Die Entführung - Martern aller arten (Edita Gruberova)
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- Опубліковано 20 вер 2024
- Die Entführung aus dem Serail - Wolfgang Amadeus Mozart
Production from the Bayerische Staatsoper, München (25 April 1980)
With:
Edita Gruberova - Constanze,
Reri Grist - Blonde,
Francisco Araiza, Belmonte,
Norbeth Orth - Pedrillo.
Orchester der Bayerischen Staatsoper
Karl Böhm
The best interpretation of this aria. Perfection. Miss her so much. RIP diva!
Edita's voice control is absolutely superb in here... throwback to the old days when singing was a matter of talent - not of money and sponsorship.
I totally concur. I tried to listen to one young artist on this past Saturday's broadcast of the Met young artists competition and just couldn't. I kept hearing Gruberova, Sutherland and other greats singing this.
M
K
@@Ravenelvenlady you
I tottaly agree! Her voice is a wonderful gift. A friend of mine could listen to her in München, thirty years ago.
I'll never forget her voice and performances.
R.I.P MS. EDITA GRUBEROVA. LOVED YOUR VOICE. IT WAS A VOICE FROM THE HEAVENS.
I did not know she is deceased. She was a great opera singer.
RIP liebe Edita.
❤
Großartig, diese Stimme und Künstlerin, wie sie die Rolle gestaltet!
R.I.P liebe Edita Gruberova. Wir werden Sie nicht vergessen!
😔
7:53 the most amazing note ever sung: Twelve full, ethereal and eternal seconds in messa di voce
Astonishing!
How is possible this have disliked... WTF. This is beautiful
Maravillosa interpretación. Insuperables legatos sostienen la exigida coloratura. Esta es una verdadera artista. Nunca te olvidaremos, querida Edita.
Rest in Peace Diva Edita!
RIP, best interpretation of this aria...
Not just a beautiful voice and great singing - Edita looks absolutely stunning!
That thunderous applause, the emotion is incredible!! I love Gruberova.
Grazie Edita, di tutto…❤️
Sempre Edita.
I've got the DVD of this production: it's something really astounding! Gruberova is perfect as Konstanze, Araiza is a wonderful Belmonte, really charming Reri Grist as Blondchen, Norberth Orth is a very good Pedrillo, but the really top is Martti Talvela as Osmin.... incredible voice, a great sense of humour! And Karl Bohm is the real interpreter of Mozart's music! A MASTERPIECE!
She may now rest in peace!
Exceptionally good performance! GRUBEROVA'S vibrant resonance, dynamic emotion and grace gives its MAJESTIC tone!
Yes thats exactly why I wanted to say. Lovely.
Wow! Gruberova's technique is rock solid!
Die ganze Arie ist wunderbar gesungen und gespielt. Wonderful.
As I read in a review (in another context) " . . . [this is] a great, shaggy, triple-decker beast [of an arIa]." I have also read that this aria is probably the most difficult piece ever conceived for the voice. Regardless, one must honor a soprano willing to take it on. One thing I must say about Gruberova, she had the most amazing breath control! Brava Edita! You are missed!
Do not know shit about music, but this is this the best i have heard on the youtube.
THIS IS MOZART at his VERY BEST... the GREATEST of all MASTERS... at his BEST!!!!
@@Highinsight7 and here the Master was served by a true Maestra, Miss Gruberova, whose recent death the lyric world mourns.
@@jjlungdoc7472 she was just AMAZING... and she will be missed...
lolol. Actually, you know more than sh_t about music, because you've learned to love it and it went from your ears into somewhere in your heart (sorry if this sounds sappy).
@@Highinsight7 That's right, the Great Mozart, who, somehow in his 35 years managed to write some of the most glorious music ever written.
Everything she does is in the most exquisite taste. I love her!!!
I'm listening to different conductors right now, and I love the lightness Bohm brings.
Diese Arie von Edita erinnert mich an die alten Zeiten unter August Everding in München.Faszinierend die Präzision von Edita Technik.Einzigartig das Dirigat von Karl Böhm.Und erinnere mich an die Zauberflöte für Kinder.Freudige Erinnerungen.Toll.
