@@andertons I played this lick, ironically, in another guitar shop and I heard someone said "Captain!!!". I replied with "I said what?". This story is true, but for 10 bonus points, do you know the reference?
Here is some information on your dad's guitar.... have seen many people asking about this brand while I have read much that is erroneous or plain wrong although a number of people have managed to get to the bottom of this enigma, it has not been publicised. Basically, the music dealer Beare & Son Ltd of London, with a branch in Toronto for many years, is an old-established instrument dealer-now over 150 years old and still going strong. Back in the 1930s this company was a big Gibson dealer in London and Toronto- it is featured in Paul Fox's book "The Other Brands of Gibson". Like many retailers of that era- Selmer in London, which created the "Columbian" brand for US imports, Beare & Son Ltd or B & S L as it says on the badge created "The Michigan" as its own US import brand. There was a huge guitar boom in the UK in the 1930s and banjos were being tossed aside to be replaced by guitars- and American guitars had that extra appeal- that's where the music was coming from. In the 1930s from what I can deduce, these guitars were made in Chicago- Regal, Harmony and Kay. A little oval badge was nailed on the headstock and a sticky badge that was the same was also inside. The badge also stated "SOLE AGENTS" and "MADE IN USA." Now, a number of people have connected this brand with Beare & Son Ltd but plenty of people, it seems think that because it was The Michigan then there must be a Gibson connection. This is not the case- obviously, Michigan was the home of Gibson and the choice of that state as a brand name was redolent Big Time with a certain well-known instrument maker! Beare & Son retailed Gibson brands in the UK and Canada but unlike Francis,Day & Hunter with its FDH Special, did not sell Gibson instruments under its own brand- or so it seems. I have seen a Harmony archtop from the late 1930s with a carved plastic headstock veneer that features the company's trade mark of the "cat and fiddle" a very impressive headstock, for sure and the cat & fiddle is still the company's logo. If you want to see him, there's a Beare & Son Gibson catalogue from 1936 that can be found via Google and he's on most pages with a big rendition towards the back. World War Two stopped this business and after the dust cleared and the pound sterling had sunk, guitar imports from the USA were a distant memory and the firm imported guitars from Europe- mostly the Eastern Bloc. The badge was the same but the MADE IN USA had gone. Quite often, The Michigan branded guitars from the 1930s show up on ebay, and the sellers do not know what they have. Most of these guitars are clearly exactly the same as the Regal, Kay and Harmony originals but the name throws people. Attributing guitars to Gibson is not unusual when you do not know its origin and with a brand like The Michigan it is assumed that the guitars were made in that state- so, they are from Gibson. Now, if Beare & Son Ltd had called the brand The Illinois, this would not happen- or less often!Anyway, I hope this clears up matters and helps people to ascertain the true maker of these guitars and the odd mandolin, as well. To conclude, I have a date stamped Harmony H1265 Valencia sold as a Michigan- it's not a Gibson- it's a Harmony guitar, and no matter how hard I try, I
Guitar players are so different than gamers. Gamers can play multiplayer games perfectly on their own. As a musician You can't indefinitely play on your own at home. You need to meet people and play outside. Playing music is a performance. Gaming is not.
This channel is so much more interesting with Captain and Pete leading the charge. The Captain has always been very relatable, and now his playing has come a long way. Pete has that pure child like joy that just makes him so enjoyable to watch. Both seem like really cool dudes.
I watched both videos of your collection Lee and I speak for many that it puts a smile on our faces with the fun and informative videos Andertons makes. I agree, the most valuable guitars are the ones most sentimental to each of us. Keep up the great work all of you. Stay safe. Peace.
"I walked into my shop, saw my guitar, realised that "I want that guitar", and then realised I already owned it, and the entire contents of the shop and the shop itself, but I bought it anyway"; this is an Escher-esque story.
Surprisingly I own a B.S.L. guitar that I got from my grandfather. From what I was able to find out the company is Beare and Son LTD, they're still in existence today. I believe they sold in London UK and Toronto Canada (where my grandfather got his) and are German built guitars during the 50s and early 60s. I guess as an addendum I should add they did exist before the 50s and 60s. My understanding is they were basically a Commonwealth version of Kay guitars.
Hey Cap I was overwhelmed with your personal guitar history when you got to your D-35. I owned for 40 odd years a 1972 D-35 and had it refurbished by Martin after traveling and gigging with it for many years. It was in pretty rough shape when I sent it to Martin and they had it for almost a year. When it returned it was incredible. A full neck reset and repair of cracks in the ebony were just the beginning of what they did and it was all for free. They also returned it with a new case which wasn’t charged for or requested. What a company. Anyhow I had to sell mine a few years ago and I have regretted it ever since and seeing yours somehow made me feel better like one had found a good home. Cherish it dude and don’t sell it even if you need the money.
2 years later, but I have to say that I really enjoyed this solo setup you have here. Very watchable. if you ever need an idea for a video, just do more of this. By yourself, talking to camera. Lovely.
When he says, he’s an advocate for your always good enough. So basically if you can sfford expesnive and want it get it. Doesn’t matter how good or bad you are. That is the sort of attitude you want from someone! Top dude lee!
