Thanks so much ! This is exactly what i was looking for. i did not even know what to type in the search bar. Polytonality in filmscores is an amazing topic
Thanks a lot Michael for this great video, I really enjoyed it and would love to see more in detail videos like this one... I understand that you already have a course on Film scoring, consider releasing a course on film scoring harmonic and melodic techniques, I bet it will be a success ;-) Kind regards and many blessings, Max
Is there a rule or guideline in using polytonality, which keys work together and which don't? The Williams piece, despite being in two keys at once, still sounds pleasant. What about, say, A minor over Bb minor?
Great stuff. Thank you very much! 👍👌 Today I discovered a new great UA-camchannel to make better music compositions : your UA-camchannel. Thank you, Sir!
Thank you. I use Cubase currently. But all the major daws will work perfectly fine! My piano skills have played an important role in harmony and to score fast. However making midi mockups is a data entry job, and you don't need to be a virtuoso pianist to enter the notes in your daw. Understanding harmony and orchestration and most of all having your own voice/sound I thing is very important.
Do you think there is a move away from demanding orchestration and folk are now no longer interested in flourishes, advanced harmonic techniques, (pseudo atonality).... seems they want more simplistic language. Would like your view on current trends.
There has been for a while. That said there are still fantastic orchestral scores that use this harmony technique (which isn't complicated) but we have a younger generation of directors and producers who wrap their head around sophistication. Also composers are far less educated and often come out of the rock and pop production (4 chord diatonic) worlds.
Why wouldn't you just show the score? I don't want to have to squint at your hands as you go through every individual instrument being like "this is what the bassoons are playing"
You’re the best instructor that I know of. I wish I found you before I started at Berklee!
Thank you Dave!
Thanks so much ! This is exactly what i was looking for. i did not even know what to type in the search bar. Polytonality in filmscores is an amazing topic
John is a beast. one of the great american composers for sure
He is a great composer, who cares if he is an American or not?
@@Johnsormani I dont, I just think he belongs up there recognized with copeland etc...
Thanks a lot Michael for this great video, I really enjoyed it and would love to see more in detail videos like this one... I understand that you already have a course on Film scoring, consider releasing a course on film scoring harmonic and melodic techniques, I bet it will be a success ;-) Kind regards and many blessings, Max
I second that!
These tips could be a whole video series. Thanks for doing videos like these ones. I'm learning a lot, even as a working media composer.
Thank you!
Really really valuable content! Really few channel have such a quality! Thank you! :D
What is all the hardware used for dynamics vibrato on pad I look ?
This was fantastic! I look forward to seeing more of these!
Spot on!
Great info and I would have loved to hear a longer version of this video. Thanks a lot!
yes a complete video series like this will be awesome ! thank you !
Thanks will work on more soon:)
@@whittymusic Great news ! thank you
Yes, Yes Sir, I have indeed asked myself those questions, and now I am about to ,. hopefully get the answers to them
Really enjoyed your presentation. Thank you.
Is there a rule or guideline in using polytonality, which keys work together and which don't? The Williams piece, despite being in two keys at once, still sounds pleasant. What about, say, A minor over Bb minor?
Very cool question, just like modes have certain color/moods, what polytonalities achieve what is an amazing idea to explore!
Great! Your Film Scoring Techniques videos are one of the best on youtube! I really hope you keep going! Thank you!
Whoooooooo Mr Mike you Killing 💪🏾🔥💪🏾🔥💪🏾
hi.. which DAW is this!! plz make a video on How you manage RAM n CPU for such orchestration..Any way its SUPERB!!
This was Digital Performer. I use VIenna Ensemble pro and multiple slave computers. Look up Vienna Ensemble Pro, it will change your life
Awesome. Please make more about this style 🙏❤️
Absolutely fantastic presentation. Subbed.
Love this!! Thanks, mate.
Great knowledge, thank you
*geeeeez man!!*
*love this!!!* 🏆
Great Lesson, thanks
This is excellent. Thank you so much ❤
Thank you Michael! Excellent!
Great stuff. Thank you very much! 👍👌
Today I discovered a new great UA-camchannel to make better music compositions :
your UA-camchannel. Thank you, Sir!
Great teacher. Questions: What DAW do you use? Is it necessary you are keyboard player to compose well?
Thank you. I use Cubase currently. But all the major daws will work perfectly fine! My piano skills have played an important role in harmony and to score fast. However making midi mockups is a data entry job, and you don't need to be a virtuoso pianist to enter the notes in your daw. Understanding harmony and orchestration and most of all having your own voice/sound I thing is very important.
Thanks for uploading this
Really well explained. Thankyou
Amazing
Stoked I found whitty music
Great Tutorial.
Hey mike, do you have these examples in a midi format?
In short, study Maurice Ravel's music! Great tutorial, btw.
Loots of buffer glitches coming from your DAW. May need bigger buffer.
Yea for sure, when capturing this video with obs studio and my full template it caused glitching, fortunately I have resolved that issue
Do you think there is a move away from demanding orchestration and folk are now no longer interested in flourishes, advanced harmonic techniques, (pseudo atonality).... seems they want more simplistic language. Would like your view on current trends.
There has been for a while. That said there are still fantastic orchestral scores that use this harmony technique (which isn't complicated) but we have a younger generation of directors and producers who wrap their head around sophistication. Also composers are far less educated and often come out of the rock and pop production (4 chord diatonic) worlds.
Track name?
Why wouldn't you just show the score? I don't want to have to squint at your hands as you go through every individual instrument being like "this is what the bassoons are playing"
It would be useful to ACTUALLY SEE A SCORE.