flamenco..encore thank you..
Thanks for all the lessons. You are one of the best teachers with a lot of detailed explanations and very nice bulerias falsetas explained slowly in details with tabs also!!!! what more could anybody want?
Thanks sdiab. More lessons to come as time permits. All the best!
Looking forward to it
I play this bulerias so much and it helps me warm up! You are amazing and a killer teacher! I studied with juan serrano at fresno state and some guys just have that knack for teaching!
Thank you so much for your kind words. All the best!
I´m very grateful for this awesome person that is helping us with videos and tabs to learn this beautiful genre. Thanks so much Diego de Oro this is literraly gold for everyone that is starting learning bullearias :=D
Thank you Juan for your kind words. Animo, a tocar!
This is metal as fuck.
Thanks Troy, love it! It's the "chicken and the egg" 'cause Black Sabbath, Maiden, Deep Purple, early metal is flamenco as f**k. :-)
Precioso y muy fácil gracias
muy buena lección, la disfruté mucho. de verdad se agradece la calidad en la enseñanza. felicidades y muchas gracias!
Hope you will do a video for how to grow the nails in a correct way ,, my nails always growing down side so I am using heat and force to make them up . but they goes down again in few hours .. any way thanks a lot for all your efforts.
There are fake nails made specifically for finger style or flamenco for people with stubs like myself I have never tried them so I can’t vouch for how well they work but I can tell you they exist
Appreciate this so much. i bought some lessons online from a good teacher for intro technique and a solea package, now i feel ready to begin picking away at some bulerias now that I can rasgueado acceptably. long road ahead.
wow awesome tutorial thank you de oro !
where can i find the full song ?
Wow! Thank you. Very impressive on how how clearly show us how to do this stuff.
Love it howgood you explain
Thanks for your kind words. I appreciate it. All the best!
Muy interesante se entiende bien gracias
Hola Ana! Que alegria saber de ti. Besitos y abrazos!
Simple and clean , thanks
estaa falsetas estan muy bien le doy las gracias por esplicarlas y hace lo posible por que aprendamos algo tamn bonito
I don’t have long finger nails so I use a guitar pick .... excellent lesson thank you.
Yamandu costa ( Brazilian as me, 7 string guitar player as no one other on the planet) never worry about his nails. He glues fake nails .
It would be of great help if it was also played at full tempo at the end.
Thanks ReRebel8. I'm always looking for ways to improve the effectiveness of the lesson layout. I'll definitely keep that in mind. Cheers!
@@DiegoDeOro Also - the youtube control bar appears over the tab. Put the tab on top?
Appreciate this.
My pleasure. Glad it was useful.
thank you
You're welcome. All the best!
It's the best lesson! Thank you very much!
it' s really a big help to see this. since very short time i try to learn a little bit flamenco style. this is the bet vidoe i ve seen in internet.your sound is so clear and full. thank you for that . what kind of guitar you are playing,very good sound?
Hi is there a link of the palmas? Btw its amazing
Hi vonanthony, try this one: ua-cam.com/video/d3wrGsm2nEU/v-deo.html
Also, do a UA-cam search "buleria compas" for a selection of tempos. All the best!
@@DiegoDeOro thanks
Great videos Diego! Thanks - Michael
yo how do you read the tab at 1:19 that goes 0 and then down hammer on 4 but its on a different string ? i dont get it, if someone can explain🙏
Hi Antoinen, it can be tricky if you've never done it, but with a little practise it becomes easy quickly.
Play the 0 (string 4) and then hammer to string 5 "from nowhere". That is to say, string 5 is not played to sound the note, but the hammer itself sets the note vibrating. I hope that helps. Good luck!
muy bueno ...un saludo
I don't see this tabs
Thanx for these lessons, very usefull en nice buleria!
After decades of shitty lessons I see light. Bien hecho!
this is a really nice breakdown, thanks. I must say it would be good if it showed you playing it all the way through once though
Hi birdshit0, thanks for the feedback. At 4:00 min. mark in the video I play it all the way through slowly. All the best!
Thanks Diego, I was a little frustrated with the beginning as it cut into (a very nice looking) intro cut. To be honest I thought it would stifle my speed in learning this but I actually ended up getting this spot on just a few hours after commenting. I take back my critique and am moving on to the Solea por Buleria, thanks again Diego!
No worries. Critiques help me make a better video by understanding the end user's needs. Look for Solea por Buleria #4 to 9 to have practice supplements which play each compas or falseta multiple times at various tempos. I am editing them as we speak. Cheers!
Perfect, thank you.
