A video is one thing, but I have it on my board rn and it sucks all the low end out of my bass when I use it, even on the most modest of settings. I'm replacing it with MXR Dyna Comp mini pedal.
On the Xotic SP, the switch on the front panel controls the level of compression, i.e., low/medium/high compression. Attack and release times can each be set to low or high with two of the internal DIP switches (the others enable a high-cut filter and an input pad).
Indeed, and in addition, the Blend knob mixes in direct (dry) bass signal, not compression. And Volume is for gain matching, or can be used as a boost. Jack, might be nice to re-do the captions as to not misrepresent then controls.
The thing with most "mini" pedals is that with side jacks, they don't take up much less room than bigger pedals with top jacks (when placed side-by-side obviously).
I have the TC electronic. It is an always on pedal. Very good. With so many different sounding toneprints you will find something that you like. It is very versatile and since you find yours, very simple to use with one knob. Mxr is an amazing company, I have the BassDi+ and I like it, but this compressor is the worst of the six. Too much noise
I recently got the Ego mini to use on bass. My first Wampler, and the pedal was dead on arrival....... Take 2 and the pedal is excellent, the blend knob makes this pedal super useful.
Thanks for the mighty fine demo. I'm new to electric bass. Coming from mandolin so never needed pedals for compression. I like the simple SpectraComp. Will help me easy in....I'm pretty sure it won't be my last pedal from what I am seeing here on You Tube.
Thank you! Yes! Spectra Comp is the perfect compressor to start with. I did too. Not only is it easy to use, but it gets the player used to hearing and actually registering when the compression is being applied, and then when it is releasing, without worrying about how the knobs are set or wondering what should be happening. It’s perfect to start training your ear to hear the compression because at first, it’s hard to even hear at all
Great work, dude. I had to open up my SP compressor and set the internal dip switches to get the sound I want. I might try it with 18v in a few weeks. 😁
@@SPaulAndrewMaertens I have no headroom issues with the standard 9v but I’ll definitely let you know as soon I receive my voltage doubler in the mail. If you want to know my dip switch settings Paul, everything is down except the one on the far right (4). Sounds great with my passive fender basses and rumble amp👍🏻Enjoy. 😁
Great demo! I have to be honest. Out of all the comps, the MXR dyna comp bass makes the least sense to me. Does anyone use it at all and is it even remotely useful?
Has anyone tried either of these (3): Diamond Pedals Bass Comp. Ebs Multi Comp or Becos FX CompIQ Mini-Compressor - these 3 are the Best I've come across doing tons of research. Any input is Appreciated.
@@AmbientBassCreations Yeah ( I like it too ) - Empress has a Bass Comp MkII - also looks very full featured = ( now I have 4, that I am looking at )???
why give tc electronic spectra comp 1 star for versatillity? seen as its a 3 band comp in one and tone prints you can edit? yes its a bit mind boggling i just got it this week i admit ive yet to find or dial up a decent sound even with the ''famous'' ppl tone prints sound bland with my set up..ill keep diggin in :P
Due to lack of user control. The tone prints you have to use their settings. The user can’t physically control and parameter like attack, release, ratio, etc on the unit. To change different parameters and tone prints you have to download software, plug it into a computer, learn the software interface, etc.. in my opinion for these reason it’s not very versatile, and to make it versatile, there’s a decent amount of extra effort that’s required.
i understand where your coming from ive steared clear from compression until now this year ive got tc electronic scf the sans amp yyz geddy lee the cirrus by kma machines a duotime by nux and a cheapo but nice joyo double thruster i played bass 23 years ago in a band sold all my gear to buy synths but just this year got back into bass and this year its taking all my time and spare money im thinking a boss gx 100 as i play electric gutar as well ESP and try to instead of buying all these boutique pedals anyway we will see but as my question to you i see what you mean now..have you or anyone tryed the mxr bass comp its the one i wanted before i bought the specra as i thought that would be good not just a one knob thing. @@AmbientBassCreations
I think you're a little unfair to the Spectra Comp in regards to versatility, with the Tone Print feature you can deep edit and also load different compressor types and artist settings, which makes it very versatile in my humble opinion. Otherwise this is a great comparison video. I have been playing for over 30 years and have resisted putting a compressor on my pedal board, but lately I've been coming around and looking at adding a compressor mini pedal, so this video is very helpful. Think I'm leaning towards the Spectra Comp but that Xotic SP and Wampler sure did sound pretty nice to my ears.
That is true. Tone print could bump up the versatility score up a bit. I was judging by it only having one knob that increases or decreases whatever print your choose but technically it is actually pretty versatile, thanks!
Sorry to hijack, bass players, but would love to know which of these you think would be best for bass synth in a live situation. When the filter opens the volume jumps and I'm thinking about a comp pedal to hold it down.
