Both the Sangeetam and Sahityam are controlling the hearts of Rasikas ,who are capable of relishing the classical music and the breutiful Sanskrit lyric with total understanding Rangaramanujacharya
When was in deep depression, I bound your song. Ofcourse its Garuda Gamana song only. I still sing it when I get into anxity mode. Thank you Sri. Menon. I am a lover of Hindolam too.
G.mo! Sir. " Mahaneeya Chemmbai maavoda " Suprasitthi Ghanam!". Your Singing " Cllassically this Kruthi!" After " Him". Athuvum in " Thaara Sthaayie lla" Addi Pozzhie!" Thaan. Very "Emmenssingly, Enjoyably" also. We Are Blessed to Listion The " Wonderful Song". Keep it Up Sir. Gurupavana purrisson may "Showers You W. Sakala Sughrriethams, Best in Health!". W. Joy. BhuVana. K.Moorthy.💯💯💥💥👏👏🤝🤝👍👍🤌🤌👐👐🙏🙏
Capitivating & awesome recital by this contemporary genius Srivalsan Menon.. Music organisers in Chennai, please encourge this superb musician. His voice keeps you out of the world. He deserves better attention as he is a jewel among present singers. What a superb control with sruthi & layam. Good luck young man.
I didn't know about the history.. I always thought that "kerala Iyers" didn't go more north than Kozhikode.. wonderful to know and blessed to hear the magical voice of Sreevalsan Menon. Next Kerala visit, I will definitely visit (if any agrahaaram is still present). Last one I visited was Nenmara Pazhaya Gramam, and it was wonderful to see the lifestyle there.
SIR, GOD BLESS YOU AND EXCELLANT CONTROL IN YOUR VOICE IS WITNESSED,. i USED TO HEAR DAILY THE NAVAGRAHA STHUDHI, SAKALA GRAHA BALA NEENE. EXCELLANT SIR, RTHOUGH I AM NOT AWARE OF MUSIC SCIENCE.
For the first I heard this kriti sung by late Sri Chembai V Bagavathar later by his disciple Sri Yesudas then theertha mallari by some nagaswaram artists The style(Bani) of sri Dr Sreevalsan is different from all of them above and the details of which enjoyed very much
Out of my ignorance, how do the violinists manage to remember and precisely repeat the aalapanas and kalpanaswaras on their instruments, following the rendition by the vocalists ?
If one listens to old Lalgudi, TN Krishnan etc., they do try to repeat vocalists' phrases mostly. Of course they also try their imagination. That is where they get nods from rasikas.
Both the Sangeetam and Sahityam are controlling the hearts of Rasikas ,who are capable of relishing the classical music and the breutiful Sanskrit lyric with total understanding Rangaramanujacharya
🙏🙏🙏🙏ഗുരുപാവനപുരവാസന്റെ അനുഗ്രഹം എന്നും ഉണ്ടാകട്ടെ.....
സൂപ്പർ, സൂപ്പർ ❤️❤️❤️ 19/11/2024.
what a wonderful musician / voice. top class accomopaniments..
When was in deep depression, I bound your song. Ofcourse its Garuda Gamana song only.
I still sing it when I get into anxity mode.
Thank you Sri. Menon.
I am a lover of Hindolam too.
Chembai Swami popularized this majestic song... Sreevalson has sung effortlessly...🙏🙏🙏
ഞാൻ ഈ കീർത്തനം ആദ്യമായി. കേട്ടത് വിദ്വാൻ സന്ധ്യവന്ദനം ശ്രീനിവാസൻ എന്ന മ്യൂസിഷ്യൻ പാടിയപ്പോൾ. അത് 1970 ആദ്യം. എന്തൊരു ഭക്തി. 🌹🌹🌹🙏
What a voice and what a bhava! Thank you. India and the world needs Padmanabha's raksha NOW!
🙏🏻🙏🏻🙏🏻🙏🏻🙏🏻🙏🏻
Wonderful voice and wonderful rendering
❤❤❤❤
Splendid indeed 👏💐🙌. Apt voice and throw * for this moderate paced, melodious rendition in ragam
Gambhira nattai..
