J.S. Bach: Toccata, Adagio and Fuga C major, BWV 564 - Metzler Organ Biel/Bienne (2011)
Вставка
- Опубліковано 30 вер 2012
- Live recording
Wilfried Schnetzler an der Metzler-Orgel der Stadtkirche Biel/Bienne, Schweiz/Switzerland
metzler-orgelbau.ch/htm/organ...
Ich bedanke mich be Ihnen, Sehr Geehrte Herrn Schnetzler, daß Sie für uns diesen großartiges Stück vorgefuhrt haben, weil Ihre Vorführung so toll ist!
There can't be many people in the world, even with it's billions now, who could manage to play the fugue. JSB knew exactly what he was doing when he left us this
I love the pedal cam! And thanks for a marvellous performance of my favourite Bach piece.
A wonderful performance of my very favorite Bach organ piece. Thank you.
Klasse, ich mag T. Koopman's Spielweise sehr, aber hier das ist auch ganz ganz toll. Die Menschheit sollte sich klar sein, Das Bach ein Geschenk Gottes war und ist. Jedenfalls für mich. Und die Leute, die mir dieses Geschenk näher bringen -sprich hörbar machen- sind ebenfalls ein Geschenk des Schöpfers. DANKE.
Every time I listen to this superb piece I find it almost incredible that anyone could have written it. Rock musicians eat your hearts out, it's all here, and all those centuries ago. What a genius
Efectivamente ahí está Jessica de Allman brothers, está el órgano de light my fire de Doors, está Jon Lord de Deep purple, en fin está todo el rock metido en esta genial pieza de órgano
Sublime music. Perfect tempo, perfect playing, perfect sounds... excellent.
I think this has to be one of the best versions of BWV 564 I've ever heard. You have the tempo just right. The registration is perfect. And, for once, somebody has finally decided not to put an extreme excess of trills in the Adagio (and I'm looking at Ton Koopman when I say that). I must say, Herr Schnetzler has done an absolutely splendid job playing this piece by Bach.
Almost everytime I hear Ton "Kan't konnect notes" Koopman, I must listen to Helmut Walcha as an antidote or play the work myself.
I thought I was the only one! Kan't Konnect drives me Krazy. What Bach must be thinking I kannot imagine.
@@robertgift Pienamente d'accordo!
@@richardhoward7075 It is often difficulto connect notes. When I learn an organ work, first I "finger it out" (assign fingers to the notes on the page) so that I have fingers in position to continue musicalines unbroken. Same with pedals: o = heal, I =toe
Ton "Kan't, konnect, notes" Koopman seems, to not, bother. With, Koopman there, often, is, no, discernible, phrasing breathing, articulation, because so, many, notes, do, not, connect.
But Ton also plays with spirit and his toccatas arexciting! (Someday I should record a parody on Ton where I make an ornament of *every* note!)
@@richardhoward7075 He's probably impressed
esecuzione splendida, non è vero che manca il cuore, J.S.Bach l'avrebbe suonata proprio cosi.
Danke Danke Danke! Für mich das schönste und vielleicht schwierigste Stück von Bach auf der Orgel. So wunderschön, Danke für die grossartige Interpretation!
There's no doubt for me, this man is a superb organist. He plays this and the Dorian at just the right tempo and with real feeling and I have been searching the internet for recordings of W S playing Bach to buy but without success so far... I wait in hope...
I never tire of listening to this performance of this magnificent work
Merci beaucoup ! Une des meilleures interprétations que j'ai écoutées.
Je suis aussi d'accord avec les autres personnes qui l'ont dit: le Tempo est parfait.
I agree on the tempo. Some play it too quickly.
Tempo Giusto !
La registration choisie par l'Organiste est excellente ! Tout comme l'est ,aussi, le Phrasé adopté !
L'interprétation que nous offre ici Wilfried SCHNETZLER, est en tous points exceptionnelle ! Elle atteste d'une maîtrise absolue de l'instrument, et d'un sens musical évident ! Je ne puis m'empêcher de la rapprocher de celle du jeune Allemand Christian BARTHEN ~ You Tube !
Bravo & Merci à vous deux !!
ARS MVSICA v
La mejor interpretación de todas cuántas vi, el sonido es espectacular y el organista tiene unas manos excepcionales, lo mejor de lo mejor, el tempo es perfecto al cien por ciento. Felicidades Wilfred
Thanks for this sharing. A wonderful piece of music and a great execution
Just superb. Greetings from Australia
Hört sich super an! wunderbar gespielt
Boy do I wish this superb organist had made some more recordings for UA-cam...
Thank you! You may find more of my recordings on www.contrebombarde.com/concerthall/user/1640/uploads/view_all - This is a platform for recordings with the virtual pipe organ software and diferent sample sets : HAUPTWERK - enjoy!
@@wschnetzler Wow, thank you Wilfried! I've only just read this. What a treasure chest! John
This organist did a great job playing the piece by Bach. It's no small challenge playing BWV 564.
Absolutely fantastic performance thank you !!!!