QUALITY OF RESONANCE being produced.
This is the best thing anyone has ever heard in their life.
Superb conducting from Bohm. Slows down the tempo so we can hear these gorgeous melodies.
Une très très grande dame.
"Ten minutes of ghastly scales and arpeggios, whizzing up and down like fireworks at a fairground" (Salieri, in "Amadeus"). 😂
gratzie, signore
10 minutes of ghastly scales
*glorious
Einfach die Beste!
Magnífica!!! Una técnica y una vocalidad fabulosas. QEPD
The audience's reaction is unbelievable!
I like lady singer brilliance singers, here is one to enjoy forevermore
É a melhor em tudo que se propõe a cantar! Lá bravíssima, Gruberova!
Superb! Love you Edita
Edita at her absolute best! I wish I had heard this live!
La conocí solo en discos ahora en esta plataforma, no soy gran conocedor, pero se me eriza la piel siempre que pongo sus discos. Ahora a celebrar la vida de esta gran cantante.
Edita Gruberova....the queen!
That bow is everything that life should be
Totally agree.
Stunning !!! Brava Edita !! :)
fascinante!!!!!!!!! sin palabras!!! BRAVO!!!
7:53 that was cradled. This is the best version
C'est génial comme technique! Mais le 18 siècle vu par le 19 me! Paix à cette artiste hors paires!
Besser geht kaum...der große Böhm und die Gruberova
this is perfect screen legend
Conductor Solti recorded this opera with Ms. Gruberova under Decca few years after this Vienna production. Inside the booklet Maestro Solti wrote: My wish to record Entfuhrung' arose from a very touching event, which took place at the Vienna State Opera on 27 September 1981, as a homage from the musical world to the great conductor Karl Bohm, who had died less than two months previously. I was to perform the Prelude and 'Lievestod' from Wagner's Tristan and one of the earlier contributions was Konstanze's aria 'Traurigkeit,' sung by Edita Gruberova. Her performance was so moving that I returned home determined to record the complete opera with her. It took nearly three years to put the project together and to assemble the wonderful cast. By that time Edita Gruberova had decided she would no longer sing Konstanze on stage. We were most fortunate that she agreed to make this recording, thus preserving a performance, the quality of which I believe will not be equalled for many years to come.
meticulously perfect sublime performance !
Ricevere un applauso del genere penso che sia qualcosa di unico. Meravigliosa voce. E meraviglioso Mozart.
Brawo diva Edita. R.I.P.
7:19 this part omg
STUNNING! Absolutely stunning!
Fantastic abdolutely
La orquesta es magnífica como ninguna en esta interpretación de la música de Mozart. Ella es magnífica con su voz, la escena y la actuación dejan mucho que desear!
Perfekt gesungen und dirigiert !
It's depressing and unfair, I didn't live to witness this with my own eyes, and I know for a fact I will never see anything like this with my own eyes in my lifetime... RIP legend... what a crap life lies ahead...
R.I.P
This is one of two Mozart arias also Maria Callas sung. Tutti le torture. But Gruberova, I’m a great fan of both, brings the spirit of Mozart. La Callas made it technical perfect, but missing the soul of this aria.
Táto Diva začala spievať v Banské Bystrici. Obdivuje ju celý svet je Slovenka a ja som na ňu pyšná.
Anyway Callas didn't like Mozart, saying his music was boring and dull, and she was right. This aria has no soul that's just the usual (and always the same) vocalizations by Mozart, that do not even have a relationship with the text they accompany.
@@fan2jnrc Mozart is boring? What a shame!
@@fan2jnrc .I.
la più grande Konstanze di sempre.
pulicisciti le orecchie e ascolta la devia.
Mandolino82 sorry, still Gruberova on this one
@@Mandolino82, ma quale Devia...ce ne vogliono 200 per fare una Gruberova. La flessibilità è il colore della voce di Edita se la sogna. Che Dio l'abbia in gloria.
