What a gem. The most nuanced version I have heard. Balance, sensitivity, perfection. Congratulations and my thanks to the interpreter, the conductor, the ensemble, camera and acoustic excellence. . From Winnetka, Illinois USA
This playing is very fine nuanced, and is in itself a great tribute to Mozart. The small details are never neglected, and so this will be one of my favourites.
Such a sublime ‘conversation’ the pianist shared with the orchestra. As continuo, support, commentary or accentuation, this interpretation was delightful, revelatory and enriching to my mind and soul . Bravo
Listening to classical music is like embarking on a journey through different eras and styles. Whether it's the Baroque elegance of Bach or the Romantic expressiveness of Chopin, there's a piece for every mood and occasion.
Tout Mozart ds sa délicatesse et sa légèreté ❤❤❤ j adore Mozart en général mais la + encore ds cette finesse qui lui est propre..pas facile de la rendre..Merci..c est 1 bonheur ❤❤❤❤❤❤❤❤❤❤❤❤
Todo fluye en esta recreación. El pianista me ha sorprendido gratamente por su fraseo y lenguaje, y el señor Ballot tiene un especial don para que la música se eleve como nunca. Aun estando muy lejos de la perfección técnica, la emoción se respira en muchos momentos. Un rareza en los tiempos que corren.
This blew me away. Mozart's piano concertos 19-24 are very familiar to me. This is on another level. It shows Mozart's talent for composition maturing like a great wine. And, as many have commented, the performance is exceptionally nuanced.
On the first hearing, the free addition of the piano part made me surprised very much. As a matter of fact, his piano playing is so fantastic that I really enjoyed through the performance of both piano and orchestra. Cadenza of the last movement is another surprise touching me a lot. This is actually one of the best recordings of this masterpiece ever to my impression. Thanks a lot for sharing this great video.
A great new orchestra and younger conductor. They have an air of easy going relaxed and confidant performance. The whole video is well done. I never get tired of this creative masterpiece of composition out of Mozart. Well done - and you exude your own joy of the rendering you give.
It's not in the score. Mozart played there as well for sure, but the audience couldn't have heard it because the fortepiano had a much more delicate sound than the modern piano.
Bravo ad maximum... I've heard this sublime, restrained concerto dozens of times in life, but only once live, decades ago (pianist was Badura-Skoda, in New York). This upload was for me the best-played version of all, and my introduction to this pianist Blettenberg (I'm ashamed to admit). Although I could have lived without the pianist's à-la-Baroque involvement in some of the tutti passages, he managed that very discreetly. His quasi-jazz cadenzas in the third movement thrilled me; were they his own? Mozart's own handling of the development portion of the first movement was the greatest thrill of all, even if it had been played badly!
Yes, also I am a little astonished by some of his cadenzas, who sometimes were new to me. But played very fine! And I have never listened to Aris Alexander Blettenberg before. But I am not ashamed to admit he is new to me.
A great rendition of my favourite piano concerto by Mozart! The performers successfully convey the serenity and the subtle nuances of the piece. I'm inclined to think that it is romantic indulgence to describe the piece as a swansong, as I don't think Mozart would have known that this would prove to be his last piano concerto. However, there is a certain air of mysteriousness, especially in the first movement, not least because of the introductory first bar. I must say, your channel has many excellent videos of live performances. A shame I hadn't been aware of Südtirol in concert earlier. A while ago on a trip, I passed through South Tyrol on my way to Venice from Innsbruck. I remember being quite struck with the scenery. I really ought to make a note of travelling to the region again and paying a visit to the concert hall (which seems to be in Meran, judging by the video description).
Thank you! I'm glad you like my videos. Besides in Meran I produce this videos in various concert halls and churches in this region. There would be a lot to discover if you come again 🙂
Si esta MARAVILLOSA JOYA,MOZART la compuso poco antes de morir,muy joven,es de imaginar QUÉ HUBIESE COMPUESTO A LOS 50 años!!! EXCEPCIONAL INTERPRETACION!!!! Es una "EPIFANÍA"INCONMENSURABLE!!!!! APLAUSOS A PIANISTA Y ORQUESTA!!!!
