Hayao Miyazaki (宮崎駿) Animation
Вставка
- Опубліковано 24 сер 2024
- Scenes PRESUMABLY animated by Japanese animator Hayao Miyazaki (宮崎駿, b.1941). Most of you might have known him as director, but he is also the greatest animator in Japan from late 60s to early 70s!
Note:
This reel contains some of my presumptions that needs further research to be done. If you find any inaccuracies with the animator identifications, please don't hesitate to point it out and I'll try to fix it!
Music:
Yuji Ohno & Lupintic Five with Friends - Samba Temperado (Lupin III 30th Concert Ver.)
Yuji Ohno & Lupintic Five with Friends - LUPIN III '80 (Lupin III 30th Concert Ver.)
----------------
Disclaimer
This video is purely fan-made and is not associated with the musical artist and animation company in any way. I do not own ANY of the animated cartoons included in this video. They all belong to their respective companies and/or creators. This video is for educational and instructional purposes with no infringement intended.
Animator Reel, Sakuga MAD, 作画
Disney: princesses and magic!
Miyazaki: *R U N*
And flight scenes
@@user-xi1ew9ut3x yes, i've seen it. Thanks
@Peter Kelner disney baad
anime guuud
He run 0:32
@D. n o
I forgot Lupin the 3rd was that old and looked THAT GOOD for early 1970s.
First Lupin the 3rd TVA was Overkill. It is a very good show too.
Anonymous Depends on how you feel about the endless slog of mostly bland TV specials they were churning out every year in the 90’s and 2000’s...
prickly pear Part 4 is a good place to start. Then you can go right into Part 5.
Castle of Cagliostro is a great movie directed by no less than Hayao Miyazaki but it’s not terribly representative of what the majority of Lupin is like.
The benefit of Lupin is that there’s no continuity so you can mostly jump in wherever you want. But I recommend starting with Part 4 since it’s very good, beautifully animated, and tonally a nice balance between the cartoonier stuff and the more hard boiled stuff.
@prickly pear start from the beginning of part 1 you'll get the references from the newer lupin parts
@@FlippytheMasterofPie Island of Assassins is pretty good tho
A better title would have been “The Constant Suffering of Inspector Zenigata”
after bingeing almost all of lupin, i just feel bad for him.
Petrol Monkey oh don’t worry, he’s gonna get one heck of a retirement
@@tundercomet4779 hopefully man, guys makin like $1800 a month and livin on the edge of livable lmao
Petrol Monkey he spends that money on instant ramen
Tunder Comet
If Zenigata can’t get Lupin, then maybe Natsumi Tsujimoto and Miyuki Kobayakawa from You’re Under Arrest can. And maybe throw in Officer Jenny from Pokemon for good measure.
It’s awesome to get to see Miyazaki’s actual animation work, when he was the animator and not the director. The attention to detail shows that he is a truly observant man.
He once said “How can you draw people if you don’t like to look at people?”
日本にも世界にも宮崎駿は愛されている。
この事実は永遠に歪まない。
我ながらかっけぇ事言ったわ。
Спасибо за эту часть заповеди для анимальтипликатора.
宮崎駿は監督になってからもアニメーターである
@@user-it1yh2xu6g薄い
@@nintendopsp7032
対偶とると
アニメーターでないのなら宮崎駿は監督ではない
It's hard to believe this was being made during the same time Hanna Barbara was giving their animators a budget of two paperclips and a dead mouse to work with. XD
慣性と重力の使い方が恐ろしく上手い。そして場面場面のカットが切り替わりながらも全て一連の動きにつなげてる
いつの時代も創る人とそれを見出す目利きの能力に脱帽します。高め合いたい。
I’m not sure if anyone has mentioned so, but Some of the transitions are really amazing.
Even the music matches as well. Props to this video editor
@@sakalarts4861 The Music was from "Lupin III: The Castle of Cagliostro." A... Wait for it. Waaaaaait for it... Miyazaki directed movie. Of course it fits.
Miyuzaki picked it for his first movie ever. He must have liked it!
Ik like dayum they look amazing and smooth
You can tell he really enjoyed animating Zenigata, Miyazaki put so much life into the character!
誇張していて現実から乖離している動きであるはずなのに、違和感や破綻を感じないどころか見ていてハラハラしたり一転してコメディにさせられるのはやっぱり一流のアニメーターの証なんだろうな。どれも話もキャラクターも知らないけどワクワクしてくるもの。
60s and 70s Western Animation went into a deep slump.
