I use this lens with my Ursa G2 and P6K Pro. Best buy ever . Just to mention if someone doesn't k ow that : This Tokina 11-20 CF has exactly the same optics with the Cine version that cost 5 times more. Also is parfocal. Basically the Cine version has a metal housing and a 300 degree focus throw and that's it... Buy this 11-20 CF instead of the Cine version,you save 5 times the money,you get the same lens and the CF version is very light compare to cine.
Hey Bill, thanks for your input but I'm actually a bit confused now. I contacted Tokina and asked specifically if their 12-24 AND their new 11-20 CF Photo Lens are parfocal. They explicitly told me that it's not the case that the 11-20 has some slight focus shift. The Cine-Versions are expensive for a reason: they are truly parfocal and can also be shimmed and adjusted to get parfocality on every mount. Andre also correctly pointed out @7:07. You claiming it being parfocal is kind of a stretch now. Do you have footage to back up your claim? I still think the lens has incredible value and is an amazing lens before upgrading to the 11-20 Cine. Also here attached the answer from Tokina: _"Tokina 12-28mm and 11-20mm are not parfocal, but not varifocal. That is, when changing the focal length (zooming), there is some slight shift in focus, unlike Tokina Cinema lenses, where there is no focus shift. Therefore, when the focal length is changed, the focus must be corrected."_
@@AndreCorreaNow I had ordered the lens before I watched your video and I can confirm everything you mentioned so far. Thanks for your effort putting this up and pointing important features out (who on earth claimed this to be focus by wire?!) About the parfocality: It is definitely not 100% parfocal but "almost" not noticeable (and I'm really, really picky about this stuff). Depending on where you set your focal plane (subject either at farthest/nearest edge on the focal plane) you can get the hang out of the slight shift happening when zooming in or out. I would not recommend it for high-end productions in which tack sharp focus is crucial and planned lens zooms are a necessity but you can get away with it on documentary work for example. The Cine Version definitely has it's perks and features needed in a high-end professional working environment: Longer focus throw, machined focus gears and the possibility to shim are just professional features I wouldn't want to miss on sets like those. And lets not forget the ability to adapt these S35 cine zooms on VistaVision sensors withe the Tokina 1.6x expander! And of course the mechanics providing parfocality. The 11-20 CF is definitely a good inexpensive step for filmmakers before buying into the Cine versions, even if just as a quick-to-throw-on lens. And lets be honest: Their Cine lenses are totally affordable compared to much more expensive brands while providing professional features, good optics and coatings AND for being somewhat future proof down the line. I have to say Tokina is THE lens manufacturer I really admire for their work these days.
Phenomenal production quality, value, and script. Thank you sir! I research the Sigma 18-35 and the Tokina 11-20 mm f2.8 as a main lens to use for UA-cam and other online content and your video provided plenty of information to consider. Keep up the great work!
Thanks for the kind words, my friend! Those two lens will serve you very well. And they go on sale from time to time. Best wishes and thank you for watching! -Andre
@@AndreCorreaNow Yes, really think they will though the Sigma is a bit old. Nonetheless, I use 80D, and I cannot invest in a new body anytime soon. So I’ll likely get one of them. Once more, thanks for the content. I look forward to watch more of your stuff! Have nothing but success in the new 2023! Ragards! POTB
Im using Tokina 12-28 F4 with Metabones Speedbooster, Tokina 50-135 2.8, Tokina 16-50 2.8 and also used Tokina 16.5-135, but last was damaged during close shots in football game. But it’s hidden treasure for m43 cameras using speedbooster. I mostly like 12-28 on my Glidecam HD2000, it was very versatile for reportage scenarios, like Canon 17-40 on FF
I also ditched the canon lens as its f-stop was just too dark for interior shoots. The 2.8 is a revelation. Also, the clutch AF is easy to live with. I dont shoot blogs but corporate and facebook commercials so every shot is planned meticulously and combined with the sigma 18-35 and the hasleblad lens on the dji mavic 2 pro etc covers a lot of the bases. Definitely recommend the Tokina
Great unique video review. The intro part looks fantastic, so much so I got scared a bit lol, forgetting about camera gear. This lens came down in price, selling for $350 now, Dec ‘22. With Canon latest AF dual pixel technology, focusing shouldn’t be an issue with it. In both Canon M or R mount you can use rear filters with the proper EF adapters. I placed my order last night before watching your video and if is good, I’m returning the Canon EF-S 10-18, great value lens but now that the Tokina price came down, is not a brainer. My only concern about the Tokina is chromatic aberration, hopefully it can be corrected in camera for video, since I read somewhere this lens or the previous version has quite a lot of CA. Thanks for putting together this revie.
