I keep circling back to this ... it's an brilliantly arranged, beautifully played piece of music ... traditional jazz deserving of the finest halls - played busking in New Orleans. Their casualness belies the depth of artistry. Shaye's superb coronet is wrapped in lovely embrace by Craig and Thomas, Jason and Max play it on stings with verve, Todd and Robin (happily on drum kit here) carry it with careful caress. Thank you RaoulDuke504. How I would love to hear this live.
Love this; distinctive unique arrangement, coronet lead on the melody, but utterly 'authentic' to the original. Thomas & Craig harken back, Jason adds flavor ... all sensuous and tight ... brilliant Tuba Skinny busking on New Orleans streets.
+James Sterling I totally agree with your assessment of Craig. He seems to be more of a team player.. Now if he knocks off those "glissandi" high and low, I'll be happy.
When I saw the title, I expected the usual clarinet feature of this great George Lewis classic. And yet we have it beautifully played on the CORNET, with the reeds only in supporting roles! I've not heard that done before. I note Shaye has transposed it into the key of F - much more comfortable for the cornet than George Lewis's original key of C. Yet another tour de force by Shaye! Is there anything that young lady can't do? Many thanks; and well filmed Raoul!
I'm sure Craig Flory is grateful for all the peanut gallery critics on this page, who couldn't carry his jock (musically speaking), to think that he has “very much improved” and is now “feeling” the music. Flory started playing sax and clarinet forty seven years ago when he was in 5th grade so I suppose it's about time he starts “feeling” the music. Over the years Flory has played and toured with the Wayne Horvitz quartet, Julian Priester quartet, Bonnie Rait, Ruth Brown, Howard Tate, Steve Cropper, Meschiya Lake, Bria Skonberg, Eyvind Kang, Lawrence D. “Butch” Morris, Medeski Martin & Wood...... just for starters. And Lou....as far as knocking off "those glissandi high and low"....Craig will probably keep doing that... just to screw with you :)
I agree, some understanding for his place in the music carpet is still missing. Technique is just a small portion of playing music, and high notes do not impress on the one who knows how to do it.
Tuba Skinny is the greatest thing there is that modern music has to offer, in my opinion
Yes
I keep circling back to this ... it's an brilliantly arranged, beautifully played piece of music ... traditional jazz deserving of the finest halls - played busking in New Orleans. Their casualness belies the depth of artistry. Shaye's superb coronet is wrapped in lovely embrace by Craig and Thomas, Jason and Max play it on stings with verve, Todd and Robin (happily on drum kit here) carry it with careful caress. Thank you RaoulDuke504. How I would love to hear this live.
Love this; distinctive unique arrangement, coronet lead on the melody, but utterly 'authentic' to the original. Thomas & Craig harken back, Jason adds flavor ... all sensuous and tight ... brilliant Tuba Skinny busking on New Orleans streets.
This is simply gorgeous.
Beautiful ensemble playing as always, and I'd like to say how much I love Tomas on sax. He doesn't seem to get a lot of mentions.
Absolutely a real great sound
Wonderful!!!
Tohle je otevřený svět !! Muzika ,jenom tak, na ulici! Zatančit, poslechnout ! Navíc nádherná muzika!
I don't recall Tuba Skinny performing "Burgundy Street Blues" before. Craig does a nice job on the clarinet solo. George Lewis would be proud.
+James Sterling Craig has very much improved. He is also quite good at tamping down the cash in the tip bucket. :-)
He seems to be backing away from the high pitched vibrato lately, thank goodness. He is "feeling" the music more.
+James Sterling I totally agree with your assessment of Craig. He seems to be more of a team player.. Now if he knocks off those "glissandi" high and low, I'll be happy.
Lovely "period" sounding tenor solo! And nice stop-time for the clarinet's first solo chorus.
I have the George Lewis group on EP from the '50's, singing this fabulous favorite of mine.
What a great lot of talent you are, can only dream of being that good
wish you all the best, real class act
Many thanks for this and Postage Stomp. Great sound quality.
When I saw the title, I expected the usual clarinet feature of this great George Lewis classic. And yet we have it beautifully played on the CORNET, with the reeds only in supporting roles! I've not heard that done before. I note Shaye has transposed it into the key of F - much more comfortable for the cornet than George Lewis's original key of C. Yet another tour de force by Shaye! Is there anything that young lady can't do? Many thanks; and well filmed Raoul!
Pops Coffee : avec ua-cam.com/video/8DashIi6sBg/v-deo.html , par exemple ... ??
Not to throw shade on Shaye but did you somehow miss Craig Flory's brilliant solo 3:47 - 4:40?
Music from the soul :-)
Good job & Great video.Thank you,////////////////////////
I usually prefer the bone for the "baritone" part. But the sax lends to the luscious lilt. Great relaxer!!
wunderschön 👌
I'm sure Craig Flory is grateful for all the peanut gallery critics on this page, who couldn't carry his jock (musically speaking), to think that he has “very much improved” and is now “feeling” the music.
Flory started playing sax and clarinet forty seven years ago when he was in 5th grade so I suppose it's about time he starts “feeling” the music.
Over the years Flory has played and toured with the Wayne Horvitz quartet, Julian Priester quartet, Bonnie Rait, Ruth Brown, Howard Tate, Steve Cropper, Meschiya Lake, Bria Skonberg, Eyvind Kang, Lawrence D. “Butch” Morris, Medeski Martin & Wood...... just for starters.
And Lou....as far as knocking off "those glissandi high and low"....Craig will probably keep doing that... just to screw with you :)
I agree, some understanding for his place in the music carpet is still missing. Technique is just a small portion of playing music, and high notes do not impress on the one who knows how to do it.
Great trad jazz band anywhere in the world! Shaye is a great leader!
Thanks for the video, Randy
Et af de smukkeste numre i New Orleans jazzens historie, so good
Top nummer Pops
Who is the tenor player? And thanks to P M Lynch for the information about Craig's career!
That’s Tomas Majerski on sax; he occasionally sits in with TS.
Is it tenor or baritone
@@shurshot2764 it is a tenor.
Suberbe
Did the lady at the beginning just take a dollar out of the bucket
I think she just took the change for the CD she bought.
@@BoyangWang Yes, and you can just hear her asking Shay if it's OK to do so.
Tomas Majcherski!!!!