Japan in that time: Let's learn everything from their Golden Age and go few decades beyond while we're at it.
Certainly not if youre talking about their TV animation.
lmao japanese animation from 60s to like 85 is pretty much universally trash
I'd say 1980 is where it starts to get good
and I am weeb saying that
WreckingWood
West bad japan good
@@louie4551 This, but unironically
Shiroi omoi
Ok weeb
ストーリーやセリフがわかんないのに絵が動いてるだけで面白いと感じさせるセンスと技術がすごいよね
これすげえよ……………………………鳥肌立ちまくりましたありがとうございます………………
1:00 NO ONE IS SAYING HOW COOL THIS IS JIGEN JUST CASUALLY FALLS FROM A BUILDING WHAT-
Ikr Jigen is so cool! His swagger as he just casually falls from a roof shows how he has 100% confidence in Lupin to catch him. I honestly love their bromance so much 🥰😍
Not enough Americans know about Lupin III.
I'm thankful that Adult Swim has played lots of old episodes. It's how I got into it.
I can thank Adult Swim back in the 2000's for turning me onto part II. I couldn't get enough, and I kept seeing snippets of part I all over google, so I took the dive into subtitled anime territory and have zero regrets. Part I feels way better than part II in a lot of ways. Also going to go out on a limb and say part III even feels more true to the manga's style/aesthetic. In 2004 I couldn't find a DVD print of Castle of Cagliostro anywhere, and ended up finding an old VHS copy where they drop Lupin from the title, and the dub just calls him wolf. Still have that VHS.
Sugoi Variety Hour was that the Carl Macek translation? Where Zenigata introduces himself as “Detective Keibu Zenigata”?
@@FollowMe4REP It might be, I need to watch it again. Got it right behind me.
@@TheYoungVulnerableAnimeGirls i think in all cagliostro dubs hes called wolf the whole time, only saying his name when its on the front of the calling card
忘れがちだったアニメーションの魅力を思い出させてくれる。
It's great to see Miyazaki's old stuff. It shows that he has come a long way and that it is possible to be as good as he is.
It is great to see his old stuff I love miyazaki' s work so and I thought I would never ever reach him but this shows how much work he has done to get where he is
Brandon Jones It’s amazing to see Miyazaki’s old work, it just shows how far he’s come and how good he is
If you idolize someone, you're not striving to be exactlly like them, you will strive to be better than them. There's no fun copying somone else, why dont you be someone you could be. Be your own artist, learn something from the pro a thing or two, implement it into your work. Then it'll become yours. Take the idea that people had been formulated for a very long time in their lives and make it yours so that their ideas becane useful for someones life.
A. Bagas M. i mean "better than them" sounds a lot weird ngl. i don't want to be better than anyone necessarily, i just want to be able to put out my ideas
It's great to see Miyazaki's old stuff. It shows that he has come a long way and that if you're lucky you might be as good as him 50 years ago hindered by inferior tech by the time you're dead
Wow, those scenes from Dobutsu Takarajima look REALLY good for being from '71! I'm amazed he worked so much on Lupin III.
アニメーションは、動いてこそアニメーションなのだという東映動画の原点を見せつけられた思いがする。
それにつけても、宮さんの描いたキャラクターの動くこと動くこと、生命の躍動感に充ち溢れている。本当に良く走るなぁ。宮さんの演出じゃないが、富野由悠季監督の戦闘メカザブングルの「君は走るか、俺達ゃ走る」を思い出した。
ドタドタしてて
「せっかくアニメにするんなら」精神が凄いちょっとした動きでも見入っちゃうんだよな
60年代でこんな立体的に動くアニメなんてなかなか見ない
ドタバタの天才。
リアルな所はしっかりリアルに表現してる、だからこそ引き立つアニメにしか出来ない表現。
3:25 机の重みが感じられる慣性表現や入り口の脇に机の脚が引っ掛かるところなど、こういう細かいリアルさが動きの面白さに繋がってるんでしょうね。
生まれていない時代にこんな面白い作品が沢山あった事に驚きます。どれもユーモラスで楽しそう。宮崎駿って凄い人だったんですね。
He's clearly a fan of zenigata, lol. He always puts so much effort into him.