You are amazing thank you
I have one question.. Can I use my three fingers in picado that is ima or only I have to use im? Which one is the best idea to play faster and easy way? Right now I am using three fingers ima I reached the speed of 120 per beat metronome. So please suggest me.
ima is the rasgueo - there is no picardo in the whole piece
IMA = index finger, middle and ring finger down.
then middle finger down and index up. Got it?
Hello, thanks for your work, please tell me when the pulgar solo begins. What accents?
The accents are not structured so much as suggested. There is no formula. Observe where the note is picked vs slurred. The picked notes create sycopations whose notes should feel more "solid" than the ligados. Also some notes are "leaned on" a bit more depending on the direction of the musical line. The technique alone will give it half of the feel. The other half will come from listening and familiarity. Also, you can give it your own feel. You don't have to play it exactly like me. Experiment with a compas track playing and see what you like to do with it. Suerte!
Really really great instruction thank you.
merci pour ce partage
superbe vidéo pro !!
De rien mon ami!
Wonderful, are you recording guitar with cable or mic please?
Thanks Beatmaker, I'm recording with a microphone.
@@DiegoDeOro ok , which one?
You are amazing, very impressive :)
Simple and clear. Excellent! Thank you :-)
Nice!
Thank you! Cheers!
Great clarity. I was looking for a flamenco line for one for one of my guitar pieces and found all techniques necessary. Amazing. Even managed the buleria falseta, although, much practice and counting will be needed before getting here... Great mike too what is it?
Thanks David's Translation Cafe! I'm using a Neumann TLM 103 through the mic pre of UA 6176 channel strip. No EQ, no compression. Cheers!
Olee eres un makina amigo sube mas solea por bulerías te lo agradeceria mucho un saludo amigo
Mil gracias Flamenco David Romero. Si viene mas soleá por bulerías este año. Saludos amigo!
Nice, good job!
Which guitar do you use in this video?
Thanks Saitentanz. It's a Vicente Carrillo 1A, Indian Rosewood, Spruce. I love his guitars! All the best- Diego
beautiful! thank you
Linda demais
Thank you Nilton!
The best tutorial. BUT putting the clamp to change the key while showing the score for a different key is very confusing. I do not have a clamp on me at the moment.
2nd fret capo is very common...get one... it shortens the neck and makes it easier to play...5th fret is also good since the frets are smaller up the neck....
thank you very much
I don't see this tabs! ! !
Suena muy flamenco ese apellido!
Hola Diego, yo quiero aprender, pero pareciera algo imposible,
genius!
Tutorial diego del morao techniques
nice!!! ilove it! ....i have a question: Which software do you use to write tabs? I cant find yours.The one you use is pretty cool!
I hope you can fill me in asap.
Thanks
Juanjo
Thanks. I write the Tabs in Sibelius 4 which I've had for about 10 years. It takes me about 1 1/2 hours per page because of the detail involved. I'd love to find a faster way if anyone has a suggestion. All the best - Diego
Diego de Oro maybe you should try Guitar pro 6 ? or 5
Zack Bouzerd thanks Zack, I'll look into it!
no problem Master
Chord diagrams would help.
Muy bien!!!
What a nail
Not much choice if you want to sound flamenco! Flamenco as as adjective that is.
Can this be done on a steelstring, or can i practice on an electric?
Yes but its hard on your nails and doesn't sound right....get a cheap /medium Classical and put high tension Flamenco strings on it...
top
Thank you.
hello Mr.Diego , do you have any book or method that we can buy or get online?
Thank you Elias for your inquiry. I don't have any method books currently available, but look for some beginning in 2017 by visiting www.deoromusic.com I am just finishing a studio which I will use to produce lesson videos. All the best! - Diego
Is this a classical guitar not a flamenco guitar?
Hi Cornelius, it is a flamenco negra. Spruce top with Rosewood back and sides. ie: tradition flamenco top, but borrowing classical guitar wood for the back and sides. All the best! - Diego
Diego de Oro Thank you, I think I like this combo for the looks alone.
and just remeber to count, 2 1 2 3 4 5 6 7 8 9 10 1.
I think you're not cabable playin' this falsetas in normal bulerias speed.
tú no saber tocar la guitarra
Qué???
What if you don't have long fingernails? Would you play with the same technique? Would it still work?
Hi TheRitchie213 The techniques are based more on the mechanics of the fingers and wrist than length of fingernail. You can have varying lengths of fingernail, but you will benefit to have some nail. You volume and tone comes largely from the fingers and nails and a lot of these techniques need some aggressiveness in their sound. Nails will help deliver that. Anyone else have some thoughts about it?
nails are a must for flamenco. try a rasguao without nails, it will sound weak and empty. flamenco uses very strong sounds against soft ones to accentuate the beat cycle known as the compas. no nails is for steel string only. classical and flamenco require much more variation on strength of delivery that you cannot get without nails.