Look at the fingers of the pianist. So smooth and fluent they flow over the keys! Beautiful. And such a magnificent piece of music! Oh... Danke schön. ((But I wonder why orchestras so often wear only black. Isn't it quite dark and mellow? Boring?))
Peculiar the pianist is filling in with cords during the orchestral part. Never heard this before by other pianists. Know Mozart left parts open for improvisation, which he did himself too, also in the cadenza's.
Da sehe ich eine Divinerina..... Simon... ist das der Akustik vom Saal? Edit: ich glaube ich sehe ZWEI Divinerinnen.... ups.. ich werde alt... es sind sogar 3 :)
Tutto bello anzi bellissimo, ma il pianista deve fare il pianista e l,orcheste,, l,orchstra, non mi piacciono inserimenti del pianoforte sulla parti dell'orchestra
Mr Blettenberg plays beautifully and musically, however I find his primitive intrusion in the beautiful orchestral introduction disturbing and irritating. It sounds as if he is bored and just can’t wait to get his hands on the keyboard! It is easy to imagine Mozart himself sitting and improvising as he often did if he felt there was room and he could add something interesting and you can be sure it would be a treat. But here his introduction is so beautiful preparing the way for a magical entrance by the solo piano and great pianists get inspiration for their own timely entrance. Blettenberg ruins it. Likewise his little virtuosic runs in a mini cadenza in the last movement are totally superfluous! Thank goodness he doesn’t try to replace Mozart’s own cadenza. I see Blettenberg is a composer and I hope he will write a piano concerto but please, don’t mess with Mozart!
The first time I heard this, I was engaged in doing my art, and not watching my phone I was not immediately aware of the soloist’s“ primitive” incursions during the orchestral introduction. I think your criticisms of Mr. Battenburg come off, sounding slightly stuffy and “ivory toweresque” It wasn’t unusual for composers to conduct from the piano, and I would imagine that some of them showed empathy with the orchestra during the introduction as well. I can’t imagine Mozart being terribly upset by Mr. Battenberg’s sensitive and maybe atouch quaint, premature accompaniment.
He plays the harmonies in the introduction because it was supposed to be like that. Everybody did it. Mozart usually wrote con great attention also the numbers for the figured bass part, it was completely normal that the soloist would participate in all the orchestral sections of the composition, leading them from the piano. Beethoven continued with this tradition, even in the 5th concerto he fixed the harmonies for the piano accompaniment (not only) of the introduction, you can find it in the score of the Bärenreiter edition.
Eines seiner schönsten Klavierkonzerte, wunderschön gespielt! Vielen herzlichen Dank 👍 🤗 🌻
Solange diese Welt existiert wird auch die Musik von Mozart auch immer weiter leben...
What a gem. The most nuanced version I have heard. Balance, sensitivity, perfection. Congratulations and my thanks to the interpreter, the conductor, the ensemble, camera and acoustic excellence. . From Winnetka, Illinois USA
Thank you very much!!
Ottimo 😅conc😅
Tutti all,altezza. Bravi.F.D.Longo.Gia,Dir.CoknservatorioMu.diTaranto.
This playing is very fine nuanced, and is in itself a great tribute to Mozart. The small details are never neglected, and so this will be one of my favourites.
My reference in this is Menahem Pressler with Paavo Järvi as conductor. I believe A. A. Blettenberg with this orchestra reaches the same level.
😊
Exécution très subtile, et tout à fait dans l'esprit "musique de chambre", de cet ultime concerto pour piano du "Divino Mozart". ❤❤❤❤🧡💛💚💛🧡❤❤❤❤❤
This piece reminds me of a day when everything is great and you're skipping through a field of flowers 💐 what a great composer he was 😊.
What a wonderful master composer Mozart was❤❤❤
Such a sublime ‘conversation’ the pianist shared with the orchestra. As continuo, support, commentary or accentuation, this interpretation was delightful, revelatory and enriching to my mind and soul . Bravo
Listening to classical music is like embarking on a journey through different eras and styles. Whether it's the Baroque elegance of Bach or the Romantic expressiveness of Chopin, there's a piece for every mood and occasion.
Agreed. But very much "In general". What music is your favourite amongst all classical music?