Staples of personally handcrafted Miyazaki animation:
*Big expressive character movements, especially with the arms
*Lots of running
*Consequently, lots of chase sequences
*Big splashy action sequences
*Large crowds that pretty much always stay in motion
*Steely looks of determination from the heroes and big toothy glares from the villains
*The laws of physics only applying when it's funny
0:34
Miyazaki can talk about all the characters with movement.
The reason for the genius is to bring the position of Zenigata's arm here even if he comes up with the action of going down from the escalator.
大塚康夫の描く動きの面白さや躍動感もすごく好きだけど、構図の迫力や表情の豊かさはさすが宮崎駿って感じ。
やっぱり歴史に名を残すアニメーターって須く凄いんだなあ。
Nagagutsu and Lupin still hold up incredibly well. Soratabu has the best animation I've seen from the whole decade, not just anime, but from the whole world
So does doubutsu takarajima
Man
Not only are these appealing colour palletes
These are some incredible and expressive character animations
I refuse to believe that this beyond stellar animation was made in the 1960s and the early 70s.
We got a fucking moose and squirrel that's budgeted on girl scout cookies and yet Japan gets what Disney has been missing at that time... zany characters and fast paced action and adventure.
Miyazaki never made anime. He made perfection.
Some of that early Mickey Mouse was great! You say that with these scenes, but have clearly not seen the rougher animations from those same anime. Miyazaki is good. But the work he didn't do looks no where near as good from the same shows.
Tell me about it. Disney's modern quality has been declining with their tasteless remakes and Pixar bombarding us with unnecessary sequels to boast their attempt at winning the Best Animated Feature award year-after-year.
@@ma3mc3mu-X The remakes are tasteless?
@@nobodycares6761 But the Aladdin remake fixed several things from the original
If you referring to Rocky and Bullwinkle yes the animation was low budgeted but it had the best writing of all time and even adults liked it back then
1:53 The shot of Zenigata sliding backwards was riffed in Castle of Cagliostro. Nice!
There are a lot of show shout outs in Castle of Cagliostro like that.
観てると童心に帰ってしまう。まさに冒険活劇!
The music syncing here is underrated
このハイセンスな編集、とても素晴らしいです
編集が素晴らしい!良くここまで曲と合わせたり似た様いなアクションやポーズで繋いだりしたもんだ
作画の良さも当然だが物凄く手間のかかった動画編集に見入ってしまった
ど宝と長猫の映像を見るとカリ城の元ネタだらけで、顔が綻ぶ。
It's amazing that even with a limited number of frames that his scenes look very dynamic
I personally feel this shows what a n entertaining animation is (not a good animation)
As Miyazaki has done, you create an environment with art, create motions and the reactions, spectrum of emotions, and fun colors.
There are many animes with beautifully drawn animations but so boring to watch. That’s why Miyazaki is a good director. He directs the story and its execution to be entertaining and the beautiful art is a plus that add more value.
I’m no expert. I’m just a novice who dreams to be able to create amazing animations as he does one day.
I wonder if anyone can relate
I think that's exactly what defines good animation, a pretty drawing is just a pretty drawing. You wouldn't call Monet a good animator.
Even though he isn't a PERSONAL influence on me, I agree wholeheartedly.
It is a good and very expressive animation.
@@nykkthing Of course you wouldn't call Monet a good animator, he never animated anything...
then what is a good animation?
史料的価値のある動画ですねえ素晴らしいです
作画天才すぎる。
本当はそんな動き、走り方しなあかもしれないが、このキャラクターはこんな動きするよなーって納得する。
宮崎駿の作画って楽しくて見てると元気になるなぁ~!
笑いのセンスがあるのかな?紅の豚やラピュタのコミカルな場面の作画も面白かったし
0:34 のとっつぁんが駆け下りるとこ狂おしいほど好きwwww
未来少年コナンも含めてほしかったと思ってしまいましたが、それでもこのまとめはちょっと尋常じゃないですね。素晴しいです!
0:34 That is one epic walk cycle
Karens running away from the library after putting the science books in the "fiction" section
@@elliesvlog247 Hahaha, well said!
Indeed
3:08
The transition all fit extremely well with the music and it's hella useful that the title is always there for each anime 10/10 EDITING
This video is what introduced me to Lupin The Third. I am eternally grateful.
The Bob Bergen dub of Lupin the Third The Castle of Cagliostro is what got me into the franchise, and I don’t regret it.