In the early '80's I took a semester of guitar in High School. I bought myself an inexpensive Harmony western for the class from the local music store. The store owner was also the music teacher for our high school, so I got even more of a deal since it was for his guitar class. It was nice enough, and everyone said it sounded really good considering its price. But there was one kid in this class using his dad's Martin. Wow. Night and day. Even the teacher/store owner said it was the nicest sounding one he'd ever played, and he owned a pretty nice Martin as well. I'm not really an acoustic fan, but your story reminded me (35 years later) that if I was ever to buy quality acoustic, it would have to be a Martin.
Captain, I believe what you said was “do you have a story about an acoustic guitar?” I was a teenager in the early 70s and started to learn guitar. Back in those days guitars were not set up when you pulled them down off the wall and I really didn’t understand the importance of set up or actually how simple it really is (basic physics). So in those days finding a guitar I liked had little to do with looks and it was all about playability and staying in tune. In those days everyone loved Martins but the $600 price tag for a new D35 was significant for many of us. At the time my acoustic style was evolving with capos (sometimes two). Every Martin I saw in a shop that I put a capo on was no longer in tune and adding a second cut capo was not an option either. In 1995 I was visiting one of my favorite guitar shops and they have this new thing, an acoustic room (a big deal back then). I was not familiar with this guitar company but there were about 15 Taylors on the wall. As was my style I played them all and was really drawn to a certain dreadnought. Given the list price of $2800 (American) I didn’t even bother to mention it to my wife. But while I was there I noticed the Taylor magazine called wood & steel so I took one home. The cover story was called “a walk through the woods” and I learned much about various tonewoods used in Taylor guitars. It turned out that the dreadnought I had been playing was a fall Limited edition with Brazilian rosewood back and sides and Engleman Spruce top. Well, what a lesson in tone woods that was for me. Well I decided to buy that guitar but my wife decided I would need to sell equipment to find the money. So after I sold my 90s Clapton Strat, a 70s P bass and my amp and pedalboard, I brought it home. That’s when I learned at least with acoustic guitars to just play as many as I could and the best ones would always get my attention, they essentially chose me. And I still find that which ever Taylor I play, adding a capo does not require a re-tune. I really believe the quality that Taylor brought to the acoustic guitar market completely change the industry, forcing other companies to do better set ups on guitars offered for sale. And ironically enough, this Brazilian 810 sounds less like a Taylor and more like a Martin…
Wouldn't want steel strings on that old Michigan if it hasn't got a truss rod. Lovely unpretentious collection. That Martin sounds just incredible!!!! I can feel its power through my headphones.
Man this is outstanding...you gave me lesson of humbleness! Thank you for that. You are getting better and better on the guitar since the beginning of andertons channel. Once again thanks for all.
Info about the Michigan... the dealer was Beare & Son Ltd, a London and Toronto-based Gibson dealer. The Michigan is a guitar which is virtually the same as many Harmony and Kay guitars keep the time. The one you have is likely from the 1930s.
That dark purple ("black") 70s Strat is quite possibly the most beautiful guitar I've ever seen. Hearing it was all a weird chemical reaction ("accident") only makes it better.
My acoustic that is "The One" is a 2000 Martin D12 (12 string dreadnought). Picked it up when my dad took me to Norman's at age 13. Both he and Norm decided I'd bonded with the guitar and couldn't be separated from it, so it was my Christmas present for that year. The space above the sound hole is scratched to hell, I got a little chip in the headstock, and the binding has shrunk off and needs gluing, but that is still the absolute best sounding acoustic guitar of all time. Both warm and bright and sounds absolutely huge.
i love my 5120! it was donated to me by an amazing human being that upgraded it with a set of GFS Surf 90 pickups and some good locking tuners. the locking tuners definitely make string changes easier with the Bigsby, but i also have a little tip/tricks for anyone struggling with Bigsby restringing: magnets. i just take the smallest strongish magnet i can find from the ol' fridge, slip the ball end over the Bigsby string post, and cap it with the magnet. i actually thought of the idea when restringing a banjo and mandolin with loop end strings in one sitting for a friend. after about the 6th frustrating mandolin string i had the magnet idea, and it makes life so much easier! 💚
Johnny Resin Great idea! You can buy small super strong magnets on eBay very reasonably! I use a magnet to cover the trem hole on my Strat when I remove the trem arm to stop the tension spring falling out! Works a treat!
I've just this moment finished watching the video. Lee, thankyou. Thankyou for the stories behind all the guitars. I totally agree with you on the acoustic, it has to be a Martin. I'm in the market for an acoustic at present and I always have the martin sound in my head when I try one, I cant afford a martin at present, but I listen for what's closest. Once again Lee, thankyou.
Ahoy Skipper ! Another good presentation ! The Michigan ? My first guitar of which I have two black & white photos only taken 1967... It was (is ?) a JAZZ Hollow Body with One Neck Pick-Up... Two f's in the style of Hofner... or Gretsch... Left it with a good friend and never obtained it back during world travels... He died (RIP) and took the Guitar... or secret... or both, to the grave with him ! and 'Skipper'... Looking through the window from 'outside' the house (diff focus) ... If I had to rush into a burning house for one of your guitars, then I would grab the Martin... Great Tone... Irreplaceable ! Oh ! and Second comment.. I have been "Joined-at-the-hip" to my 1972 ESTON 'Made in Italy' by EKO for the Australian market... We are now both 'Vintage' together !! Which of the seven guitars of mine would I burn my fingers for ??????? The Lot !!!!!!! 🤠...