Dig a little deeper on the SP comp. There’s internal dip switches that are for attack and release control but also, a dip switch for higher output control (for higher powered hum bucker pickups)… but maybe doing a little investigating on that, may lead to that being something that could work with your issue as well. Thats just the first thing that comes to mind, Iv’e never done anything with synths so I could be wrong. If that theory is wrong, i’d actually still go with the SP since it has release control in the dip switches. Knowing nothing really about synths and this specific filtering volume jump issue, I would think you would want to compress it, and keep it there and not let it get released if that makes sense, and use the Blend knob to regain your signal. I’m just throwing some thoughts out there and hope you find a solution. And dude, I buy pedals to make my bass sound like a bass synth so no apology necessary! Welcome
@@MrRingerStatus reverb.com/item/35880270-becos-fx-compiq-one-pro-compressor-for-guitar-and-bass? The CompIQ by BECOS has a gain reduction meter but none of the minis in the video have any indication.
Spectracomp is more versatile, than you give credit... the tone print system, that you can get online, and change the properties inside the pedal with it.
I definitely see what you are saying but my thinking is that you have to download the software, and learn it, and create your setting and plug the thing and load up tone prints, etc.. Don’t get me wrong, all of that is cool and not that hard (I do that with TC stuff and Source Audio stuff) but this isn’t a pedal you can just throw on your board and dial in multiple settings right out of the box because it only has one knob
The Whitey Tighty has a dry blend knob that allows you to have control of your regular bass signal which will come in really handy since compression squashes your signal loosing some low end, and gain pedals naturally compress your signal so that’s a double dose of comp, and distortion also sucks up low end
So you can compress your signal and then bring in your regular low bass signal to get the low end back. If you like high, twangy, bright dirty tones, then the Hotone Komp.. it has a tone knob you can brighten the signal up with and the Spark button adds even more brightness
The DB 599 is really quiet. With both Comp and Gain maxed out it's more quiet then the EGO Mini and I think would beat all 6 in the video in noise level. Gain boosts the volume pretty well and the Comp control has a wide range of compression and it's really warm. It so easy to boost your signal up with the Gain, and then roll the compression past noon, and tame the twang and rattle of the strings for a nice smooth warm tone. It would be better if it had a Tone control, but in my opinion and my ambient style of playing, it's quiet, smooth and warm so I think it's a great mini compressor.
I honestly can’t 100% remember the exact one since it was so long ago but in going back and looking at all the TonePrints just now i’m pretty sure it was the “Straight Up The Middle” by Walter Barnes Jr. That rigs a bell and I would totally put an even, versatile print in for myself, and the video. Hope that helps!
You don't do any " A - B-ing " as far as " pedal on - pedal off " except at the very beginning of each segment and by the time the segment is finished who knows what it sounded like without the pedal dude . There's no reference to go by 🤔
I know what you mean. That was my first VS video and especially with compressors that would have been helpful. Thanks and sorry for the very late reply.
The Whitey Tighty is a great-sounding pedal, EXCEPT that the comp knob does absolutely nothing!! Has no effect whatsoever, I have owned 2 from different eras, purchased brand-new, and heard the same from others.
❤️
Xotic SP Compressor sounded the best to my ears, smoother and that blend knob is just fantastic
A video is one thing, but I have it on my board rn and it sucks all the low end out of my bass when I use it, even on the most modest of settings. I'm replacing it with MXR Dyna Comp mini pedal.
Fantastic. Thanks for this.
I wasn’t sure JHS would be right for my bass. I’m definitely getting one now, underpants and all.
TC Electronic is surprisingly good.
Clear, loud and crisp when compressed.
Unbelievable.
Thank you for sharing.
It's very helpful. 🙂
the whitey tighty is perfect for guitar and keys, and i guess bass too!
Josh for the win. IMHO. Keeps the tone and compression is even keel without clipping much.
I really like the concept of the TC because you got many different pedals in 1 unit because of the Toneprints.
On the Xotic SP, the switch on the front panel controls the level of compression, i.e., low/medium/high compression. Attack and release times can each be set to low or high with two of the internal DIP switches (the others enable a high-cut filter and an input pad).
Indeed, and in addition, the Blend knob mixes in direct (dry) bass signal, not compression. And Volume is for gain matching, or can be used as a boost. Jack, might be nice to re-do the captions as to not misrepresent then controls.
Thanks I appreciate it. Made a note in the description as I can't change text without deleting the video entirely.
Thanks I appreciate it. Made a note in the description as I can't change text without deleting the video entirely.
For the Blend knob, fully counterclockwise is dry; fully clockwise is wet.
The thing with most "mini" pedals is that with side jacks, they don't take up much less room than bigger pedals with top jacks (when placed side-by-side obviously).
True but most top jack pedals are rather expensive.
I'm a fan of the TC Spectra Comp. Nice and simple to use and it's awesome on double bass too.