I do hope to watch the 2001 dub of Akira before this year is over.
0:14 The damn TIMING
Is it a legal requirement that every animator in Japan work on Lupin at some point in their career? I'm not complaining, it just seems like a trend.
Well, someone must start from somewhere.
よくぞ、よくぞ、よくぞここまでやってくださいました。いいものを見せていただきました。
いや~これだけよく集めたもんだわ、宮﨑駿の初期作画を
やっぱり東映やAプロ時代の方が好きだな。
動きがキレッキレ。
I think it's really fascinating how his movies for Studio Ghibli are usually very serene and overall animated in a grounded way, but his stuff for other studios usually looks very wacky and Looney Tunesy.
I love how the scenes almost perfectly sync in with the music’s rythm
1971’s Animal Treasure Island looks groundbreaking. Never even heard of it.
Probably my earliest memory of watching anime as a child, little did I know that I was watching the work of Hayao Miyazaki :)
Hmm
@@Gencoil Yeah Animal treasure island has some damn good animation, I really wish it could get more of a following here in the states. If something as good as Clone High, or something that's absolute crap like Fanboy and Chum Chum can have a following, than some as good and High quality like Animal Treasure Island deserve attention too. Also: Discotek needs to re release toei's older movies on Blu Ray or dvd.
3:19 Wow I can’t get over this fluidity
白黒時代からヌルヌル動くんだな宮崎作品は
東映動画時代や東京ムービーの頃の映像は、森康二、大塚康生、小田部羊一氏らの作品と言っても良い映像なんだけどなぁ。全部宮崎さんの仕事って事になっちゃったんだねぇ。この愉快な動きの殆どは天才アニメーターの大塚さんに負うところが大きいんだけど、老アニメファンだけが語り継いでいる。宮崎さんも凄いんだけどね。
編集が素晴らしい。最初のルパン→侍ジャイアンツの、動きによる繋ぎにオッとなり。その後も音楽に合わせた丁寧な編集に感心。まさかAMVの編集に感心する日が来るとは。古い作品が多いのに画質がいいのもすごい。迷わず登録した。
1:07 1969.
1969. This was made in 1969 and is almost on the level on Akira. This man is a living legend.
It’s almost awe-inspiring on how crisp it is for _1969._ If you told me that it was western animation, I would’ve probably believed you.
@@cptdalek1711 it looks like some big budget Disney animation of the time. Watch this and watch Robin Hood(1973 if I'm not mistaken) and tell me they aren't comparable. Amazing stuff
@@Eisenwulf666 Considering the infamous budget problems of Japanese animated movies way back then, I'm surprised they made it this smooth
Then again film preservation matters as well. Some of the less popular anime only have footage with such low preservation qualities that look like they came from a bootleg Polish VHS
5:55 here's one
サンバテンペラートという選曲がまたいいね
恐ろしいほど動く。細密でいてコミカル。まさに天才。
Can we just appreciate how the quality of these 50 year old animations are so mint even to today's standards
なんかすごく感動しました。子供のころチラッとだけ観たような作品まであって…
「ど宝」は一度だけスクリーンで観れたな。「ガリバー」や「幽霊船」も細かいストーリーは
忘れたけど、観た事あるな。パカッとロボットが割れて女の子が出て来るんだよな…
懐かしいな…子供のころアニメーションに夢中だったな…
唯一無二の宮崎監督の作画
すごくシンプルで線も少ないのに
コミカルで人間味のある動き
すべて子供の頃に見ていたアニメで、懐かしく思いながらも改めて感心しています。それにしても太陽の使者版鉄人にまで関わっていたとは知りませんでした
The man knows how to compose a scene with movement, cinematic scale, imagination, color palette, and humor! I love how much kinetic energy there is with the great extreme poses. AND he treats the vehicle animation with as much expression as the characters!
Also, his explosions have always been my favorite of all effects animation anywhere!
I prefer Kanada explosions more, though Kanada worked under Miyazaki a lot starting from 80s.
This is amazing. You are a hero for doing all this detective work and assembling these videos. I love your editing, too. Thank you!
1:02
Jigen is so cooool
aahh, there's something really special about the Lupin III scenes animated by Miyazaki. They have a charming different touch compared to the rest of the show
i love how expressive is the animation of hayao miyazaki :D
Despite being so old the scenes are so smooth.