Sensibilité époustouflante de l'orchestre
Tout Mozart ds sa délicatesse et sa légèreté ❤❤❤ j adore Mozart en général mais la + encore ds cette finesse qui lui est propre..pas facile de la rendre..Merci..c est 1 bonheur ❤❤❤❤❤❤❤❤❤❤❤❤
Todo fluye en esta recreación. El pianista me ha sorprendido gratamente por su fraseo y lenguaje, y el señor Ballot tiene un especial don para que la música se eleve como nunca. Aun estando muy lejos de la perfección técnica, la emoción se respira en muchos momentos. Un rareza en los tiempos que corren.
This blew me away. Mozart's piano concertos 19-24 are very familiar to me. This is on another level. It shows Mozart's talent for composition maturing like a great wine. And, as many have commented, the performance is exceptionally nuanced.
Gorgeous. The notes rise to the heavens. This pianist really know Mozart!
On the first hearing, the free addition of the piano part made me surprised very much. As a matter of fact, his piano playing is so fantastic that I really enjoyed through the performance of both piano and orchestra. Cadenza of the last movement is another surprise touching me a lot. This is actually one of the best recordings of this masterpiece ever to my impression. Thanks a lot for sharing this great video.
Gorgeous !!!
음악이란 예술의 고결함이 유난히 돋보이는 연주.
Beautiful music 🎶
El pianista es excelente y acompañado por una gran orquesta. 👏👏👏👏👏👏
감사합니다
Es ist hervorragend. Esta a toda madre!! It's just right.
Mozart’s music is the immortal lullaby of the soul, and will quench and moisturize the dryness o the soul
A great new orchestra and younger conductor. They have an air of easy going relaxed and confidant performance. The whole video is well done. I never get tired of this creative masterpiece of composition out of Mozart. Well done - and you exude your own joy of the rendering you give.
Bravissimo Alexander
Wunderbar - Danke.
Gerne!
magic sound and touch
This is a wonderful recording! I had not previously reallized how much piano is present in the opening tutti section.
It's not in the score. Mozart played there as well for sure, but the audience couldn't have heard it because the fortepiano had a much more delicate sound than the modern piano.
모차르트의 음악성
타고났지요
타고났다는것은
그만큼노력도
했다는것이다❤❤❤❤❤
Bravo!!!
superb!
Wunderbare Musik,das Leben ist schön, jawohl 🤩❤️ danke
Wonderful! Thank you.
Bravo ad maximum... I've heard this sublime, restrained concerto dozens of times in life, but only once live, decades ago (pianist was Badura-Skoda, in New York). This upload was for me the best-played version of all, and my introduction to this pianist Blettenberg (I'm ashamed to admit). Although I could have lived without the pianist's à-la-Baroque involvement in some of the tutti passages, he managed that very discreetly. His quasi-jazz cadenzas in the third movement thrilled me; were they his own? Mozart's own handling of the development portion of the first movement was the greatest thrill of all, even if it had been played badly!
Yes, also I am a little astonished by some of his cadenzas, who sometimes were new to me. But played very fine! And I have never listened to Aris Alexander Blettenberg before. But I am not ashamed to admit he is new to me.
감사합니다.
Mozart❤❤❤!
Notice the resemblance to Brahms second piano concerto (if only for an instant) at 23:24.
A great rendition of my favourite piano concerto by Mozart! The performers successfully convey the serenity and the subtle nuances of the piece. I'm inclined to think that it is romantic indulgence to describe the piece as a swansong, as I don't think Mozart would have known that this would prove to be his last piano concerto. However, there is a certain air of mysteriousness, especially in the first movement, not least because of the introductory first bar.
I must say, your channel has many excellent videos of live performances. A shame I hadn't been aware of Südtirol in concert earlier. A while ago on a trip, I passed through South Tyrol on my way to Venice from Innsbruck. I remember being quite struck with the scenery. I really ought to make a note of travelling to the region again and paying a visit to the concert hall (which seems to be in Meran, judging by the video description).
