Album available // Dinu Lipatti: The Last Recital at Besançon 🎧 Qobuz (Hi-Res) cutt.ly/3eEl2iIe Tidal (Hi-Res) cutt.ly/8eEl2lba 🎧 Apple Music (Lossless) cutt.ly/NeEl2Rzx Deezer (Hi-Fi) cutt.ly/xeEl2S8l 🎧 Amazon Music (Hi-Fi) cutt.ly/reEl9y8J Spotify (mp3) cutt.ly/aeEl9gIL 🎧 Idagio (Hi-Fi) (off) UA-cam Music (mp4) cutt.ly/WeEl9Ddf 🎧 Naspter, Pandora, Anghami, Soundcloud, QQ音乐, LineMusic, AWA日本… 00:00 Applause and Opening Arpeggios in B-flat Major Johann Sebastian Bach (1685-1750) Partita No. 1 in B-flat Major, BWV 825 00:40 I. Praeludium 02:20 II. Allemande 04:55 III. Courante 07:50 IV. Sarabande 12:30 V. Menuets I & II 15:21 VI. Gigue 18:49 Speaker's presentation, Applause and Opening Arpeggios in B-flat Major and E Dominant seventh chord Wolfgang Amadeus Mozart (1756-1791) Piano Sonata No. 8 in A minor, K. 310 19:26 I. Allegro maestoso 24:44 II. Andante cantabile con espressione 30:42 III. Presto 34:50 Speaker's presentation, Applause and Opening Arpeggios in A minor to D-flat Dominant seventh chord Franz Schubert (1797-1828) 36:42 4 Impromptus, Op. 90, D. 899: No. 3 in G-flat Major 41:46 4 Impromptus, Op. 90, D. 899: No. 2 in E-flat Major 47:28 Speaker's presentation, Applause and Opening Arpeggios in E-flat Major Frédéric François Chopin (1810-1849) 48:04 Waltz No. 5 in A-flat Major, Op. 42 51:32 Waltz No. 6 in D-flat Major, Op. 64, No. 1 "Minute" 53:07 Waltz No. 9 in A-flat Major, Op. Posth. 69, No. 1 "Farewell" 56:21 Waltz No. 7 in C-sharp minor, Op. 64, No. 2 58:11 Waltz No. 11 in G-flat Major, Op. Posth. 70, No. 1 59:35 Waltz No. 10 in B minor, Op. Posth. 69, No. 2 1:02:34 Waltz No. 14 in E minor, Op. Posth. 1:04:50 Waltz No. 3 in A minor, Op. 34, No. 2 1:08:19 Waltz No. 4 in F Major, Op. 34, No. 3 1:10:22 Waltz No. 12 in F minor, Op. Posth. 70, No. 2 1:11:42 Waltz No. 13 in D-flat Major, Op. Posth. 70, No. 3 1:13:34 Waltz No. 8 in A-flat Major, Op. 64, No. 3 1:16:15 Grande Valse Brillante in E-flat Major, Op. 18 Piano: Dinu Lipatti Recorded in 1950, at Besançon (France) New mastering in 2023 by AB for CMRR 📱 Join us on our WhatsApps page: bit.ly/3Mraw1r 🔊 Discover our new website: www.classicalmusicreference.com/ 🔊 Download CMRR's recordings in High fidelity audio (QOBUZ) : bit.ly/370zcMg 🔊 FOLLOW US on SPOTIFY (Profil: CMRR) : spoti.fi/3016eVr ❤ If you like CMRR content, please consider membership at our Patreon or Tipeee page. Thank you :) www.patreon.com/cmrr // en.tipeee.com/cmrr Noël Boyer, present on the 16t of September 1950, related his memories of that day: « Dinu Lipatti was programmed for the afternoon at the Parlement around 4 o’clock. He had arrived that morning. The recording, or rather the broadcast, was being done live; and a half-hour before the audience arrived at the Salle du Parlement, we learnt that Lipatti was at his hotel, felled by an attack. Madeleine Dinu Lipatti was obviously at his side in a state you can imagine, and a miracle occurred: exactly five minutes before the announcement of the concert, we saw Dinu Lipatti arrive, supported by his admirable wife, and I say well supported because he could barely walk. A half-hour earlier, the doctors were still at his bedside, giving him shot after shot. It was lovely weather, very hot. An armchair had been prepared for us in the small room that served as our studio, as well as a rest studio for all the artists who gave recitals in the Salle du Parlement. An armchair had been set up, and in front of it, three electric heaters; a woollen blanket awaited Dinu Lipatti who, wan and shivering in a cold sweat, was sprawled in this armchair. When it came time to play, we were still hesitating over going on the air and making the announcement. But inexorably, the time had come. And that's when the miracle of music occurred: at that moment, throwing back the blanket, standing, pushing the electric heaters aside, Dinu Lipatti, with a firm, lively, assured step, walked to his piano. And it can truly be said that, at that moment, music was a veritable breath of life for Dinu Lipatti. Between each [group of] piece[s], he came and collapsed in this armchair. He was given a shot, he was given a cordial, and off he went again to play. » - Le journal ‘La République’ : « Surmontant avec un courage extraordinaire, une grande fatigue, tenant avant tout à faire face d ses engagements, Dinu LIPATTI est monté samedi sur l'estrade de la Chambre des audiences solennelles, ancienne Salle du Parlement de Franche-Comté, devant un public - particulièrement nombreux, puisque le Parlement, proprement adit et l'antichambre, étaient archi-combles. Nul ne fut déçu, le prodigieux artiste s’est prodigué en toute simplicité et chacun put apprécier le virtuose que les capitales ont, au cours de ces dernières années très justement applaudi. Nous n'aurions garde d'analyser le jeu clair et subtil de Dinu LIPATTI et son tempérament; d'autres plumes plug autorisées ont déjà jeté à tous les vents, les échos de soirées magnifiques, où, comme samedi, Bach, Mozart, Schubert et Chopin ont trouvé un traducteur de première