@Jay Beard In the last years of his life, Scriabin came to Moscow. From 1910 to 1915, he had a friend Leonid Sabaneev. He wrote a book about Scriabin's musical language, his relationships and his life. there are many thoughts and words of Scriabin about his works. I'll try to find that book in English because I read it in Russian. Book called "Memories about Scriabin"
Yea, I’ve analyzed the harmony of a lot of Scriabin’s pieces. This piece is commonly known to feature the mystic chord since that’s what it mostly uses vertically, but horizontally, it uses a larger scale C Db D E F# A Bb. I’d love to make a video explaining this if people are interested. There’s some really amazing harmonic moments in this piece. The light yellow theme is interesting and too me the most interesting moment to analyze is at 14:20 where the 4ths are moving in M3rds!
Scriabin’s late era isn’t based on modes of the major/minor scale (which is what I typically think of as modal). It does however use many different modes of the mystic chord in this piece!
OMG I CAN'T BELIEVE IT, THE BEST SCRIABIN'S MASTERPIECE WITH HIGHLIGHTED THEMES, THANK YOU VERY MUCH WOWIE!
Love the enthusiasm!!!!! Cheers!
I'm so glad your videos went under the radar of this current score channel purge. Let's hope no more valuable videos or channels are taken down.
Omg, finally! I will check this before going to bed. :) Thank you so much to your contributions to the music world/community.
This is phenomenal, thank you for posting
VERY helpful analysis - well done!
Dear god I’m gonna have to listen to this a lot before hearing all the themes in their proper places 😅
Haha it’s a legitimately complex composition and recognizing the motifs helps us appreciate it!
Such a beautiful piece!
2:16 blue contemplative theme Scriabin called "theme of mind"
Mmm very interesting! Where did you learn that, and what do you think he means by "theme of mind"?
@Jay Beard In the last years of his life, Scriabin came to Moscow. From 1910 to 1915, he had a friend Leonid Sabaneev. He wrote a book about Scriabin's musical language, his relationships and his life. there are many thoughts and words of Scriabin about his works. I'll try to find that book in English because I read it in Russian. Book called "Memories about Scriabin"
@@jaybeardmusic8074 I didn't find anything. Sorry:(. I'm very thankfull to all of your work.
How did people react on the first premier?
I heard some person died in the premier, wouldn't be surprised
WTF? you don't mention anywhere the name of Scriabin? Not in the title and not in the description.
It is a niche channel, so everybody knows
Wow! This is a big one!
Btw, did you do harmonic analyses? I'm quite clueless about Scriabin harmonic languague.
Yea, I’ve analyzed the harmony of a lot of Scriabin’s pieces. This piece is commonly known to feature the mystic chord since that’s what it mostly uses vertically, but horizontally, it uses a larger scale C Db D E F# A Bb. I’d love to make a video explaining this if people are interested.
There’s some really amazing harmonic moments in this piece. The light yellow theme is interesting and too me the most interesting moment to analyze is at 14:20 where the 4ths are moving in M3rds!
@@jaybeardmusic8074 "I’d love to make a video explaining this if people are interested."
Don't underestimate us like that :/
@@jaybeardmusic8074 Technically, we can call Scriabin harmony "modal", can't we?
Sounds like you’re interested! Funny username btw!
Scriabin’s late era isn’t based on modes of the major/minor scale (which is what I typically think of as modal). It does however use many different modes of the mystic chord in this piece!