Oh the joy of year of birth guitars. Bought a red 1977 Yamaha SF-700 last year for exactly the same reason. To be honest, chances are fairly high it's a 1978 (serial numbers are not 1000% certain in those years) but that's an excuse I'll only use when I spot another 1977 guitar I lust for.
I totally get what he means when he says that sometimes something you don't really dig will sneak up on you and then you realize that you like it. For me its rosewood boards and big head stocks on a strat, I used to really dislike both but they've really grown on me lately.
335 indeed, that nitro finish is spectacular! Thanks for keeping me entertained! Really great seeing someone model the correct behavior during these crazy times!!! Top notch! PS super glue the nut if it’s cut to deep, as seen on The Guitologist.
Lee, for restringing the bigsby, hook the ball end on, put tension on the string and clamp it down with a capo while stringing the tuners. Learned this after putting a bigsby on my firebird.
That ghost-fog black strat may not turn your crank, but from out here, it is seriously impressive. The deep warm bass counterpoints the treble nicely, especially on the neck pick-up :) Yes, I have had that moment. My wife owns a Framus B50 arch back student guitar which she bought as a teenager. It got partially run over by a VW bus back in the day (1970's sometime) and was very modestly repaired. She played it and I messed around on it, but always liked my acoustics better. And one day a few years ago she said it did not sound all that good, so it was going on the stand as display only... A few months later we hear a bang in the middle of the night. Next morning the strings and bridge are hanging off ... So I took it upon myself to reset the bridge. I used epoxy as it had to sit on the previously repaired top which was a bit uneven. I worked at it carefully and got it all done, strung it up, and BINGO - that thing came alive :) So then she would not let me play it any more (I was hogging it ...), so I found another Framus arch back, and the saga continues. Hers has a more playable neck. Mine is a bit more modern and needs a bridge reset too, but once done I know what it will do :D
Great playing and tone on the 335 at the start of this! The guitarist from Floral plays a Daisy Rock Les Paul and he plays some awesome, super technical stuff on it. Definitely underrated guitars!
Do a blind speed dating where rob, the captain and Pete all get given the same guitars at different times and have 10 seconds to play a guitar then get swapped to the next one and have to decide which one they like the most Do a guitar olympics. Different rounds like fastest guitar string change or quickest pedal and amp dialling in, quickest pedal board build
Oh man, another hour of the Captain’s Guitars. I’m glad I’m not the only one who’s guitar habit is so bad that I have guitars that I forget I even own.
A trick for stringing a Bigsby is to pre bend the strings to curve around the bar first. The string will tend to stay on the pin while you connect the other end.
Yes, the "everything wrong" Fender. I had one of those. A mid 90's mexican strat with tiny frets and a 6 barrell saddle, top load bridge. Bought it in a pawn shop in 1998 for $150. I'd put that thing up against any other tele I've ever played even with its flaws. It just had a thing. I sold it to a friend, and it's his #1 now, and has been for 10 years.
Regarding the '70s black finish on Fenders. Yes....it can/will revert back to black! My '78 P-bass went "marbley" - and was like that for some years. Now, it's all black again!
I know i'm kind of young for this to happen but i recently bought a guitar made in my birth year as well. I bought a 1992 PRS CE3 a few months ago. I got a great deal on it and it was cheaper than a new ce-24 by a mile. kind of beaten up but i figure i will be before long too. wanted to jump on it before all early 90s have collectors prices on them. It's perfect and means a lot to me, money well spent. This is my house on fire guitar.
I recognize that the Martin Dreadnaught (and its sound) represents one of the classic acoustic guitars, however, there are fair number of others whose appearance and tone are of equal renounce and quality. The Gibson ‘Nick Lucas’ comes to mind readily as does Django’s Selmer. In the end though, your tour of you guitars is a breath of fresh air, open, honest and entertaining. Thank you much for you graceful contribution to quarantine palliatives. My ‘gotta have that’ moment brought me my Gibson L130, a short-lived run of genius grand concert instruments. If you ever get a chance to play one, take it. Whenever I take it out in the world, it draws attention.
Recently had experience with my 1st acoustic (1996 Simon & Patrick SP6) recently picked it up from my parents where it was stored after probably 15 years of not being used, to find the neck was pulling away, bridge lifting and needed complete refretting and decided it was too sentimental to leave in its state, so I got it refretted and repaired and can honestly say it's like when I first got it and has become my most played guitar again. I'm a sucker for buying guitars for milestones in my life....
When stringing you’re Bigsby, use a pencil and a capo. Wrap the ball end of the string around the pencil so it takes on a curved shape. This will help it curl around the bar and onto the peg. Use the capo to hold the string in place while your seating the ball onto the peg. Easy peasy.
