This is awesome. I love that you do actual technical production analyzes of these shows and don't just talk about irrelevant stuff like lore or character motivations like most UA-cam analysts do
The quality of the e conte ( storyboard ) comes from Miyazaki Hayao beeing first an animator. That's why his movies are so action driven and why he can depict the feeling he needs in the scene so accurately. Don't forget he had been mentored by the amazing Ôtsuka Yasuo, one of the best japanese animator ever, who, by the way, animated the cars in this movie.
@@Matsutake1994 Merci pour ces précisions. Je suis content que l'animation japonaise devienne aussi populaire en occident et Miyazaki a beaucoup contribué à cette reconnaissance et a ouvert la voie à des auteurs comme Hosoda Mamoru ou Shinkai Makoto. Bien que moins mis en avant, Takahata est aussi un formidable conteur. Le tombeau des luciolles est certainement le film le plus émouvant produit par Ghibli. Amitiés de France.
English translation via Google - "In recent years, director Hayao Miyazaki has been highly acclaimed for his work as a writer, but I salute you for noticing that you are a truly outstanding animator." Thanks much for watching and commenting!
What he/she means is : While Hayao Miyazaki has been highly acclaimed for his auteurism in recent years, I salute you for focusing on the fact he is also an outstanding animator by nature. (I translated it with the help of the translation application DeepL, while making use of the Google translation above.)
I watched this film when it came out. I was a 7th grader in Tokyo, Japan. Hayao Miyazaki and Yasuo Ohtsuka were big heroes for an anime fan like me (there was no term "anime-otaku" at that time).
Thanks for the comment! Translation to English: "oh! I guess some foreigners have finally realized how good this movie is. Hayao Miyazaki's memorable debut work When Spielberg saw the car chase in this movie, he said, ``I don't have the confidence to surpass this movie, so I won't make it.'' A work full of romance by Hayao Miyazaki I lined up the day before the release and saw it three times on the day. Brochures are kept neatly When I die, I'll be cremated with you (I won't give it to anyone) If you haven't seen this movie, don't tell me you like Hayao Miyazaki."
Hi I watched a couple of your Adventures in Inbetweening videos. The visual presentation of your video, the timecode, shot number, annotations, do you do that in Premiere, or is this a program to review footage used in the industry I don't know about? What is it?
Thanks for watching and commenting! I use Filmora Pro for editing, first recording my markups with Zoom-it in real time, then speeding up and slowing down the video in order to watch it afterwards and give commentary on top of my edit. I'm not able to both draw quickly and talk at the same time so this was a good alternative for me!
Thanks for the comment! English translation via Google: "Hayao Miyazaki's storyboards are also gods, but Yasuo Otsuka, who embodied them, is also a strange person."
What he/she means is : Hayao Miyazaki's storyboards are godlike, but Yasuo Otsuka, who embodied them, is also so superhuman to the point of absurdity. (Yasuo Otsuka was sakuga-kantoku (I don't know the proper English translation. A director of drawing ??) of this film. And Kazuhide Tomonaga was in charge of the keyframes for this sequence.)
Drawing director should be the right translation of what Otsuka was responsible for in the movie and the original comment was complementing him by a word "strange" meaning "crazily superb animator". Tomonaga should be, however, honored for this scene with such sprendid framework.
this is better than year at animation school
I have met Edward David who worked on this when he was a young man ! Salut Edward!
Thank you for such line test analysis so dope! Thx for adding storyboard to the work man
Standing on the shoulders of giants, I appreciate when studios let the pre-production see the light of day.
I got this in my recommended and I love all the technical details you describe. Gives you a greater appreciation for the animation process
Thank you so much! I've had many people help me over the span of my animation career so this is my opportunity to help pay it forward.
This is awesome. I love that you do actual technical production analyzes of these shows and don't just talk about irrelevant stuff like lore or character motivations like most UA-cam analysts do
Thanks very much! I try to focus on what I know, been doing animation almost 30 years now so I feel pretty comfortable talking about that :)
One of my favorite series, thanks for the rad breakdown!
Thanks much for the feedback!
This is incredible, thank you so much!!
My pleasure! I'm lucky I get to animate for a living.
Absolutely amazing channel. God bless you.
You're very kind, thanks much! I'm lucky to have had a long career in animation, passion and perseverance pays off.
this was fun. let's have more of this
Such a classic film, glad people are appreciating it :)
The quality of the e conte ( storyboard ) comes from Miyazaki Hayao beeing first an animator. That's why his movies are so action driven and why he can depict the feeling he needs in the scene so accurately. Don't forget he had been mentored by the amazing Ôtsuka Yasuo, one of the best japanese animator ever, who, by the way, animated the cars in this movie.