I CONCERTI PER ORGANO DI
J.S.BACH MI FANNO IMPAZZIRE E MI ILLUMINANO
NOTTE E GIORNO... (TRIESTE ITALIA).
I couldn't agree more about the ornamentation in the Adagio, doesn't need any more! Personally I would take it a bit slower, but who knows how Wilfired was feeling this day, it's all OK. He's obviously a superior organist.
bwv 564 what a demanding composition
Thanks Master JSB !!!!!!!🤙
WS highly appretiate your performance 👍👏
Thanks for recording & sharing with us.
His feet are just as dexterous as his hands, simply amazing !
Thank you for sharing your organ and the Bach with the You Tube world.
Perfection. Stunning.
One of the best interpretations since Walcha
Great piece, great interpretation, remembering the great time of my youthin the '50 and '60.
great!
beautiful
Magnifique. Bach est un génie
Eccellente organo e ottima interpretazione!
Super gespielt!
Ich kann nicht beurteilen, aber interessant. Ich habe >>Bach Toccata Adagio and Fuga C major BWV 564
Wonderful
Maravilloso!!!! , gracias.
+ Jhr Humphrey. A very precision organspel, Brilliant.
Remarquable prestation !
Wonderful perfomance by *Wilfried Schnetzler* ! Well done video with pedal inset. Perfectempo!
I must always look at the pedals. Otherwise I may play _disgrace_ notes.
Meraviglioso! L'uso del pedale aiuta a capire le differenti inte
Супер 👑 ангел органист мира 😎 😍 🤩 😋 😊 😃
cudo!
эмоционально сбалансировано и прецизионно
Fire
adagio is the best forever
Hallo,Herr Schnetzler,Vielen Dank,erstmal für Ihre Aussage Kräftige Antwort,hinsichtlich meiner gestellten Frage.Bach,ist immer eine Herrausforderung,da da haben Sie Vollkommen Recht.Die grossen Werke von Bach,sind da,was das Üben angeht,auch oft sehr seht Mühselig was das einstudieren betrifft..Und dennoch,am Ende bekommt man da den GROSSEN LOHN,für sich selbst,wenn man es dann da spielen vermag..Im Übrigen,bin ich da ein Bewunderer,Ihrer Spielkunst..hab mir da bis jetzt jedes Ihrer Videos,angesehen,und angehört..machen Sie da weiter so..Mit den Besten Wünschen..M.Wunnenberg
Sorry for my bad English.
Is this a wonderful performance? If we only talking about taste, they all will find some supporters. In my opinion, it is the musicians responsibility to restore old music. Toccata: The melody line in the beginning fits our fingers perfectly(no need for fingercross), that indicate fast tempo. I believe Bach wrote this only to impress people, an another indicator of fast tempo. Maria-Magdalena Kaczor really understand how to finish the fugue.
Very well done! I would compare this recording favorably vs. any other, even if played by Marie Claire Alain, which is saying a lot.
ヘルムート・ヴァルヒャでしか知らないけど、こっちもいいね～
0:08 Toccata
6:30 Adagio
10:20 Fugue
Grüsse Sie,Herr Schnetzler.Mich würde da,sehr..sehr einmal Interessieren,wie LANGE,braucht man,um dieses Werk von Bach,so spielen zukönnen..?? Sprich,wieviele Tage,Wochen,Monate muss man hierfür an zeit des Übens aufbringen,um es letztlich so wie Sie,es spielen zukönnen..??? Bitte schreiben Sie mir mal hierzu eine Antwort,Ich wäre Ihnen dafür Sehr Dankbar..Mit Freundlichen Grüssen..Wunnenberg
+Marco Wunnenberg - Hallo Marco Wunnenberg, vielen Dank für Ihre Frage. Das lässt sich nicht mit einer Zahl beantworten..., zu unterschiedlich sind die Herangehensweisen an ein grosses Orgelwerk und auch die Lernfortschritte. Ein erster grosser Bach steht wie ein Berg da, den man schrittweise erklimmen kann - mit der Zeit gibt es ein gewisses Training, so dass man sich die Stücke rascher aneignet. Aber jedenfalls ist jedes grosse Orgelwerk eine Herausforderung und etwas, das man nicht in einigen Tagen erlernt (wenigstens ich selbst nicht).
Herzliche Grüsse, Wilfried Schnetzler
6:23 adagio
This too is great. Prefer the pedal voices in this recording. Careful not to rob each note of distinction. This is a great sounding Metzler.
Technically well played.More contrasting registrations to bring out the concerto style of the first movement would give the listener's ear a rest. The page turner could help with changes as there are no pistons or toe studs.There are 4 manuals;why not use at least 2 in the Toccata and fugue?
You wanted to play that song for many years, ¿huh?
gute tempo-wahl
If Bach could play the fugue well he must have been some organist!
10:19 fugue
Tecnica perfetta ma manca il cuore...
Giovanni Sebastiano Bach Ascoltate Maria-Magdalena Kaczor ua-cam.com/video/FilzIfTf8O4/v-deo.html
Manque un peu de sensibilité ; je préfère largement l'interprétation lumineuse de M-M Kaczor.
Diane Bish
ma no.......