That was great Lee the time I watched you show off your guitars was with Rob in your house and you had a Westham front covered amp Fender blues junior that must have been a few years back :-) thank Lee great fun
Lee, that '79 is your best sounding strat. It's so fat and squishy.. sounds huge. Even better than your sunburst custom shop. At least on this recording.
I agree with the Fender, I agree with the Gibson, but I gotta say to me I prefer a Taylor. IDK what it is about it, but I just really can't get enough of the sound of a good Taylor. Thanks for sharing Cap'n!
"B & S L" could well be Beare and Sons Ltd., British music distributors who had a Toronto branch office. Here's an AllExperts posting (hiya, Jim!) on a Beare and Sons Ltd. mandolin, with a similar "Sole Agents" label. Beare and Sons were distributors, not manufacturers, and they supplied stringed and brass instruments with their own label -- and probably with other labels. The source Jim G quoted on AllExperts mentions that the company imported and sold European instruments (German, Czech) in the UK and presumably in Canada, so the guess of European manufacture seems pretty reasonable. So continuing to speculate, "Michigan" might have been a Beare and Sons "house brand," with a variety of manufacturers making instruments under that label to be sold through the B & S L distribution network. Alternatively, it might have been a special "export" label of a larger European manufacturer, to which B & S L acquired UK/Canada distribution rights. I've looked at several Framus and Hofner older tenor banjos on-line, and can't find one with the individual resonator flange segments that the Elderly banjo has. So the manufacturer -- if there was a single one -- still seems obscure, at least to me.
Lol, I used to use the paper under the string at the nut when I was about 14 years old. I had a candy apple red Lotus flying V that my parents bought me as my 1st decent guitar. After maybe 2 years my a string started buzzing like that so I think I actually figured out on my own to stick a piece of a cardboard match stick in the nut slot. Of course it had to be changed every time I changed strings. But hey, it worked just fine. I used a similar technique to fix loose volume/tone knobs. Shim it on up baby!
Do a Danish Pete's Guitar Collection.
Stay tuned... We will see what we can do! 😉
@@andertons 😍😍😍
But... it would just be his tele...
Just watch his Captain meets episode
Great idea!
“Never ever, ever think that you’re not good enough for something”. I like that Cap’n, thank you.
I read your comment at the same time he was saying it 😂 weird
I like that a lot too. Getting something you don’t feel “good enough” for can also inspire you and push you to improve 🤷♀️
Kate Brittain that’s it! That’s what I did with my Les Paul
The ''lee lick'' is legendary now.Really.
No video is complete without The Captain's Lick
@@andertons I agree.Greetings from the beautiful Greece.
@@andertons I played this lick, ironically, in another guitar shop and I heard someone said "Captain!!!". I replied with "I said what?". This story is true, but for 10 bonus points, do you know the reference?
Derek Chapman ‘Wot’- Captain Sensible.
That’s what his wife says.
Here is some information on your dad's guitar....
have seen many people asking about this brand while I have read much that is erroneous or plain wrong although a number of people have managed to get to the bottom of this enigma, it has not been publicised. Basically, the music dealer Beare & Son Ltd of London, with a branch in Toronto for many years, is an old-established instrument dealer-now over 150 years old and still going strong.
Back in the 1930s this company was a big Gibson dealer in London and Toronto- it is featured in Paul Fox's book "The Other Brands of Gibson". Like many retailers of that era- Selmer in London, which created the "Columbian" brand for US imports, Beare & Son Ltd or B & S L as it says on the badge created "The Michigan" as its own US import brand. There was a huge guitar boom in the UK in the 1930s and banjos were being tossed aside to be replaced by guitars- and American guitars had that extra appeal- that's where the music was coming from. In the 1930s from what I can deduce, these guitars were made in Chicago- Regal, Harmony and Kay. A little oval badge was nailed on the headstock and a sticky badge that was the same was also inside. The badge also stated "SOLE AGENTS" and "MADE IN USA." Now, a number of people have connected this brand with Beare & Son Ltd but plenty of people, it seems think that because it was The Michigan then there must be a Gibson connection. This is not the case- obviously, Michigan was the home of Gibson and the choice of that state as a brand name was redolent Big Time with a certain well-known instrument maker!
Beare & Son retailed Gibson brands in the UK and Canada but unlike Francis,Day & Hunter with its FDH Special, did not sell Gibson instruments under its own brand- or so it seems. I have seen a Harmony archtop from the late 1930s with a carved plastic headstock veneer that features the company's trade mark of the "cat and fiddle" a very impressive headstock, for sure and the cat & fiddle is still the company's logo. If you want to see him, there's a Beare & Son Gibson catalogue from 1936 that can be found via Google and he's on most pages with a big rendition towards the back. World War Two stopped this business and after the dust cleared and the pound sterling had sunk, guitar imports from the USA were a distant memory and the firm imported guitars from Europe- mostly the Eastern Bloc. The badge was the same but the MADE IN USA had gone.