G.mo! Sir. " Mahaneeya Chemmbai maavoda " Suprasitthi Ghanam!". Your Singing " Cllassically this Kruthi!" After " Him". Athuvum in " Thaara Sthaayie lla" Addi Pozzhie!" Thaan. Very "Emmenssingly, Enjoyably" also. We Are Blessed to Listion The " Wonderful Song". Keep it Up Sir. Gurupavana purrisson may "Showers You W. Sakala Sughrriethams, Best in Health!". W. Joy. BhuVana. K.Moorthy.💯💯💥💥👏👏🤝🤝👍👍🤌🤌👐👐🙏🙏
Pranamam to Chembai swamigal. His favourite keeethan 🙏
Chembai's favourite
👍💕🙏
Capitivating & awesome recital by this contemporary genius Srivalsan Menon.. Music organisers in Chennai, please encourge this superb musician. His voice keeps you out of the world. He deserves better attention as he is a jewel among present singers. What a superb control with sruthi & layam. Good luck young man.
Sir, thanks for your expert views, comments and suggestion.
He has never been getting the recognition deserved . Is he being discriminated ? Ultimately, it is the rasikas' loss.
❤
Melodious, mesmorising.
Before attempting, he rehearses well and his presentation is flawless
Menon sir find no words to express my feelings really really you are genius
Very melodious and mesmarisng sharanagati
I am hearing to this rendition atleast 3 to 4 times a day...it is simply awesome!
I didn't know about the history.. I always thought that "kerala Iyers" didn't go more north than Kozhikode.. wonderful to know and blessed to hear the magical voice of Sreevalsan Menon. Next Kerala visit, I will definitely visit (if any agrahaaram is still present). Last one I visited was Nenmara Pazhaya Gramam, and it was wonderful to see the lifestyle there.
The rendering of gambheera natta by sreevalsam J. Menon is amazing.
Heart touching. Soulfulpleading
Super
Superb sir. Dhanyosmi.
Much appreciable the presentation of the favorite song in a divine melody voice. Thanks for the postings. Ramkumar
Excellent rendering with wonderful instruments performance. Superb. Enjoyed. Very nice voice. 🙏🙏
What a great presentation
Try listening at 1.25x speed
ഇഷ്ടം❤
Pure Bliss
Please help us oh my God
What a voice. Befitting to the Ragam. Gifted voice. What a clarity with dictum. A precious Gem. Hearing for the first time.
Very " Nice Team". Excellently playing w. Their Instruments!".
Wery,niqce,to,hear
Comparable voice! The entire team
should long live with prosperous and
healthy and happy with their kith and
kin ! !
Super ! !
The listener is mesmorised.
Very nice to hear,
SIR, GOD BLESS YOU AND EXCELLANT CONTROL IN YOUR VOICE IS WITNESSED,. i USED TO HEAR DAILY THE NAVAGRAHA STHUDHI, SAKALA GRAHA BALA NEENE. EXCELLANT SIR, RTHOUGH I AM NOT AWARE OF MUSIC SCIENCE.
V.nice
Super excellent singing.Brilliant rendition.
So Divine.Thank God .
The violin and the singing is Adbhutam!!!
Sreevalsan sir is a beauty
Amazing performamce by SJM as usual....
🙏
Great rendering
❤️❤️Thank you for watching.❤️❤️ Please Like, Share and Subscribe !❤️❤️
Such adorable voice.Heavenly Bliss.
VIJAYALAKSHMI SHYAMSUNDER
Mesmmarising.mellodios
For the first I heard this kriti sung by late Sri Chembai V Bagavathar later by his disciple Sri Yesudas then theertha mallari by some nagaswaram artists The style(Bani) of sri Dr Sreevalsan is different from all of them above and the details of which enjoyed very much
Thank you 🙏
👌
Beautiful ❤️
Melodious ❤
❤heart touching Sharanagati rakshamam prabhu
Excellent to the core!!!
Pure bliss...!
Absolutely divine !!!
👏👏👌
what a rendering ! please check the audio from 13.51
Metallic...
❤❤🙏
Soulful
This is Demanding voice. Pleading will be more 🤔 interesting.
Only this rendition sounds like Gambheera nattai. Rest of them sound like nattai. World of difference!
Agreed! well delivered.