Thank you for the kind words, Alex. $350 is a great price for this lens. I think you'll enjoy your purchase. I find the CA to be minimum but I know different folks have different tolerances for a lens' "character". Thanks again for watching. Best wishes, -Andre
Sigma makes an MC-21 adapter that will enable you to mount the Tokina 11-20 mm on the S5ii. I haven't tested how well the aperture or focus functions will work. But, it should. Also, keep in mind that the s5ii will need to be in crop mode so that you don't have excessive vignetting. Thanks for your question! -Andre
Have you used the older tokina 11-16? I bought that as a good budget wide lens but I shot a real estate project on it and absolutely hated how it looked. So many pink/green lines on sharp edges of buildings etc.
I never worked with the 11-16 mm. The 11-20 mm at times could have a similar issues to what you’re describing. I think wide lenses commonly have these issues.
You sir, are so funny 😂. I really think you should lean into the comedy and humor of your videos even more. There are plenty of “professional “ and detail oriented channels on UA-cam, but you are by far more hilarious and therefore charming. Greta vid, now I have to save up for this lens 😢
Thanks, CRTY. Even with new lenses on the market, I still think the Tokina 11-20 is a great value. Also, I truly appreciate your kind words. Much love and respect to you! -Andre
@@AndreCorreaNow thanks! It looks like tokina makes some solid lenses. I use my EF lenses on M43 with a speedbooster so there is a bit of IQ loss here and there though 😉
@@AndreCorreaNow it is there. since alexa mini and gemini are all the larger ones in the s35 category. i guess it should be fine for other reds or black magics or canons. and one thing to add, if put on a s35 camera body, the 12mm on this lens is wider than canon 11-24 on 11mm.
@@coffin13maker Thanks for the reply. I don't see any issues with my Sony S35 cameras at 11 mm. When we look at the price vs any of the competition, it's still a great option. It's on sale now for $399. All the best! -Andre
Great video with good illustration and jokes !
I use this lens with my Ursa G2 and P6K Pro. Best buy ever . Just to mention if someone doesn't k ow that :
This Tokina 11-20 CF has exactly the same optics with the Cine version that cost 5 times more. Also is parfocal. Basically the Cine version has a metal housing and a 300 degree focus throw and that's it...
Buy this 11-20 CF instead of the Cine version,you save 5 times the money,you get the same lens and the CF version is very light compare to cine.
Hey Bill, thanks for your input but I'm actually a bit confused now. I contacted Tokina and asked specifically if their 12-24 AND their new 11-20 CF Photo Lens are parfocal. They explicitly told me that it's not the case that the 11-20 has some slight focus shift. The Cine-Versions are expensive for a reason: they are truly parfocal and can also be shimmed and adjusted to get parfocality on every mount. Andre also correctly pointed out @7:07.
You claiming it being parfocal is kind of a stretch now. Do you have footage to back up your claim?
I still think the lens has incredible value and is an amazing lens before upgrading to the 11-20 Cine.