Quite often, The Michigan branded guitars from the 1930s show up on ebay, and the sellers do not know what they have. Most of these guitars are clearly exactly the same as the Regal, Kay and Harmony originals but the name throws people. Attributing guitars to Gibson is not unusual when you do not know its origin and with a brand like The Michigan it is assumed that the guitars were made in that state- so, they are from Gibson. Now, if Beare & Son Ltd had called the brand The Illinois, this would not happen- or less often!Anyway, I hope this clears up matters and helps people to ascertain the true maker of these guitars and the odd mandolin, as well. To conclude, I have a date stamped Harmony H1265 Valencia sold as a Michigan- it's not a Gibson- it's a Harmony guitar, and no matter how hard I try, I
When did they add chapter descriptions directly to the timeline? That's amazing.
We had seen a few comments requesting for our longer videos to be broken down into chapters, glad to see you're enjoying the new feature! 🤘
@@andertons Really brings your production quality to a whole new level, and it was already setting the bar ! Love the extra effort !
That's appeared on some of my videos where there are timestamps in the description - think it's a YT thing!
UA-cam started interpreting timestamps as chapters. Happened on my album-length videos, it's a very good feature on their part.
Normal people "please make this hellish lockdown end". Guitar players and gamers. "What lockdown?".
Genuinely, the only major change is I can't jam with my musicians cause all the practice rooms are closed.
@@dcflake5645 Hmmm... and all the concerts cancelled?
I gotta admit, my chops have never been better 😂
Nah, mate. No gigs, no cash. Some of my friends have it rough.
Guitar players are so different than gamers. Gamers can play multiplayer games perfectly on their own. As a musician You can't indefinitely play on your own at home. You need to meet people and play outside. Playing music is a performance. Gaming is not.
Man, I remember the original Captain's guitar collection ages ago. Damn... that must've been 6 years ago now? Jeez, time flies.
Time flies & guitars multiply! 🤣
Just finished watching the entirety of the interview with your dad and now I'm right into this!
No better video to follow... Welcome to the Andertons family 🤘
This channel is so much more interesting with Captain and Pete leading the charge. The Captain has always been very relatable, and now his playing has come a long way. Pete has that pure child like joy that just makes him so enjoyable to watch. Both seem like really cool dudes.
how about Pete's collection?
If we can get enough comments to convince Danish Pete, then i'm sure we can make this happen! 😉
Just wanna say Lee’s playing is SOOO GOOD. Proof that practice and learning gets results. His playing has significantly sky rocketed within the year.
I like hearing Lee talk, it's like hearing the father I never had.
That Reverend guitar sounds awesome.
That Daisy Rock sounds GOOD with the crunch.
It really does
I watched both videos of your collection Lee and I speak for many that it puts a smile on our faces with the fun and informative videos Andertons makes. I agree, the most valuable guitars are the ones most sentimental to each of us. Keep up the great work all of you. Stay safe. Peace.
"I walked into my shop, saw my guitar, realised that "I want that guitar", and then realised I already owned it, and the entire contents of the shop and the shop itself, but I bought it anyway"; this is an Escher-esque story.
This feels like a therapy just watching these guitars, hearing a story about em! the type of content i live for. awesome
I guess the Strat at 33:00 is where they got the inspiration for the Dark Knight strat
I was just thinking that
Surprisingly I own a B.S.L. guitar that I got from my grandfather. From what I was able to find out the company is Beare and Son LTD, they're still in existence today. I believe they sold in London UK and Toronto Canada (where my grandfather got his) and are German built guitars during the 50s and early 60s.
I guess as an addendum I should add they did exist before the 50s and 60s. My understanding is they were basically a Commonwealth version of Kay guitars.
Hey Cap I was overwhelmed with your personal guitar history when you got to your D-35. I owned for 40 odd years a 1972 D-35 and had it refurbished by Martin after traveling and gigging with it for many years. It was in pretty rough shape when I sent it to Martin and they had it for almost a year. When it returned it was incredible. A full neck reset and repair of cracks in the ebony were just the beginning of what they did and it was all for free. They also returned it with a new case which wasn’t charged for or requested. What a company. Anyhow I had to sell mine a few years ago and I have regretted it ever since and seeing yours somehow made me feel better like one had found a good home. Cherish it dude and don’t sell it even if you need the money.
35:26 *FINALLY AFTER 12 YEARS ON THIS CHANNEL.*
Clapton did have a 70s sunburst strat that looked like brownie.
2 years later, but I have to say that I really enjoyed this solo setup you have here. Very watchable. if you ever need an idea for a video, just do more of this. By yourself, talking to camera. Lovely.
When he says, he’s an advocate for your always good enough. So basically if you can sfford expesnive and want it get it. Doesn’t matter how good or bad you are. That is the sort of attitude you want from someone! Top dude lee!
The captain alone in the Andertons shop gives me depression.
Would it make you feel better to remind you that he's not in the shop?
It makes a difference for me if someone who sells guitars, also loves them as much as i do. Great presentation, thank you for that!
In the early '80's I took a semester of guitar in High School. I bought myself an inexpensive Harmony western for the class from the local music store. The store owner was also the music teacher for our high school, so I got even more of a deal since it was for his guitar class. It was nice enough, and everyone said it sounded really good considering its price. But there was one kid in this class using his dad's Martin. Wow. Night and day. Even the teacher/store owner said it was the nicest sounding one he'd ever played, and he owned a pretty nice Martin as well. I'm not really an acoustic fan, but your story reminded me (35 years later) that if I was ever to buy quality acoustic, it would have to be a Martin.