I have the TC electronic. It is an always on pedal. Very good.
With so many different sounding toneprints you will find something that you like. It is very versatile and since you find yours, very simple to use with one knob.
Mxr is an amazing company, I have the BassDi+ and I like it, but this compressor is the worst of the six. Too much noise
I recently got the Ego mini to use on bass. My first Wampler, and the pedal was dead on arrival....... Take 2 and the pedal is excellent, the blend knob makes this pedal super useful.
I realy like the Komp. Ship. Versatile. And smooth.
Thanks for the mighty fine demo. I'm new to electric bass. Coming from mandolin so never needed pedals for compression. I like the simple SpectraComp. Will help me easy in....I'm pretty sure it won't be my last pedal from what I am seeing here on You Tube.
Thank you! Yes! Spectra Comp is the perfect compressor to start with. I did too. Not only is it easy to use, but it gets the player used to hearing and actually registering when the compression is being applied, and then when it is releasing, without worrying about how the knobs are set or wondering what should be happening. It’s perfect to start training your ear to hear the compression because at first, it’s hard to even hear at all
Great work, dude. I had to open up my SP compressor and set the internal dip switches to get the sound I want. I might try it with 18v in a few weeks. 😁
That’s a good point, I’ve heard the 18v sounds better and may be quieter, but I don’t know this from experience
@@SPaulAndrewMaertens I have no headroom issues with the standard 9v but I’ll definitely let you know as soon I receive my voltage doubler in the mail. If you want to know my dip switch settings Paul, everything is down except the one on the far right (4). Sounds great with my passive fender basses and rumble amp👍🏻Enjoy. 😁
SP sounded smoothest to me.
Great demo!
I have to be honest. Out of all the comps, the MXR dyna comp bass makes the least sense to me. Does anyone use it at all and is it even remotely useful?
Absolutely, it's a fantastic pedal
Having the clean to blend in and out is such a lovely feature
I'm kinda impressed with the Hotone. Definitely not the best in the lot, but at that price, I might actually consider getting one.
I know right! Unfortunately Hotone discontinued this pedal, so if you find one for anything close to 50 bucks then swoop it up quick!
This is super helpful, thank you!!
👍👍👍
All about the dynacomp bass 💪💪💪
Has anyone tried either of these (3): Diamond Pedals Bass Comp. Ebs Multi Comp or Becos FX CompIQ Mini-Compressor - these 3 are the Best I've come across doing tons of research. Any input is Appreciated.
I just checked out the Becos mini comp and it seems like a definite contender. Thanks
@@AmbientBassCreations Yeah ( I like it too ) - Empress has a Bass Comp MkII - also looks very full featured = ( now I have 4, that I am looking at )???
I honestly love my bass soul preacher
thanks Jack, love the intro
I know I don't want the one with underpants on it, no matter how good it may be!
Agree. 100%. What a stupid idea. Guy jockey shorts on a compressor pedal.
I want it specifically for the art tbh.
why give tc electronic spectra comp 1 star for versatillity? seen as its a 3 band comp in one and tone prints you can edit? yes its a bit mind boggling i just got it this week i admit ive yet to find or dial up a decent sound even with the ''famous'' ppl tone prints sound bland with my set up..ill keep diggin in :P
Due to lack of user control. The tone prints you have to use their settings. The user can’t physically control and parameter like attack, release, ratio, etc on the unit. To change different parameters and tone prints you have to download software, plug it into a computer, learn the software interface, etc.. in my opinion for these reason it’s not very versatile, and to make it versatile, there’s a decent amount of extra effort that’s required.
i understand where your coming from ive steared clear from compression until now this year ive got tc electronic scf the sans amp yyz geddy lee the cirrus by kma machines a duotime by nux and a cheapo but nice joyo double thruster i played bass 23 years ago in a band sold all my gear to buy synths but just this year got back into bass and this year its taking all my time and spare money im thinking a boss gx 100 as i play electric gutar as well ESP and try to instead of buying all these boutique pedals anyway we will see but as my question to you i see what you mean now..have you or anyone tryed the mxr bass comp its the one i wanted before i bought the specra as i thought that would be good not just a one knob thing.
@@AmbientBassCreations
@@AmbientBassCreationsI like it when you crank all the way up on the TC Electronic Spectra Comp. It's so clear and quiet when compressed.🙂
Ego mini 👍👍
I think the wampler has nicer highs and a smooth attack
I think the jhs sounds the most musical out of them all
I think you're a little unfair to the Spectra Comp in regards to versatility, with the Tone Print feature you can deep edit and also load different compressor types and artist settings, which makes it very versatile in my humble opinion. Otherwise this is a great comparison video. I have been playing for over 30 years and have resisted putting a compressor on my pedal board, but lately I've been coming around and looking at adding a compressor mini pedal, so this video is very helpful. Think I'm leaning towards the Spectra Comp but that Xotic SP and Wampler sure did sound pretty nice to my ears.