Superb
रक्ष मां शराणागतं पक्षिवाहन, पद्मजारमण पन्नगशयन, पद्मनाभ प्रभो
लक्षणजित - शुभ
लक्षणजित - कॊटि शुभ
लक्षणजित - शतकॊटि शुभ
लक्षणजित - मदन शतकॊटि शुभ
वक्षस्थल भूषित मणि कौस्तुभ. रक्ष मां
मध्यमकालम् --
पीत वसन नव मौक्तिक हार धृत शन्ख चक्र गदाब्ज महित
नत पारिजात नुत नामगीत निखिलाण्डकॊटि जीवाधार प्रभॊ
गुरु पवनपुर वास मनॊहर गिरिजा-धव-सन्नुत जगदीश्वर
परम भक्त परिपालन चतुर
वर मीनाक्षीसुत चित्त मनॊहर
मध्यमकालम्:
गणॆश चतुर्मुख अमर गणाधिप सुरगण गुरुकुल प्रमुख पराशर
नारद शुक व्यासाम्बरीष प्रह्लाद वसिष्ठ विभीषण शौनक
मार्त्ताण्ड वरुण सॊमाग्नि अष्ट दिशि संरक्षक तारक मण्डल
सप्त महॊदधि भुवन चतुर्दश दर्शित विश्वरूप विनॊद प्रभॊ
rakṣa māṁ śarāṇāgataṁ pakṣivāhana, padmajāramaṇa pannagaśayana, padmanābha prabhō
lakṣaṇaṇajita - śubha
lakṣaṇajita - koṭi śubha
lakṣaṇajita - śatakoṭi śubha
lakṣaṇajita - madana śatakoṭi śubha
vakṣasthala bhūṣita maṇi kaustubha. rakṣa māṁ
madhyamakālam --
pīta vasana nava mauktika hāra dhr̥ta śankha cakra gadābja mahita
nata pārijāta nuta nāmagīta nikhilāṇḍakoṭi jīvādhāra prabho
guru pavanapura vāsa manohara girijā-dhava-sannuta jagadīśvara
parama bhakta paripālana catura
vara mīnākṣīsuta citta manohara
madhyamakālam:
gaṇeśa caturmukha amara gaṇādhipa suragaṇa gurukula pramukha parāśara
nārada śuka vyāsāmbarīṣa prahlāda vasiṣṭha vibhīṣaṇa śaunaka
mārttāṇḍa varuṇa somāgni aṣṭa diśi saṁrakṣaka tāraka maṇḍala
sapta mahodadhi bhuvana caturdaśa darśita viśvarūpa vinoda prabho
Divine...sri srivalsan sir made us to have darshan of sri padamanabha swami through his rendering. Koti pranams🙏🏻🙏🏻🙏🏻🙂🙂
Why mouthstache ?
Mesmorises Mesmorises
rakṣa māṁ śarāṇāgataṁ pakṣivāhana, padmajāramaṇa pannagaśayana, padmanābha prabhō
lakṣaṇaṇajita - śubha
lakṣaṇajita - koṭi śubha
lakṣaṇajita - śatakoṭi śubha
lakṣaṇajita - madana śatakoṭi śubha
vakṣasthala bhūṣita maṇi kaustubha. rakṣa māṁ
madhyamakālam --
pīta vasana nava mauktika hāra dhr̥ta śankha cakra gadābja mahita
nata pārijāta nuta nāmagīta nikhilāṇḍakoṭi jīvādhāra prabho
guru pavanapura vāsa manohara girijā-dhava-sannuta jagadīśvara
parama bhakta paripālana catura
vara mīnākṣīsuta citta manohara
madhyamakālam:
gaṇeśa caturmukha amara gaṇādhipa suragaṇa gurukula pramukha parāśara
nārada śuka vyāsāmbarīṣa prahlāda vasiṣṭha vibhīṣaṇa śaunaka
mārttāṇḍa varuṇa somāgni aṣṭa diśi saṁrakṣaka tāraka maṇḍala
sapta mahodadhi bhuvana caturdaśa darśita viśvarūpa vinoda prabho
Thank you for the lyrics
Namaste, lyrics gives sn impact to hear the song with meaning.
Out of my ignorance, how do the violinists manage to remember and precisely repeat the aalapanas and kalpanaswaras on their instruments, following the rendition by the vocalists ?
Experience, practice and knowledge about the ragam and talam.
Perfect question. A voilinist is, at times, worshipped more than vocalist
If one listens to old Lalgudi, TN Krishnan etc., they do try to repeat vocalists' phrases mostly. Of course they also try their imagination. That is where they get nods from rasikas.
you have asked a question which was haunting me for a long time.
😂very melodious. Mesmorises
Are professional classical musicians earning adequately for their survival in Kerala, where, in my opinion their "rasikas" have been dwindling ?
Splendid indeed 👏💐🙌. Apt voice and throw * for this moderate paced, melodious rendition in ragam
Gambhira nattai..