Also here attached the answer from Tokina:
_"Tokina 12-28mm and 11-20mm are not parfocal, but not varifocal. That is, when changing the focal length (zooming), there is some slight shift in focus, unlike Tokina Cinema lenses, where there is no focus shift. Therefore, when the focal length is changed, the focus must be corrected."_
@@AndreCorreaNow I had ordered the lens before I watched your video and I can confirm everything you mentioned so far. Thanks for your effort putting this up and pointing important features out (who on earth claimed this to be focus by wire?!)
About the parfocality: It is definitely not 100% parfocal but "almost" not noticeable (and I'm really, really picky about this stuff). Depending on where you set your focal plane (subject either at farthest/nearest edge on the focal plane) you can get the hang out of the slight shift happening when zooming in or out. I would not recommend it for high-end productions in which tack sharp focus is crucial and planned lens zooms are a necessity but you can get away with it on documentary work for example.
The Cine Version definitely has it's perks and features needed in a high-end professional working environment: Longer focus throw, machined focus gears and the possibility to shim are just professional features I wouldn't want to miss on sets like those. And lets not forget the ability to adapt these S35 cine zooms on VistaVision sensors withe the Tokina 1.6x expander! And of course the mechanics providing parfocality.
The 11-20 CF is definitely a good inexpensive step for filmmakers before buying into the Cine versions, even if just as a quick-to-throw-on lens. And lets be honest: Their Cine lenses are totally affordable compared to much more expensive brands while providing professional features, good optics and coatings AND for being somewhat future proof down the line.
I have to say Tokina is THE lens manufacturer I really admire for their work these days.
Phenomenal production quality, value, and script.
Thank you sir! I research the Sigma 18-35 and the Tokina 11-20 mm f2.8 as a main lens to use for UA-cam and other online content and your video provided plenty of information to consider.
Keep up the great work!
Thanks for the kind words, my friend! Those two lens will serve you very well. And they go on sale from time to time.
Best wishes and thank you for watching!
-Andre
@@AndreCorreaNow Yes, really think they will though the Sigma is a bit old. Nonetheless, I use 80D, and I cannot invest in a new body anytime soon. So I’ll likely get one of them. Once more, thanks for the content. I look forward to watch more of your stuff! Have nothing but success in the new 2023!
Ragards!
POTB
thanks. Mine comes in tomorrow and I am very excited to have wide angle shots.
Awesome. I think you’ll like it.
Im using Tokina 12-28 F4 with Metabones Speedbooster, Tokina 50-135 2.8, Tokina 16-50 2.8 and also used Tokina 16.5-135, but last was damaged during close shots in football game. But it’s hidden treasure for m43 cameras using speedbooster. I mostly like 12-28 on my Glidecam HD2000, it was very versatile for reportage scenarios, like Canon 17-40 on FF
That sounds like a pretty complete kit. Tokina doesn't get the credit it deserves sometimes on UA-cam.
Perfect lens for real estate and small interiors
Yes and also very affordable.
I also ditched the canon lens as its f-stop was just too dark for interior shoots. The 2.8 is a revelation. Also, the clutch AF is easy to live with. I dont shoot blogs but corporate and facebook commercials so every shot is planned meticulously and combined with the sigma 18-35 and the hasleblad lens on the dji mavic 2 pro etc covers a lot of the bases. Definitely recommend the Tokina
@@Mr_Kenneth Yeah, I agree. The Tokina 11-20 and the Sigma 18-35 are a great combo.
Loved this video! Very informative and clever. Keep up the good work.
Great video. Informative and unique style. Well done 👏
Thanks!
Great unique video review.
The intro part looks fantastic, so much so I got scared a bit lol, forgetting about camera gear.
This lens came down in price, selling for $350 now, Dec ‘22.
With Canon latest AF dual pixel technology, focusing shouldn’t be an issue with it.
In both Canon M or R mount you can use rear filters with the proper EF adapters.
I placed my order last night before watching your video and if is good, I’m returning the Canon EF-S 10-18, great value lens but now that the Tokina price came down, is not a brainer.
