@@bartekt4742 I’ve always tried to expose about 0.3-0.7 stops over. I have use the waveform a lot to keep check on the values because I don’t want the highlights to blow out to the point where you can’t retrieve them, in most situations but it’s always a style/ how many lights you have available balance. But I always find the shadows can be noisy on the c200 if underexposed, this video had some chroma NR done to help get rid of some of that noise.
Never ever seen as beautiful pictures from C200 until now.
Thank you so much for the kind words. We're glad you liked our video. We love our C200, it's been a great workhorse for us. :)
It’s the vista primes. They are amazing
Amazing! Was this handheld or did you use an easy rig or anything like that? What were your favorite two lenses?
Damn these tokina vista's.... and the person using them!
Thanks Peter, I am genuinely blown away by how good the Vistas are. I’m looking forward to doing some projects like this on the Komodo with them. ☺️
@@ajcjapan looking fowrad to seeing them. A bit too heavy/large for my usage but wow... amazing....
Amazing! Keep going 💪
Thanks Luka, really appreciate the kind words
beautiful man
Thanks 😊
素晴らしいですね✨
Subscribed. Amazing!
Great! It’s raw or MP4?
Thanks, this was all shot RAW, in a mixture of 10bit and 12 bit then edited on a 10bit project in DaVinci
@@ajcjapan thanks for answer! How do you expose raw on c200?
@@bartekt4742 I’ve always tried to expose about 0.3-0.7 stops over. I have use the waveform a lot to keep check on the values because I don’t want the highlights to blow out to the point where you can’t retrieve them, in most situations but it’s always a style/ how many lights you have available balance. But I always find the shadows can be noisy on the c200 if underexposed, this video had some chroma NR done to help get rid of some of that noise.
This looks fuckn 👌🏾
Thanks Nic, appreciate the kind words ☺️