Yes please PETE do a guitar collection video, SOON!!!!!
I like the cheeky smile as he says "I like this guitar" it just felt wholesome
That Martin is incredible and you’ve given me the idea that I want a guitar from the year I was born on my 40th birthday. Thanks Cap!
"I know Lewis doesn't drive for Ferrari..." Nice save there Lee!!!!!!!
😉
Lewis Hamilton does own a ferrari fyi lol
Lee making that 4 year prediction
@@NightPwnGaming I forgot about these comments and now I'm dead.....
That Martin sounds freaking awesome!
I had the "thats the one" feeling when I picked up my Taylor acoustic in a shop 4 years ago. Still love it.
I bought a Daisy Rock for my daughter. Build quality was quite good.
Love the story behind each guitar. keep the videos coming. Thanks for all you do!
Nice to see some colour and sparkle. Guitars are fun to play, so why no be fun to look at? You need a G&L in one of their incredible glitter finishes.
Asat w/silver flake and the enormous p 90s
Captain,
I believe what you said was “do you have a story about an acoustic guitar?”
I was a teenager in the early 70s and started to learn guitar. Back in those days guitars were not set up when you pulled them down off the wall and I really didn’t understand the importance of set up or actually how simple it really is (basic physics). So in those days finding a guitar I liked had little to do with looks and it was all about playability and staying in tune. In those days everyone loved Martins but the $600 price tag for a new D35 was significant for many of us. At the time my acoustic style was evolving with capos (sometimes two). Every Martin I saw in a shop that I put a capo on was no longer in tune and adding a second cut capo was not an option either. In 1995 I was visiting one of my favorite guitar shops and they have this new thing, an acoustic room (a big deal back then). I was not familiar with this guitar company but there were about 15 Taylors on the wall. As was my style I played them all and was really drawn to a certain dreadnought. Given the list price of $2800 (American) I didn’t even bother to mention it to my wife. But while I was there I noticed the Taylor magazine called wood & steel so I took one home. The cover story was called “a walk through the woods” and I learned much about various tonewoods used in Taylor guitars. It turned out that the dreadnought I had been playing was a fall Limited edition with Brazilian rosewood back and sides and Engleman Spruce top. Well, what a lesson in tone woods that was for me.
Well I decided to buy that guitar but my wife decided I would need to sell equipment to find the money. So after I sold my 90s Clapton Strat, a 70s P bass and my amp and pedalboard, I brought it home.
That’s when I learned at least with acoustic guitars to just play as many as I could and the best ones would always get my attention, they essentially chose me.
And I still find that which ever Taylor I play, adding a capo does not require a re-tune. I really believe the quality that Taylor brought to the acoustic guitar market completely change the industry, forcing other companies to do better set ups on guitars offered for sale.
And ironically enough, this Brazilian 810 sounds less like a Taylor and more like a Martin…
I have my Mom's 49 Gretsch New Yorker she bought in 1950 brand new! She toured with it for years. I inherited it a few years ago!
Wow, more colours, not only amber and sunburst 🤣
I love the story behind your Gray Guitar emperor!
Wouldn't want steel strings on that old Michigan if it hasn't got a truss rod. Lovely unpretentious collection. That Martin sounds just incredible!!!! I can feel its power through my headphones.
That 335 is an absolute dream!!
That 70s Strat !!!! I thought it was blue over black. I absolutely love it
Man this is outstanding...you gave me lesson of humbleness! Thank you for that.
You are getting better and better on the guitar since the beginning of andertons channel. Once again thanks for all.
21:25 the moment we were all waiting for
Those are some great guitars. now we need pete's collection
Info about the Michigan... the dealer was Beare & Son Ltd, a London and Toronto-based Gibson dealer. The Michigan is a guitar which is virtually the same as many Harmony and Kay guitars keep the time. The one you have is likely from the 1930s.
That dark purple ("black") 70s Strat is quite possibly the most beautiful guitar I've ever seen. Hearing it was all a weird chemical reaction ("accident") only makes it better.
My acoustic that is "The One" is a 2000 Martin D12 (12 string dreadnought). Picked it up when my dad took me to Norman's at age 13. Both he and Norm decided I'd bonded with the guitar and couldn't be separated from it, so it was my Christmas present for that year. The space above the sound hole is scratched to hell, I got a little chip in the headstock, and the binding has shrunk off and needs gluing, but that is still the absolute best sounding acoustic guitar of all time. Both warm and bright and sounds absolutely huge.
i love my 5120! it was donated to me by an amazing human being that upgraded it with a set of GFS Surf 90 pickups and some good locking tuners.
the locking tuners definitely make string changes easier with the Bigsby, but i also have a little tip/tricks for anyone struggling with Bigsby restringing:
magnets. i just take the smallest strongish magnet i can find from the ol' fridge, slip the ball end over the Bigsby string post, and cap it with the magnet.
i actually thought of the idea when restringing a banjo and mandolin with loop end strings in one sitting for a friend. after about the 6th frustrating mandolin string i had the magnet idea, and it makes life so much easier! 💚
Johnny Resin Great idea! You can buy small super strong magnets on eBay very reasonably!