grandeur. Disons simplement, qu’égal la réputation qui lui est faite, l'éminent artiste fut digne du « FESTIVAL » et que les portes du Parlement se sont fermées, jusqu'à l’an prochain, en beauté. Objet de moult rappels, amplement mérités, le prestigieux pianiste qui se double aussi d'un compositeur, fit droit à la requête des auditeurs et les « bis » se succédèrent, dont l'un était une transcription due au talent de l’artiste lui-même. » - Le journal ‘Le Comtois’ : L’émotion qui étreignait la gorge des spectateurs qui s’entassèrent samedi après-midi dans la salle du Parlement a atteint, en fin de concert, une intensité poignante. Dinu Lipatti, jeune pianiste dont la renommée fait chanceler celle des plus grands maîtres du clavier était là et la noblesse de son attitude imposa à la salle le respect qui tempéra, tout au long de ce concert, l’ardeur d’un enthousiasme qui n’osait se manifester trop bruyamment. Pour commencer, Dinu Lipatti joua la Partita en si bémol majeur de Bach. D’une dignité sans compromis, son interprétation, dont la nuance reste sans cesse asservie à une forme contrapuntique qui est en elle seule, déjà un vrai chef d’oeuvre, nous a donné de Bach quelques pages ou la pureté d’expression était alliée à une clarté d’exposition sans défaut. Dans la Sonate en la mineur de Mozart, dont l’andante recèle des phrases d’une évocation presque tragique, le jeu sensible et léger de Dinu Lipatti nous fit oublier la vision enfantine à laquelle nous sommes trop souvent accoutumés pour nous donner de cette oeuvre un aspect profondément humains, dont la délicatesse extrême était dépouillé de toute sensiblerie. L’audition presque intégrale des deux impromptus de Schubert et des Valses de Chopin (celle en mi bémol exceptée) nous permit de mieux apprécier encore la virtuosité impeccable, souple, légère, frémissante et la sensibilité sans mièvrerie ni excès, de ce très grand musicien. (…) Le monde entier souhaite un prompt et durable rétablissement (à Dinu Lipatti), voeu qui fut traduit dans les applaudissements que la salle, debout, prodigua sans fin à ce véritable génie de la musique. » Chopin: 14 Waltezs, Barcarolle, Nocturne, Mazurka by Dinu Lipatti 🎧 Qobuz bit.ly/3wTQkw3 Tidal bit.ly/3kCnqvI 🎧 Spotify spoti.fi/3qHGtbB UA-cam Music bit.ly/3HqyPZ1 🎧 Apple Music apple.co/30k2imu Amazon Music amzn.to/3Dp2DmI 🎧 Deezer bit.ly/3qBOcI6 Soundcloud bit.ly/30Oc6ph 🎧 Naspter, Pandora, Anghami, Soundcloud, QQ音乐, LineMusic, AWA日本…
Thank you for this precious audio. Just a suggestion for your text to Bach‘s partita. It’s actually BWV 825. BWV 82 would be a cantata (“Ich habe genung”)
It's 1.30 am here and i can't sleep because of parkinsons. What a pleasure to have this beautiful treasure to take my mind away from my worries. Thank you for uploading.
I bought the LP version of this recording 41 years ago in London when I was a college freshman. The same amazing feeling I experience now. Thank you for uploading!
Lipatti's last recital is a milestone of musical art. Revelation in any note. Simply a perfection. We are happy to listen to Dinu Lipatti's musical testament. He was a true genius.
Noël Boyer, present on the 16t of September 1950, related his memories of that day: « Dinu Lipatti was programmed for the afternoon at the Parlement around 4 o’clock. He had arrived that morning. The recording, or rather the broadcast, was being done live; and a half-hour before the audience arrived at the Salle du Parlement, we learnt that Lipatti was at his hotel, felled by an attack. Madeleine Dinu Lipatti was obviously at his side in a state you can imagine, and a miracle occurred: exactly five minutes before the announcement of the concert, we saw Dinu Lipatti arrive, supported by his admirable wife, and I say well supported because he could barely walk. A half-hour earlier, the doctors were still at his bedside, giving him shot after shot. It was lovely weather, very hot. An armchair had been prepared for us in the small room that served as our studio, as well as a rest studio for all the artists who gave recitals in the Salle du Parlement. An armchair had been set up, and in front of it, three electric heaters; a woollen blanket awaited Dinu Lipatti who, wan and shivering in a cold sweat, was sprawled in this armchair. When it came time to play, we were still hesitating over going on the air and making the announcement. But inexorably, the time had come. And that's when the miracle of music occurred: at that moment, throwing back the blanket, standing, pushing the electric heaters aside, Dinu Lipatti, with a firm, lively, assured step, walked to his piano. And it can truly be said that, at that moment, music was a veritable breath of life for Dinu Lipatti. Between each [group of] piece[s], he came and collapsed in this armchair. He was given a shot, he was given a cordial, and off he went again to play. »
This brought me to the brink of tears. The energy that goes through a true artist's soul when they're performing is out-worldly and divine. Art is the only thing that outshines death.