My only concern about the Tokina is chromatic aberration, hopefully it can be corrected in camera for video, since I read somewhere this lens or the previous version has quite a lot of CA.
Thanks for putting together this revie.
Thank you for the kind words, Alex. $350 is a great price for this lens. I think you'll enjoy your purchase. I find the CA to be minimum but I know different folks have different tolerances for a lens' "character". Thanks again for watching.
Best wishes,
-Andre
Bought mine used for $250.
Subbed for the humor. ALl this video need is a subtle, music. More please! :D
Thank you, Ryan. Will do.
We’ll done . Your the master👍
Thanks for the video .. could it be used with Lumix S5ii?
Sigma makes an MC-21 adapter that will enable you to mount the Tokina 11-20 mm on the S5ii. I haven't tested how well the aperture or focus functions will work. But, it should.
Also, keep in mind that the s5ii will need to be in crop mode so that you don't have excessive vignetting.
Thanks for your question!
-Andre
Thank you very much for your reply
I use to be a Sony Shooter so I can appreciate your vid. I understand the cost of sony lenses.
Between this lens and the Canon EF-S 10-18mm f3.5-4.5 which would you say is better value ?
The Tokina will be a better value because of Its wider aperture, EF-mount, mechanical linear focus, and superior optics.
@@AndreCorreaNow I appreciate your quick response! Awesome video btw 👏 🎥
@@miztlifilm You got it! Thanks for the kind words. I hope you found the info useful.
What camera are you using on the Tokina 11-16?
I used the Sony A6600 for most of it. I also used the canon T6i for the blogging part. Now, I use the FX30 with it.
Have you used the older tokina 11-16? I bought that as a good budget wide lens but I shot a real estate project on it and absolutely hated how it looked. So many pink/green lines on sharp edges of buildings etc.
I never worked with the 11-16 mm. The 11-20 mm at times could have a similar issues to what you’re describing. I think wide lenses commonly have these issues.
I came to watch a review but you so funny and video is very informative.
Thank you. Best wishes.
You sir, are so funny 😂. I really think you should lean into the comedy and humor of your videos even more. There are plenty of “professional “ and detail oriented channels on UA-cam, but you are by far more hilarious and therefore charming. Greta vid, now I have to save up for this lens 😢
Thanks, CRTY. Even with new lenses on the market, I still think the Tokina 11-20 is a great value. Also, I truly appreciate your kind words.
Much love and respect to you!
-Andre
My gear-head husband agrees with you !
Great gear-heads think alike!
I guess I will have to stick to the 11-16 as my filters are 77mm (using on GH5ii with speedbooster)
The 11-16 is a solid choice and generally speaking 77 mm filters are usually cheaper anyway. If that combo works for you there is no need to upgrade.
@@AndreCorreaNow thanks! It looks like tokina makes some solid lenses. I use my EF lenses on M43 with a speedbooster so there is a bit of IQ loss here and there though 😉
@@jd5787 Yes, and for a good price when compared to the competition.
@@AndreCorreaNow got mine for $100 in tip top condition. I wish I could get a Canon 24-70mm II f2.8 for such a bargain price 😂
WOW! What a great deal. Congrats.
👏🏻👏🏻👏🏻👏🏻👏🏻👏🏻
Great video with misleading title. This is the ATXi lense. Please correct as applicable.
the 11mm end dosen't cover alexa mini s35 and red gemini
Yeah, I heard that before. In your experience, how bad is the vignetting on those cameras?
@@AndreCorreaNow it is there. since alexa mini and gemini are all the larger ones in the s35 category. i guess it should be fine for other reds or black magics or canons. and one thing to add, if put on a s35 camera body, the 12mm on this lens is wider than canon 11-24 on 11mm.
@@coffin13maker Thanks for the reply. I don't see any issues with my Sony S35 cameras at 11 mm. When we look at the price vs any of the competition, it's still a great option. It's on sale now for $399. All the best!
-Andre