I use a magnet to cover the trem hole on my Strat when I remove the trem arm to stop the tension spring falling out!
Works a treat!
cecil stolberg magnets are magic!
I've just this moment finished watching the video.
Lee, thankyou.
Thankyou for the stories behind all the guitars.
I totally agree with you on the acoustic, it has to be a Martin.
I'm in the market for an acoustic at present and I always have the martin sound in my head when I try one, I cant afford a martin at present, but I listen for what's closest.
Once again Lee, thankyou.
The story about the Martin was worth waiting for.
Ahoy Skipper ! Another good presentation ! The Michigan ? My first guitar of which I have two black & white photos only taken 1967... It was (is ?) a JAZZ Hollow Body with One Neck Pick-Up... Two f's in the style of Hofner... or Gretsch... Left it with a good friend and never obtained it back during world travels... He died (RIP) and took the Guitar... or secret... or both, to the grave with him ! and 'Skipper'... Looking through the window from 'outside' the house (diff focus) ... If I had to rush into a burning house for one of your guitars, then I would grab the Martin... Great Tone... Irreplaceable ! Oh ! and Second comment.. I have been "Joined-at-the-hip" to my 1972 ESTON 'Made in Italy' by EKO for the Australian market... We are now both 'Vintage' together !! Which of the seven guitars of mine would I burn my fingers for ??????? The Lot !!!!!!! 🤠...
Ive never been a big 335 fan , but that red slightly flame top at the beginning of the video is stunning .
Would also love to see Beas collection!
...correct me if i'm wrong but, omg that Gretsch !!!!! and a beautiful story to accompany it...
Captain your videos are great, its great pleasure to watch. Thanks really.
Also a 72 issue (as a previous commenter coined). Love the birth year guitar gift idea. As you pointed out, 50 is around the corner! So, we’ll see.
Oh the joy of year of birth guitars. Bought a red 1977 Yamaha SF-700 last year for exactly the same reason. To be honest, chances are fairly high it's a 1978 (serial numbers are not 1000% certain in those years) but that's an excuse I'll only use when I spot another 1977 guitar I lust for.
I totally get what he means when he says that sometimes something you don't really dig will sneak up on you and then you realize that you like it. For me its rosewood boards and big head stocks on a strat, I used to really dislike both but they've really grown on me lately.
Beautiful guitars!!! Danish Pete's guitar collection next, please
335 indeed, that nitro finish is spectacular! Thanks for keeping me entertained! Really great seeing someone model the correct behavior during these crazy times!!! Top notch! PS super glue the nut if it’s cut to deep, as seen on The Guitologist.
His playing honestly sounds better and better every single video, great stuff!
I really liked the Gray Guitars Emperor, especially the sentimental value of it.
And that Martin story is awesome!
Such a cool collection. That black Fender reissue sounds bold. That's the tone I'd go for in a blues/rock strat.
That’s cool! My dad was born in ‘72.
Absolutely loved this, thanks for sharing - Love the 70s Black strat !
Can we get a Danish Pete Guitar Collection video pls? I think I speak for all of us: we need it
That mitchigan... what a sound!
I bought a second hand Taylor 914ce from you guys and fell in love!! Got it for a steal! Pure heaven!,,
Lee, for restringing the bigsby, hook the ball end on, put tension on the string and clamp it down with a capo while stringing the tuners. Learned this after putting a bigsby on my firebird.
That ghost-fog black strat may not turn your crank, but from out here, it is seriously impressive. The deep warm bass counterpoints the treble nicely, especially on the neck pick-up :)
Yes, I have had that moment. My wife owns a Framus B50 arch back student guitar which she bought as a teenager. It got partially run over by a VW bus back in the day (1970's sometime) and was very modestly repaired. She played it and I messed around on it, but always liked my acoustics better. And one day a few years ago she said it did not sound all that good, so it was going on the stand as display only... A few months later we hear a bang in the middle of the night. Next morning the strings and bridge are hanging off ...
So I took it upon myself to reset the bridge. I used epoxy as it had to sit on the previously repaired top which was a bit uneven. I worked at it carefully and got it all done, strung it up, and BINGO - that thing came alive :)
So then she would not let me play it any more (I was hogging it ...), so I found another Framus arch back, and the saga continues. Hers has a more playable neck. Mine is a bit more modern and needs a bridge reset too, but once done I know what it will do :D
That red 335 is awesome. I own a simple blonde epi and I love it.
I love the sound of the reverend with both pickups. Wow.
The 335 is a beauty. Love a Strat but that 335 sounds stunning.
Regarding your dads guitar- B&S is Beare & Sons. They used to make a lot of banjo's and ukelele's as well
This has to go to the Caps eyes.
Great playing and tone on the 335 at the start of this!
The guitarist from Floral plays a Daisy Rock Les Paul and he plays some awesome, super technical stuff on it. Definitely underrated guitars!
Do a blind speed dating where rob, the captain and Pete all get given the same guitars at different times and have 10 seconds to play a guitar then get swapped to the next one and have to decide which one they like the most
Do a guitar olympics. Different rounds like fastest guitar string change or quickest pedal and amp dialling in, quickest pedal board build
That Grey sounds great! That might be your perfect studio recording electric guitar.