Geniul muzical interpretativ al lui Dinu Lipatti a depasit si va depasi mereu bariera timpului! Pianul sub degetele sale transmite o muzica celesta! Acuratetea sunetului este desavavsita! Multumim ca ati facut pasibila aceasta auditie,un adevarat regal!
Quel pianiste! Quel toucher incomparable! Il habitait les œuvres comme personne. Mais son interprétation des Valses, inégalée, tient tout simplement du miracle!
Хочеться назвати Ліпатті божественним! Дуже рано пішов з життя. Подяка тим, хто дав нам змогу згадати цього чудового майстра фортепіанної гри.Браво, Діну Ліпатті!!!
Le journal ‘La République’ : « Surmontant avec un courage extraordinaire, une grande fatigue, tenant avant tout à faire face d ses engagements, Dinu LIPATTI est monté samedi sur l'estrade de la Chambre des audiences solennelles, ancienne Salle du Parlement de Franche-Comté, devant un public - particulièrement nombreux, puisque le Parlement, proprement adit et l'antichambre, étaient archi-combles. Nul ne fut déçu, le prodigieux artiste s’est prodigué en toute simplicité et chacun put apprécier le virtuose que les capitales ont, au cours de ces dernières années très justement applaudi. Nous n'aurions garde d'analyser le jeu clair et subtil de Dinu LIPATTI et son tempérament; d'autres plumes plug autorisées ont déjà jeté à tous les vents, les échos de soirées magnifiques, où, comme samedi, Bach, Mozart, Schubert et Chopin ont trouvé un traducteur de première grandeur. Disons simplement, qu’égal la réputation qui lui est faite, l'éminent artiste fut digne du « FESTIVAL » et que les portes du Parlement se sont fermées, jusqu'à l’an prochain, en beauté. Objet de moult rappels, amplement mérités, le prestigieux pianiste qui se double aussi d'un compositeur, fit droit à la requête des auditeurs et les « bis » se succédèrent, dont l'un était une transcription due au talent de l’artiste lui-même. » - Le journal ‘Le Comtois’ : L’émotion qui étreignait la gorge des spectateurs qui s’entassèrent samedi après-midi dans la salle du Parlement a atteint, en fin de concert, une intensité poignante. Dinu Lipatti, jeune pianiste dont la renommée fait chanceler celle des plus grands maîtres du clavier était là et la noblesse de son attitude imposa à la salle le respect qui tempéra, tout au long de ce concert, l’ardeur d’un enthousiasme qui n’osait se manifester trop bruyamment. Pour commencer, Dinu Lipatti joua la Partita en si bémol majeur de Bach. D’une dignité sans compromis, son interprétation, dont la nuance reste sans cesse asservie à une forme contrapuntique qui est en elle seule, déjà un vrai chef d’oeuvre, nous a donné de Bach quelques pages ou la pureté d’expression était alliée à une clarté d’exposition sans défaut. Dans la Sonate en la mineur de Mozart, dont l’andante recèle des phrases d’une évocation presque tragique, le jeu sensible et léger de Dinu Lipatti nous fit oublier la vision enfantine à laquelle nous sommes trop souvent accoutumés pour nous donner de cette oeuvre un aspect profondément humains, dont la délicatesse extrême était dépouillé de toute sensiblerie. L’audition presque intégrale des deux impromptus de Schubert et des Valses de Chopin (celle en mi bémol exceptée) nous permit de mieux apprécier encore la virtuosité impeccable, souple, légère, frémissante et la sensibilité sans mièvrerie ni excès, de ce très grand musicien. (…) Le monde entier souhaite un prompt et durable rétablissement (à Dinu Lipatti), voeu qui fut traduit dans les applaudissements que la salle, debout, prodigua sans fin à ce véritable génie de la musique. » 🔊 Discover our new website: www.classicalmusicreference.com/ 🔊 Download CMRR's recordings in High fidelity audio (QOBUZ) : bit.ly/370zcMg 🔊 FOLLOW US on SPOTIFY (Profil: CMRR) : spoti.fi/3016eVr ❤ If you like CMRR content, please consider membership at our Patreon or Tipeee page. Thank you :) www.patreon.com/cmrr // en.tipeee.com/cmrr
For me, and considering he was dying and indeed dead 3 months later, one of the truly very greatest performances/recordings ever, whether instrumental or voice! The passion, the emotion is palpable. So moving, so profound. As described on the original LP cover ''one of the great musical and human statements, a testimony to his [Lipatti's] transcendental powers, an almost frightening assertion of mind over matter''.
Με άγγιξε ο ηχος του βαθύτατα! Με συγκινησε! Ο ορισμός του "κύκνειου άσματος"! Εύχομαι να ευφραίνει τον παράδεισο με την απαράμιλλη μουσική του ευαισθησία!
J’aurais tellement voulu être là pour l’entendre au festival de ma ville de Besancon mais je n’avais que 5 ans hélas.... quel merveilleux pianiste! Ce qui est touchant c’est que c’est le dernier concert de sa courte vie!