絵だけでこんなに楽しい
Man! The animations are impressive for this time! :O Lupin's theme is fitting almost every scene or am I imagine this? :D
I need to say, Lupin is my favorite series there, but still: The others are looking really good too. ^^
For this time? Animation was historically more virtuosic than today. Especially and even in America, students study Disney and more and can't come close to what those guys did
@@ahvidharris3732 Today it’s much easier to make animation, Anime before 2000 with very good animation its an exception does not represent what was the media
@@kal_bewe1837 What do you mean it did not represent the media? Most of the shit from mid 80s to late 90s looks better and has better animation than what comes today. Even some some stuff from the 70s and early 80s has more artistic value than most of the shit that comes out these days.
@@dogus4728 You say damn shit, we still have artists from the 80s 90s in the industry today, animes from 70s are not full sakuga like the video. Generally the old anime with good animation quality are the movies and the oav, While today we have TV anime with animation comparable to that of movies (mob psycho, violet evergarden) Regarding artistic direction and staging, we always have gorgeous work. You better watch recent anime
@@dogus4728 tbh most of the from 80 were trash and it still is now cause market is so big if youre talking about things like akira its a diffrent story but you can make same argument for violet evergarden the only diffrence is tecnology in my opinion lots of meh animation and some really fuking good ones now and than
Hanna Barbera: just move the mouth and the head
Hayao Miyazaki: moving all the body
ok the first cut from Lupin to Samurai Giants was extremely smooth
やっぱり動きと絵に味がある
Zenigata's faces and moves killed me !
lupin the third part 1 is so gold for all of the Hayao Miyazaki animation, thank you for this video
These video are animation textbooks that are infinitely more entertaining
His work on Lupin is splendid.
1:25 These frames' lineart looks so clean for the year the cartoon was released as well for the animation, looks like it was made on 2006
I know right? Looks almost digital!
It's incredibly dynamic, vibrant with life and colourful. Just look at the scene where the antagonist fights the protagonist with a tiny sword... Amazing. The sheer amount of work necessary to animate like this, in freaking 1969 btw, is frightening.
There are few people who can be considered a genius in their field but Miyazaki is definitely one
The editing on this is fantastic. Great job!
個人的には「どうぶつ宝島」のシーンが多く使われていて嬉しい。
For a showcase on miyazakis work, this is really well edited, especially the music making it progress in a sense
"ONE MORE TIME!!!!!"
i just remembered how much I love slap stick + fight scenes
Even in the 60s and early 70s, the animation was ahead of it's time.
Hayao Miyazaki is the Don Bluth of Anime, such an amazing animator back in the 60s/70s
1:30 is breathtaking.
Gotta love Zennigatta getting down with Fujiko-Chan. Great music choice as well!
I feel some VERY strong slapstick vibes. This feels like it was heavily inspired by Tom and Jerry
It was. Lupin and Zengatti are essentially Tom and Jerry. Always trying to outsmart each other.
銭形のエスカレーター下り動きw
こんなの世界中探したってないよな。
Bruh this is like the in between point of western animation and anime and it feels reminiscent of looney toons and the jetsons but also seems like an early form of modern anime
NOBODY NOBODY:
ALL HAND-DRAWN each cell, each frame
all comments like this are annoying, but this one doesn't even commit to the format. smh
Hayao Miyazaki is Japan's finest animator and director and he give us movies like My neighbor Totoro, Ponyo, Howl's moving castle and Spirited away and he shall forever be remembered as Japan's finest animator and director and inspiring influence
that Doubutsu Takarajima looks amazingly high quality 0_0 I cant believe thats from the 70's!?!?!
Perfect MAD! Thank you for that.
I missed more of your hustle punch animations.
ディズニーみたいな躍動感と、奥行きのある動き
凄い
とても素晴らしいです!時々「え?これは大塚さんじゃないの?」とも思いましたが、BGM、編集もとても見事です!!
あなた、何者?
瞬きしないで見入ると
最後 泣く。
おいおいそいつはあんたがドライアイなんだぜ
The piece of animation that blew my mind the most would be a pretty mundane scene, but how glorious it looks makes it worth it: Ashitaka mounting Yakuru in Mononoke Hime, and going up a hill in the woods, at the beggining of the movie, with all the foliage casting shadow on the two
いきいきしてる!!
どんな性格なのか動きでわかるのすごいな〜