Max Cooper - Palestrina Sicut (Official video "Fighters" by Quayola)
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- Опубліковано 27 вер 2024
- FIGHTERS - a film and sculpture by Quayola with music by Max Cooper, “Palestrina Sicut” - the final piece to be released from the ‘Seme’ audio-visual project, commissioned by Salzburg Easter Festival.
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Max Cooper:
“For Seme I was tasked with thinking about historic ideas and aesthetics coming from Italy. I set on the idea of “Seme” (seed) to link foundational aesthetics in science to other areas found in Italian culture: art, religious iconography, architecture, music, etc. It’s a big melting pot of ideas and form.
When I discovered Palestrina and tried integrating it into my music, I had a wow moment. It’s music that was created for the church, Holy music, but it carries a lot of the same messages of reflection and meaning that I often work with.
After many years following Quayola’s work I chatted to him about the project and was very lucky to find out he was creating something which fit the themes of the project I was also working on. So when he suggested turning the creative process into a film set to the music I was extremely excited, having been a fan of his work for many years. It’s an unusual music video project, and a special one, I hope you enjoy it.”
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‘Fighters’ is a film and sculpture by Italian multimedia visual artist Quayola for Max Cooper’s audio-visual project ‘Seme’ - the latest in the acclaimed musician, sound designer and creative vast portfolio of work that explores the foundations of nature and society.
The short film impressively captures the fusion of computer programming and classical Italian art, discovering historical aesthetics through a complex lens.
Quayola is an Italian artist who employs technology to explore the tensions and equilibriums between seemingly opposing forces: real and artificial, figurative and abstract, old and new. Constructing immersive installations, he engages with and re-imagines canonical imagery. His varied practice derives from custom computer software and includes performance, immersive installations, sculpture and works on paper. He has worked with composers, orchestras and musicians including London Contemporary Orchestra, National Orchestra of Bordeaux, Ensemble Intercontemporain, Vanessa Wagner, Jamie XX and Mira Calix.
Seme premiered within the iconic Felsenreitschule concert hall on 28 March 2024, followed by two nights at London’s Barbican Centre.
A truly creative alliance, Cooper and Quayola artworks pay distinctive attention to the relationship between various stimuli - the visual and the audible, all delicately explored through both the digital and the analogue formats.
‘Fighters’ showcases the harmonious potential of art and technology drawing inspiration from Michelangelo’s Captives (1510-1530), a series of never-completed sculptures which became emblematic of their expressiveness embedded in the exposed sculptural process.
Quayola’s sculpture is left unfinished, with the intent to document the aesthetics of the process itself, which becomes the true subject of both the film and the actual sculpture.
Fighters is a film about the algorithmic genesis of Quayola’s latest marble sculpture and the expressiveness of new robotic gestures, a chiselling visual performance that sees a robot take the lead protagonist - replacing the delicate touch of a human craftsman. It bridges digital and physical realms, sublimating robotic means and computational pathways into objects of contemplation, celebrating the intrinsic poetics of algorithmic logic and robotics precision, as well as the heritage of sculptural traditions, Carrara’s marble and the historical quarry itself.
CREDITS:
MUSIC
“Palestrina Sicut” by Max Cooper / maxcoopermax @maxcoopermax
Composition / Production / Synths: Max Cooper
Additional Composition / Synths: Niels Orens Vocalist: Sarah Aristidou
Vocalist: Kim Sheehan
Additional production: Tom Hodge
Vocal Recording: Andy Ramsay
Additional Mixing: Aneek Thapar
Mastering: Chris McCormack
Management: The Wild Seeds
Label: Mesh
SCULPTURE
Produced by Quayola Studio in collaboration with Cave Corsi, Carrara
Concept & Design: Quayola / quayola
CAM Design/Programming: Andrea Santicchia
Robotic Simulation and Milling: Robotor / TorArt
3D-Scanning: Digital Reality Lab
VIDEO
Editing: Quayola, Thea Ferraro
Editing Assistant: Giulia Olivieri
Post-production coordinator: Sara Taigher, Ippolito Simion (So What Pictures)
Production: Maria Elena Brugora
Drone Operator: Isabella Andrei
Camera Operators: Laura Veschi, Marco Petracci
Fighters: Denys Sliusar, Georgi Angelov, Georgi Petrov
Marble Quarry: Successori Adolfo Corsi, Carrara
℗ 2024 Mesh © 2024 Manners McDade / Faber Music Publishing Limited
All video & audio copyright is owned by Max Cooper and Mesh - no use without permission
this guy has been getting more and more conceptual each day... one wonders what lays ahead in this direction
yes. one does wonder, what lays ahead.