I Have got the two LP Columbia Blue and Gold 33CX-1499 and 33CX-1500 and I'm still so moved by the sheer beauty of his playing even though he died six years before I was Born
Thank you so much for the video. I so wish it included the final part, when he left the stage due to exhaustion and then returned and played the Jesu, Joy of Man's Desiring. ❤🌹🌹🌹💐
In fact you can only listen to this concert with your hands folded. They are messages from another world delivered to us by a doomed man who makes this sacrifice with his last ounce of strength.
Quel enchantement dommage qu'il y ait 50 pubs ce récital pas loin de chez moi et en plus son dernier dans un chef d'oeuvre d'artisanat Français comment rêver mieux malgré le tragique du fait de son jeune âge une grosse perte pour le monde du piano. C'est vraiment mon pianiste favoris il avait un art de l'interprétation dont lui seul était maître Odihnește-te în pace artistul și îți mulțumesc pentru tot
Merci beaucoup!!! I lost words!!! Simply amazing and masterful restoration (I am ordering INA CD while the current Opus Kura was a major disappointment; I knew the second best was his EMI early box)!!! I am so delighted with your remastering!!! Thank you, again!!! Спасибо Вам большое!!! And, it's about time for INA and France to dis-cover the recording of the encore, Bach-Hess Cantata «Jesu, bleibet meine Freude» BWV 147. That should be your homework!!! ))
Es ist besonders die Mozart-Sonate, in der der innere Drang dieses Pianisten seinen bezwingenden Rhythmus findet: der unaufhaltsame Weg weg von dieser Welt... (Kompliment an die gelungene Remaster-Technik!)
Es uno delosgrandespianistaquemuriojoven yo loconociyoestuve en rumaniayllegue aloscincoaños loescuche y elañocincuenta Supequemuriohabiaconmocion todosllorabanasiqueahoracuando loescuchome emocionamuchomuchasgraciasporhacerletributoysitienenmasmusicatocadaporelselosagradeceriaquelapusieran perdonenperoyonosehablarenidioma
In the last 73 years, this must be the 372nd re-re-re-.....edition of this concert. It has always been available ever since it took place. What’s so new about it ? Please tell me. Thanks.
New media are enabling a new generation to discover this legendary performance. This is the first time you'll be able to hear every transitional arpeggio by Dinu Lipatti, as well as the announcer's presentation. The remastering has improved the sound quality compared with previous editions.
This first release of all the announcements and warmups (only those before the Bach and Mozart were previously released) came on a Solstice CD for which I wrote a 4000-word text, and this is the source from which this upload derives. There is also the false note in the Schubert G-Flat Impromptu that was edited out of the broadcast and all previous issues of this work, which is how it was actually played during the concert - this derives from source material from the widow's collection that I discovered in a private collection in 2015.
@@ThePianoFiles Thank you for this information and for contributing to this wonderful physical edition, which is without doubt the best yet (www.solstice-music.com/fr/album/lipatti-le-dernier-recital ). In this new digital edition, the sound quality is even slightly improved.
@@classicalmusicreferenceI don’t care a f***ing damn about transitional arpeggios and radio announcements. Want I care for is what Lipatti does of the works he plays. The rest is just bullshit for whoever likes bullshit more than music itself ! 😊👋
@@mm527 Indeed it was, so that is how the piano REALLY sounded. Most unfortunate. I have many recordings from that period where they used a better piano. They come across much better than this in both mono and early stereo.
Album available // Dinu Lipatti: The Last Recital at Besançon
🎧 Qobuz (Hi-Res) cutt.ly/3eEl2iIe Tidal (Hi-Res) cutt.ly/8eEl2lba
🎧 Apple Music (Lossless) cutt.ly/NeEl2Rzx Deezer (Hi-Fi) cutt.ly/xeEl2S8l
🎧 Amazon Music (Hi-Fi) cutt.ly/reEl9y8J Spotify (mp3) cutt.ly/aeEl9gIL
🎧 Idagio (Hi-Fi) (off) UA-cam Music (mp4) cutt.ly/WeEl9Ddf
🎧 Naspter, Pandora, Anghami, Soundcloud, QQ音乐, LineMusic, AWA日本…
00:00 Applause and Opening Arpeggios in B-flat Major
Johann Sebastian Bach (1685-1750) Partita No. 1 in B-flat Major, BWV 825
00:40 I. Praeludium
02:20 II. Allemande
04:55 III. Courante
07:50 IV. Sarabande
12:30 V. Menuets I & II
15:21 VI. Gigue
18:49 Speaker's presentation, Applause and
Opening Arpeggios in B-flat Major and E Dominant seventh chord
Wolfgang Amadeus Mozart (1756-1791) Piano Sonata No. 8 in A minor, K. 310
19:26 I. Allegro maestoso
24:44 II. Andante cantabile con espressione
30:42 III. Presto
34:50 Speaker's presentation, Applause and
Opening Arpeggios in A minor to D-flat Dominant seventh chord
Franz Schubert (1797-1828)
36:42 4 Impromptus, Op. 90, D. 899: No. 3 in G-flat Major
41:46 4 Impromptus, Op. 90, D. 899: No. 2 in E-flat Major
47:28 Speaker's presentation, Applause and Opening Arpeggios in E-flat Major
Frédéric François Chopin (1810-1849)
48:04 Waltz No. 5 in A-flat Major, Op. 42
51:32 Waltz No. 6 in D-flat Major, Op. 64, No. 1 "Minute"
53:07 Waltz No. 9 in A-flat Major, Op. Posth. 69, No. 1 "Farewell"
56:21 Waltz No. 7 in C-sharp minor, Op. 64, No. 2
58:11 Waltz No. 11 in G-flat Major, Op. Posth. 70, No. 1
59:35 Waltz No. 10 in B minor, Op. Posth. 69, No. 2
1:02:34 Waltz No. 14 in E minor, Op. Posth.