That is true. Tone print could bump up the versatility score up a bit. I was judging by it only having one knob that increases or decreases whatever print your choose but technically it is actually pretty versatile, thanks!
Thanks a lot! Very helpful.
Glad it helped!
would you recommend
any of these on an active bass?
I’ve used the spectra comp and the ego with an active bass to keep things as quite as possible
Sorry to hijack, bass players, but would love to know which of these you think would be best for bass synth in a live situation. When the filter opens the volume jumps and I'm thinking about a comp pedal to hold it down.
Dig a little deeper on the SP comp. There’s internal dip switches that are for attack and release control but also, a dip switch for higher output control (for higher powered hum bucker pickups)… but maybe doing a little investigating on that, may lead to that being something that could work with your issue as well. Thats just the first thing that comes to mind, Iv’e never done anything with synths so I could be wrong. If that theory is wrong, i’d actually still go with the SP since it has release control in the dip switches. Knowing nothing really about synths and this specific filtering volume jump issue, I would think you would want to compress it, and keep it there and not let it get released if that makes sense, and use the Blend knob to regain your signal. I’m just throwing some thoughts out there and hope you find a solution. And dude, I buy pedals to make my bass sound like a bass synth so no apology necessary! Welcome
@Jack Weingartner thanks! Question - which of these minis has a visual indicator of gain reduction? even a blinking LED is helpful.
@Jack Weingartner thanks! Question - which of these minis has a visual indicator of gain reduction? even a blinking LED is helpful.
@@MrRingerStatus reverb.com/item/35880270-becos-fx-compiq-one-pro-compressor-for-guitar-and-bass? The CompIQ by BECOS has a gain reduction meter but none of the minis in the video have any indication.
@Jack Weingartner yes I've seen that one and the full size. Look like amazing full-featured pedals.
Spectracomp is more versatile, than you give credit... the tone print system, that you can get online, and change the properties inside the pedal with it.
I definitely see what you are saying but my thinking is that you have to download the software, and learn it, and create your setting and plug the thing and load up tone prints, etc.. Don’t get me wrong, all of that is cool and not that hard (I do that with TC stuff and Source Audio stuff) but this isn’t a pedal you can just throw on your board and dial in multiple settings right out of the box because it only has one knob
I use the hipergravity mini from Tc Electronic and is really usefull
Oh yeah I bet! TC Electronic makes great equipment. I’ll have to check it out
Is Hypergravity work well on bass?
What compressor do you suggest that would sound best with bass distortion?
The Whitey Tighty has a dry blend knob that allows you to have control of your regular bass signal which will come in really handy since compression squashes your signal loosing some low end, and gain pedals naturally compress your signal so that’s a double dose of comp, and distortion also sucks up low end
So you can compress your signal and then bring in your regular low bass signal to get the low end back. If you like high, twangy, bright dirty tones, then the Hotone Komp.. it has a tone knob you can brighten the signal up with and the Spark button adds even more brightness
Nice demo ! Did you have the chance to try the Aguilar DB599 mini compressor? I'm curious about this one.
The DB 599 is really quiet. With both Comp and Gain maxed out it's more quiet then the EGO Mini and I think would beat all 6 in the video in noise level. Gain boosts the volume pretty well and the Comp control has a wide range of compression and it's really warm. It so easy to boost your signal up with the Gain, and then roll the compression past noon, and tame the twang and rattle of the strings for a nice smooth warm tone. It would be better if it had a Tone control, but in my opinion and my ambient style of playing, it's quiet, smooth and warm so I think it's a great mini compressor.
Thanks ! Gotta try that one now! 👍
JHS sounded the best imo. What a nice surprise.
Hi! Wich toneprint are you using in the TC Electronics Spectra Comp?
I honestly can’t 100% remember the exact one since it was so long ago but in going back and looking at all the TonePrints just now i’m pretty sure it was the “Straight Up The Middle” by Walter Barnes Jr. That rigs a bell and I would totally put an even, versatile print in for myself, and the video. Hope that helps!
You don't do any " A - B-ing " as far as " pedal on - pedal off " except at the very beginning of each segment and by the time the segment is finished who knows what it sounded like without the pedal dude . There's no reference to go by 🤔
Em, you always can replay the video.
I know what you mean. That was my first VS video and especially with compressors that would have been helpful. Thanks and sorry for the very late reply.
The Whitey Tighty is a great-sounding pedal, EXCEPT that the comp knob does absolutely nothing!! Has no effect whatsoever, I have owned 2 from different eras, purchased brand-new, and heard the same from others.
The comp knob sets the threshold. It doesn't change the ratio or attack. It definitely does something just not what you are expecting