Thank you! I'm glad you like my videos. Besides in Meran I produce this videos in various concert halls and churches in this region. There would be a lot to discover if you come again 🙂
Absolutely wonderful musical performance it is spiritual and of Jesus. 🙏🎼💛
fabelhaft wunderbahr
Mein Kopfhörer geht nicht,bin noch im. Krankenhaus,ab nächster Woche wieder zu Hause, zu gern hätte ich zugehört ❤😊😮
Das Video ist auch nächste Woche noch zu sehen 🙂 Bis dahin, Gute Besserung! 🤗
❤angel music
@@Suedtirolinconcert❤
❤the highest performance
@@Suedtirolinconcert❤
Si esta MARAVILLOSA JOYA,MOZART la compuso poco antes de morir,muy joven,es de imaginar QUÉ HUBIESE COMPUESTO A LOS 50 años!!!
EXCEPCIONAL INTERPRETACION!!!!
Es una "EPIFANÍA"INCONMENSURABLE!!!!!
APLAUSOS A PIANISTA Y ORQUESTA!!!!
שלום קהל ישראל קדש וכבוד וברך אני בן יוסף משיח בן דוד שלמה הרוח אלוהים נח
Those few measures after 25:10 - Mozart was dipping his toe into Romanticism - those are not typical Mozartean harmonic progressions.
Look at the fingers of the pianist. So smooth and fluent they flow over the keys! Beautiful. And such a magnificent piece of music! Oh... Danke schön. ((But I wonder why orchestras so often wear only black. Isn't it quite dark and mellow? Boring?))
Peculiar the pianist is filling in with cords during the orchestral part. Never heard this before by other pianists. Know Mozart left parts open for improvisation, which he did himself too, also in the cadenza's.
音が弾んでる。利かせどころはタッチが柔らかく絶妙で素晴らしい。ぶらぼー。
Da sehe ich eine Divinerina..... Simon... ist das der Akustik vom Saal? Edit: ich glaube ich sehe ZWEI Divinerinnen.... ups.. ich werde alt... es sind sogar 3 :)
😀
@@Suedtirolinconcert ja da sind zwei divinerinnen
Dès que j'écoute Mozart je m'évade instantanément de cette planète meurtrie par certains infâmes humains
Tocar Mozart não é inventar acordes que não existem.
ÇOK ZEVKLE DİNLEDİM.
J'ECOUTE AVEC BEAUCOUP DE PLAISIR
Tutto bello anzi bellissimo, ma il pianista deve fare il pianista e l,orcheste,, l,orchstra, non mi piacciono inserimenti del pianoforte sulla parti dell'orchestra
Mr Blettenberg plays beautifully and musically, however I find his primitive intrusion in the beautiful orchestral introduction disturbing and irritating. It sounds as if he is bored and just can’t wait to get his hands on the keyboard! It is easy to imagine Mozart himself sitting and improvising as he often did if he felt there was room and he could add something interesting and you can be sure it would be a treat. But here his introduction is so beautiful preparing the way for a magical entrance by the solo piano and great pianists get inspiration for their own timely entrance. Blettenberg ruins it. Likewise his little virtuosic runs in a mini cadenza in the last movement are totally superfluous! Thank goodness he doesn’t try to replace Mozart’s own cadenza. I see Blettenberg is a composer and I hope he will write a piano concerto but please, don’t mess with Mozart!
The first time I heard this, I was engaged in doing my art, and not watching my phone I was not immediately aware of the soloist’s“ primitive” incursions during the orchestral introduction. I think your criticisms of Mr. Battenburg come off, sounding slightly stuffy and “ivory toweresque” It wasn’t unusual for composers to conduct from the piano, and I would imagine that some of them showed empathy with the orchestra during the introduction as well. I can’t imagine Mozart being terribly upset by Mr. Battenberg’s sensitive and maybe atouch quaint, premature accompaniment.
He plays the harmonies in the introduction because it was supposed to be like that. Everybody did it. Mozart usually wrote con great attention also the numbers for the figured bass part, it was completely normal that the soloist would participate in all the orchestral sections of the composition, leading them from the piano. Beethoven continued with this tradition, even in the 5th concerto he fixed the harmonies for the piano accompaniment (not only) of the introduction, you can find it in the score of the Bärenreiter edition.
Il pianista esagera un po' con gli abbellimenti
Orchestra is too small.