1:04:50 Waltz No. 3 in A minor, Op. 34, No. 2
1:08:19 Waltz No. 4 in F Major, Op. 34, No. 3
1:10:22 Waltz No. 12 in F minor, Op. Posth. 70, No. 2
1:11:42 Waltz No. 13 in D-flat Major, Op. Posth. 70, No. 3
1:13:34 Waltz No. 8 in A-flat Major, Op. 64, No. 3
1:16:15 Grande Valse Brillante in E-flat Major, Op. 18
Piano: Dinu Lipatti
Recorded in 1950, at Besançon (France)
New mastering in 2023 by AB for CMRR
📱 Join us on our WhatsApps page: bit.ly/3Mraw1r
🔊 Discover our new website: www.classicalmusicreference.com/
🔊 Download CMRR's recordings in High fidelity audio (QOBUZ) : bit.ly/370zcMg
🔊 FOLLOW US on SPOTIFY (Profil: CMRR) : spoti.fi/3016eVr
❤ If you like CMRR content, please consider membership at our Patreon or Tipeee page.
Thank you :) www.patreon.com/cmrr // en.tipeee.com/cmrr
Noël Boyer, present on the 16t of September 1950, related his memories of that day: « Dinu Lipatti was programmed for the afternoon at the Parlement around 4 o’clock. He had arrived that morning. The recording, or rather the broadcast, was being done live; and a half-hour before the audience arrived at the Salle du Parlement, we learnt that Lipatti was at his hotel, felled by an attack.
Madeleine Dinu Lipatti was obviously at his side in a state you can imagine, and a miracle occurred: exactly five minutes before the announcement of the concert, we saw Dinu Lipatti arrive, supported by his admirable wife, and I say well supported because he could barely walk.
A half-hour earlier, the doctors were still at his bedside, giving him shot after shot. It was lovely weather, very hot. An armchair had been prepared for us in the small room that served as our studio, as well as a rest studio for all the artists who gave recitals in the Salle du Parlement. An armchair had been set up, and in front of it, three electric heaters; a woollen blanket awaited Dinu Lipatti who, wan and shivering in a cold sweat, was sprawled in this armchair.
When it came time to play, we were still hesitating over going on the air and making the announcement. But inexorably, the time had come. And that's when the miracle of music occurred: at that moment, throwing back the blanket, standing, pushing the electric heaters aside, Dinu Lipatti, with a firm, lively, assured step, walked to his piano. And it can truly be said that, at that moment, music was a veritable breath of life for Dinu Lipatti. Between each [group of] piece[s], he came and collapsed in this armchair. He was given a shot, he was given a cordial, and off he went again to play. »
-
Le journal ‘La République’ : « Surmontant avec un courage extraordinaire, une grande fatigue, tenant avant tout à faire face d ses engagements, Dinu LIPATTI est monté samedi sur l'estrade de la Chambre des audiences solennelles, ancienne Salle du Parlement de Franche-Comté, devant un public - particulièrement nombreux, puisque le Parlement, proprement adit et l'antichambre, étaient archi-combles.
Nul ne fut déçu, le prodigieux artiste s’est prodigué en toute simplicité et chacun put apprécier le virtuose que les capitales ont, au cours de ces dernières années très justement applaudi.
Nous n'aurions garde d'analyser le jeu clair et subtil de Dinu LIPATTI et son tempérament; d'autres plumes plug autorisées ont déjà jeté à tous les vents, les échos de soirées magnifiques, où, comme samedi, Bach, Mozart, Schubert et Chopin ont trouvé un traducteur de première grandeur.
Disons simplement, qu’égal la réputation qui lui est faite, l'éminent artiste fut digne du « FESTIVAL » et que les portes du Parlement se sont fermées, jusqu'à l’an prochain, en beauté.
Objet de moult rappels, amplement mérités, le prestigieux pianiste qui se double aussi d'un compositeur, fit droit à la requête des auditeurs et les « bis » se succédèrent, dont l'un était une transcription due au talent de l’artiste lui-même. »
-
Le journal ‘Le Comtois’ : L’émotion qui étreignait la gorge des spectateurs qui s’entassèrent samedi après-midi dans la salle du Parlement a atteint, en fin de concert, une intensité poignante.
Dinu Lipatti, jeune pianiste dont la renommée fait chanceler celle des plus grands maîtres du clavier était là et la noblesse de son attitude imposa à la salle le respect qui tempéra, tout au long de ce concert, l’ardeur d’un enthousiasme qui n’osait se manifester trop bruyamment.
Pour commencer, Dinu Lipatti joua la Partita en si bémol majeur de Bach. D’une dignité sans compromis, son interprétation, dont la nuance reste sans cesse asservie à une forme contrapuntique qui est en elle seule, déjà un vrai chef d’oeuvre, nous a donné de Bach quelques pages ou la pureté d’expression était alliée à une clarté d’exposition sans défaut.
