Will Smith slapped someone in the face at the Oscars yesterday. Someone said that he should win the Oscar award for the best slap-in-the-face. My response was: Reri Grist should win it for her slap at 5:48.
lol. Speaking of Ms. Grist, if anyone reading this is unfamiliar with her work, look for the video of her singing Zerbinetta's aria in Salzburg in 1965 (actually, it's divided into two videos). So far it's my favorite rendition of this unbelievably challenging piece.
see, while I think she is great in other rep, I think her Zerbinetta and Mozart are nearly unrivaled. Ah se crudel, I have never heard another singer conquer and interpret that aria so well, and I think her geme la tortorella on here is one of the most perfect recordings made. to each their own tho.
also, while she can get a little metallic and edgy, its more her later career mannerisms and sliding and scooping that miffs me. also, despite me saying i love her in mozart, i find her queen of the night to be her least appealing mozart role.
The best Constanze, Miss Gruberova!
The best cast for that opera!!!!
Not agree for me IT'S van der Walt Magnusson Nelson and Watson with thé Monster Kurt moll
Beautiful miss Gruberova!
What a joy to hear them so young!
Gruberova, Winbergh, Zednik, Battle, Talvela - Georg SOLTI by DECCA, around 1986/87. My favorite version of this opera.
Bravi!!!! Sublime!
Will Smith slapped someone in the face at the Oscars yesterday. Someone said that he should win the Oscar award for the best slap-in-the-face. My response was: Reri Grist should win it for her slap at 5:48.
lol. Speaking of Ms. Grist, if anyone reading this is unfamiliar with her work, look for the video of her singing Zerbinetta's aria in Salzburg in 1965 (actually, it's divided into two videos). So far it's my favorite rendition of this unbelievably challenging piece.
die beste constanze
see, while I think she is great in other rep, I think her Zerbinetta and Mozart are nearly unrivaled. Ah se crudel, I have never heard another singer conquer and interpret that aria so well, and I think her geme la tortorella on here is one of the most perfect recordings made. to each their own tho.
Karl can't keep up with Francisco. Wake up, maestro.
Wolfenstein 3D
EditaGurberova：正確でない、そのうえにキンキンした声がわたしには頂けなく感じられる声の質なのです。しかし、これは何といっても個人の好き好きに属する問題。咎める気持ちなどはちっともありません。
At the beginning Francisco araiza is running too fast.
also, while she can get a little metallic and edgy, its more her later career mannerisms and sliding and scooping that miffs me. also, despite me saying i love her in mozart, i find her queen of the night to be her least appealing mozart role.
Beautiful voices but boring and unmotivated staging. It's really too bad. In this case the piece is much more enjoyable to listen to than to watch.
お好きな方にはごめんなさい。