That Grays guitar looks fantastic!
Oh man, another hour of the Captain’s Guitars. I’m glad I’m not the only one who’s guitar habit is so bad that I have guitars that I forget I even own.
Thanks for sharing the journey:)!
A trick for stringing a Bigsby is to pre bend the strings to curve around the bar first. The string will tend to stay on the pin while you connect the other end.
Yes, the "everything wrong" Fender. I had one of those. A mid 90's mexican strat with tiny frets and a 6 barrell saddle, top load bridge. Bought it in a pawn shop in 1998 for $150. I'd put that thing up against any other tele I've ever played even with its flaws. It just had a thing. I sold it to a friend, and it's his #1 now, and has been for 10 years.
Thank you for entertaining us during lockdown!
I really like that plum tree fretboard... out of his whole collection I'd probably want that grey guitar
That Reverand guitar looks & sounds great.
Regarding the '70s black finish on Fenders. Yes....it can/will revert back to black! My '78 P-bass went "marbley" - and was like that for some years. Now, it's all black again!
I know i'm kind of young for this to happen but i recently bought a guitar made in my birth year as well. I bought a 1992 PRS CE3 a few months ago. I got a great deal on it and it was cheaper than a new ce-24 by a mile. kind of beaten up but i figure i will be before long too. wanted to jump on it before all early 90s have collectors prices on them. It's perfect and means a lot to me, money well spent. This is my house on fire guitar.
I recognize that the Martin Dreadnaught (and its sound) represents one of the classic acoustic guitars, however, there are fair number of others whose appearance and tone are of equal renounce and quality. The Gibson ‘Nick Lucas’ comes to mind readily as does Django’s Selmer. In the end though, your tour of you guitars is a breath of fresh air, open, honest and entertaining. Thank you much for you graceful contribution to quarantine palliatives. My ‘gotta have that’ moment brought me my Gibson L130, a short-lived run of genius grand concert instruments. If you ever get a chance to play one, take it. Whenever I take it out in the world, it draws attention.
Recently had experience with my 1st acoustic (1996 Simon & Patrick SP6) recently picked it up from my parents where it was stored after probably 15 years of not being used, to find the neck was pulling away, bridge lifting and needed complete refretting and decided it was too sentimental to leave in its state, so I got it refretted and repaired and can honestly say it's like when I first got it and has become my most played guitar again. I'm a sucker for buying guitars for milestones in my life....
Ahhh..🤘😎We needed this .This is breath of fresh air . Especially with everything going on in the world.Thank you so much for sharing,mate.🤘😎
When stringing you’re Bigsby, use a pencil and a capo. Wrap the ball end of the string around the pencil so it takes on a curved shape. This will help it curl around the bar and onto the peg. Use the capo to hold the string in place while your seating the ball onto the peg. Easy peasy.
Sweet sounding 335! Tasty licks from the captain!
That 1979 Strat actually sounds amazing... Another video Idea... Please do a comparison between all your strats.
Heck yeah! And it's got the single cut snarl!
The Daisy
That was great Lee the time I watched you show off your guitars was with Rob in your house and you had a Westham front covered amp Fender blues junior that must have been a few years back :-) thank Lee great fun
That first lick was great :) great job Captain. I am starting to look up to you as an inspiration now!
Lee, that '79 is your best sounding strat. It's so fat and squishy.. sounds huge. Even better than your sunburst custom shop. At least on this recording.
I agree with the Fender, I agree with the Gibson, but I gotta say to me I prefer a Taylor. IDK what it is about it, but I just really can't get enough of the sound of a good Taylor. Thanks for sharing Cap'n!
"B & S L" could well be Beare and Sons Ltd., British music distributors who had a Toronto branch office. Here's an AllExperts posting (hiya, Jim!) on a Beare and Sons Ltd. mandolin, with a similar "Sole Agents" label. Beare and Sons were distributors, not manufacturers, and they supplied stringed and brass instruments with their own label -- and probably with other labels. The source Jim G quoted on AllExperts mentions that the company imported and sold European instruments (German, Czech) in the UK and presumably in Canada, so the guess of European manufacture seems pretty reasonable.
So continuing to speculate, "Michigan" might have been a Beare and Sons "house brand," with a variety of manufacturers making instruments under that label to be sold through the B & S L distribution network. Alternatively, it might have been a special "export" label of a larger European manufacturer, to which B & S L acquired UK/Canada distribution rights.
I've looked at several Framus and Hofner older tenor banjos on-line, and can't find one with the individual resonator flange segments that the Elderly banjo has. So the manufacturer -- if there was a single one -- still seems obscure, at least to me.
Lol, I used to use the paper under the string at the nut when I was about 14 years old. I had a candy apple red Lotus flying V that my parents bought me as my 1st decent guitar. After maybe 2 years my a string started buzzing like that so I think I actually figured out on my own to stick a piece of a cardboard match stick in the nut slot. Of course it had to be changed every time I changed strings. But hey, it worked just fine. I used a similar technique to fix loose volume/tone knobs. Shim it on up baby!