Dans la Sonate en la mineur de Mozart, dont l’andante recèle des phrases d’une évocation presque tragique, le jeu sensible et léger de Dinu Lipatti nous fit oublier la vision enfantine à laquelle nous sommes trop souvent accoutumés pour nous donner de cette oeuvre un aspect profondément humains, dont la délicatesse extrême était dépouillé de toute sensiblerie.
L’audition presque intégrale des deux impromptus de Schubert et des Valses de Chopin (celle en mi bémol exceptée) nous permit de mieux apprécier encore la virtuosité impeccable, souple, légère, frémissante et la sensibilité sans mièvrerie ni excès, de ce très grand musicien.
(…) Le monde entier souhaite un prompt et durable rétablissement (à Dinu Lipatti), voeu qui fut traduit dans les applaudissements que la salle, debout, prodigua sans fin à ce véritable génie de la musique. »
Chopin: 14 Waltezs, Barcarolle, Nocturne, Mazurka by Dinu Lipatti
🎧 Qobuz bit.ly/3wTQkw3 Tidal bit.ly/3kCnqvI
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Thank you for this precious audio. Just a suggestion for your text to Bach‘s partita. It’s actually BWV 825. BWV 82 would be a cantata (“Ich habe genung”)
@@floriandiazpesantes573 We forgot the "5", thank you :)
It's 1.30 am here and i can't sleep because of parkinsons. What a pleasure to have this beautiful treasure to take my mind away from my worries.
Thank you for uploading.
Meno male che la musica le è di conforto .. un abbraccio.. franco da Lecco
Please read the Anthony William books, the Medical Medium series.
I bought the LP version of this recording 41 years ago in London when I was a college freshman. The same amazing feeling I experience now. Thank you for uploading!
Lipatti's last recital is a milestone of musical art. Revelation in any note. Simply a perfection. We are happy to listen to Dinu Lipatti's musical testament. He was a true genius.
Noël Boyer, present on the 16t of September 1950, related his memories of that day: « Dinu Lipatti was programmed for the afternoon at the Parlement around 4 o’clock. He had arrived that morning. The recording, or rather the broadcast, was being done live; and a half-hour before the audience arrived at the Salle du Parlement, we learnt that Lipatti was at his hotel, felled by an attack.
Madeleine Dinu Lipatti was obviously at his side in a state you can imagine, and a miracle occurred: exactly five minutes before the announcement of the concert, we saw Dinu Lipatti arrive, supported by his admirable wife, and I say well supported because he could barely walk.
A half-hour earlier, the doctors were still at his bedside, giving him shot after shot. It was lovely weather, very hot. An armchair had been prepared for us in the small room that served as our studio, as well as a rest studio for all the artists who gave recitals in the Salle du Parlement. An armchair had been set up, and in front of it, three electric heaters; a woollen blanket awaited Dinu Lipatti who, wan and shivering in a cold sweat, was sprawled in this armchair.
When it came time to play, we were still hesitating over going on the air and making the announcement. But inexorably, the time had come. And that's when the miracle of music occurred: at that moment, throwing back the blanket, standing, pushing the electric heaters aside, Dinu Lipatti, with a firm, lively, assured step, walked to his piano. And it can truly be said that, at that moment, music was a veritable breath of life for Dinu Lipatti. Between each [group of] piece[s], he came and collapsed in this armchair. He was given a shot, he was given a cordial, and off he went again to play. »
This brought me to the brink of tears. The energy that goes through a true artist's soul when they're performing is out-worldly and divine. Art is the only thing that outshines death.
Interprétation d'une rare justesse et d une grande sensibilité. Vraiment MAGNIFIQUE !
Geniul muzical interpretativ al lui Dinu Lipatti a depasit si va depasi mereu bariera timpului!
Pianul sub degetele sale transmite o muzica celesta! Acuratetea sunetului este desavavsita!
Multumim ca ati facut pasibila aceasta auditie,un adevarat regal!
This has never sounded better - and it is good to have the whole thing.
清晰、深邃、哲理、完美的演譯，無可挑剔、無以置疑的頂級大師，人類藝術的瑰寶--迪努-利帕蒂。非常值得保留珍藏的稀世美妙樂聲，那是來自天堂的仙樂。
So Schoen und Elegant gespielt, legendaris Pianist 🌸
great remastering! thank you so much...and what a concert. God Bless Him...
AMEN
Quel pianiste! Quel toucher incomparable! Il habitait les œuvres comme personne. Mais son interprétation des Valses, inégalée, tient tout simplement du miracle!
Exceptionnel effectivement, il m'a toujours enchanté
I was introduced to Dinu Lipatti's recordings by my parents in the 1960s, and am deeply grateful for them. Exquisite and courageous.
Хочеться назвати Ліпатті божественним! Дуже рано пішов з життя. Подяка тим, хто дав нам змогу згадати цього чудового майстра фортепіанної гри.Браво, Діну Ліпатті!!!
Le journal ‘La République’ : « Surmontant avec un courage extraordinaire, une grande fatigue, tenant avant tout à faire face d ses engagements, Dinu LIPATTI est monté samedi sur l'estrade de la Chambre des audiences solennelles, ancienne Salle du Parlement de Franche-Comté, devant un public - particulièrement nombreux, puisque le Parlement, proprement adit et l'antichambre, étaient archi-combles.