Renato Poncia, sicuramente, seguita forse dalla Sills anche se con timbro meno affascinante e cantata purtroppo in inglese. Inoltre Gruberova grande interprete. Cordiali saluti.
Brava 🎼🌷🌷🌷🌷🎼
Edita i love youuuuuj
I miss her so much… 😭
What a treasure!
Amazing!!!
Superb!
Amazing a complete revelation
EXCELENTE!!!!
Das war vor 40 Jahren, jetzt singt sie immer noch....
Stimmt. Aber nächste woche (27-03-2019) für das letzte mal im dieses Haus (Bayerische Staatsoper). Die Königin tritt ab....
BRAVISSIMO!!!!!!!!!!
Un air inchantable 💙🤍❤️
Selim Bassa is played by Thomas Holtzmann
Ma grandissima!
Wolfgang Amadeus Mozart
Die Entführung aus dem Serail
Arie der Constanze
alucina es la perfecccion sera o fue una diosa? como mozart?
The best !
Sempre libera!!! Wonderfull
Amazing
Un dono del Cielo.DIVINA
ECCEZIONALE!!
BRAVO!
Cantare Bellini e Verdi...ma anche Donizetti le ha fatto bene anche per Strauss e Mozart che lei affronta con una pulizia ...e senza strafare ...veramente in maniera da grande musicista...qui poi Bhom fa la differenza....
Perfettamente d'accordo.
Karl Bohm è stato a mio modesto parere il più grande interprete mozartiano del XX secolo, seguito da Colin Davis, Neville Marriner e oggi da Riccardo Muti
absolute beauty
Ich erinnerte mich jetzt neidisch an Salieris Beschreibung: "Fast zehn Minuten lang Noten mit ungeheurer Geschicklichkeit halten." Amadeus Genie...
RIP
königin der koloraturen , grandios
Das wird es soo bald nicht mehr geben...
whoo!! superb.. one of the few arias where I dont hear her scooping notes..
Beautiful performance! Edita was definitely on top of her profession.
I just don't like German staging but that is quite usual.
ESTA SEÑORA TIENE UN PODERIO DEL SANTO COPON, Y EL DIRECTOR DE ORQUESTA KARL BOHM ES UN FUERA DE SERIE.
Gruberova is the greatest IMHO. I have performed live with her many times and she was always so centered and controlled, but during the concert/opera turned on the emotions big time, as opposed to just getting it right during rehearsal.
Watching (listening to) this video I was somewhat disappointed by the lack of supportive emotion (emotional support?) by the Bayierische Staatsoper orchestra.
While they play extremely precisely in accompaniment, it lacks nuance, direction, build-up. Generally too tame.
The solo strings are just beautiful, but that is not what the music is about. This should be a s3x thriller, like Fatal Attraction or Basic Instinct. Much more dynamics are needed, and at least try to match the intensity of G's singing! At times it all sounds laboured.
I recommend this as a comparison
ua-cam.com/video/sV1O9qb72YM/v-deo.html
Thank you Edita
RIP LA REGINA PER SEMPRE
RIP Edita
too many notes
jefferson mady I LOVE YOU!! lol how much you wanna bet you get down voted because no one gets this :)
oh,, thanks,, i love you too
jefferson mady Leopold III
Can your grace suggest which notes to remove?
We must be able to listen not only to the notes, but also what is between them)))
OH MY GOD.
de qué año es? porque la producción es del 80 pero esta actuación no puede tener 41 años¡¡¡
I believe it was an August Everding production, wasn't it?
Yes... It was! The great Everding
sublime
LA version de référence
❤❤
Zweifellos war sie eine der Großen.
Jetzt hat sie endlich angekündigt, dass sie aufhört im September 2020. Sie ist auch eine, die nicht aufhören konnte, obwohl die Stimme deutliche Alterserscheinungen aufwies. Ist ja auch normal mit 74. Ihr Recital im Dezember 2019, schlimm. Es gibt wohl immer noch vollkommen notorische Fans, die sie immer noch hysterisch beklatschen.