I listen to my favorite Max Cooper and reflect on the concept of tropos in our educational philosophy at Quadrivium Academy.
Tropos is the way for the noetic origin - logos - to manifest and materialize in the tangible world. It is the pathway of transformation-the modus and method-by which the abstract essence finds expression in reality, encompassing all its potential variations. Where logos embodies the essence, tropos defines the structure, technique, and method of its becoming.
Max and Palestrina? Magical! ✨♥
I love how this is captured. The start with the quarry, looking at the massiveness and complexity of the veins as well as the segmented quantization. Then followed up by the visualizing some sort of G-Code that we have no clue about, is it how the quarry is excavated? What are these complex lines? I was thinking maybe you got inspiration from it and created your own abstract topology from it. But I started to piece together once you showed the fighters. Excellent work, and well executed!
I've had a very similar experience. Watching this otherworldly photography on a good 4K TV made me think initially that this is a 3-D render and these lines are showing the quarry being procedurally generated. In the end, the unfinished robot sculpture does resemble the quarry itself, but on a different scale. Amazing stuff, awesome to behold.
Another masterpiece. This one made me well up with tears. Thank you for producing some of my favorite art pieces to keep coming back to.
Wow! Amazing work! Really enjoyed the artistry, thanks for sharing it with us.
Struggle, the endless perpetual war of mankind against itself for its goal is eternal peace!
Lindo, sensacional
素晴らしい写真です。ありがとう！
Some of the best visual themes out there. Very underrated artist. Thank you.
Всё в порядке бро
Beautiful !
Absolutely stunning music & video, love the circular nature of it all.
these would make the most buttery ledges to skate on
Sounds dedicated to a stellar New World, already evolving itself! Urge that you do your part!
amazing!
Impressive, Max.
I've been waiting for this.
Insane video….bravo to the person that made it really next level
❤
I love it. Great work, appreciate the aesthetic representation of technical information🤍
Its like looking at the fundamental structure of the universe and then realizing its everywhere
Just like the 12 Gemstones of the Bible that have started the Bible and God (cause this structure deserves sole God to be defined through it and the Bible to be written)
Shades of Philip Glass. ❤
this is Art.
So athmospheric!😯
We live in an age where face to face violence and the handcraft of sculpture slowly fade to the past, and are replaced by virality and automation.
This really looks like patterns shown in slicing software when slicing the 3d model into gcode file!
Sending good vibes from louisiana ❤
free Palestrina!
Чушь
Djovani Pjerluiđi всего лишь, угу. А ваше имя мы в каком учебнике можем наблюдать? Ах да, о чем это я, свинья которая в публичном поле начинает писать на своем языке, какие тут могут быть "достижения" xD
Black blood on pure white
Amazing audiovisual stuff, Max 🤩 Work of art!
Very interesting. However, I'm pretty sure that the finished sculpture would be like comparing a photo facsimile to an actual Vermeer. A Rodin would be so much better in every way, unless our thought and critical thinking systems become automatons.
you painting with sound my guy, you god, if it doesnt exist better position!!!!! you the abstract of everything concret....
Man cannot remake himself without suffering, for he is both the marble and the sculptor - Alexis Carroll
I think that this quote is better reserved for Rodin, Bernini, or Michelangelo.
We saw this at the Barbican. Probably my favourite part of the performance, thanks for sharing it here too.
10/10
I loved your work. Thank you for existing and agreeing with me :)
Makes me fly. Makes me feel light. Wooooow....
😮😮😮wow
G-Code!
It's so beautiful. Great sound and visuals. Your work is always inspiring.
This is one of the best videos you've ever made!
Allez la!