Nul ne fut déçu, le prodigieux artiste s’est prodigué en toute simplicité et chacun put apprécier le virtuose que les capitales ont, au cours de ces dernières années très justement applaudi.
Nous n'aurions garde d'analyser le jeu clair et subtil de Dinu LIPATTI et son tempérament; d'autres plumes plug autorisées ont déjà jeté à tous les vents, les échos de soirées magnifiques, où, comme samedi, Bach, Mozart, Schubert et Chopin ont trouvé un traducteur de première grandeur.
Disons simplement, qu’égal la réputation qui lui est faite, l'éminent artiste fut digne du « FESTIVAL » et que les portes du Parlement se sont fermées, jusqu'à l’an prochain, en beauté.
Objet de moult rappels, amplement mérités, le prestigieux pianiste qui se double aussi d'un compositeur, fit droit à la requête des auditeurs et les « bis » se succédèrent, dont l'un était une transcription due au talent de l’artiste lui-même. »
-
Le journal ‘Le Comtois’ : L’émotion qui étreignait la gorge des spectateurs qui s’entassèrent samedi après-midi dans la salle du Parlement a atteint, en fin de concert, une intensité poignante.
Dinu Lipatti, jeune pianiste dont la renommée fait chanceler celle des plus grands maîtres du clavier était là et la noblesse de son attitude imposa à la salle le respect qui tempéra, tout au long de ce concert, l’ardeur d’un enthousiasme qui n’osait se manifester trop bruyamment.
Pour commencer, Dinu Lipatti joua la Partita en si bémol majeur de Bach. D’une dignité sans compromis, son interprétation, dont la nuance reste sans cesse asservie à une forme contrapuntique qui est en elle seule, déjà un vrai chef d’oeuvre, nous a donné de Bach quelques pages ou la pureté d’expression était alliée à une clarté d’exposition sans défaut.
Dans la Sonate en la mineur de Mozart, dont l’andante recèle des phrases d’une évocation presque tragique, le jeu sensible et léger de Dinu Lipatti nous fit oublier la vision enfantine à laquelle nous sommes trop souvent accoutumés pour nous donner de cette oeuvre un aspect profondément humains, dont la délicatesse extrême était dépouillé de toute sensiblerie.
L’audition presque intégrale des deux impromptus de Schubert et des Valses de Chopin (celle en mi bémol exceptée) nous permit de mieux apprécier encore la virtuosité impeccable, souple, légère, frémissante et la sensibilité sans mièvrerie ni excès, de ce très grand musicien.
(…) Le monde entier souhaite un prompt et durable rétablissement (à Dinu Lipatti), voeu qui fut traduit dans les applaudissements que la salle, debout, prodigua sans fin à ce véritable génie de la musique. »
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For me, and considering he was dying and indeed dead 3 months later, one of the truly very greatest performances/recordings ever, whether instrumental or voice! The passion, the emotion is palpable. So moving, so profound. As described on the original LP cover ''one of the great musical and human statements, a testimony to his [Lipatti's] transcendental powers, an almost frightening assertion of mind over matter''.
슈베르트 즉흥곡 3.4번 정말 눈물나네요. 다가올 죽음은 처연하고 슬프지만 아름다운 마지막을 겸허히 받아들이는 듯 합니다. 연습과 연주 과정이 얼마나 힘에 부쳤을지... 그의 정신력에 경의를 표합니다.
Με άγγιξε ο ηχος του βαθύτατα! Με συγκινησε! Ο ορισμός του "κύκνειου άσματος"! Εύχομαι να ευφραίνει τον παράδεισο με την απαράμιλλη μουσική του ευαισθησία!
Wow, what a sound! TY
J’aurais tellement voulu être là pour l’entendre au festival de ma ville de Besancon mais je n’avais que 5 ans hélas....
quel merveilleux pianiste! Ce qui est touchant c’est que c’est le dernier concert de sa courte vie!
바흐의 음악은 오늘 하루 영혼에 쌓인 일상의 먼지를 털어줍니다. 감사합니다❤
I Have got the two LP Columbia Blue and Gold 33CX-1499 and 33CX-1500 and I'm still so moved by the sheer beauty of his playing even though he died six years before I was Born
Неймовірно приємно сприймається слухом! Дуже шкода, що недовго радував своїм виконавством людство!
Extraordinario documento de uno de los grandes pianistas del siglo XX. Gracias por compartirlo. 👏
この方の演奏は素晴らしいです。
シェアして頂きありがとうございます。
Thanks to the discovery of Prednisone! Which gave this wonderful artist a lease in his life to be able to bring to us this historic recording!
Thank you so much for the video. I so wish it included the final part, when he left the stage due to exhaustion and then returned and played the Jesu, Joy of Man's Desiring. ❤🌹🌹🌹💐
苐一次聽到如此清晰清徹的迪努-利帕蒂大師遺音令人驚喜也驚奇。不得不偑服現代音響技術的高明，竟可以呈現七十多年前嚴重失真的音檔資料的現場真實原聲。哈利露雅！
Brave what a heroic performance brilliante
БЛАГОДАРЮ
За возможность
Услышать последний
концерт
ДИНУ ЛИПАТТИ!
