Interesting to hear this piece on G alto - I used to play this piece in performance quite a lot some 40 years ago. I was not a fan of the F#. Nice job!
Thanks Michael! I am happy that you enjoyed this concerto played with g alto. I believe Telemann must have known much the g alto; several chamber cantatas from “Harmonisches Gottesdienst” include some passages that suggest the posibility of g alto playing (like a slur between d’’’ sharp and c’’’ sharp) although written as it sounds, not transposed. It seems there are also many more Telemann’s instrumental pieces that could be played reasonably with g alto than practiced nowadays. I will continue to try out!
@@ReiInoue I certainly agree that he may have intended G alto. There are really quite a few extant G altos so I would guess that they were fairly common for a high-level recorder player.
Very cool performance! I would die of stage fright. Brilliant double tongue technique. Thank you so much!
Interesting to hear this piece on G alto - I used to play this piece in performance quite a lot some 40 years ago. I was not a fan of the F#. Nice job!
Thanks Michael! I am happy that you enjoyed this concerto played with g alto. I believe Telemann must have known much the g alto; several chamber cantatas from “Harmonisches Gottesdienst” include some passages that suggest the posibility of g alto playing (like a slur between d’’’ sharp and c’’’ sharp) although written as it sounds, not transposed. It seems there are also many more Telemann’s instrumental pieces that could be played reasonably with g alto than practiced nowadays. I will continue to try out!
@@ReiInoue I certainly agree that he may have intended G alto. There are really quite a few extant G altos so I would guess that they were fairly common for a high-level recorder player.
No me gusta cuando los flautadulcistas y violinistas danzan mientras tocan😮