宮崎監督作品は全体的に監督自身が修正を入れますが、一応ここは友永さんが原画担当、作監修正が大塚さんで、大まかな部分修正が多かったと思いますから、宮崎駿がアニメートしたという表現は誤解が生まれるのでは？
@@Matsutake1994 Merci pour ces précisions. Je suis content que l'animation japonaise devienne aussi populaire en occident et Miyazaki a beaucoup contribué à cette reconnaissance et a ouvert la voie à des auteurs comme Hosoda Mamoru ou Shinkai Makoto. Bien que moins mis en avant, Takahata est aussi un formidable conteur. Le tombeau des luciolles est certainement le film le plus émouvant produit par Ghibli. Amitiés de France.
近年、宮崎駿監督はその作家性が大いに評価を受けているが、本来の卓越したアニメーターであることに着目したあなたに敬意を表します。
English translation via Google - "In recent years, director Hayao Miyazaki has been highly acclaimed for his work as a writer, but I salute you for noticing that you are a truly outstanding animator."
Thanks much for watching and commenting!
What he/she means is :
While Hayao Miyazaki has been highly acclaimed for his auteurism in recent years, I salute you for focusing on the fact he is also an outstanding animator by nature.
(I translated it with the help of the translation application DeepL, while making use of the Google translation above.)
@@MayMay-eh2qr Perfect translation！😉
That's thanks to DeepL😊
As a Japanese person. I appreciate you to make us appreciate even more of Hayao Miyazaki’s work❤
Thank you so much for watching!
I watched this film when it came out. I was a 7th grader in Tokyo, Japan. Hayao Miyazaki and Yasuo Ohtsuka were big heroes for an anime fan like me (there was no term "anime-otaku" at that time).
What can I say I am quite the animated character.
This is really awesome! Would you ever consider looking at another Lupin film like Mystery of Mamo?
I did my 100 episodes, might revisit more at some point though. Thanks for checking it out! ua-cam.com/play/PLfI3qrmj07WraL6ZxhBNerVUwE-IA_ofn.html
youtube doesn't deserve this vid.
Very kind, thank you!
CGがない時代の作品
このカーチェイスにリアリティは無いんだけど 人や車の挙動やタイヤの向きなどに矛盾があったりただのハチャメチャになるのは許せないんだよね宮崎さんも大塚さんも そのへんのこだわりが躍動感のある名シーンを作り上げていく
お！
とうとうこの映画の良さに気付いた外国人が出てきたな？
宮崎駿氏の記念すべき処女作
この映画のカーチェイスを見たスピルバーグは「コレを超える自信がないから撮らない」と言ったそう
宮崎駿氏のロマンが沢山詰まった作品
私は公開前日に並んで当日は3度見した
パンフレットは綺麗に保管してある
私が亡くなった時に一緒に火葬だ（ゼッテー誰にも渡さない）
この作品を見た事が無い人は宮崎駿氏が好きだと言ってはいけないよ？w
Thanks for the comment! Translation to English:
"oh!
I guess some foreigners have finally realized how good this movie is.
Hayao Miyazaki's memorable debut work
When Spielberg saw the car chase in this movie, he said, ``I don't have the confidence to surpass this movie, so I won't make it.''
A work full of romance by Hayao Miyazaki
I lined up the day before the release and saw it three times on the day.
Brochures are kept neatly
When I die, I'll be cremated with you (I won't give it to anyone)
If you haven't seen this movie, don't tell me you like Hayao Miyazaki."
Woot!
Thanks for checking it out Jon!
@@8bit_paul I watch all of them Paul and thumbs up… great work!
Much appreciated Jon. I did outlines all the way up to episode 100 this past week, then I'll take a break and figure out what to do next :)
The amazing skills of hand-drawn animation will be stolen by AI and CG creators in the future.
Hi I watched a couple of your Adventures in Inbetweening videos. The visual presentation of your video, the timecode, shot number, annotations, do you do that in Premiere, or is this a program to review footage used in the industry I don't know about? What is it?
Thanks for watching and commenting! I use Filmora Pro for editing, first recording my markups with Zoom-it in real time, then speeding up and slowing down the video in order to watch it afterwards and give commentary on top of my edit. I'm not able to both draw quickly and talk at the same time so this was a good alternative for me!
宮崎駿の絵コンテも神なのだが、それを具現化してみせた大塚康生さんも、たいがいオカシイ人だからな。
Thanks for the comment!
English translation via Google: "Hayao Miyazaki's storyboards are also gods, but Yasuo Otsuka, who embodied them, is also a strange person."
What he/she means is :
Hayao Miyazaki's storyboards are godlike, but Yasuo Otsuka, who embodied them, is also so superhuman to the point of absurdity.
(Yasuo Otsuka was sakuga-kantoku (I don't know the proper English translation. A director of drawing ??) of this film. And Kazuhide Tomonaga was in charge of the keyframes for this sequence.)
Drawing director should be the right translation of what Otsuka was responsible for in the movie and the original comment was complementing him by a word "strange" meaning "crazily superb animator". Tomonaga should be, however, honored for this scene with such sprendid framework.
日本語で頼むよー分からん
Translation - "I'm asking in Japanese, I don't know" - I'll use Google translate to respond however I best can, thanks :)