CВЕТЛАЯ ему
ПАМЯТЬ!
(Всего Вам доброго!)
Il Paradiso sulla terra ❤
In fact you can only listen to this concert with your hands folded. They are messages from another world delivered to us by a doomed man who makes this sacrifice with his last ounce of strength.
RIP Maestro
그의 짧았던 생애가 안타까운 마음입니다.
RIP Maestro.🙏🙏
La qualité sonore est largement supérieure aux éditions EMI... merci pour ce remastering !
fabelhaft
Wow, the story of this recording is amazing. And what incredible performances. Lipatti is worthy of his stellar reputation.
Waouh! Thank you! 🌹
Quel enchantement dommage qu'il y ait 50 pubs
ce récital pas loin de chez moi et en plus son dernier dans un chef d'oeuvre d'artisanat Français comment rêver mieux malgré le tragique du fait de son jeune âge une grosse perte pour le monde du piano.
C'est vraiment mon pianiste favoris il avait un art de l'interprétation dont lui seul était maître
Odihnește-te în pace artistul și îți mulțumesc pentru tot
great!
Unglaublich Gut Bravissimo
Merci beaucoup!!! I lost words!!! Simply amazing and masterful restoration (I am ordering INA CD while the current Opus Kura was a major disappointment; I knew the second best was his EMI early box)!!! I am so delighted with your remastering!!! Thank you, again!!! Спасибо Вам большое!!! And, it's about time for INA and France to dis-cover the recording of the encore, Bach-Hess Cantata «Jesu, bleibet meine Freude» BWV 147. That should be your homework!!! ))
Me gusta mucho! Mi papa me regalo mi primer disco cuando estudiaba ( los estudios de Chopin) ❤❤❤❤
Astounding!
Great pianist.
GRAZIE❤❤❤❤❤😮😮
Спасибо за Баха, Моцарта и прекрасное исполнение!
sehr gutes spiel Bravissimo
Es ist besonders die Mozart-Sonate, in der der innere Drang dieses Pianisten seinen bezwingenden Rhythmus findet: der unaufhaltsame Weg weg von dieser Welt... (Kompliment an die gelungene Remaster-Technik!)
得天獨厚，上帝賦予迪努-利帕蒂無比敏銳的觸覺與聽覺，使他成為無與倫比的鋼琴大師。因此也讓無數樂迷得以享受無比美妙的琴聲。
SUBLIME
❤❤👍👍
ちょっと言葉にならない
わたしもこの演奏会はリマスターが出るたびにCDを買ってきたよ
死病に取り憑かれた男のラストパフォーマンスとは信じがたく
天上に向かって芳香、咆哮か、をあげて燃えるんです
El toque sublime de un grande: el rumano DINU LIPATTI (1917 - 1950)
La tecnica del "semplice"y"legatto separatto"unica junto a giesseking y claudio arrau el podio de la mejor pianistica del siglo pasado
❤
The timestamp for Schubert's Impromptu D 899 #2 should be @41:46, not 31:46.
thank you
Es uno delosgrandespianistaquemuriojoven yo loconociyoestuve en rumaniayllegue aloscincoaños loescuche y elañocincuenta
Supequemuriohabiaconmocion todosllorabanasiqueahoracuando loescuchome emocionamuchomuchasgraciasporhacerletributoysitienenmasmusicatocadaporelselosagradeceriaquelapusieran perdonenperoyonosehablarenidioma
41:46
請問博主：是否有大師彈奏的肖邦曲集(經過修整去雜訊的上好録音版本)？
ua-cam.com/video/IpmfYph1YN4/v-deo.html
12:30
the man was dying there... playing the piano.
Кен 0:21
❤😂😅
Lipatti, a bit hard and frozen sound.
...... ***************************
.................
In the last 73 years, this must be the 372nd re-re-re-.....edition of this concert. It has always been available ever since it took place.
What’s so new about it ? Please tell me. Thanks.
New media are enabling a new generation to discover this legendary performance. This is the first time you'll be able to hear every transitional arpeggio by Dinu Lipatti, as well as the announcer's presentation. The remastering has improved the sound quality compared with previous editions.
This first release of all the announcements and warmups (only those before the Bach and Mozart were previously released) came on a Solstice CD for which I wrote a 4000-word text, and this is the source from which this upload derives. There is also the false note in the Schubert G-Flat Impromptu that was edited out of the broadcast and all previous issues of this work, which is how it was actually played during the concert - this derives from source material from the widow's collection that I discovered in a private collection in 2015.
@@ThePianoFiles Thank you for this information and for contributing to this wonderful physical edition, which is without doubt the best yet (www.solstice-music.com/fr/album/lipatti-le-dernier-recital ). In this new digital edition, the sound quality is even slightly improved.
@@classicalmusicreferenceI don’t care a f***ing damn about transitional arpeggios and radio announcements. Want I care for is what Lipatti does of the works he plays. The rest is just bullshit for whoever likes bullshit more than music itself ! 😊👋
@@a.f.4248 I totally agree! 👋👋👋
The performance is amazing, so it's a shame that the piano sounds so tubby
The recording was in 1950!!! Thank you for remastering! Excellent job!!!
@@mm527 Indeed it was, so that is how the piano REALLY sounded. Most unfortunate. I have many recordings from that period where they used a better piano. They come across much better than this in both mono and early stereo.
❤